天宫藻井冰箱贴
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走山西,看古建“天际线”
Ren Min Ri Bao· 2025-12-24 01:35
飞檐翘角、斗拱层叠、鸱吻静踞……中国古建筑的屋顶不仅是技艺的结晶,更是文化的载体,勾勒出独 特的"天际线"。 据全国第三次文物普查结果,我国已发现的古建筑类不可移动文物26万余处。屋顶作为建筑的"第五立 面",它那如翚斯飞的曲线,是流淌在民族血脉里的审美基因。如今,这道"天际线"正从历史的天空飞 入当代生活:化身年轻人的文创"神兽"、社交平台上的治愈表情包,也成为游戏影视里的恢弘风景。檐 角之间,我们望见的不只是历史,更是一个民族面向未来、灵动而自信的姿态。 山西境内现有古建筑2.8万余处,自唐至清一脉相承,将中式美学体现得淋漓尽致。 唐代木构遗珍佛光寺东大殿隐匿于忻州市五台山南麓,大殿为单檐庑殿顶,斗拱雄大、广檐翼出,一派 恢宏气韵。辽代建筑朔州市应县木塔五层六檐,均为八角攒尖顶,每层檐下斗拱层叠如云,整体呈尖形 向上收拢,象征"向上进取"的精神。 宋代,《营造法式》的颁布确立了中国传统建筑规范体系,技艺要求更高的歇山顶随之盛行。太原晋祠 圣母殿作为宋代建筑典范,采用重檐歇山顶,屋脊曲线柔美,翼角轻灵高翘,庄重中透出秀雅风韵。 ——编 者 从《黑神话:悟空》的"泼天流量"到《浪浪山小妖怪》的治愈刷屏,在一个 ...
让文艺成为市民“可触可感的生活”
Bei Jing Ri Bao Ke Hu Duan· 2025-12-09 22:47
Core Insights - The "Sun Chubo phenomenon" highlights the importance of cultural empowerment being inclusive and accessible, emphasizing the need for more participation opportunities and lower engagement costs to integrate art into everyday life [2][4] Group 1: Cultural Empowerment and Accessibility - Recent viral videos of young artist Sun Chubo performing in public parks demonstrate the strong public interest in accessible cultural experiences, with large crowds gathering despite cold weather [2] - The positive public reception of Sun Chubo reflects a broader trend where art becomes a vital part of community life, enhancing its vibrancy and relevance [2][3] Group 2: Urban Cultural Development - Beijing, as a cultural hub, has a rich artistic heritage and favorable conditions for promoting public art, with a projected total of 1,100 parks by the end of 2024 [3] - The city has maintained the highest cultural industry development index in China for nine consecutive years, indicating a strong integration of culture into economic growth [3] Group 3: Challenges in Cultural Consumption - Despite the active commercial performance market in Beijing, with approximately 57,000 performances scheduled for 2024, there remains a significant gap in making serious art more accessible to the general public [4] - The demographic skew towards older audiences for certain cultural products suggests a need for more age-inclusive cultural offerings [4][5] Group 4: Future Directions for Cultural Services - Future public cultural services should focus on both universal needs and the diverse aesthetic preferences of different demographic groups, creating a more tailored cultural experience [5] - Collaboration among various departments is essential to enhance cultural offerings, with the potential for cultural events to stimulate local economies and community engagement [5]
北京中轴线如何带火“文博热”?
Xin Jing Bao· 2025-11-29 01:29
Core Points - The successful inclusion of "Beijing Central Axis - A Masterpiece of China's Ideal Capital Order" in the UNESCO World Heritage List marks a significant milestone for cultural heritage in Beijing, serving as a starting point for urban development and cultural preservation [1][2] - The "14th Five-Year Plan" period is seen as a crucial time for enhancing the protection and transmission of historical and cultural heritage, with a focus on creating a national cultural heritage protection and utilization demonstration zone for the Central Axis [2][4] - The ongoing restoration and environmental improvement projects around the Central Axis have transformed it into a more pedestrian-friendly area, enhancing public engagement with historical sites [3][5] Group 1: Heritage Protection and Urban Development - The successful application for World Heritage status has led to increased public awareness and engagement with cultural relics, contributing to the overall urban renewal of Beijing [2][8] - The restoration of historical sites, such as the Sijiqing Temple and the expansion of the Xianong Altar, has significantly increased visitor numbers and public interest in cultural heritage [4][5] - The integration of modern technology in heritage monitoring and management is being prioritized, with new regulations and action plans established to ensure the ongoing protection of the Central Axis [6][7] Group 2: Technological Integration in Cultural Heritage - The Beijing Central Axis Heritage Protection Center has implemented advanced monitoring systems to track the condition of heritage sites, ensuring timely interventions for preservation [6][7] - The use of digital technologies, such as virtual reality and augmented reality, is being explored to enhance visitor experiences and engagement with cultural relics [10][12] - The development of a comprehensive digital resource base for immovable cultural relics is underway, aiming to improve research and public access to historical data [12][16] Group 3: Future Directions and Strategic Planning - The "15th Five-Year Plan" emphasizes the need for a systematic approach to cultural heritage protection, integrating urban planning with heritage management [2][7] - The establishment of a historical and cultural heritage protection and transmission system is set to guide future initiatives and policies in Beijing [15][16] - Ongoing archaeological projects aim to uncover and document the historical significance of Beijing as a capital city, contributing to a deeper understanding of its cultural evolution [14][16]
人文环境也是营商环境
Ren Min Ri Bao· 2025-11-04 06:45
Group 1 - The article emphasizes the role of cultural institutions, such as museums, in enhancing the business environment and attracting investment, highlighting that a well-managed museum often correlates with a favorable business climate [1] - The success of cultural initiatives in regions like Suzhou and the Suzhou Industrial Park illustrates how cultural heritage and values can attract foreign investment and foster economic development [1] - High-quality cultural products and services not only enrich people's spiritual lives but also stimulate economic growth and development potential [1] Group 2 - Cultural empowerment is essential for creating a conducive business environment, as seen in the innovation cluster of Shenzhen-Hong Kong-Guangzhou, which ranks first globally due to its diverse and inclusive cultural traits [2] - The historical and cultural foundations in places like Ningbo contribute significantly to the development of leading manufacturing enterprises, showcasing the importance of cultural heritage in economic success [2] - Long-term cultural development is necessary for sustainable business environments, as short-sighted policies can lead to resource misallocation and deter investment [2] Group 3 - A healthy business environment is likened to an ecosystem that requires systematic thinking, integrating visible improvements with less tangible cultural enhancements [3] - The recent policies in Shanghai, such as the new administrative penalty list and affordable housing initiatives, demonstrate a comprehensive approach to improving the business environment and enhancing quality of life for residents [3] - The focus on cultural empowerment in the 14th Five-Year Plan indicates a shift towards valuing cultural and ecological aspects in business environment optimization, emphasizing the need for targeted and systematic measures [3]
别让“山寨”绊住文创产业发展
Jing Ji Ri Bao· 2025-10-27 00:04
Core Viewpoint - The cultural and creative industry is facing significant challenges due to rampant imitation and infringement, as highlighted by the recent administrative penalty case in Beijing, which underscores the need for stronger intellectual property protection and innovative development strategies [1][2]. Group 1: Intellectual Property Issues - The recent case of infringement involving the cultural and creative products of Beijing's central axis resulted in a penalty of over 243,000 yuan, illustrating the prevalence of counterfeit products in the industry [1]. - The creative aspect is vital for the cultural and creative industry, and intellectual property serves as a crucial safeguard for this creativity [1]. - Many businesses are copying original designs without authorization, which undermines the market share and profits of original creators, thus stifling industry innovation [1]. Group 2: Consumer Challenges - Consumers face difficulties in distinguishing between genuine and counterfeit cultural products, often resorting to social media for comparisons and verification [2]. - The proliferation of counterfeit products complicates the purchasing process for consumers, who must become "anti-counterfeiting experts" to avoid being misled [2]. Group 3: Recommendations for Industry Improvement - To foster the development of the cultural and creative industry, a dual approach is necessary: strengthening intellectual property protections while allowing reasonable space for cultural innovation [2]. - Enforcement measures should include increasing statutory compensation amounts, establishing infringement blacklists, and enhancing deterrent effects against violations [2]. - A systematic registration of potential intellectual property rights should be implemented before product launches, along with the introduction of anti-counterfeiting technologies to ensure traceability and legal support for rights protection [2]. - Establishing a standardized licensing mechanism for derivative development can facilitate compliance and clarify usage scope and quality standards, promoting a win-win situation for cultural dissemination and industry growth [2][3].
冰箱贴,为啥能够火出圈?
Zhong Guo Xin Wen Wang· 2025-10-26 03:35
Core Insights - The popularity of refrigerator magnets has surged, with some magnets now costing more than the refrigerators themselves, reflecting a growing trend in cultural and creative products [1][5] - Refrigerator magnets have become a new favorite among young people, serving as a medium for cultural expression and social interaction [5][9] Group 1: Cultural Significance - Many refrigerator magnets are designed with cultural elements and high aesthetic value, appealing to consumers' wallets, especially in museums where rich cultural products are offered [2][5] - The "Enamel Gourd" refrigerator magnet, inspired by a Qing Dynasty artifact, sold nearly 10,000 pieces within a month, showcasing the blend of traditional craftsmanship and modern creativity [4][5] - The "Fortune and Luck" gourd design carries positive connotations, making it a popular choice among consumers [4] Group 2: Market Trends - The 2024 cultural center development plan highlights the explosive growth of cultural and creative products, with popular items like the "Phoenix Crown" refrigerator magnet selling over one million units [5][6] - The trend indicates a strong interest among the younger generation in traditional Chinese culture, as they seek to connect with their heritage through these products [5][9] Group 3: Product Innovation - The success of refrigerator magnets is attributed to their unique cultural IPs, often derived from museum treasures, which prevents market homogenization [8] - Advances in technology and production techniques have led to more intricate designs and better materials, enhancing the appeal of these products [8] - Interactive features, such as augmented reality, allow consumers to engage with historical artifacts, making the experience more enjoyable and educational [8] Group 4: Consumer Behavior - Many consumers view refrigerator magnets as souvenirs that encapsulate joyful travel memories, and their moderate pricing aligns with the increased willingness to spend on emotional value [9] - The trend of visiting museums has become a common social activity among young people, positioning museums as hubs of creativity and cultural exchange [9]
透过三个坐标,感知博物馆史诗般进步
Ren Min Ri Bao· 2025-10-04 21:50
Core Viewpoint - The museum sector in China is experiencing unprecedented growth and transformation, with a significant increase in the number of museums and public engagement, reflecting a deep cultural confidence and innovation in the industry [1][11]. Group 1: Growth and Development of Museums - By the end of 2024, there will be 7,046 registered museums in China, an increase of over 330 times since the founding of New China [1]. - 91.46% of museums are free to the public, with an expected 1.49 billion visitors in 2024, averaging more than one visit per person in China [1]. - The development of museums has become a vital part of showcasing national history and fostering national identity [2]. Group 2: Cultural Significance and Public Engagement - Museums serve as living embodiments of historical continuity, essential for understanding both ancient and modern China [2]. - The public's enthusiasm for museums has reached unprecedented levels, with innovative exhibitions and educational programs enhancing visitor experiences [1][5]. - The integration of cultural and tourism sectors has led to new trends, such as visiting museums during holidays and the popularity of museum-themed products [7]. Group 3: Innovation and Reform - The museum sector is undergoing significant reforms aimed at optimizing structure and enhancing functionality by 2025 [6]. - Technological advancements, such as digital preservation, are being utilized to share cultural heritage with a broader audience [8]. - The creative transformation of traditional culture within museums is fostering a vibrant and contemporary cultural landscape [9]. Group 4: International Engagement - Chinese museums are increasingly showcasing their cultural heritage on the global stage, with significant exhibitions planned for international audiences [10]. - The participation in international museum associations and hosting global events reflects China's commitment to cultural exchange and collaboration [10]. - The confidence and openness of Chinese museums contribute to the global dialogue on civilization and cultural understanding [10].
文化+科技,打开传承发展新视野(文化中国行·深观察)
Ren Min Ri Bao Hai Wai Ban· 2025-09-28 22:42
Group 1: Cultural and Technological Integration - The 2025 Beijing Cultural Forum focuses on the theme of "Cultural and Technological Integration," featuring over 800 guests from various sectors to discuss advancements in cultural heritage protection through digital technology [5][6]. - Digital technologies are increasingly applied in cultural heritage preservation, with examples including the successful digitalization of over 1 million artifacts at the Palace Museum and 500TB of data from the Dunhuang Academy [7][8]. - The integration of technology in cultural heritage is setting new standards globally, with China leading in innovative practices that combine technological advancements with cultural preservation [7][8]. Group 2: Cultural Industry Innovation - The forum introduced a creative cultural display area featuring over 600 cultural products, highlighting the growing popularity of traditional culture among younger demographics [9][10]. - The success of cultural products like the "Fengguan" refrigerator magnet, which sold over 1 million units, indicates a significant market trend towards innovative cultural merchandise [9][10]. - The rise of animated films in China, with box office hits exceeding 154 billion yuan, showcases the potential for cultural narratives to resonate globally [10]. Group 3: AI and Content Creation - AI is transforming content production in the cultural sector, moving from manual customization to intelligent mass production, enhancing storytelling and audiovisual expression [11][12]. - The rapid development of AI is enabling a new era where everyone can engage in directing and producing content, addressing the shortage of skilled talent in the film industry [12]. - The use of VR technology is enhancing audience engagement and facilitating the global dissemination of Chinese culture through immersive experiences [12]. Group 4: Cultural Exchange and Dialogue - The forum emphasizes the importance of cultural exchange, with activities designed to foster dialogue between Chinese and French filmmakers, celebrating the 120th anniversary of Chinese cinema [14][15]. - The concept of "mutual learning" is highlighted as essential for understanding and cooperation between different civilizations, with discussions on the balance between technology and humanities [15][16]. - The implementation of global civilization initiatives aims to promote a more harmonious world, reflecting China's commitment to respecting diversity and fostering dialogue [16].
担好首善之区的文化重任
Bei Jing Ri Bao Ke Hu Duan· 2025-09-21 22:50
Group 1 - The core viewpoint emphasizes Beijing's strategic positioning as the national cultural center, driven by Xi Jinping's cultural thoughts and directives [1][2] - The 2025 Beijing Cultural Forum aims to discuss forward-looking topics and promote the implementation of Xi Jinping's cultural ideology [1] - Beijing has made significant strides in cultural development, integrating historical preservation with modern cultural practices [4][5] Group 2 - The "Beijing Cultural Youth Action Plan" has successfully engaged 33 universities, benefiting 400,000 students through cultural practices [3] - Beijing's cultural initiatives have led to a notable increase in public engagement, with over 80 million visitors to the renovated Anti-Japanese War Memorial since its reopening [2] - The city is enhancing its cultural offerings, with over 57,000 performances expected in 2024, attracting over 12.8 million attendees and generating over 3.9 billion yuan in ticket sales [6] Group 3 - The integration of cultural heritage with tourism is evident, with the successful creation of the Grand Canal National 5A Tourist Area and the establishment of new cultural landmarks [5][9] - The cultural industry in Beijing is a vital pillar, with revenues from cultural and related industries reaching 1.24 trillion yuan in the first half of 2025, marking a 13.2% year-on-year increase [10] - The city is actively promoting its cultural image globally, leveraging major events and social media to enhance its international presence [11]
北京文化守护人丨李俊阁:三车“碎木头”,八级木工复原天宫藻井
Xin Jing Bao· 2025-09-21 03:05
Core Viewpoint - The article highlights the remarkable journey of Li Junge, a master carpenter and ancient building restoration expert, who played a crucial role in the restoration of the Tian Palace Zaojing, a national treasure, showcasing the importance of traditional craftsmanship in preserving cultural heritage [3][11]. Group 1: Li Junge's Background and Achievements - Li Junge became a "Level 8 Carpenter" in his twenties and has been involved in the restoration of numerous ancient buildings across China, including the Great Wall and the Summer Palace [3][6]. - The Tian Palace Zaojing, known as the "ceiling among ceilings," was reconstructed by Li and his team over three years, transforming a pile of fragmented wood into a masterpiece [3][11]. - The restoration project was initiated after the Tian Palace Zaojing was dismantled following the 1976 Tangshan earthquake, with many components left exposed to the elements [11][12]. Group 2: Restoration Process and Techniques - The restoration involved categorizing over 20,000 components from three truckloads of fragmented wood, using old photographs as references to reassemble the structure [11][12]. - Li emphasized the importance of understanding traditional Chinese wooden structures and the intricacies of joinery techniques, which are essential for accurate restoration [7][16]. - The final restoration adhered to the design logic of Ming dynasty craftsmen, with additional components crafted to replace missing parts, ensuring the integrity of the original design [12][16]. Group 3: Cultural Impact and Legacy - The recent popularity of the Tian Palace Zaojing refrigerator magnet has brought renewed attention to Li Junge's work and the significance of ancient architecture among younger generations [3][8]. - Li expressed a desire to pass on his skills to a new apprentice, highlighting the need for the continuation of traditional craftsmanship in ancient building restoration [4][17]. - The article underscores the cultural value of ancient architecture and the importance of preserving these skills for future generations [13][17].