Group 1 - The 2025 Torch Festival in Shilin, Yunnan, commenced on July 17, inviting tourists to experience the rich ethnic culture and traditions of the Yi people, celebrated for over a thousand years as the "Eastern Carnival" [1][2] - Shilin County is renowned for its karst landscape, housing several prestigious designations such as a World Natural Heritage site and a National AAAAA Tourist Attraction, contributing to its appeal as a tourist destination [2] - The opening ceremony featured over ten thousand attendees, including local residents and tourists, highlighting the community's engagement in cultural festivities [2][4] Group 2 - The festival's theme for 2025 is "Passionate Torches, Intangible Heritage Shilin," running until July 23, with various activities planned, including traditional wrestling, food festivals, and immersive cultural experiences [5] - The event included performances by local artistic groups, showcasing traditional music and dance, emphasizing the cultural significance of the Yi people's heritage [5][3] - The county government aims to enhance the recognition and reputation of Shilin as a tourist destination through ongoing cultural initiatives and events [2]

Core Viewpoint - The bonfire festival is a significant cultural event for the Oroqen ethnic group, akin to the Spring Festival, symbolizing their historical reliance on fire and their aspirations for a bright future [1][2]. Group 1: Cultural Significance - The bonfire festival originated from the Oroqen's hunting period, where fire was essential for survival, leading to a deep reverence for the fire god [2]. - The festival serves as a platform for the Oroqen people to share their harvest and joy, featuring traditional foods and folk sports [2][3]. Group 2: Modern Adaptation - Since leaving their mountainous homes in 1951, the Oroqen have transitioned from a hunting lifestyle to modern civilization, engaging in agriculture, animal husbandry, and tourism [2]. - The festival now attracts numerous tourists, showcasing the craftsmanship of Oroqen women through handmade products [3]. Group 3: Rituals and Celebrations - The festival includes a fire worship ceremony led by respected elders, where offerings are made to fire and nature [3][4]. - Participants engage in traditional dances around the bonfire, reflecting their belief in the spiritual essence of all things [4][5].

Core Viewpoint - The article highlights the artistic philosophy and contributions of Han Meilin, emphasizing the importance of cultural roots and the integration of traditional Chinese art with contemporary expressions [4][5][6]. Group 1: Artistic Philosophy - Han Meilin believes that art should be independent, unique, and dignified, rooted in national culture, which allows it to stand confidently in the global art scene [4][5]. - The artist emphasizes the need to seek inspiration from the world, life, and folk culture, rejecting the notion of "closed-door" creation [4][6]. - He advocates for a deep connection with the people and the environment, stating that true artistic expression comes from engaging with life and culture [6][7]. Group 2: Contributions and Achievements - Han Meilin has created over 350 works for the upcoming "Beauty of the Forest - Han Meilin Art Exhibition," showcasing a dialogue between ancient and modern aesthetics [5][6]. - His works span various mediums, including painting, calligraphy, sculpture, ceramics, and design, reflecting a broad artistic practice [6][7]. - The artist has received numerous accolades, including the title of "Peace Artist" from UNESCO and the "Coubertin Medal" from the International Olympic Committee, highlighting his role in cultural exchange [5][8]. Group 3: Cultural Impact - Han Meilin's art is deeply influenced by ancient Chinese culture, particularly through the study of ancient symbols and folk art, which he integrates into modern artistic expressions [6][7]. - He has established multiple art museums across China, including in Hangzhou and Beijing, to promote cultural heritage and education [7][8]. - The artist's philosophy emphasizes that art should not only be for the elite but should resonate with the public, making beauty accessible to all [8].

Group 1 - The opening ceremony of the Guangxi activity week at the China Pavilion of the 2025 Osaka World Expo was held on June 11, showcasing the cultural tourism brand image of Guangxi with performances and interactive activities [1][2] - The event featured a variety of performances including songs, puppet shows, and traditional music, highlighting the unique cultural heritage of Guangxi [1] - Daily activities included non-material cultural heritage demonstrations and small-scale artistic performances, allowing visitors to engage with Guangxi's traditional crafts and cultural expressions [2] Group 2 - The event was attended by nearly 100 representatives from various sectors, including leaders from Guangxi, the China Council for the Promotion of International Trade, and local government officials from Japan [2] - Interactive activities such as traditional handicraft demonstrations and ethnic costume experiences were organized to enhance visitor engagement and appreciation of Guangxi's cultural heritage [2]

Core Viewpoint - The article highlights the efforts of a multi-ethnic student group at Southwest Minzu University, led by Dilahe Aditiliang, to promote Chinese cultural heritage through video documentation of artifacts and historical narratives, emphasizing the unity and diversity of the Chinese nation [1][3][5]. Group 1: Cultural Heritage and Education - Dilahe Aditiliang and her classmates created a video studio called "Xiao Di Dao Zhonghua" to explore and document the historical memories of various ethnic groups in China through museum artifacts [3][5]. - The group aims to make complex cultural knowledge accessible and engaging by focusing on historical figures and artifacts, resulting in a richer and more diverse content perspective [5][7]. - The studio has released 63 videos, accumulating over 2 million views, covering topics such as archaeological discoveries, artifact restoration, and ethnic cultures [7]. Group 2: Collaborative Efforts and Impact - The multi-ethnic "anchor team" includes students from over 10 different ethnic backgrounds, enriching the content with diverse experiences and perspectives [5][7]. - Students are actively involved in comparing cultural elements, such as Tibetan Thangka patterns with Sanxingdui bronze patterns, showcasing the continuous cultural exchange between regions [5]. - Dilahe Aditiliang plans to enhance the interactivity of their videos using AI technology, aiming to further engage audiences with the stories behind the artifacts [7].