活动由什刹京韵少儿京剧团团长、京剧言派第四代传人刘鑫扬与优秀青年京剧荀派花旦演员刘静菲夫妻 牵头组织，吸引了众多戏曲界名家到场支持。多位少儿京剧团的小团员们登台献艺，稚嫩童声唱响国 粹，生动体现了京剧艺术代代相传的活力。 言菊朋先生是京剧"前四大须生"之一，他创立的言派艺术以"字正腔圆、字重音轻；以情带声、声情并 茂；玲珑百转，儒雅隽秀"为特色，其代表剧目如《让徐州》《卧龙吊孝》《二进宫》等流传至今。因 言派艺术对后继者要求极高且传承不易，言菊朋先生也被当代戏剧研究者们誉为"寂寞儒伶"。 活动现 场。辛潮/摄 什刹京韵少儿京剧团以传承经典、培育新人为己任，通过教学与实践，在青少年中播撒京剧艺术的种 子。此次活动是对京剧先贤的致敬，也是传统文化传承的集中展示。 中国青年报客户端讯（隋艺 中青报·中青网记者 张诗童）近日，什刹京韵少儿京剧团首届专场汇报演出 暨"言归正传"言派经典唱腔传承演唱会在北京安徽会馆举办。 此次活动恰逢京剧"前四大须生"之一、言派创始人言菊朋先生诞辰135周年，其子言少朋先生诞辰110周 年，也是"四大徽班"进京235周年和习近平总书记给中国戏曲学院四代师生重要回信5周年的时间节点， 旨在 ...

《 人民日报 》（ 2025年12月25日 07 版） 京剧艺术的弘扬，关键在人才。此次展演，杨东虎、陈圣杰、杨扬等青年演员展示传承版《曹操与杨 修》；年逾七旬的麒派名家陈少云带弟子同台演绎《宋士杰》；《智取威虎山》《七侠五义》让京剧院 一批优秀青年群体集中亮相。 "传帮带"让经典剧目传承有序。此次展演，中国戏剧界首位梅花大奖得主尚长荣在排练场上指导青年演 员复排剧目《曹操与杨修》。他不仅将表演的每一个细节传授给后辈，还鼓励青年演员结合自身条件去 吸收借鉴。 一台台剧目，满堂喝彩。"穿林海，跨雪原，气冲霄汉……"现代京剧《智取威虎山》主演蓝天，2025年 凭杨子荣一角获第三十二届中国戏剧梅花奖。作为上海京剧院第六代"杨子荣"的扮演者，10多年来他主 演《智取威虎山》百场有余。王珮瑜领衔的《失街亭·空城计·斩马谡》，则展现出余派艺术的深厚底 蕴，"我本是卧龙岗散淡的人"等唱段让不少观众陶醉其中。 从周信芳塑造的宋士杰，到尚长荣诠释的曹操，上海京剧院始终将"真"作为表演的根本追求，传递给观 众艺术的"真善美"。 "今年是上海京剧院建院70年，也是我进入京剧院的第三十五年。上海京剧院和我互相陪伴、共同成 长。"京剧 ...

Core Viewpoint - The "2025 Annual Excellent Peking Opera Repertoire Exhibition" will be held from November 20 to 23 at the Mei Lanfang Grand Theatre, showcasing classic Peking opera performances by renowned troupes and young talents [1][3]. Group 1: Event Details - The exhibition is sponsored by the National Arts Fund and organized by the National Peking Opera Company, featuring performances from the National Peking Opera Company, Beijing Peking Opera Company, Tianjin Peking Opera Company, and Tianjin Youth Peking Opera Troupe [1][3]. - The exhibition will present four classic repertoires: "The West Chamber," "The Universe Peak," "The Red Lantern," and "The Legend of the White Snake" [1][3]. Group 2: Featured Performances - "The West Chamber" will be performed by Zhao Xiujun and Zheng Fei, highlighting a poignant love story that transcends feudal constraints, characterized by the unique charm of the Zhang school of Peking opera [3]. - "The Universe Peak," performed by Hu Wenge, showcases the character Zhao Yanrong's wisdom and resistance against oppression, featuring complex singing techniques and performance challenges typical of the Mei school [3]. - "The Red Lantern," featuring renowned artists Li Wenlin, Yuan Huqin, and Lü Huimin, emphasizes patriotic themes through memorable lines and integrates traditional elements with contemporary vitality [3]. - "The Legend of the White Snake," performed by Wang Yan and Guo Xiao, focuses on emotional depth and artistic expression, utilizing visual storytelling techniques to create a poetic atmosphere [4]. Group 3: Cultural Significance - The exhibition is part of an ongoing initiative since 2023 to promote and preserve Peking opera, reflecting the National Peking Opera Company's commitment to cultural confidence and innovation [4]. - The event aims to present a diverse array of classic repertoires that are well-known and suitable for all ages, showcasing the unique charm and profound heritage of Peking opera [4].

Core Points - The project "Research on the Literary Value and Organization of the Yeshizangben of Fuliancheng" has recently been launched at the National Peking Opera House, aiming to publish and study a significant collection of Peking Opera scripts [1][2] - The Yeshizangben consists of 29 volumes and 381 scrolls, encompassing 294 plays and over 16,000 pages, including classic and unique works from various Peking Opera schools [1] - The project is supported by the National Publishing Fund for 2025, highlighting its importance in connecting traditional and modern Peking Opera [1] Group 1 - The Yeshizangben preserves the original and early forms of each play, providing insights into the artistic heritage and development of the Fuliancheng school [2] - The publication of the Yeshizangben is expected to fill gaps in the history of Peking Opera and its education, allowing for the potential revival of certain plays on stage [2] - The project is a significant step in exploring the literary and artistic value of Peking Opera, as stated by the president of the National Peking Opera House [1][2]

Core Viewpoint - The National Peking Opera Company is reviving the revolutionary historical Peking opera classic "Northern Red Mushroom Girl" to commemorate the 80th anniversary of the victory in the Chinese People's Anti-Japanese War and the World Anti-Fascist War, highlighting the bravery of eight female soldiers from the Northeast Anti-Japanese United Army in 1938 [1][2]. Group 1 - The opera is based on the heroic act of eight female soldiers who sacrificed themselves by jumping into the Ussuri River to protect their main forces during the war, with the oldest being 23 years old and the youngest only 13 [2]. - The artistic director, Yuan Huiqin, emphasizes the importance of passing down the essence of Peking opera through direct teaching and practice, reflecting on her own experiences as a young performer [3]. - The current cast of young actresses is being trained to embody the spirit of the original characters, with a focus on realistic portrayal rather than traditional stylized movements [3][4]. Group 2 - The director, Xu Mengke, stresses the need to retain classic techniques while innovating to keep the audience engaged, ensuring that new compositions blend seamlessly with traditional singing styles [4]. - The rehearsal atmosphere is described as deeply emotional, with moments of silence reflecting the gravity of the characters' sacrifices, as noted by actress Jiang Meiyi [5]. - The revival aims to showcase the vitality and creativity of a new generation of performers, with the official premiere scheduled for September 18, symbolizing the continuation of cultural heritage [6].

Core Viewpoint - A renowned group of Chinese opera artists, led by Yu Kuiti and Li Shengsu, will perform in Taipei from August 12 to 17, showcasing classic plays such as "The Four Sons Visit Their Mother," "Phoenix Returns to the Nest," "Flower Field Mistake," and "Red Mane Horse" for six consecutive days [1] Group 1 - The performance is organized by Taiwan Chuan Da Arts Co., Ltd., which has been inviting mainland Chinese opera masters to Taiwan for over 30 years, making it a highly anticipated annual event for Taiwanese opera fans [1] - Yu Kuiti and Li Shengsu are considered idols by many Taiwanese opera enthusiasts and are widely popular [1] - Tickets for the performances of "The Four Sons Visit Their Mother" and "Red Mane Horse" have already sold out [1] Group 2 - The delegation consists of 80 members, including renowned masters and many outstanding young actors and students from Chinese opera academies, reflecting the traditional "passing on skills" approach in Peking opera [1] - The inclusion of young actors is expected to bring new elements to the performances, providing a refreshing experience for the Taiwanese audience [1] - The aim of the performances is to enhance the understanding and recognition of Chinese traditional culture among Taiwanese viewers [1]

Core Viewpoint - The article reflects on the legacy and influence of Shen Fucun, a prominent figure in Peking opera, highlighting his artistic journey, challenges, and contributions to the art form [1][2][4]. Group 1: Artistic Journey - Shen Fucun began his career in Peking opera during a time when the art form was declining, yet he managed to excel by learning from various schools and integrating different artistic elements [2][3]. - His career was marked by significant challenges, including a forced transition to different roles due to historical circumstances, yet he returned to prominence in the 1970s [2][4]. Group 2: Artistic Philosophy - Shen Fucun emphasized the importance of blending traditional and modern elements in Peking opera, aiming to attract a broader audience while maintaining the essence of the art [3][4]. - He focused on character development and emotional engagement, ensuring that performances resonated with audiences [4][6]. Group 3: Legacy and Influence - Shen Fucun's dedication to Peking opera has left a lasting impact, with his methods and philosophies influencing the next generation of performers [5][6]. - The article underscores the responsibility of continuing his legacy and the importance of preserving the art form while innovating to meet contemporary tastes [5][6].