在AIGC技术加速演进并寻求商业化落地的当下，一条清晰可见的赛道正在迅速崛起——AI漫剧。相较于AI真人短剧中难以避免的"僵硬感"，动画形式与 AI生成技术的结合显得天然且自洽。更重要的是，漫剧并非凭空诞生的新物种，其在AIGC爆发前就已经以动态漫的形态积累了多年的内容沉淀与受众基 础，如今乘着AI的东风，可谓真正迎来了"如虎添翼"的时刻。 AI技术的介入，从根本上解放了动画制作的生产力瓶颈。它大幅降低了传统动画中耗时耗力的原画、中间帧与着色环节的门槛，使漫剧产能迎来必然的 井喷，也让更多中小团队甚至个人创作者有机会进入这条赛道。 而真正标志这个生态走向成熟的，是商业化路径的跑通。一个仅10人的团队，用45天时间，完成了50集《明日周一》的制作。它不仅仅是一部作品，更成 为整个AI漫剧赛道中首个得到市场验证的完整showcase：成本可控、周期极短、且收益可见。 播放量海报 它究竟是如何做到的？背后体现了怎样的协作范式与产业思考？毒眸为此与制作方珀乐互动、IP版权方千灯如昼以及技术提供方Vidu展开对话，试图还原 这条新赛道的真实图景。 一条清晰的商业路径 上线不到两周，在没有任何投流的情况下，《明日周一》的 ...

Group 1 - The short drama market is expected to exceed 50 billion yuan, with Red Fruit achieving over 170 million monthly active users and monthly revenue surpassing 500 million yuan by 2025 [2][5][28] - Red Fruit's success is attributed to its free viewing model, which disrupts traditional paid models in the industry [4][5] - The platform's revenue-sharing mechanism ensures a baseline payment to creators, allowing for significant earnings, with over 10 copyright holders earning more than 10 million yuan in a single month [6][28] Group 2 - The industry is experiencing a divide, with Red Fruit thriving while many production companies struggle due to a focus on high-quality content that does not align with market demands [3][10] - Traditional production companies face challenges as they attempt to apply their established practices to the short drama market, which operates under different dynamics [9][24] - The rise of AI dynamic short dramas presents a new opportunity, with production costs significantly reduced and efficiency increased through AI technology [14][16][18] Group 3 - Rural dramas are emerging as a viable option, with low production costs and a focus on relatable content for underserved markets, demonstrating the importance of targeting specific audience needs [19][21][22] - Traditional long video platforms are struggling to adapt to the short drama format, often hindered by their established operational models [23][25] - The competitive landscape is shifting towards ecosystem and business model competition rather than content quality alone, requiring companies to reassess their strategies [33][34][35]