民族文化
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佳节共欢腾 最炫民族风
Xin Lang Cai Jing· 2026-02-20 20:42
大年初三,澜沧县举办春节(扩塔) 大年初一,元江县民族风情巡游上开展 大年初三,屏边县2026年苗族花山节上 民俗巡游活动。澜沧县委宣传部供图 了民俗展演。本报通讯员 王智贤 周馗 何磊 摄 转自:云南日报 随着浑厚的礼炮声响起,巡游队伍浩浩荡荡走上街头。极具拉祜特色的"拜年团"引人注目。他们有的肩 扛甘蔗,寓意新的一年生活"节节甜";有的手捧大如簸箕的糯米粑粑,象征团圆与富足;还有的背着金 黄的蜂蜡和自家酿制的醇酒,向沿途观众致以节日祝福。巡游队伍中,非遗展示成为流动的风景线。国 家级非遗代表性项目拉祜族芦笙舞方阵气势恢宏,百余名拉祜汉子手持芦笙边吹边跳,动作粗犷有力, 曲调高亢嘹亮;女子方阵跳起了轻盈的"摆舞",手臂摆动如风吹稻浪。紧随其后的是哈尼族、布朗族、 傣族、佤族等民族的方阵,象脚鼓、三弦、铓锣等民族乐器轮番奏响,五彩斑斓的民族服饰在阳光下熠 熠生辉,宛如一条流动的彩虹河。"太震撼了!几百支芦笙同时吹响,直击心灵的共鸣感无法用语言形 容。"上海游客陈先生兴奋地按下快门。夜幕降临,民族团结进步广场(葫芦广场)上,民族民间歌舞 晚会精彩上演,随后是通宵达旦的篝火打跳。熊熊的篝火映照着一张张笑脸,芦笙声 ...
“贵州村T”亮相央视春晚,这些民族服饰,一定能惊艳到你
Xin Lang Cai Jing· 2026-02-16 15:14
Core Viewpoint - The performance of Guizhou singer Zhou Shen and the "Guizhou Village T" troupe at the 2026 CCTV Spring Festival Gala showcased the rich cultural heritage of Guizhou, particularly through the presentation of traditional ethnic costumes and music [1][3]. Summary by Sections Cultural Representation - The "Guizhou Village T" troupe, consisting of 12 children, displayed confidence while wearing traditional Miao and Dong ethnic costumes, highlighting the diversity of Guizhou's cultural heritage [3]. - Guizhou is known as the "Cultural Thousand Islands," home to 18 ethnic groups that have contributed to a rich tapestry of cultural treasures [5]. Ethnic Costumes - Ethnic costumes serve as a vivid representation of cultural identity, akin to a flowing history book, showcasing the unique characteristics of various ethnic groups [7]. - The Miao ethnic costumes are noted for their diversity, with over 200 styles featuring silver ornaments, embroidery, and batik, reflecting a deep connection to nature and spirituality [17][21]. Specific Ethnic Costumes - The Dong ethnic costumes, with a history tracing back to the Han and Tang dynasties, are renowned for their exquisite craftsmanship and are characterized by elegant patterns and colors [24][26]. - The Shui ethnic group, unique to Guizhou, has a distinct preference for dark colors and is known for its intricate embroidery, which is recognized as a national intangible cultural heritage [44]. - The Gelao ethnic costumes are distinguished by their intricate designs and vibrant colors, symbolizing the group's rich historical and cultural background [49]. Cultural Significance - The costumes of various ethnic groups not only serve as artistic expressions but also encapsulate deep cultural meanings, with many groups lacking written language, relying instead on textile art to convey their history and beliefs [21][73]. - The exploration of Guizhou's ethnic costumes offers an opportunity for cultural discovery, inviting visitors to engage with the region's diverse heritage [112].
当心那些胡编乱唱的“AI歌手”
Xin Hua She· 2026-02-09 09:31
近几年,有一些少数民族歌手靠作品"出圈",吸引了人们对民族文化的关注。然而,个别企业、博主在 嗅到流量气息后,借助AI将少数民族语言、服饰等元素"一锅乱炖",看似新奇悦耳,实则混淆视听。比 如前面提到的"彝族AI歌手",就被网友指出"脸是泰国的,头饰是苗族的,语言是自创的"。 新华社北京2月9日电 2月9日,《新华每日电讯》发表题为《当心那些胡编乱唱的"AI歌手"》的评论。 人工智能浪潮正在给音乐创作带来新挑战。近日,有博主借助AI技术盗用美国歌手碧昂丝的声音翻唱 《泡沫》,遭原创邓紫棋维权后道歉、下架。相比之下,另一种胡编乱唱的"AI歌手"更值得警惕:有网 友发现,某音乐公司打造的所谓"彝族AI歌手",用不知所云的语言翻唱多首热门歌曲,虽然配了彝汉双 语字幕,但评论区的彝族网友们纷纷表示"听不懂"。 据了解,该公司不仅生造了"四不像"的所谓"彝族AI歌手",还如法炮制了同样存在争议的"藏族AI歌 手"。文艺创作,兹事体大。对凭空杜撰、张冠李戴、恶意解构的行为,不能纵容。平台需落实主体责 任,完善审核机制,对"魔改拼贴"内容加强识别。监管部门需与时俱进,为这类新现象划定红线。 中华民族大家庭中,各民族的语言、 ...
【新春走基层】贵州年货大集结!热闹集市嗨翻新春
Xin Lang Cai Jing· 2026-02-02 09:46
Group 1 - The festive atmosphere in Guizhou is vibrant as various regions kick off New Year celebrations, featuring traditional markets and cultural performances that create a shopping and entertainment experience for residents and tourists [1][4][13] - The Buyei Cultural Street in Cehen County hosts a lively New Year goods festival, showcasing traditional clothing and cultural displays that attract visitors [3][4] - The event includes diverse activities such as dragon dances, fireworks, and local product exhibitions, aimed at boosting the local economy and enhancing consumer engagement during the New Year season [4][6] Group 2 - The "Happy New Year" festival in Guiding County features a wide array of traditional goods, including spring couplets, cured meats, and ethnic handicrafts, drawing large crowds [6][8] - Community engagement is highlighted through activities like free spring couplet writing and job information services, promoting a sense of warmth and vitality during the New Year celebrations [8] - The bustling markets in Jianhe County reflect a rich cultural heritage, with local specialties and vibrant interactions among shoppers, symbolizing hope and continuity as the New Year approaches [9][11][12]
榫卯:从“网红”热词回归技术本体
Xin Lang Cai Jing· 2026-01-29 21:59
Core Viewpoint - The article discusses the misconceptions surrounding the use of "mortise and tenon" (榫卯) in traditional Chinese architecture, emphasizing that the belief that ancient Chinese buildings did not use nails is largely inaccurate and rooted in misunderstandings of both historical practices and cultural contexts [4][6][9]. Group 1: Misconceptions about Nail Usage - The notion that ancient Chinese architecture did not use any nails is factually incorrect; nails were commonly used in smaller structural components and interior decorations, as documented in historical architectural guidelines [4]. - The idea of "nail-free construction" is not unique to China but is a shared characteristic among various wooden construction cultures, indicating a broader historical context [5][9]. Group 2: Cultural and Technical Perspectives - The rejection of nails in ancient Chinese craftsmanship stems from both technical and cultural reasons, primarily due to the susceptibility of iron to rust and decay, which could compromise the longevity of wooden structures [6]. - The cultural preference for wooden joints over nails reflects a deep-rooted tradition among East Asian carpenters, which has been shaped by historical material availability and craftsmanship values [6][7]. Group 3: Historical Context and Global Comparisons - The glorification of "nail-free construction" may have originated from 19th-century North America, where the mass production of wooden structures using cheap nails contrasted with the traditional methods of East Asia [5]. - The article highlights that Western architectural classifications often misinterpret Chinese wooden structures, categorizing them as "half-timbered" rather than recognizing their full wooden framework [7][8]. Group 4: Clarification of Architectural Concepts - The author aims to clarify two main misconceptions: first, that mortise and tenon joints are not a unique Chinese invention but a common solution across various wooden construction cultures; second, that the technical aspects of these joints involve complex interactions of material properties, tools, and cultural choices, rather than mere geometric assembly [9].
侗族大歌震撼开唱 多彩贵州城上演文化盛宴
Xin Lang Cai Jing· 2026-01-04 02:26
来源:人民网 人民网贵阳1月3日电 (阳茜)"鼓楼下把歌唱,千年的侗歌唱给党呀唱给党……"元旦期间,多彩贵州 城鼓楼广场迎来一场声势浩大的民族文化盛宴。由425名侗族同胞组成的合唱团呈现了一场大型侗族大 歌展演,以嘹亮歌声开启新年篇章。演出在悠扬的芦笙表演中拉开序幕。随后425名侗族歌手整齐列 队,以多声部无伴奏合唱形式演绎了《筑塘歌》《蝉之歌》《布谷催春》等经典曲目。其中,《侗歌声 声唱给党》《洪州琵琶歌·晚辈要把老人敬》等作品既传承了侗族大歌的千年古韵,又融入了时代主 题,赢得观众阵阵掌声。 人民网贵阳1月3日电 (阳茜)"鼓楼下把歌唱,千年的侗歌唱给党呀唱给党……"元旦期间,多彩贵州 城鼓楼广场迎来一场声势浩大的民族文化盛宴。由425名侗族同胞组成的合唱团呈现了一场大型侗族大 歌展演,以嘹亮歌声开启新年篇章。演出在悠扬的芦笙表演中拉开序幕。随后425名侗族歌手整齐列 队,以多声部无伴奏合唱形式演绎了《筑塘歌》《蝉之歌》《布谷催春》等经典曲目。其中,《侗歌声 声唱给党》《洪州琵琶歌·晚辈要把老人敬》等作品既传承了侗族大歌的千年古韵,又融入了时代主 题,赢得观众阵阵掌声。 人民网贵阳1月3日电 (阳茜)"鼓 ...
2025年,那些文化光影里的瞬间(上)
Xin Lang Cai Jing· 2026-01-03 00:40
Core Perspective - The article reflects on the cultural achievements and developments in China throughout 2025, highlighting the integration of traditional culture into contemporary life and the increasing cultural confidence among the Chinese people [5]. Cultural Heritage Section - In 2025, archaeological work in China's border regions yielded significant findings, enhancing the understanding of the origins and development of Chinese civilization [8]. - Key discoveries include the Neolithic site in Ordos, which provided evidence of continuous human activity for over 50,000 years, and the large-scale burial mounds of the Hongshan culture, offering new insights into early social complexity [10]. - The Xinjiang region's archaeological findings support the view that the Silk Road was a result of cultural exchange rather than its origin, with discoveries linking artifacts from different regions [12]. - The Tibetan Plateau's archaeological breakthroughs indicate early material cultural exchanges with central China and South Asia, showcasing the region's historical significance [13]. - The year saw a focus on systematic narratives in museums, emphasizing the historical interactions among various ethnic groups and their contributions to the formation of a unified Chinese identity [16]. Literature Section - In 2025, writers from various ethnic backgrounds explored contemporary expressions of Chinese culture, weaving narratives that reflect the shared experiences of different communities [18]. - Notable works include novels that depict historical events and cultural interactions, such as "The Winds of Ustaz" and "The River of Eji," which highlight themes of unity and cultural heritage [20]. - The emergence of cross-genre writing is evident, with authors blending different literary forms to create rich narratives that resonate with contemporary issues [21]. - The Chinese Writers Association's initiatives, such as the "Literary Community Series," aim to promote minority literature and foster a deeper understanding of cultural diversity [22]. - The year culminated in the "2025 China Literature Festival," celebrating children's literature and showcasing the literary talents of young writers from diverse backgrounds [24].
贵州荔波:“村排”开赛庆元旦,热血拼搏迎新年
Xin Lang Cai Jing· 2026-01-02 10:13
Core Viewpoint - The 2026 Guizhou "Village Volleyball" Lipo Rural Volleyball League commenced on January 1, 2026, featuring volleyball matches, cultural parades, and opening performances, creating a festive atmosphere for the New Year holiday and igniting a new wave of rural sports enthusiasm [1]. Group 1: Event Overview - The event includes volleyball competitions, a cultural parade, and an opening ceremony, aimed at celebrating the New Year and promoting rural sports [1]. - The cultural parade featured 106 participating teams from 8 local towns, showcasing traditional costumes and local agricultural products, enhancing community engagement and tourism [1]. - Performances during the opening ceremony included various ethnic dances, highlighting the rich cultural diversity of the region and contributing to the festive atmosphere [1]. Group 2: Competition Details - The first match saw the Ba Lan Village Loquat Team compete against the Shui Yao New Village Team, with both teams winning one game each before Ba Lan secured victory in the decisive game with a score of 18 to 16 [2]. - The league will run until February 23, 2026, covering the entire Spring Festival holiday, with a focus on "mass participation and local characteristics" [2]. - The event will also feature ongoing cultural exhibitions and sales of local agricultural products, aiming to create a sports event with strong local flavor and broad community support [2].
深挖特色文化资源潜能 推动文化大发展大繁荣
Xin Lang Cai Jing· 2025-12-31 04:31
Core Viewpoint - The cultural prosperity and development in Guizhou is a significant marker of Chinese-style modernization and serves as a deep force for high-quality development and modernization in the province [1] Group 1: Cultural Projects and Initiatives - Guizhou is implementing "Four Major Cultural Projects" to enhance cultural resources and promote cultural industries, which are increasingly demonstrating their role in leading trends, educating the public, serving society, and driving development [2] - The establishment of a systematic and standardized red culture research system aims to integrate research efforts on the historical context of the Red Army's Long March in Guizhou, leading to high-quality research outcomes and educational materials [2] - The promotion of the "Long March Spirit" through the construction of the Long March National Cultural Park in Guizhou focuses on protecting and utilizing red cultural resources [2] Group 2: Cultural Heritage and Ethnic Culture - A comprehensive survey and research initiative on the history, language, and traditions of various ethnic groups in Guizhou is underway, emphasizing the protection and transmission of intangible cultural heritage [4] - The development of cultural products and services that incorporate traditional crafts and performances aims to revitalize intangible cultural heritage and improve livelihoods [4] Group 3: Cultural Brand Development - The "Mountain Park Province · Colorful Guizhou Wind" cultural tourism brand has gained significant recognition, enhancing Guizhou's cultural influence and identity [6] - Various regional cultural brands, such as "Red Zunyi" and "Cool Guiyang," showcase the unique characteristics of different areas within Guizhou [6] Group 4: Cultural Products and Quality - Guizhou's cultural originality is on the rise, with a focus on creating works that reflect the spirit of the times and local characteristics, including television dramas and stage plays that resonate with audiences [7] - Initiatives like "Our China Dream" aim to bring cultural activities to rural areas, benefiting millions of people annually [7] Group 5: Cultural Heritage Protection - The establishment of a cultural heritage protection system is being enhanced through revised regulations and a coordinated approach among relevant departments, ensuring effective management and utilization of cultural resources [8] - Significant progress has been made in protecting traditional villages and intangible cultural heritage, with notable projects recognized at national and international levels [8] Group 6: Integration of Culture and Tourism - The integration of culture and tourism is being deepened, with the development of high-quality tourism projects that highlight Guizhou's unique cultural and natural resources [9] - New tourism consumption models, such as immersive performances and heritage experiences, are being cultivated to enhance the attractiveness of the cultural tourism sector [9] Group 7: Community Cultural Life - The implementation of the "Guizhou Province New Era Citizen Moral Construction Implementation Plan" is promoting the integration of core socialist values into daily life and governance [10] - Public cultural services are being improved, with a focus on expanding access and enhancing the quality of cultural experiences for the community [10] Group 8: Cultural Resource Innovation - The establishment of mechanisms for creative transformation and innovative development aims to invigorate cultural resources and enhance their modern relevance [11] - Policies supporting cultural prosperity are being developed, focusing on legal frameworks and financial incentives to foster a sustainable cultural environment [11] Group 9: Cultural Industry Development - Guizhou is leveraging its unique cultural resources to create a diverse and complementary cultural industry structure, integrating with tourism, agriculture, and other sectors [13] - Major cultural projects are being planned and implemented to drive the development of the cultural industry and enhance its contribution to social development [13] Group 10: International Cultural Exchange - A modern communication matrix is being established to enhance the dissemination and dialogue of Guizhou's culture on a global scale [14] - Efforts are being made to promote Guizhou's cultural products and engage in international cultural exchanges, showcasing both traditional and contemporary narratives [14]
多个文艺作品在国家级专业奖项中斩获佳绩
Xin Lang Cai Jing· 2025-12-26 21:02
Core Viewpoint - Qinghai is promoting cultural development through five cultural pillars: ecological culture, historical culture, red culture, national culture, and highland culture, achieving notable success in national awards for artistic works [1][2]. Group 1: Ecological Culture - Qinghai is actively promoting its ecological civilization achievements and engaging in environmental protection activities, with initiatives like "Solar Sheep" and the popular snow leopard "Ling Xiaozhe" receiving widespread attention and praise [1]. Group 2: Historical Culture - The province is focusing on the research and excavation of Kunlun culture, conducting multidisciplinary scientific explorations, and implementing archaeological projects at sites like Dingdu Pubba and Xia'er Yama Kebu, with significant discoveries recognized in the "Top 100 Archaeological Discoveries of the Century" [1]. Group 3: Red Culture - Qinghai is commemorating significant historical events such as the 100th anniversary of the Communist Party and the 80th anniversary of the victory in the Anti-Japanese War, promoting the "Two Bombs, One Satellite" spirit, and establishing the Qinghai Atomic City Memorial Hall as a repository of red culture [1]. Group 4: National Culture - The province is enhancing the construction of national and provincial cultural protection zones for Gesar and Regong cultures, compiling the "Atlas of Chinese Minority Cultural Relics: Qinghai Volume," and organizing various events to revitalize traditional culture in the modern era [2]. Group 5: Highland Culture - Qinghai is hosting discussions on the "Two Roads" spirit and promoting exemplary figures like Gabulong and Wu Tianyi, aiming to inspire local communities to love and build Qinghai [2]. Group 6: Artistic Creation - The province's artistic creation is thriving, with works like the novel "On the Wilderness," Tibetan opera "Princess of Jincheng," and the film "Boy in the Moonlight" winning national awards, while upcoming productions include the TV series "Tree of Life" and the documentary "Yushu Rebirth" [2][3]. Group 7: Collaborative Projects - Qinghai is implementing over 70 cooperative projects in artistic creation, talent cultivation, and grassroots cultural development, with successful releases of various artistic works and events such as the China Wildlife Photography Exhibition and the National (Qinghai) Folk Song Performance [3].