Core Viewpoint - The article highlights the importance of cultural exchange between Taiwan and mainland China through art, exemplified by the "Seventh Taiwan-Shandong Masters Exhibition" showcasing works from various regions, emphasizing the shared appreciation for traditional culture and the desire for ongoing artistic dialogue [1][3]. Group 1: Exhibition Overview - The "Seventh Taiwan-Shandong Masters Exhibition" features 150 ink paintings from artists across Shandong, Beijing, and Inner Mongolia, allowing Taiwanese audiences to engage with diverse artistic expressions [1][3]. - The exhibition aims to foster cultural continuity and exchange, with plans for some artworks to be displayed at the Shandong Art Museum in early October [3]. Group 2: Artist Insights - Taiwanese artist Huang Minqin combines traditional landscape painting with floral details, aiming for a deep dialogue between ancient and modern art [3][4]. - Huang's experiences in mainland China, including visits to significant cultural sites, have inspired his artistic development and provided new insights [4]. Group 3: Youth Engagement - The exhibition includes works from young artists, reflecting a commitment to nurturing the next generation of artists and their perspectives on traditional art forms [3][4]. - Young artist Zhan Ronghui emphasizes the continuity of Chinese culture, likening it to the flowing rivers of the Yangtze and Yellow Rivers, symbolizing the enduring nature of cultural heritage [5].

Group 1 - The article discusses the recent actions taken by the Democratic Progressive Party (DPP) authorities in Taiwan against artists who express support for mainland China, indicating a crackdown on cross-strait exchanges [1] - The spokesperson for the Taiwan Affairs Office, Zhu Fenglian, criticizes the DPP for intensifying efforts to obstruct communication between Taiwan and mainland China, which harms the interests of Taiwanese people [1] - Zhu emphasizes that the expression of national identity and opposition to "Taiwan independence" by Taiwanese artists is a legitimate right, and the office will continue to support cultural exchanges and protect their legal rights [1]

Core Viewpoint - The article discusses the recent actions taken by the Democratic Progressive Party (DPP) in Taiwan against artists who express support for mainland China, highlighting the negative impact on cross-strait relations and the rights of Taiwanese citizens [3]. Group 1: Government Actions - The DPP has intensified efforts to restrict cross-strait exchanges, particularly targeting Taiwanese artists who engage with mainland China [3]. - The DPP's actions are seen as an attempt to create a narrative of "united front threats" to intimidate those who support cross-strait interactions [3]. Group 2: Public Sentiment - The spokesperson emphasizes that the majority of Taiwanese citizens, including artists, have the right to express their identity as Chinese and oppose "Taiwan independence" [3]. - There is a call for continued support and encouragement of cultural exchanges between Taiwan and mainland China, asserting that the rights of Taiwanese artists should be protected [3].

Core Points - The event "Guangzhou-Taiwan Youth Dragon Boat Cultural Exchange" aims to enhance cultural recognition and connection between youth from Guangzhou and Taiwan, promoting the spirit of dragon boat racing as a symbol of cultural heritage and national spirit [1][2] - The event serves as a platform for youth to understand Guangzhou's cultural depth, economic development, and the preparations for the 15th National Games, fostering deeper ties and cooperation between the two regions [2] Group 1 - The event was held on August 24 at the Biaomen River Kayaking Base in Nansha District, featuring participants from Tainan and local Taiwanese youth [1] - Zhang Jiajie emphasized the role of youth in cultural transmission and the importance of dragon boat spirit in showcasing competitive sports and cultural heritage [1] - The event is expected to inject youthful energy into the peaceful development of cross-strait relations [1] Group 2 - Wang Huanqing highlighted the event's role in building a communication platform for youth, encouraging them to embrace the "cross-strait family" concept [2] - The dragon boat race featured six boats competing energetically, creating a vibrant atmosphere of unity and progress among participants and spectators [2]

Core Viewpoint - The event "Reading History, Writing Classics, Painting New Maps" serves as a cultural exchange platform between teachers and students from Fuyang and Nantou, emphasizing the importance of understanding Chinese culture and fostering collaboration in education and the arts [1][3]. Group 1: Event Overview - The exhibition features over 100 collaborative works of calligraphy, painting, and photography created by students and teachers from both regions [1]. - The theme of the event aims to explore the roots of Chinese culture, inherit its wisdom, and envision its future development [1]. Group 2: Historical Context - This year marks the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression and the 80th anniversary of Taiwan's liberation, highlighting the historical significance of the event [3]. - The longstanding relationship between Fuyang and Taiwan, initiated in 2011 with the merging of "Dwelling in the Fuchun Mountains," has fostered continuous exchanges in various fields, particularly in youth interactions [3]. Group 3: Future Aspirations - Representatives from Taiwan expressed a desire for more cultural and artistic exchange activities to enhance cooperation and understanding between the two regions [3]. - The hope is that through these exchanges, students from both sides can deepen their understanding and build consensus through cultural resonance [3].

Core Viewpoint - The article highlights the successful performances of traditional Chinese opera in Taipei, showcasing the cultural exchange between mainland China and Taiwan through the art of Peking opera [3][4][8]. Group 1: Performance Highlights - A series of performances featuring renowned Peking opera artists took place in Taipei, attracting enthusiastic audiences who appreciated the classic stories and artistic expressions [3][4]. - The first performance, "Si Lang Tan Mu," sold out ten days in advance, indicating strong demand and interest in traditional Chinese opera [4]. - The second performance, "Feng Huan Chao," showcased the artistic skills of the performers, particularly Li Shengsu, who received applause for her portrayal of the character Cheng Xue'er [4]. Group 2: Cultural Exchange and Education - The event served as a platform for younger performers to learn from established artists, emphasizing the importance of mentorship in preserving Peking opera traditions [6][8]. - The article mentions the ongoing cultural exchange between Taiwan and mainland China, with initiatives to promote Peking opera in schools and community events [8]. - Audience members expressed a desire for more opportunities to engage with traditional arts, highlighting the significance of cultural heritage in both regions [8].

Core Viewpoint - The article highlights the cultural exchange between mainland China and Taiwan through the performances of renowned Peking opera artists, emphasizing the significance of these events in fostering appreciation for traditional Chinese culture and building connections across the strait [1][6]. Group 1: Performance Details - A group of 80 renowned Peking opera artists, led by Yu Kuiti and Li Shengsu, performed classic plays such as "The Four Sons Visit Their Mother" and "The Red Mane Horse" in Taipei from August 12 to 17, providing a rich cultural experience for local audiences [1][2]. - This event marks a continuation of a 32-year tradition of Peking opera performances in Taiwan, which began in 1993 with the first visit of the National Peking Opera Company [1][2]. Group 2: Cultural Significance - The performances serve as a cultural bridge, allowing Taiwanese audiences to experience the charm of traditional Chinese art, thereby enhancing cultural ties between the two regions [1][6]. - The event is seen as a platform for the transmission of Peking opera, with a focus on nurturing young talent from the China National Academy of Chinese Theatre Arts, showcasing a range of performers from students to seasoned professionals [3][5]. Group 3: Audience Engagement - Taiwanese audiences have shown great enthusiasm for the performances, often waiting after shows for autographs and photos, indicating a strong appreciation for the artists and their craft [8]. - The article notes that both older and younger generations of Taiwanese are increasingly engaging with Peking opera, reflecting a growing interest in traditional culture [8].

Core Viewpoint - A grand performance featuring renowned Peking opera artists will take place in Taipei from August 12 to 17, showcasing classic plays that are well-known among fans [1][2]. Group 1: Event Details - The performance will include traditional plays such as "Four Generals Visit Their Mother," "Flower Field Mistake," "Lost Street Pavilion · Empty City Strategy · Decapitation of Ma Su," "Legend of the White Snake," "Red Mane Horse," and "Dragon and Phoenix Present Auspiciousness" [1]. - The event is organized by Taiwan Chuan Da Arts Co., which has been hosting Peking opera performances for 32 years [1]. Group 2: Artist Participation - The performance will feature a cast of 80, including prominent artists Yu Kuitai and Li Shengsu, who have a long history of performing in Taiwan [1][2]. - The event aims to promote younger talent by implementing a "double performance" or "triple performance" model, allowing both young and veteran actors to portray the same role [1]. Group 3: Audience Engagement - The event is highly anticipated by audiences on both sides of the Taiwan Strait, with tickets for "Four Generals Visit Their Mother" and "Red Mane Horse" already sold out [2]. - The performance is expected to provide a rich artistic experience for Taiwanese audiences, featuring both established and emerging talents from the China National Peking Opera Company and the China Academy of Traditional Chinese Opera [2].

Core Viewpoint - The "2025 Ink Rhythm Same Source - Cross-Strait Calligraphy Masters Exchange Exhibition" opened in Miaoli, Taiwan, showcasing over a hundred calligraphy works from artists across the Taiwan Strait, aiming to deepen cultural exchanges and promote traditional Chinese culture [1][2]. Group 1: Exhibition Overview - The exhibition features calligraphy works from both Taiwanese and Hubei artists, covering various styles such as seal script, clerical script, regular script, running script, and cursive script, with themes including poetry, classical literature, and Zen [2][3]. - The event is co-hosted by the Taiwan Hakka General Chamber of Commerce and the Hubei Strait Exchange Promotion Association, with participation from multiple cultural organizations in Miaoli [1][2]. Group 2: Cultural Significance - Calligraphy is highlighted as an important form of Chinese culture, embodying wisdom and facilitating emotional and cultural exchanges [2][3]. - The exhibition aims to strengthen ties between the two regions, fostering mutual trust and promoting peaceful development of cross-strait relations [2][3]. Group 3: Artist Contributions - Artists expressed their hopes for increased communication and cultural transmission, with works reflecting themes of longing and connection [3][4]. - The exhibition includes diverse artistic expressions, with a focus on the historical evolution of Chinese characters, emphasizing the importance of cultural heritage [4][5]. Group 4: Future Prospects - The event is seen as a platform for enhancing cross-strait cultural exchanges, with participants advocating for more collaborative activities in various fields, including education and arts [5]. - There is a call for strengthening youth engagement in calligraphy education in Taiwan, inspired by successful initiatives in mainland China [4][5].

Core Viewpoint - The article highlights the emotional return of a veteran, Gao Shuangyin, to his hometown in Pingdingshan, Henan, where he reflects on his childhood memories and the rapid development of the area since he left for Taiwan in 1949 [1][3]. Group 1: Personal Journey - Gao Shuangyin, born in 1935, joined a guerrilla group at the age of eight under his father's command during the Anti-Japanese War [1]. - He returned to his hometown with his descendants to reconnect with his roots and share cultural experiences [5]. - The old family home is now submerged in the Bai Gui Mountain Reservoir, and the area has transformed into a new district with modern buildings [1][3]. Group 2: Cultural Significance - During his visit, Gao shared stories of his childhood and the significance of local cultural sites, such as the Xiangshan Temple, where he participated in traditional activities as a child [4]. - He emphasized the importance of understanding the history and culture of their homeland for future generations [5]. - Gao expressed a deep emotional connection to his past, particularly during a visit to his father's grave, where he lamented not being able to see him again since 1949 [5].