Group 1 - During the Dragon Boat Festival holiday, Jiangsu province received over 12.41 million tourists, with total consumer spending reaching 4.693 billion yuan, reflecting a year-on-year increase of 2.15% and 0.20% respectively [1] - The province launched over 1,880 cultural and tourism activities, enhancing the holiday experience for the public [1] - UnionPay data indicated that the first two days of the holiday saw inter-city tourism consumption of 6.557 billion yuan, a year-on-year growth of 1.5%, accounting for 35.10% of the industry’s inter-city consumption [1] Group 2 - The "Seeing Su Rhythm: Local Exhibitions" event attracted over 70,000 visitors in its third-day exhibition in Suqian, showcasing local cultural performances and art [2] - A total of 584 performances were held during the holiday, with attendance reaching 287,000, marking a 352% increase in audience numbers and a ticket revenue of 224 million yuan, up 574% year-on-year [2] Group 3 - Museums across the province hosted over 450 educational and cultural activities, with a total of 1.777 million visitors, representing a year-on-year growth of 19.8% [3] - The "Non-Heritage Life Fair" in Nanjing featured various activities, attracting nearly 10,000 participants, highlighting the vibrancy of cultural heritage [3]

Core Insights - The article highlights the thriving development of the mud sculpture industry in Liu Ying Village, known as "China's First Mud Sculpture Village," with an annual output value exceeding 40 million yuan and products exported to over 30 countries and regions [1][2]. Group 1: Industry Development - Liu Ying Village has over 200 households and thousands of people engaged in the mud sculpture industry, which has seen significant growth due to collective efforts and a focus on cultural tourism [1][2]. - The mud sculpture industry in Fengxiang has a rich history dating back to the Western Zhou period, characterized by vibrant colors and traditional patterns, and was recognized as a national intangible cultural heritage in 2006 [1][2]. Group 2: Key Figures and Innovations - Hu Xinming, a representative inheritor of the Fengxiang mud sculpture, has played a pivotal role in promoting the craft, including showcasing it internationally and creating over 180 new varieties of mud sculptures [2][3]. - The introduction of a closed-loop cooperation model involving "company + cooperative + farmers" has enhanced production efficiency and created job opportunities for over 320 local residents [3]. Group 3: Youth Engagement and Modernization - The younger generation, represented by Hu Jinwei, is modernizing the mud sculpture art by integrating it with contemporary design and lifestyle products, appealing to younger consumers [4][5]. - Hu Jinwei has developed various derivative products and educational programs to promote traditional culture among local schools and universities, attracting thousands of participants annually [5][6]. Group 4: Cultural Significance and Future Aspirations - The mud sculpture culture embodies the hopes and positive attitudes of local people towards life, and there is a strong emphasis on maintaining traditional elements while adapting to modern consumer trends [6][7]. - Plans for a Fengxiang mud sculpture cultural and creative competition aim to engage more young talents in the innovative development of the craft, expanding its presence in everyday life [7].

Core Viewpoint - The China Arts and Crafts Expo serves as a significant platform for intangible cultural heritage practitioners to showcase their innovative achievements and foster collaboration [3][10]. Group 1: Event Overview - The fifth China Arts and Crafts Expo will take place from May 30 to June 2, coinciding with the Dragon Boat Festival, enhancing the cultural atmosphere of the holiday [3]. - The expo will feature the latest creations by Wang Xinyuan, including non-heritage embroidery works that blend various artistic forms such as photography, traditional Chinese painting, and oil painting [3][6]. Group 2: Product Innovation - Wang Xinyuan introduced the "Aromatic Sachet Gift," a product that combines traditional embroidery techniques with practical applications, including a sachet, ginger mugwort essential oil, and a gua sha board [6]. - The sachet features a traditional design that symbolizes health and safety, showcasing the integration of non-heritage techniques with modern wellness culture [6]. Group 3: Artistic Development - Wang Xinyuan has developed a unique embroidery style and has expanded the themes of traditional embroidery to include contemporary subjects such as famous paintings and modern characters [8]. - His efforts aim to revitalize the art of embroidery, making it more appealing to younger audiences and integrating it into modern life [7][8]. Group 4: Community Engagement - Wang Xinyuan has actively promoted the "Intangible Cultural Heritage into Schools" initiative, teaching embroidery techniques to students and expanding the pool of practitioners [9]. - He has also linked embroidery skills to rural revitalization efforts, benefiting over 2,000 individuals and generating economic returns of over 2.6 million yuan [9]. Group 5: Vision for the Future - Wang Xinyuan emphasizes the importance of innovation in preserving traditional crafts, aiming to ensure that embroidery remains relevant and continues to thrive [10]. - The long-term goal is to establish a sustainable development plan for the art of embroidery, ensuring its legacy for future generations [8][10].

Group 1 - The 14th "China's Twenty-Four Solar Terms: Intangible Cultural Heritage Half-Mountain Lixia" folk activity took place on May 5, showcasing a blend of industrial heritage and traditional customs at the Hanggang Park along the Grand Canal [3] - Popular activities included weighing participants for good fortune, playing egg games, weaving straw sandals, tasting black rice, and sampling tea, attracting significant participation from citizens and tourists [3] - Various local folk activities and intangible cultural heritage projects from Hangzhou gathered at the Grand Canal, providing a vibrant display of traditional customs and performances [3] Group 2 - The "Intangible Heritage Competition: Joy of the Canal" umbrella market allowed visitors to experience traditional crafts such as fan-making, woodblock printing, and cloth weaving, as well as learn about traditional medicine and wellness practices [4] - The "cat" element was prominently featured, symbolizing the hopes of silk farmers for prosperity and health, with the Half-Mountain clay cat becoming a new cultural tourism IP for the Grand Canal [4] - An "Intangible Heritage Innovation Competition" was announced, themed "Cats in the World: The Arrival of Clay Cats," encouraging innovative designs from students and young designers to promote the inheritance and innovation of intangible cultural heritage [4]

Group 1 - The 14th "China's 24 Solar Terms: Intangible Cultural Heritage Half-Mountain Lixia" folk activity was held at the Grand Canal Hanggang Park on May 5, featuring a unique cultural experience combining industrial heritage, intangible cultural heritage, and trendy culture [1] - The event included a folk parade themed "Tasting Lixia: All Things in Bloom," showcasing over 300 participants in 10 distinctive parade formations along the park's route [1] - The opening featured the powerful performance of the 24 Solar Terms drum, symbolizing the passage of time and setting the stage for the parade [1] Group 2 - Activities at the intangible cultural heritage parade included traditional games, tasting of local delicacies, and free sampling of dishes like Wu Mi Rice and Seven Family Tea [2] - The "Intangible Heritage Competition: Joy of the Canal" umbrella market showcased traditional crafts such as Wang Xingji fans, woodblock printing, and local medicinal practices, along with health consultations from renowned local doctors [2] - The Half-Mountain Mud Cat custom, significant to local culture, was highlighted with creative product sharing, transforming the mud cat into a chopstick holder, symbolizing prosperity and health [2] Group 3 - The "One River Connects Hundreds of Arts" intangible heritage innovation competition was launched, focusing on the Grand Canal's intangible heritage, with themes encouraging innovative designs from students and young designers [2] - Original cultural performances reflecting the summer spirit and the culture of the Grand Canal, including songs, magic shows, and fashion shows, were presented to engage the audience [2]

Group 1 - The article highlights the experiences of foreign students in China, showcasing their deepening connections with the country and their roles as storytellers of Chinese culture [10][11][12][14][16] - The contributions of foreign students to cultural exchange through music and storytelling are emphasized, with specific examples of their creative works that celebrate China's achievements [12][13][14] - The significance of the People's Daily Overseas Edition in providing a platform for these students to share their experiences and insights is noted, marking its 40th anniversary [13][15][16] Group 2 - The article discusses the traditional craftsmanship of Tibetan carpets, which has evolved into a significant industry in Qinghai, China, highlighting the blend of heritage and innovation [17][18][19] - The integration of modern techniques with traditional weaving methods is presented as a strategy for enhancing the quality and appeal of Tibetan carpets in the global market [18][19] - The role of the People's Daily Overseas Edition in documenting the growth and development of this industry is acknowledged, illustrating its impact on cultural exchange [19][20]

Core Viewpoint - Anhui province is actively promoting the integration of intangible cultural heritage (ICH) with youth engagement, aiming to revitalize traditional crafts and enhance cultural confidence among young people through various initiatives and projects [1][2][3]. Group 1: Youth Engagement in ICH - The Anhui Youth League has launched the "Non-Heritage Youth Inheritors" project to attract young people to participate in ICH activities, focusing on knowledge dissemination, skill experiences, and cultural tourism integration [1][2]. - Youth teachers and students from Anhui University of Architecture are involved in digital dissemination of ICH, creating workstations and night schools to teach traditional crafts like wool flower making and gourd painting [2][3]. - Regular activities such as "Exploring Local ICH to Enhance Cultural Confidence" are conducted to foster a sense of responsibility and recognition of local culture among youth [3]. Group 2: Community and Online Initiatives - ICH projects are being introduced into communities, universities, and markets to engage young people, with events like the "Youth Market" attracting over 30,000 participants [3]. - The Anhui Youth League is leveraging online platforms to create cultural products that showcase ICH, featuring young inheritors in videos that highlight their stories and skills [4][5]. - Collaborative efforts have led to the production of cultural products that combine traditional ICH with modern aesthetics, making them appealing to younger audiences [5][6]. Group 3: Innovative Branding and Support - The Anhui Youth League is innovating activity brands like "Not Just ICH" through folk songs and MV productions to enhance the visual appeal of ICH [6][7]. - Local organizations are supporting ICH inheritors by connecting them with educational institutions and providing platforms for creative expression, such as the "Youth Afternoon Tea" exchange activities [7]. - Future plans include deepening initiatives that highlight political functions, local culture, and youth characteristics, aiming to create a vibrant cultural ecosystem that encourages youth participation in cultural innovation [7].

Group 1 - The sixth China Youth Skills Camp recently concluded in Enshi Prefecture, Hubei Province, showcasing the integration of local Tujia culture and craftsmanship [1] - Participants engaged in various activities, including visiting cultural sites and experiencing local craftsmanship, emphasizing the importance of skill development in rural revitalization [1] - The event featured performances that highlighted the "craftsman spirit," focusing on dedication, precision, and the mission of skilled talents in contributing to the nation [1] Group 2 - A skills demonstration event attracted crowds, featuring over 30 distinctive labor brand booths, including tea masters and traditional artisans [2] - Participants had immersive experiences with national-level skill masters, learning about traditional techniques such as the non-material cultural heritage of Enshi Yulu tea processing [2] - The event showcased the vibrant cultural heritage of the region, emphasizing the connection between craftsmanship and local identity [2]

Group 1 - The core idea of the news is the launch of the "New Industry · Imprint Intangible Cultural Heritage Industrial Park" in Nanjing, which aims to revitalize intangible cultural heritage (ICH) in modern society and create a comprehensive urban landmark [1][2] - The industrial park is the first of its kind in the country, located in a prime area of Nanjing, integrating industry, ICH, research, sales, and cultural tourism [1][2] - The project emphasizes the importance of preserving historical architecture while modernizing it, creating multifunctional spaces for showcasing ICH [2][3] Group 2 - The park will feature various ICH projects, including traditional crafts such as gold and silver craftsmanship, Nanjing paper-cutting, and Nanjing wood carving, among others [2] - Collaborations with local universities aim to leverage academic research for the systematic transformation of ICH [2] - The event highlighted the vitality of Nanjing's gold foil craftsmanship and provided new ideas for the integration of traditional culture with modern economy [3]