Core Viewpoint - The article discusses the significance and evolution of small-scale calligraphy in China, highlighting its artistic value and the recent developments in the field through exhibitions and individual expressions [3][4]. Group 1: Exhibition and Development - The "Second National Small Calligraphy Exhibition" was held to convey the humanistic spirit and aesthetic values embedded in traditional Chinese culture, marking a significant improvement in the diversity of styles and individual expression among participants [3]. - There is a notable shift from homogenized works to more personalized creations, with some artists using smaller formats to produce concise and meaningful pieces, which is commendable [3]. - Despite progress, some works still resemble reduced versions of larger pieces, lacking the essence of small calligraphy, which traditionally emphasizes brevity and depth [3]. Group 2: Historical Context - The history of Chinese calligraphy is rich with small pieces, such as letters and notes, which have been celebrated for their emotional depth and artistic merit, exemplified by works from renowned calligraphers like Wang Xizhi and Su Dongpo [3]. - Classic small calligraphy works often encapsulate personal sentiments and national concerns, reminding contemporary artists of the importance of conveying significant messages through concise forms [3]. Group 3: Artistic Considerations - The impact of exhibition settings on artistic creation has been a topic of academic discussion, with concerns that the trend towards larger works may detract from the essence of calligraphy [4]. - To achieve a balance between grandeur and precision, artists are encouraged to immerse themselves in traditional practices while innovating and integrating their work into daily life [4].

Core Viewpoint - The article emphasizes the cultural and historical significance of the Forbidden City, highlighting its architectural beauty and the rich history behind its artifacts, while promoting a special book that encapsulates this heritage. Group 1: Cultural Significance - The colors red, yellow, and blue symbolize the grandeur and history of the Forbidden City, representing 600 years of imperial legacy and timeless craftsmanship [2][4]. - The Forbidden City is not just an architectural marvel but a living history of Chinese civilization, housing 1.86 million artifacts that reflect the aesthetic values and artistic achievements of ancient China [15][18]. Group 2: Historical Narratives - The article recounts poignant historical moments, such as Emperor Shunzhi's grief for his wife and Emperor Yongzheng's dedication to his work, illustrating the human stories behind the palace [6][9][11]. - It critiques the portrayal of the Forbidden City in media, which often focuses on sensationalized narratives, overshadowing the true historical depth and the significance of its collections [14][15]. Group 3: Book Promotion - A special book titled "The Most Beautiful Forbidden City" is introduced, featuring a comprehensive collection of artifacts from four major palaces, aiming to provide an immersive experience of Chinese art and history [27][28]. - The book is presented as a lifelong treasure, designed to enhance understanding of architectural aesthetics and Eastern art, making it suitable for both personal enjoyment and as a gift [30][71]. Group 4: Visual and Artistic Value - The book includes over 400 representative works, showcasing the evolution of Chinese aesthetics from various dynasties, and is described as a visual feast that captures the essence of Chinese culture [115][139]. - It features high-quality reproductions and detailed photography, allowing readers to appreciate the intricate details of the artifacts and artworks [142][146]. Group 5: Accessibility and Pricing - The book is offered at a promotional price of 399 yuan, significantly lower than its original price of 1298 yuan, making it more accessible to a wider audience [63][160]. - Additional gifts are included with the purchase, enhancing the value proposition for potential buyers [67][164].