苏州双塔 1964年 颜文樑 苏州市公共文化中心藏 TCHOHOLL 睡莲 1906年 克劳德·莫奈（法国） 芝加哥艺术博物馆藏 苏州拙政园 1964年 颜文樑 苏州市公共文化中心藏 展厅一角。 苏州博物馆供图 虎丘塔影图 陆 治（明） 天津博物馆藏 从中国苏州拙政园到法国吉维尼莫奈花园，从吴门山水到印象派油画，古今东西，园林艺术都是人与自 然关系的具象表达：诗意的栖居，始终是人类共同的向往目标。 莫奈所绘的睡莲与颜文樑笔下的拙政园均以园林水景为核心主题，追求自然意境与诗意表达。前者采用 裁剪构图的方式，满幅水面省略岸景，以抽象笔触捕捉光影的瞬息变化。后者则运用疏密自然的全景布 局手法，生动地再现了江南园林的自然风光与天然野趣。两者一特写探微，一全景寄情，皆臻自然诗 境。 江南文化中，塔常作为寺庙园林的一部分，与周边环境融为一体。《虎丘塔影图》意境疏淡深秀，《邱 园：宝塔和桥》再现英国对中国造园理念的吸收和改造，《苏州双塔》着力于景观的客观还原。三者一 为传统写意，一为东西融合，一为本土写实，虽语境各异，却共同折射出中国造园理念中对塔与景致相 映成趣的追求。 《 人民日报 》（ 2025年10月17日 17 ...

Core Points - The Palace Museum is celebrating its 100th anniversary, marking a significant milestone in its history and cultural heritage [2][21][33] - The museum has evolved from a royal palace to a public institution, making cultural treasures accessible to the general public [13][25] - The museum has developed a comprehensive system for the collection, protection, research, display, and dissemination of cultural relics [2][12][23] Group 1: Historical Significance - The Palace Museum was officially established on October 10, 1925, and has since become a symbol of cultural preservation [5][21] - During the Second Sino-Japanese War, nearly 20,000 boxes of cultural relics were relocated to protect them from destruction [10][12] - The museum has received over 456 million visitors from 1949 to 2019, with a record of over 17.6 million visitors expected in 2024 [12][21] Group 2: Cultural Heritage and Preservation - The museum's collection includes approximately 1.95 million cultural relics, categorized into 25 major categories [9][23] - The Palace Museum has established a "cultural relic hospital" that employs over 100 experts in restoration and preservation [16][23] - The museum utilizes advanced technology, including 3D printing, to restore and preserve artifacts [17][23] Group 3: Educational and Cultural Exchange - The Palace Museum has initiated various exhibitions and cultural exchange programs, enhancing its role as a global cultural hub [24][26] - The "Taihe Scholars" program promotes academic exchange, supporting scholars from 14 countries [28] - The museum has organized numerous international exhibitions, fostering cross-cultural dialogue and understanding [26][29] Group 4: Future Development - The Palace Museum is expanding its facilities, with a new northern area under development to continue its mission of cultural preservation [31][33] - The museum aims to enhance its service levels and further promote the display and utilization of cultural relics [31][33] - The leadership emphasizes the importance of cultural confidence and the responsibility of preserving and interpreting the museum's diverse values [31][33]

Core Insights - The Hong Kong art market is experiencing a significant surge in activity, highlighted by record-breaking auction results and increased participation from international art institutions and collectors [1][2][4]. Auction Performance - Sotheby's Hong Kong achieved a historic auction with a 2.135 billion HKD sale of a calligraphy piece, marking the longest bidding war in its history [1]. - Christie's Hong Kong reported a total sales amount exceeding 7.2 billion HKD across six categories, with a 95% success rate and sales exceeding the low estimates by 111% [2]. - China Guardian Hong Kong also performed well, with total sales reaching 4.1 billion HKD, a 22% year-on-year increase, and an average success rate of 76% [2]. Market Dynamics - The Basel Art Fair in Hong Kong attracted 240 galleries from 42 countries, with many galleries achieving significant sales on the first day [2]. - Art Central, part of "Hong Kong Art Week," featured over 100 galleries and 500 artists, resulting in considerable trading success [2]. Strategic Positioning - Hong Kong is recognized as a key platform for showcasing Asian classical, modern, and contemporary art, blending Eastern and Western artistic influences [2][3]. - The city has become a hub for international galleries, with many establishing their Asian headquarters in Hong Kong, reinforcing its central role in the Asian art market [3]. Infrastructure and Policy Support - The Hong Kong government is implementing policies to enhance the city's position as a cultural and artistic exchange center, including the development of a complete art trading ecosystem [5]. - The West Kowloon Cultural District, featuring major cultural institutions, is expected to inject new momentum into the local art ecosystem [5]. Future Outlook - Industry experts express confidence in the future of the Hong Kong art market, anticipating a more mature and prosperous phase as the art ecosystem continues to develop [6].

Core Viewpoint - The "Le Lin Quan - Sino-Foreign Garden Culture Exhibition" at the Palace Museum showcases over 200 exhibits that highlight the beauty of Chinese classical gardens and their dialogue with foreign gardens, emphasizing the pursuit of an ideal living environment [4][12]. Group 1: Exhibition Highlights - The exhibition features a variety of garden-related themes, including elegant gatherings, appreciation of art, mountain excursions, quiet retreats, flower viewing, and musical enjoyment, illustrating the joys and aesthetics of garden life [5][6]. - Notable exhibits include the "Lanting Eight Pillars," which display calligraphy works related to the famous Lanting gathering, a significant cultural memory for the Chinese people [6][7]. - The exhibition includes works by renowned artists such as Claude Monet, with his famous "Water Lilies" series, showcasing the integration of color and light in garden landscapes [12][13]. Group 2: Cultural Exchange - The exhibition emphasizes the cultural dialogue between Chinese and Western gardens, highlighting differences in design philosophies, such as the Chinese pursuit of harmony with nature versus the Western focus on artificial beauty [14]. - Historical influences are noted, such as the incorporation of Chinese elements in Western garden designs during the 18th century, reflecting a fascination with Chinese aesthetics [14]. - The exhibition also features artifacts from international museums, including the Chicago Art Museum and the Metropolitan Museum of Art, enhancing the cross-cultural exchange of garden culture [12].