作为从田埂巷陌间"长"出的民俗表演，浚县社火除年味之外，"土味"浓厚。浚县东街社区竹马表演队队 长张春生受访称，千余年来，浚县社火始终坚持抬阁、高跷、盘鼓等经典形式，保留了中原乡土粗犷豪 放的风格，延续正月庙会巡演的传统，以浓厚仪式感守住非遗本真和乡土根基。 中新社郑州2月22日电 题：乡土长出新年期盼 浚县社火有"三味" 作者 阚力 王佳宁 "不点花灯月不圆，不耍社火难过年"，这句在河南浚县流传千年的俗语，道尽了中原对农历新年的期 盼。从腊月到正月十六，浚县民间社火(下称浚县社火)表演千余年来生生不息。 2月22日是农历正月初六，拥有1600余年历史的浚县古庙会年味正酣。锣鼓声穿透古城街巷，舞狮队的 年轻小伙扎紧红绸，狮头一甩便腾跃而起，气势十足。不远处，少年们画上脸谱、身着古装，踩着数尺 高的木跷如履平地，单脚点地、旋转跳跃等惊险动作引来惊呼。竹马演绎者手持缰绳，在"走马灯""龙 摆尾"的队形间与观众亲切互动……数十支社火表演团队拿出看家本领，你方唱罢我登场，热闹非凡。 2月17日， 河南浚县，民间社火表演现场。 赵永强 摄 浚县文化广电和旅游局非物质文化遗产保护股股长申小飞告诉中新社记者，民间社火起源于 ...

Core Viewpoint - The article highlights the significance of the "Horse Festival" in Shaanxi province, which symbolizes cultural heritage and community bonding during the Spring Festival, showcasing unique local traditions and artistic expressions [1][11]. Group 1: Cultural Significance - The Horse Festival, known as "Ma She Huo," is a traditional folk activity in Shaanxi that dates back to the Shang and Zhou dynasties, combining drama and parade elements [1][15]. - The festival serves as a medium for villagers to express their wishes for health, prosperity, and good fortune through symbolic acts such as "Da Hong" where red cloth is offered to historical figures [5][9]. Group 2: Historical Context - The region has a rich history of horse breeding, with over 2000 years of tradition, making horses an integral part of local culture and identity [11][13]. - Historical references indicate that the area was significant for horse breeding during the Western Zhou and Han dynasties, contributing to military needs [13][15]. Group 3: Community Involvement - The festival involves active participation from villagers, with many joining the performance teams upon returning home for the New Year, fostering community spirit and unity [17][19]. - The event is not just a performance but a way to strengthen neighborhood ties and cultural continuity across generations [9][19]. Group 4: Artistic Expression - The festival features traditional costumes adorned with auspicious patterns, reflecting the exquisite craftsmanship of local embroidery, particularly the West Qin embroidery, which has historical roots [25][27]. - The unique "Dieda" face painting technique used in the festival has evolved over centuries, showcasing the artistic heritage and cultural narratives of the region [31][39]. Group 5: Educational Initiatives - Local workshops are engaging youth in traditional arts, ensuring the transmission of skills such as embroidery and face painting, which are vital for preserving cultural heritage [41][43]. - Educational programs are being implemented to introduce children to traditional arts, enhancing their appreciation and understanding of local culture [41][43].

Core Viewpoint - The article highlights the thriving business of traditional Chinese woodblock New Year paintings, particularly focusing on the work of Wu Baishuo, a master craftsman in Shanxi, who has seen a surge in orders during the festive season, reflecting a growing appreciation for cultural heritage and artisanal craftsmanship. Group 1: Industry Overview - The Jingzhou woodblock New Year paintings originated during the Song and Jin dynasties and flourished during the Ming and Qing dynasties, making it an important genre in Chinese folk art with themes including door gods, kitchen gods, and blessings [1] - The current demand for these paintings has led to a total order exceeding 7,000 pieces before the New Year, indicating a robust market interest from cultural companies, creative stores, and individual customers [1][2] Group 2: Craftsmanship and Production - Wu Baishuo and his wife, both skilled artisans, are involved in every step of the production process, from design to printing, with new designs taking nearly six months to finalize due to the meticulous nature of the craft [2] - The production process includes hand-carving woodblocks, which takes about one week per block, showcasing the dedication to preserving traditional techniques and the cultural significance of the artwork [2] Group 3: Cultural Significance - The New Year paintings are not only artistic expressions but also carry deep cultural meanings, embodying wishes for happiness and prosperity in the new year [2] - Wu Baishuo has donated 35 pieces of his woodblock paintings to the National Library, aiming to promote the visibility of Jingzhou New Year paintings and their cultural heritage [3][4]

Core Viewpoint - The special program "2026 Non-Heritage Gala" showcases the unique cultural charm of Tianjin through various intangible cultural heritage (ICH) projects, highlighting the importance of preserving and promoting traditional arts and crafts [1] Group 1: Event Overview - The program is a collaboration between the Central Radio and Television Station and the Ministry of Culture and Tourism, airing on February 19 and 20 [1] - It features over 100 representatives of intangible cultural heritage from 31 provinces, presenting 36 artistic performances [1] Group 2: Highlights of Tianjin's Intangible Cultural Heritage - The segment "Changing Tianjin Rhythms" prominently features Tianjin's ICH, including clay figurines, woodblock New Year paintings, "Dog Doesn't Care" bun-making skills, and Li's quick board storytelling [1] - The program innovatively incorporates magic performances and interactive elements, allowing the audience to engage with the traditional crafts in a lively atmosphere [1]

Core Viewpoint - The article highlights a traditional high-stilt performance in Chifeng City, Inner Mongolia, showcasing cultural heritage and festive celebrations during the Lunar New Year [1]. Group 1: Cultural Significance - The high-stilt performance, known as "Gaoqiao Yangge," is recognized as a national intangible cultural heritage representative project [8]. - This folk dance has a long history, originating from ancient theatrical performances, with stone carvings depicting stilt walking dating back to the Northern Wei Dynasty [8]. Group 2: Performance Details - Performers dressed as characters from Chinese mythology, such as Sun Wukong and Tang Seng, engage in lively performances accompanied by traditional drumming [1][12]. - The number of performers in a stilt dance troupe can range from several to dozens, with costumes often resembling those from traditional operas [8]. Group 3: Community Engagement - Citizens actively participated in the festivities, joining the stilt team in traditional dances, enhancing community spirit during the New Year celebrations [10].

Group 1 - The article highlights the importance of intangible cultural heritage as a significant part of Chinese traditional culture [2] - Xi Jinping visited the Longfu Temple area to understand local efforts in creating vibrant urban spaces and to engage with grassroots officials and the community [2] - The presence of traditional performances and crafts, such as Beijing's Tai Ping Drum and clay sculptures, enhances the festive atmosphere during the Spring Festival [2]

Core Viewpoint - The article highlights the vibrant cultural atmosphere during the Spring Festival in Beijing, showcasing various exhibitions and activities that celebrate traditional Chinese customs and heritage, attracting a diverse audience from across the country and beyond [1][2][3]. Group 1: Exhibition Highlights - Seven major "New Year" themed exhibitions are launched, featuring over 70 colorful traditional activities that reflect the essence of the Spring Festival [1][2]. - The "Over New Year - Year of the Horse Spring Festival Series" at the China Intangible Cultural Heritage Museum connects over a hundred representative intangible cultural heritage projects, presenting a multi-dimensional view of the New Year celebrations [3]. - The "Cultural Fair" at the Prince Gong's Mansion showcases traditional woodblock New Year paintings from various regions, allowing visitors to engage with the art and history of these customs [2][3]. Group 2: Audience Engagement - Visitors, including families, actively participate in interactive experiences such as writing auspicious characters and creating traditional crafts, enhancing their understanding of diverse Spring Festival customs [2][3]. - The article mentions a family from Shandong who visited the museum to teach their children about different New Year traditions, indicating a strong interest in cultural education [2]. Group 3: Cultural Activities and Experiences - Over 70 cultural activities are organized throughout the city, extending the festive atmosphere beyond museum walls into local neighborhoods [5]. - The article describes various performances and traditional music events held in smaller museums and cultural venues, attracting both local and international visitors [4][5]. - Unique cultural experiences, such as tasting traditional foods and participating in local customs, are emphasized as key attractions for tourists and residents alike [6]. Group 4: Creative Cultural Products - Museums are introducing a range of creative cultural products, including themed souvenirs and food items, allowing visitors to take home a piece of the festive spirit [6]. - The Beijing Ancient Architecture Museum reports high sales of its new cultural products, particularly those inspired by traditional designs and auspicious themes [6].

Core Viewpoint - The 2026 Intangible Cultural Heritage Gala, co-produced by the Ministry of Culture and Tourism and China Central Television, showcased significant intangible cultural heritage projects from across China, highlighting the rich cultural diversity and heritage of the Yunnan province [1][2]. Group 1: Event Overview - The gala was recorded in Cangzhou, Hebei, featuring over 300 intangible cultural heritage projects and nearly 1,000 inheritors from 31 provinces and regions across the country [1]. - Yunnan's representative intangible cultural heritage projects, including Zhaoshutun, Namu Nona, and Dai Peacock Dance, were prominently featured [1]. Group 2: Performance Details - The original dance program "Que Ling" centered around the theme of "peacock," narrating the love story between the prince Zhaoshutun and princess Namu Nona, celebrating virtues such as bravery, loyalty, and kindness [1]. - Performers included provincial, state, and municipal level representatives, showcasing the Dai culture's ancient roots while innovatively presenting Yunnan's regional characteristics and diverse ethnic customs [1][2]. Group 3: Cultural Significance - The Dai Peacock Dance is recognized as the most famous traditional performance dance among the Dai ethnic group, prevalent in areas like Dehong and Xishuangbanna [2]. - Zhaoshutun and Namu Nona are celebrated long narrative poems of the Dai people, reflecting collective wisdom and transmitted through various forms, including singing and written texts [2].

Core Viewpoint - The article highlights the upcoming "Intangible Cultural Heritage Youthful Spring Festival" event organized by Xinhua Bookstore in Qinhuangdao, aiming to promote traditional Chinese culture through various activities and exhibitions [1] Group 1: Event Details - The event will take place from February 20 to February 26, coinciding with the Lunar New Year celebrations [1] - A total of 36 representatives of intangible cultural heritage will participate in the event, showcasing their skills and crafts [1] Group 2: Activities and Attractions - The event will feature four main segments: exhibition, appreciation, learning, and tasting, providing an immersive experience of intangible cultural heritage [1] - Traditional crafts such as Changli gourd painting and Funing paper-cutting will be demonstrated, along with performances of shadow puppetry and Taiping drum folk shows [1] - Attendees will have the opportunity to engage in hands-on experiences, food tasting, and skill exchanges with the heritage representatives [1] Group 3: Promotions and Community Engagement - The event will also include promotional activities at the bookstores, inviting the public to participate and celebrate the New Year together [1]

Core Viewpoint - The performance of the "Sky Tower Lion Dance" in Shanxi's Xiangfen showcases a blend of traditional culture and modern innovation, captivating audiences with its visual spectacle and intricate techniques [4][6]. Group 1: Performance and Innovation - The "Sky Tower Lion Dance" features a 13-layer tower made from ordinary benches, demonstrating impressive acrobatics and coordination among performers [1][3]. - The dance incorporates elements of martial arts and acrobatics, with new high-difficulty moves such as "Water Moon" and "Dragonfly Touching Water" developed over decades of practice [3][4]. - The performance has evolved from its origins in the Sui and Tang dynasties, maintaining its cultural significance while adapting to contemporary tastes [4][6]. Group 2: Cultural Significance and Heritage - The "Sky Tower Lion Dance" is recognized as a national intangible cultural heritage, reflecting the community's wishes for good fortune and harmony during festivals [4][6]. - The dance has gained popularity beyond local celebrations, with increasing invitations for performances at national events, indicating a growing interest in traditional Chinese culture [6][7]. - Young performers like 22-year-old Chai Boyu are committed to passing on the tradition and expanding its reach through modern platforms, enhancing its visibility globally [6][7].