Core Insights - The article highlights the revival and innovation of traditional silver and copper craftsmanship in Lu Shaer, Qinghai Province, showcasing its significance as a national intangible cultural heritage and its role in local economic development [1][2]. Group 1: Heritage and Craftsmanship - The "silver and copper craftsmanship and gilding technique" has a history of over a hundred years and was included in the third batch of national intangible cultural heritage in 2011, involving complex processes such as refining silver, shaping, and engraving [1]. - Wang Fubang, a representative inheritor of this craft, emphasizes the ongoing production of various silver and copper items, indicating a vibrant and bustling workshop environment [1]. Group 2: Economic Impact and Community Development - The establishment of the Lu Shaer ethnic handicraft processing base, supported by Nanjing's assistance, has created a 97-acre industrial park, attracting over 30 cooperatives and individual artisans, with nearly 40% of the village's 400 households benefiting from this craft [2]. - The annual output value of the silver and copper handicraft industry surpassed 100 million yuan in 2021, demonstrating significant economic contributions [2]. Group 3: Innovation and Future Prospects - The involvement of young artisans returning to their hometowns has led to innovative product development, integrating local ecological culture and aesthetics into new offerings such as titanium copper products and aluminum tiles for ancient buildings [2]. - There is a strong hope that traditional craftsmanship and the spirit of artisanship will attract more young people, driving comprehensive rural revitalization [2].

Group 1 - The article highlights the captivating performances of intangible cultural heritage, specifically the aerial fire pot and iron flower shows, in the coastal area of Suoyuwan, Dalian [1] - These performances not only attract the attention of the public but also serve to educate them about the origins of folk culture and the unique charm of traditional Chinese culture [1]

Core Viewpoint - The exhibition "Wanfang Lezao Youyu Tian - Intangible Cultural Heritage Exhibition of Hotan, Xinjiang" opened on March 2 at the China Intangible Cultural Heritage Museum, showcasing the rich cultural heritage of the Hotan region through various forms of presentation [1] Group 1: Exhibition Details - The exhibition features six thematic units: Kunlun Mythology, Jade from Kunlun, Famous Silk Road Cities, Wanfang Lezao, Hundred Ethnicities in Harmony, and Forging the Soul [1] - Approximately 30 representative projects of national and regional intangible cultural heritage are presented, with nearly 600 exhibits, including techniques such as Adela silk dyeing and weaving, Aiyuang construction skills, carpet weaving, and mulberry paper making [1] Group 2: Cultural Significance - The exhibition vividly showcases the transmission of intangible cultural heritage in the Hotan region, highlighting its unique charm and contemporary relevance, while connecting the long history and splendid culture of Hotan and Xinjiang [1] - It illustrates the spirit of unity and friendship among various ethnic groups in Xinjiang, depicting a beautiful vision of building a harmonious home together, akin to pomegranate seeds tightly embracing each other [1] Group 3: Event Organization and Duration - The exhibition is jointly organized by the China Intangible Cultural Heritage Museum, the Cultural and Tourism Department of Xinjiang Uygur Autonomous Region, the Cultural, Sports, Radio, and Television Bureau of Xinjiang Production and Construction Corps, and the Hotan Regional Administrative Office [1] - It will run until March 15, 2026, with accompanying activities such as intangible cultural heritage performances, handicraft experiences, and lectures to provide an immersive understanding of Hotan's intangible heritage [1]

Core Points - The exhibition "Ten Thousand Harmonies from Yutian" celebrating the 70th anniversary of the Xinjiang Uyghur Autonomous Region opened on November 2 at the China Intangible Cultural Heritage Museum [1] - The exhibition features six units showcasing the intangible cultural heritage of the Hotan region, including Kunlun mythology, jade from Kunlun, Silk Road cities, and more [5][12] - Nearly 600 items are on display, highlighting various traditional crafts such as Adire silk dyeing, Aiyuan construction techniques, carpet weaving, and mulberry paper making [6][12] Exhibition Details - The exhibition aims to vividly present the cultural heritage, unique charm, and contemporary spirit of the Hotan region, linking its rich history and culture to the broader narrative of unity among ethnic groups in Xinjiang [12] - Organized by multiple cultural institutions, the exhibition will run until March 15, 2026, and will include various supporting activities such as performances, craft experiences, and lectures [16]

Core Insights - The second National College Student AI + Intangible Cultural Heritage Innovation Challenge focuses on the integration of artificial intelligence with intangible cultural heritage, showcasing innovative solutions from various university teams [3][4]. Group 1: Event Overview - The event is themed "Intelligent Creation of Intangible Heritage, Revitalizing Cultural Tourism" and is organized by the National Pan-Hotel Industry Education Integration Community, in collaboration with several universities [3]. - The competition attracted participation from 1,243 universities nationwide, with nearly 120,000 participants across two editions [3]. - This year's entries emphasized practical solutions in three areas: hotel scenarios, tourism products, and scenic area management, transitioning from conceptual ideas to actionable plans [3]. Group 2: Innovative Solutions - The winning team from Guilin Tourism College proposed a "livable Tang Dynasty cultural living museum," utilizing a digital persona named "Wan Niang" to guide cultural narratives, combined with AR/VR experiences and themed room designs [4]. - The silver award was given to a team from Wuhan University of Light Industry, which developed a service model incorporating local cultural elements through unique gifts and traditional cultural ambiance in hotel settings [4]. - A team from Shanghai Business School designed an immersive AI-guided tour system for the ancient town of Zhujiajiao, integrating technology, culture, and consumerism [4]. Group 3: Educational Impact - The competition serves as a high-quality practical teaching experience, fostering student motivation, teamwork, and the application of classroom knowledge to real-world problems [4][5]. - Experts noted that the event enhances students' comprehensive abilities and encourages interdisciplinary collaboration, which is crucial for educational reform [8]. - The challenge is seen as a valuable channel for companies to gain innovative ideas while fostering ongoing collaboration between academia and industry [8][9].

Core Viewpoint - The article highlights the cultural significance and traditional craftsmanship of osmanthus flower food production in Manjue Long Village, emphasizing the efforts of Shen Rongyan, a representative inheritor of this intangible cultural heritage, to preserve and promote this ancient skill [6][9]. Group 1: Historical Background - The osmanthus food production technique has a long history dating back to the Tang Dynasty and flourished during the Southern Song Dynasty, becoming a unique local custom in Hangzhou [6]. - Since the early Republic of China, villagers have been selling homemade osmanthus sugar around West Lake, a tradition that continues today [6]. - In 2011, the osmanthus food production technique was listed as a representative project of intangible cultural heritage in Hangzhou [6]. Group 2: Craftsmanship and Production Process - Shen Rongyan emphasizes the importance of patience and meticulousness in making osmanthus sugar, which involves several steps including picking, marinating, and drying the flowers [7][8]. - The process begins early in the morning to ensure the flowers are fresh, followed by careful selection to remove impurities [7]. - The osmanthus flowers are then marinated in a special plum brine for two months before being mixed with sugar to create the final product [8]. Group 3: Cultural Events and Community Engagement - Manjue Long Village has hosted the Osmanthus Flower Culture Festival for 39 consecutive years since 1986, showcasing traditional food-making techniques and cultural performances [8]. - The festival features various activities, including dance, tea art, and music, aimed at providing a comprehensive cultural experience for visitors [8]. - Shen Rongyan has initiated educational programs to engage the community and students, promoting awareness and appreciation of this intangible cultural heritage [9].

Core Insights - The bamboo weaving craft in Shengzhou has deep cultural roots and has evolved from practical items to artistic masterpieces, gaining international recognition [1][2] - The craft's history dates back to the Neolithic era, with significant developments during various dynasties, and it was recognized as a national intangible cultural heritage in 2006 [2] Group 1: Historical Development - The origins of Shengzhou bamboo weaving can be traced back to the Neolithic period, with notable mentions in literature from the Eastern Jin dynasty [2] - The craft saw substantial advancements during the Song, Yuan, Ming, and Qing dynasties, particularly highlighted by exquisite bamboo fans in the Shengzhou Chenghuang Temple [2] - After the establishment of New China, the craft experienced rapid development, introducing new techniques such as flower patterns and bleaching [2] Group 2: Modern Revival - The traditional bamboo weaving is being revitalized in contemporary settings, with young artisans collaborating with masters to create modern decorative items [2] - Educational institutions like Tsinghua University and China Academy of Art are engaging with the craft, infusing it with modern aesthetics [2] - The craft is not only a cultural heritage but also plays a role in rural revitalization efforts, transforming traditional skills into vibrant economic opportunities [2]

Core Points - Lanzhou carving gourd is recognized as one of the "Three Treasures of Lanzhou" alongside beef noodles and sheepskin rafts, and was included in the first batch of intangible cultural heritage protection list of Gansu Province in 2006 [3] Group 1 - Lanzhou carving gourd is a traditional craft that showcases the artistry and cultural significance of the region [3] - The story of artisan Ruan Xiyue, a post-85 generation folk artist, highlights the dedication and passion involved in preserving this cultural craft [3]

Core Viewpoint - The article highlights the practice of Yongchun White Crane Kung Fu by a group of German students in Fujian, China, emphasizing its cultural significance and international reach [1]. Group 1: Cultural Significance - Yongchun White Crane Kung Fu is one of the ancient Chinese martial arts, recognized as a national intangible cultural heritage in 2008 and as a provincial intangible cultural heritage in Fujian in 2022 [1]. - The martial art has spread to over 80 countries and regions globally, serving as an important cultural exchange link between Yongchun and the overseas community [1]. Group 2: Training and Participation - The German students, referred to as "洋弟子," engage in rigorous training for about five hours daily, reflecting their dedication and passion for martial arts [1]. - These students have been visiting Yongchun annually for approximately ten years, typically training for about half a month each October [1]. Group 3: Upcoming Events - The World Yongchun White Crane Kung Fu Inheritance and Development Conference is scheduled to take place in November, where practitioners from around the world will gather in Yongchun to exchange skills [1].

Core Points - The 2025 Beijing International Intangible Cultural Heritage Week opened on October 17, featuring participants from over 60 countries and regions, showcasing nearly 10,000 exhibits under the theme "Intangible Heritage and a Better Life" [2][3] Group 1: Event Overview - The event runs from October 17 to 21 and includes four main segments: opening ceremony, international intangible heritage exhibition, intangible heritage dialogue, and heritage market [3] - The opening ceremony, themed "Wind, Elegance, and Praise," highlights the concept of "each beauty is beautiful, and beauty is shared" [3] Group 2: Exhibits and Cultural Exchange - The exhibition features diverse intangible cultural heritage items, such as Malaysia's "Kebaya" traditional attire and Georgia's textile pieces inspired by ancient murals [3] - A notable piece is a 2.6-meter-long glass "Nine-Dragon Wall," showcasing traditional Chinese architectural culture [3] Group 3: Integration into Daily Life - The event aims to integrate intangible heritage into daily life, creating immersive experiences for visitors [4] - Various cultural food items from different countries are presented, such as Turkish kebabs and Sri Lankan tea, alongside local Beijing specialties [4] Group 4: Tourism and Engagement - During the event, the Beijing Municipal Bureau of Culture and Tourism launched 10 themed tourism routes along the Grand Canal, promoting the charm of intangible heritage [5] - The "Intangible Heritage Dialogue: Co-creating Life" event gathered experts and representatives from various countries to discuss sustainable strategies for heritage transmission [5] Group 5: Innovation and Digital Engagement - The "Intangible Heritage Development Co-creation Camp" was initiated in collaboration with Douyin, focusing on sustainable solutions for heritage promotion [6] - The event emphasizes the need for innovative expressions to engage younger audiences and transform intangible heritage into a contemporary cultural force [6]