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新华全媒头条|百载共守护 一城尽风华——写在故宫博物院建院100周年之际
Xin Hua She· 2025-10-09 13:46
Core Points - The Palace Museum is celebrating its 100th anniversary, marking a significant milestone in its history and cultural heritage [2][21][33] - The museum has evolved from a royal palace to a public institution, making cultural treasures accessible to the general public [13][25] - The museum has developed a comprehensive system for the collection, protection, research, display, and dissemination of cultural relics [2][12][23] Group 1: Historical Significance - The Palace Museum was officially established on October 10, 1925, and has since become a symbol of cultural preservation [5][21] - During the Second Sino-Japanese War, nearly 20,000 boxes of cultural relics were relocated to protect them from destruction [10][12] - The museum has received over 456 million visitors from 1949 to 2019, with a record of over 17.6 million visitors expected in 2024 [12][21] Group 2: Cultural Heritage and Preservation - The museum's collection includes approximately 1.95 million cultural relics, categorized into 25 major categories [9][23] - The Palace Museum has established a "cultural relic hospital" that employs over 100 experts in restoration and preservation [16][23] - The museum utilizes advanced technology, including 3D printing, to restore and preserve artifacts [17][23] Group 3: Educational and Cultural Exchange - The Palace Museum has initiated various exhibitions and cultural exchange programs, enhancing its role as a global cultural hub [24][26] - The "Taihe Scholars" program promotes academic exchange, supporting scholars from 14 countries [28] - The museum has organized numerous international exhibitions, fostering cross-cultural dialogue and understanding [26][29] Group 4: Future Development - The Palace Museum is expanding its facilities, with a new northern area under development to continue its mission of cultural preservation [31][33] - The museum aims to enhance its service levels and further promote the display and utilization of cultural relics [31][33] - The leadership emphasizes the importance of cultural confidence and the responsibility of preserving and interpreting the museum's diverse values [31][33]
三星堆多学科研究取得重要阶段性成果
Xin Hua She· 2025-09-27 21:54
四川省文物考古研究院三星堆遗址工作站站长冉宏林介绍,碳14测年显示,3、4、6、8号祭祀坑埋藏年代大概率处于公元前1201年至公元 前1012年,相当于商代晚期,1、2、3、4、7、8号祭祀坑埋藏年代相同。该成果为厘清祭祀坑年代和构建遗址精细年代框架提供了重要依据。 研究显示,三星堆青铜铸造展现出独特的技术创新与本土化表达,形成了以分铸为核心,兼用浑铸、锻造的创新铸造技术体系;独特 的"芯骨-条形芯撑"技术,有效解决了细长、弯曲器物的成型难题。这一成果不仅深化了对中国古代青铜铸造体系的认知,也为揭示中华文明 多元一体及世界青铜器铸造技术的交流机制提供了新证据。 目前多学科团队已修复三星堆金器270余件,重逾1500克,三星堆8个祭祀坑出土的金器总重量约2000克,均为金银合金。三星堆出土玉璋 与二里头文化玉器有着密切的传承关系。三星堆先民确立了稻作农业为主体的农业形态,由此支撑了高密度人口,为三星堆古国的迅速崛起提 供了充足的保障与动力。同时,通过现场保护技术、脱水加固技术的研发和应用,3、4、7、8号祭祀坑出土的600余根饱水象牙能够在常规环 境下保存、展示。 9月27日,四川省文物考古研究院在四川德阳召开 ...
中国彩绘青铜已三千年!最新研究实证多彩三星堆
Xin Hua Wang· 2025-09-27 20:37
提起商周青铜器,人们脑海中浮现的是那抹古朴的青绿色。这其实是青铜器在地下埋藏千年后,被时光赋予的"锈色"。这片青绿掩去了它最初 的模样,那原本是一种如同太阳般耀目的金色,因而商周时期称青铜为"吉金"。 三星堆的青铜器同样如此。大约三千年前,三星堆人将铜、锡、铅的合金,按照一定比例铸造成高大的神树、巨大的面具、威严的神像……祭 祀天地神灵、沟通宇宙万物。最新公布的研究表明,这些充满了创造力和想象力的青铜器,在灿烂的金色上更着有斑斓的色彩。 通过科技分析,考古学家揭开了三星堆青铜器的"色彩密码"。目前已发现的色彩为黑、红二色,黑色多见于描绘青铜人像和青铜面具的眉毛、 眼睛、头发等,也用来绘制一些特殊的图案和符号;红色常出现在青铜神树的花瓣上,青铜容器、人物服饰的细密纹饰凹槽里。这些彩绘在上 百件青铜人像、神兽、龙头等器物上均有发现,部分甚至肉眼可见。 "过去通常认为,中国彩绘青铜器多见于战国秦汉时期。三星堆彩绘青铜器数量众多、工艺精湛、取材自然,将中国彩绘青铜器出现的时间提 前了近千年。"负责此项研究的四川省文物考古研究院博士后刘百舸说。 新华社成都9月27日电(记者童芳 谢佼)27日在四川德阳召开的2025三星 ...
三星堆公布重大发现!专家:种种迹象表明,三星堆可能爆发过内战,神权贵族集团受到严重打击
Mei Ri Jing Ji Xin Wen· 2025-09-27 14:24
Core Insights - The latest multidisciplinary research results from the Sanxingdui site have been released by the Sichuan Provincial Institute of Cultural Relics and Archaeology, focusing on the dating of sacrificial pits, unique bronze casting techniques, and new findings in gold and copper artifacts [1][3]. Group 1: Dating of Sacrificial Pits - The dating of the sacrificial pits has been confirmed to the late Shang Dynasty, with a 95.4% probability that pits No. 3, 4, 6, and 8 date between 1201 BC and 1012 BC [5][9]. - The precise dating is significant for understanding the evolution of ancient Shu civilization and its integration into the broader Chinese cultural context [9][3]. - The research utilized carbon-14 dating, with a focus on bamboo charcoal for more accurate results, pinpointing the date to around 1100 BC, approximately 3100 years ago [7][5]. Group 2: Bronze Casting Techniques - The "core-bone and strip core support" technique has been identified as a significant innovation in large bronze casting, marking its first systematic confirmation in domestic archaeological contexts [13][11]. - This technique is compared to the traditional model method used in ancient Chinese bronze casting, showcasing unique local adaptations that contributed to a distinctive bronze culture [15][11]. - The research indicates that the bronze artifacts from Sanxingdui were created using a combination of casting methods, including split casting, which reflects a sophisticated technological system [13][15]. Group 3: Gold and Copper Artifacts - The research confirms that the painted bronze artifacts from Sanxingdui are among the earliest known lacquered copper wares in China, establishing a cultural link between the Sanxingdui and Jinsha sites [19][17]. - Analysis of the gold artifacts indicates that over 2 kilograms of gold were used, employing advanced refining techniques [19][17]. - The findings suggest that the ancient Shu people had developed intensive wetland rice agriculture and standardized pottery production by the late Shang Dynasty, indicating a prosperous society [19][17]. Group 4: Historical Context and Cultural Evolution - The Sanxingdui site represents a long-lasting and extensive archaeological site, encompassing multiple cultural phases, including Baodun, Sanxingdui, and Shierqiao cultures, with significant developmental relationships among them [22][23]. - The Baodun culture period saw the construction of city walls due to resource competition, leading to a landscape of competing settlements [22][23]. - The transition of Sanxingdui from a central state capital to a regular city involved conflicts over capital status, resulting in significant changes to the urban structure and religious practices [23][22].
三星堆公布重大发现!专家:种种迹象表明,三星堆可能爆发过内战,神权贵族集团受到严重打击,城市水系也因此改变
Mei Ri Jing Ji Xin Wen· 2025-09-27 14:21
Core Insights - The latest research from the Sichuan Provincial Institute of Cultural Relics and Archaeology reveals significant findings regarding the Sanxingdui site, including the dating of sacrificial pits and advancements in bronze and gold artifact production techniques [1][3][18]. Group 1: Dating of Sacrificial Pits - The dating of the sacrificial pits has been confirmed to the late Shang Dynasty, with a 95.4% probability that the burial dates range from 1201 BC to 1012 BC [5][10]. - The use of carbon-14 dating, particularly from selected bamboo charcoal, has provided a more precise dating, pinpointing it to around 1100 BC, approximately 3100 years ago [7][10]. - The discovery of cross-pit matching artifacts is crucial for understanding the chronological relationship and nature of the sacrificial pits, confirming they were buried during the same period [9]. Group 2: Bronze Casting Techniques - The "core-bone strip support" technique has been identified as a significant innovation in bronze casting, marking a unique aspect of Sanxingdui's craftsmanship [11][13]. - This technique allows for the creation of complex and large bronze artifacts, showcasing a distinct approach compared to the traditional mold casting methods used in other regions during the same period [15]. - The research indicates that the bronze artifacts from Sanxingdui represent a sophisticated casting technology that integrates multiple methods, including core casting and forging [13]. Group 3: Gold and Painted Bronze Artifacts - The research confirms that the painted bronze artifacts from Sanxingdui are among the earliest known lacquered copper wares in China, utilizing cinnabar and lacquer, establishing a cultural link between Sanxingdui and the Jinsha site [20]. - Analysis of the gold artifacts indicates that over 2 kilograms of gold were used, employing advanced techniques such as the "cupellation" method for purifying gold [20]. - The findings suggest that as early as the late Shang Dynasty, the ancient Shu people had developed intensive wetland rice agriculture and standardized pottery production, reflecting a prosperous society [20]. Group 4: Historical Context and Cultural Significance - The Sanxingdui site represents a long-lasting and extensive archaeological site, encompassing multiple cultural phases, including Baodun, Sanxingdui, and Shierqiao cultures, with significant developmental relationships among them [23]. - The site experienced internal conflicts that led to the decline of its status as a central city, with evidence of warfare impacting its religious and social structures [24]. - The research highlights the interconnectedness of ancient Shu civilization with the Central Plains, emphasizing its role as a vital component of the diverse and unified Chinese civilization [17].
三星堆,科研成果“上新”
财联社· 2025-09-27 04:39
今天(27日),以"考古学视野下的文明互鉴"为主题的2025三星堆论坛在四川德阳开幕。论坛期间, 四川省文物考古研究院发布了七项三 星堆遗址多学科研究最新成果, 进一步明确祭祀坑埋藏年代为商代晚期,首次发布青铜器铸造中独特的"芯骨—条形芯撑"技术,为揭示中 华文明多元一体提供了有力实证。 多个多学科研究取得重要发现 除了上述两项研究进展外,三星堆遗址出土金器制作技术、铜器彩绘工艺、陶器生产标准化、水稻耕种方式、象牙保护技术等5个方面的多 学科研究也有重要发现。 三星堆遗址祭祀坑精确年代 | | | 经四川省文物考古研究院和北京大学联合研究,通过碳十四年代测定,三号、四号、六号、八号祭祀坑埋藏年代有95.4%的概率处于公元前 1201年至公元前1012年,相当于商代晚期。一、二、三、四、七、八号坑中发现可拼对的同一器物残片,表明埋藏年代相同。该成果为厘 清祭祀坑年代和构建遗址精细年代框架提供了重要依据。 三星堆青铜器创新铸造技术 经四川省文物考古研究院、故宫博物院、北京科技大学与英国剑桥李约瑟研究所的联合研究,对青铜器铸造工艺有了新的认识。研究显示, 三星堆青铜器在商代晚期形成以分铸为核心,兼用浑铸、锻造的创新 ...
年代更精确、发现铸造新技术 三星堆科研成果“上新”
Yang Shi Xin Wen· 2025-09-27 04:29
今天(27日),以"考古学视野下的文明互鉴"为主题的2025三星堆论坛在四川德阳开幕。论坛期间,四川省文物考古研究院发布了七项三星堆遗址多学科研 究最新成果,进一步明确祭祀坑埋藏年代为商代晚期,首次发布青铜器铸造中独特的"芯骨—条形芯撑"技术,为揭示中华文明多元一体提供了有力实证。 三星堆遗址祭祀坑精确年代 除了上述两项研究进展外,三星堆遗址出土金器制作技术、铜器彩绘工艺、陶器生产标准化、水稻耕种方式、象牙保护技术等5个方面的多学科研究也有重 要发现。 经四川省文物考古研究院和北京大学联合研究,通过碳十四年代测定,三号、四号、六号、八号祭祀坑埋藏年代有95.4%的概率处于公元前1201年至公元前 1012年,相当于商代晚期。一、二、三、四、七、八号坑中发现可拼对的同一器物残片,表明埋藏年代相同。该成果为厘清祭祀坑年代和构建遗址精细年代 框架提供了重要依据。 三星堆青铜器创新铸造技术 多个多学科研究取得重要发现 经四川省文物考古研究院、故宫博物院、北京科技大学与英国剑桥李约瑟研究所的联合研究,对青铜器铸造工艺有了新的认识。研究显示,三星堆青铜器在 商代晚期形成以分铸为核心,兼用浑铸、锻造的创新铸造技术体系。独特 ...
各美其美 美美与共 古蜀文明与古希腊文明在雅典展开主题对话
Si Chuan Ri Bao· 2025-05-14 00:25
Core Perspective - The dialogue between ancient Chinese and Greek civilizations highlights the shared cultural heritage and mutual influences that have shaped human civilization over millennia [1][2][3] Group 1: Historical Context - The dialogue emphasizes the evolution of human civilization, showcasing the distinct yet interconnected development of cultures in different regions [2] - Chinese civilization, with a history of over 5,000 years, experienced significant transformations around 6,000 years ago, leading to the emergence of various ancient states [2][3] - Concurrently, the prehistoric culture of the Cycladic Islands in Greece also underwent notable social development during the same period [2] Group 2: Cultural Exchange - The exchange between China and the Eurasian steppe around 4,000 years ago significantly influenced the development of early Chinese dynasties [3] - Agricultural products from China, such as millet and sorghum, spread westward to Central Asia and Europe, indicating a two-way cultural exchange [3] - The similarities in bronze artifacts from the Erlitou site in China and the Palace of Knossos in Crete suggest parallel developments in both civilizations [3][4] Group 3: Art and Craftsmanship - The distinct styles of bronze artifacts from the Sanxingdui site in China and the Delphi site in Greece reflect different cultural influences and artistic expressions [4] - The discovery of the gold mask from Sanxingdui, which shares similarities with gold masks from ancient Egypt and Greece, indicates a cross-continental exchange of gold craftsmanship [5][6] - The purposes of gold masks in both cultures differ, with Sanxingdui masks primarily used for ritualistic communication with deities, while Mycenaean masks were associated with funerary practices [6] Group 4: Future Collaboration - The ongoing research and archaeological efforts by the Chinese Academy of Classical Civilization in Greece aim to foster further cultural exchanges and mutual understanding between the two civilizations [6]