Core Viewpoint - The article compares Netflix and Paramount Global, highlighting Netflix's strong financial performance and strategic execution against Paramount's struggles in the evolving streaming landscape [1][2][21]. Group 1: Netflix (NFLX) Performance - Netflix reported a 13% year-over-year revenue growth to $10.5 billion and a 27% increase in operating income to $3.3 billion in Q1 2025, showcasing its dominant position in the streaming market [3][6]. - The company achieved significant viewership with original content, such as "Adolescence," which garnered 124 million views, and has made substantial investments in local content across 50 countries [4]. - Netflix's upcoming content pipeline includes high-profile films and the final season of "Squid Game," expected to enhance its cross-platform monetization strategy [5]. - The company generated $2.6 billion in free cash flow in Q1 2025 and aims to double revenues by 2030, with a target of $9 billion in annual advertising revenues [6]. - The Zacks Consensus Estimate for Netflix's 2025 revenues is $44.47 billion, indicating a 14.01% year-over-year growth, with earnings estimated at $25.33 per share, reflecting a 27.74% increase [7]. Group 2: Paramount Global (PARA) Performance - Paramount Global's Q1 2025 revenues were $7.2 billion, a 6% decline year-over-year, with a 13% decrease in its TV Media segment [8]. - The Direct-to-Consumer segment, which includes Paramount+, reported a loss of $109 million despite having 79 million subscribers, although this was an improvement of $177 million year-over-year [9]. - Paramount Global's content strategy appears unfocused, lacking the consistent hit ratio of Netflix, and faces monetization challenges with its free ad-supported service, Pluto TV [11]. - The Zacks Consensus Estimate for Paramount's 2025 earnings is $1.32 per share, indicating a 14.29% decrease year-over-year, with revenues estimated at $28.43 billion, suggesting a 2.67% decline [13]. Group 3: Stock Valuation and Performance Comparison - Netflix trades at a price-to-earnings ratio of 43.21x, reflecting investor confidence in its growth model, while Paramount's lower valuation multiple of 7.48x indicates market skepticism about its transition to streaming [14]. - Year-to-date, Netflix shares have surged 32.2%, significantly outperforming Paramount and the broader market, which has been weighed down by concerns over linear TV decline and streaming profitability challenges [17]. - Netflix maintains a solid balance sheet with $7.2 billion in cash and cash equivalents, while Paramount generated $123 million in free cash flow but faces greater financial constraints [20]. Group 4: Conclusion - Based on robust financial performance, strategic clarity, and execution capabilities, Netflix is positioned as the superior investment choice in the streaming wars, while Paramount struggles with declining legacy businesses and unprofitable operations [21].

Core Insights - CBS News has made significant job cuts, including the termination of two bureau chiefs and a senior executive, as part of a broader restructuring ahead of anticipated layoffs at parent company Paramount Global [1][2][5][10] - The layoffs are described as a streamlining effort to centralize the internal newsgathering process, rather than indicative of larger issues within the company [7] - Paramount Global is facing challenges in finalizing an $8 billion merger with Skydance, compounded by legal issues involving a $20 billion lawsuit from President Trump [10][11][14] CBS News Job Cuts - CBS News has quietly let go of Andre Rodriguez, the North Bureau Chief, and Maryhelen Campa, the Southern Region Bureau Chief, both of whom had been with the company for two decades [2][4] - Chad Cross, senior vice president of the Beats & Enterprise unit, was also terminated; he joined CBS News in 2022 [5][6] - An insider noted that the network has already streamlined operations to the point where any additional absences are felt across the team [8] Paramount Global Context - Paramount Global is expected to initiate mass layoffs as early as next month, following a previous round of layoffs that saw thousands of employees let go as part of a $500 million cost-cutting plan [10] - The company is currently negotiating a legal settlement with Trump, who is seeking $100 million, while Paramount aims for a settlement between $15 million and $25 million [15] - The ongoing legal issues and the merger negotiations are being overseen by George Cheeks, co-CEO of Paramount Global and CEO of CBS [12][14]

Core Insights - Roku and Paramount Global are competing in the ad-supported streaming market, with Roku showing stronger growth and performance compared to Paramount Global [1][2] Roku's Performance - Roku's ad-supported streaming business saw a 17% year-over-year revenue growth, reaching $881 million, driven by video advertising and streaming services distribution [3] - The Roku Channel became the 2 app on the Roku platform in the U.S. by engagement, with streaming hours increasing by 84% year over year [4] - Roku's advertising capabilities have improved through integrations with platforms like Adobe, and it has made TV advertising more accessible to small businesses via its self-service Roku Ads Manager [5][6] Paramount Global's Performance - Paramount's ad-supported streaming ecosystem showed mixed results, with Paramount+ global watch time per user increasing by 17% year over year, while Pluto TV achieved a 26% year-over-year increase in global viewing time [7] - The company is investing in premium originals and franchise extensions to enhance monetization, supported by expanding ARPU and lower churn [8] - However, direct-to-consumer advertising revenues declined by 9% year over year, primarily due to increased supply in digital video inventory affecting pricing, especially for Pluto TV [9][10] Stock Performance and Valuation - Roku's shares have returned 21.1% over the past month, outperforming both the Zacks Consumer Discretionary sector and the S&P 500 index [11] - In contrast, Paramount's shares gained only 8.8% over the same period, indicating underperformance [12] - Roku's price-to-cash flow ratio stands at 33.89X, significantly higher than Paramount's 11.92X, reflecting greater investor confidence in Roku's growth potential [13] Earnings Estimates - The Zacks Consensus Estimate for Roku's 2025 loss is 17 cents per share, with a projected revenue of $4.54 billion, indicating a year-over-year growth of 10.37% [16] - Conversely, Paramount's 2025 earnings estimate is $1.31 per share, revised downward by 19.63%, with projected revenues of $28.43 billion, suggesting a year-over-year decline of 2.67% [17] Investment Outlook - Roku is positioned as a stronger investment opportunity for 2025, with robust platform growth, innovative advertising tools, and increased engagement on The Roku Channel [18] - Paramount Global faces short-term challenges in digital advertising, with declining DTC ad revenues and market oversupply impacting sentiment [19] - Roku currently holds a Zacks Rank 2 (Buy), while Paramount has a Zacks Rank 5 (Strong Sell) [20]

Core Viewpoint - Paramount Global reported better-than-expected revenue and adjusted OIBDA, driven by strong performance across various segments, despite some challenges in DTC advertising and revenue [1][2][4]. Financial Performance - Revenue reached $7.19 billion, surpassing both analyst estimates of $7.04 billion and $7.1 billion [1]. - Adjusted OIBDA was $688 million, exceeding the estimates of $652 million and $666 million, indicating broad-based strength across DTC, TV Media, and Film segments [1]. - Free cash flow was reported at $123 million, significantly above the analyst's estimate of $69 million and prior year’s $13 million [3]. Segment Analysis - DTC revenue was $2.04 billion, falling short of consensus estimates of $2.1 billion and $2.09 billion, while OIBDA was $(109) million, better than estimates of $(128) million and $(153) million [4]. - TV Media revenue was $4.54 billion, beating estimates of $4.39 billion and $4.43 billion, with OIBDA of $922 million, which was above the analyst's estimate of $904 million but below consensus of $951 million [5]. - Filmed Entertainment revenue was $627 million, exceeding estimates of $575 million and $610 million, with OIBDA of $20 million, surpassing estimates of $13 million and $17 million [5]. Future Guidance - Paramount expects a decline in Paramount+ subscribers due to content seasonality and the termination of an international bundle, but anticipates ARPU growth to accelerate in the first quarter of 2025 [6]. - The company reiterated its 2025 guidance, projecting modest OIBDA decline and increased free cash flow, alongside domestic profitability for Paramount+ [7]. - Fiscal 2025 revenue is projected at $28.7 billion with adjusted EPS of $0.81 [7].

Core Viewpoint - Hollywood giants are experiencing significant differences in financial performance, with a collective trend of cost reduction amid challenges in revenue growth and profitability [1][2][3]. Financial Performance - Disney reported a revenue increase of 6.96% to $23.621 billion and a net profit surge of 1474.54% to $3.401 billion for Q2 FY2025, largely due to a 95% reduction in restructuring costs [2]. - Paramount Global's revenue decreased by 6.42% to $7.192 billion, but net profit increased by 129.6% to $161 million, attributed to a significant reduction in overall costs from $8.102 billion to $6.677 billion [2]. - Warner Bros. Discovery saw a revenue decline of 9.83% to $8.979 billion, with net losses narrowing by 52.98% to $449 million, driven by a reduction in costs from $10.225 billion to $9.016 billion [3]. Cost Management - The financial improvements for these companies are primarily due to internal cost management strategies, with significant reductions in operational expenses [3]. - Disney's entertainment segment saw a 9% revenue increase, while its sports and experience segments also reported modest growth, despite rising costs [4]. - The trend of filming and production moving overseas is partly due to lower labor costs and tax incentives, which are becoming increasingly attractive for Hollywood studios [6][7]. Globalization Strategy - Disney's announcement of a new theme park in Abu Dhabi reflects Hollywood's ongoing globalization efforts to expand market reach and reduce costs [5]. - The industry is witnessing a rise in non-American productions, with many projects being filmed outside the U.S. to capitalize on lower costs and favorable policies [6][7]. Market Challenges - The North American box office revenue for Q1 2023 was only $1.44 billion, down over 30% compared to pre-pandemic levels, indicating significant growth challenges for Hollywood companies [7].

Core Insights - Paramount Global reported adjusted earnings of 29 cents per share for Q1 2025, beating estimates by 7.41%, but down 53.2% year-over-year [1] - Revenues of $7.19 billion exceeded estimates by 1.5%, but declined 6% year-over-year, primarily due to softness in TV Media revenues [1][2] Financial Performance - Consolidated adjusted OIBDA fell 30% year-over-year to $688 million, despite improvements in D2C and filmed entertainment [2] - Selling, general and administrative expenses decreased 7.2% year-over-year to $1.54 billion [2] - Advertising revenues, accounting for 34.94% of total revenues, fell 18.8% year-over-year to $2.513 billion [3] - Affiliate revenues, making up 47.23% of total revenues, increased 1.2% year-over-year to $3.397 billion [3] - Theatrical revenues decreased 3.3% year-over-year to $148 million [3] DTC Performance - DTC revenues increased 9% year-over-year to $2.044 billion, with subscription revenues rising 16% due to subscriber growth [4][5] - Paramount+ added 1.5 million subscribers in the reported quarter, reaching a total of 79 million [5][6] - DTC adjusted OIBDA improved by $177 million year-over-year, indicating revenue growth [6] TV Media Segment - TV Media revenues decreased 13% year-over-year to $4.5 billion, with advertising revenues down 21% due to the Super Bowl [7][8] - The segment's adjusted OIBDA decreased 36% to $922 million, reflecting declines in affiliate revenues [8] Filmed Entertainment - Filmed Entertainment revenues increased 4% year-over-year to $627 million, driven by successful releases like Sonic the Hedgehog 3 and Gladiator II [10][12] - Adjusted OIBDA for this segment was reported at $20 million, up from a negative OIBDA of $3 million year-over-year [11] Balance Sheet & Cash Flow - As of March 31, 2025, cash and cash equivalents stood at $2.67 billion, with total debt at $14.16 billion [13] - Non-GAAP free cash flow was reported at $123 million, compared to $56 million in the previous quarter [13] Future Estimates - The Zacks Consensus Estimate for Q2 FY25 revenues is $7.08 billion, indicating a year-over-year decline of 7.82% [14] - The consensus for earnings is pegged at 27 cents per share, down 56.45% from the year-ago quarter [14]

March Quarter 2025 Trending Schedules Trending Schedules Information included in these schedules has been derived from information contained in our Annual Report on Form 10-K for 2024 and Quarterly Reports on Form 10-Q for 2025 and 2024. These schedules contain certain financial measures that are not in accordance with accounting principles generally accepted in the United States of America ("GAAP"). We provide reconciliations of these non-GAAP financial measures to the most directly comparable GAAP financi ...

Financial Data and Key Metrics Changes - Total company revenue grew 2% year over year, excluding the Super Bowl, reaching $7.2 billion [6][22] - Direct to Consumer (D2C) revenue increased by 9% year over year to $2 billion, with subscription revenue growing 16% [23] - Adjusted OIBDA improved to $688 million, reflecting year-over-year improvements in D2C and filmed entertainment [22][24] - Free cash flow was $123 million, including $108 million in restructuring payments [22] Business Line Data and Key Metrics Changes - D2C OIBDA improved by nearly $180 million year over year, with a loss of $109 million [6][23] - Filmed Entertainment revenue was $627 million, up 4% year over year, with OIBDA of $20 million compared to a loss of $3 million in the previous year [24][25] - TV Media advertising revenue, excluding the Super Bowl, was flat year over year, with OIBDA at $922 million [24] Market Data and Key Metrics Changes - Paramount Plus ended the quarter with 79 million global subscribers, an increase of 11 million year over year [7] - Global watch time per user on Paramount Plus increased by 17% year over year, and churn improved by 130 basis points [7] - CBS's network audience grew 3% in the quarter compared to last year, with a 12% increase without the Super Bowl comparison [17] Company Strategy and Development Direction - The company is focusing on driving profitable growth through a differentiated content strategy, emphasizing fewer but bigger original series [7][10] - Paramount is prioritizing key investments while streamlining non-content expenses in response to macroeconomic uncertainties [6][28] - The company plans to achieve domestic profitability for Paramount Plus in 2025, leveraging improvements in churn and ARPU [26][28] Management's Comments on Operating Environment and Future Outlook - Management expressed confidence in the company's performance despite macroeconomic uncertainties, noting strong engagement and content-driven growth [6][28] - The company anticipates that supply-demand dynamics in digital advertising will stabilize over time, leading to improved monetization [30][34] - Management highlighted the importance of maintaining strong relationships with affiliates and securing valuable content partnerships [36] Other Important Information - The company is set to premiere several new series and franchise expansions, including new installments of Yellowstone and Dexter [10][11] - Pluto TV achieved its highest consumption ever, with global viewing time up 26% year over year, although monetization has been softer than expected [12] Q&A Session Summary Question: Advertising pressure on Pluto and digital advertising - Management acknowledged the impact of increased supply in digital advertising but expressed confidence that supply-demand dynamics will balance out over time [30][33] Question: Licensing strategy for library content versus original content - Management indicated that content licensing remains a growth area, but the focus will be on using valuable IP to enhance owned and operated assets [39][40] Question: Expectations for linear declines and streaming growth - Management noted that subscriber declines in linear TV are expected to continue, while streaming growth will be driven by subscriber growth, churn improvements, and ARPU [46][48] Question: Importance of Taylor Sheridan and potential acquisitions - Management emphasized the value of the partnership with Taylor Sheridan and the current model as optimal for maximizing value without pursuing acquisitions [52][54] Question: Interest in bundling and joint ventures - Management expressed openness to exploring bundling opportunities and partnerships but emphasized a disciplined approach to ensure value creation [60][62] Question: Current linear trends and guidance for full year OIBDA and free cash flow - Management reiterated that the fundamental drivers of earnings improvement remain in place, despite macroeconomic uncertainties impacting advertising revenue [70][71]

Financial Data and Key Metrics Changes - Total company revenue grew 2% year over year, excluding the Super Bowl, reaching $7.2 billion [5][19] - Direct to Consumer (D2C) revenue increased by 9% year over year to $2 billion, with subscription revenue growing 16% [20] - Adjusted OIBDA improved to $688 million, reflecting year-over-year improvements in D2C and filmed entertainment [19][20] - Free cash flow was $123 million, including $108 million in restructuring payments [19] Business Line Data and Key Metrics Changes - D2C OIBDA improved by nearly $180 million year over year, with a loss of $109 million [5][20] - TV Media advertising revenue, excluding the Super Bowl, was flat year over year, with OIBDA at $922 million [21] - Filmed Entertainment revenue increased by 4% year over year to $627 million, with OIBDA of $20 million compared to a loss of $3 million in the previous year [22] Market Data and Key Metrics Changes - Paramount Plus ended the quarter with 79 million global subscribers, up 11 million year over year, including 1.5 million new subscribers in the quarter [6] - Global watch time per user on Paramount Plus increased by 17% year over year, and churn improved by 130 basis points [6] - Pluto TV's global viewing time increased by 26% year over year, although monetization was softer than expected [11] Company Strategy and Development Direction - The company is prioritizing key investments while streamlining non-content expenses due to macroeconomic uncertainties [5] - A differentiated content strategy focusing on fewer, bigger breakthrough original series is driving growth, with Paramount Plus having 25% of the top 10 SVOD originals [7] - The company plans to achieve domestic profitability for Paramount Plus in 2025 and is focused on leveraging its content library and iconic IP [26] Management's Comments on Operating Environment and Future Outlook - Management expressed confidence in the company's performance despite macroeconomic challenges, emphasizing strong engagement and content-driven growth [5][26] - The company anticipates that supply-demand dynamics in digital advertising will stabilize over time, leading to improved monetization [11][31] - Management acknowledged potential impacts from macroeconomic uncertainties, particularly in advertising, but remains focused on expense management and strategic investments [26][67] Other Important Information - The company is expanding the Yellowstone franchise with three new series set to premiere in the coming quarters [8] - The success of Sonic the Hedgehog 3 contributed significantly to the Filmed Entertainment segment's performance [22] - The company is on track to close a pending transaction with Skydance in the first half of the year [19] Q&A Session Summary Question: Advertising pressure on Pluto and digital advertising - Management acknowledged the impact of new entrants in the digital supply space but expects supply-demand dynamics to balance out over time [31] Question: FCC's potential impact on affiliate revenue - Management emphasized the mutually beneficial relationship with affiliates and expressed confidence in securing partnerships despite potential regulatory changes [34] Question: Licensing strategy for library content versus original content - Management views content licensing as a growth business but believes in using valuable IP to grow owned assets while still considering selective licensing opportunities [38] Question: Expectations for linear declines and streaming growth - Management indicated that subscriber declines in linear TV are expected to continue, while streaming growth is driven by subscriber growth, churn improvements, and ARPU [46][47] Question: Current relationship with Taylor Sheridan and potential acquisition of 101 Studios - Management expressed satisfaction with the current partnership with Taylor Sheridan and indicated no plans to acquire 101 Studios, preferring to maintain the existing relationship [51][54] Question: Interest in bundling and joint ventures - Management is open to exploring bundling opportunities but emphasizes a disciplined approach to ensure value and audience growth [60] Question: Upside in TV media performance - Management attributed the strong performance to CBS's broadcast slate and sports, which helped offset softness in the digital landscape [65]

UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q ☒ QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended March 31, 2025 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from ____________ to ____________ Commission File Number 001-09553 Paramount Global (Exact name of registrant as specified in its charter) (State or other jurisdiction of inc ...