"真正的女性主义，不是对抗男性，而是 对抗那个被规训的自己。 偶然刷到朱珠的一段采访，一下就被击中，她说： 当你不再用'贤惠'、'懂事'来绑架自己， 当你说'我想要'，而不是'我应该'，你才得以真正地诞 生。" 作为女性主义的践行者，我真的太有共鸣！ 当一个女性，不再用他人的目光丈量自己，而是转身向内， 拥抱那些被深藏的渴望与 力量，她才可能真 正抵达精神的自由。 这也是为什么，我推荐每一个年过30岁的女性，都去读一读去读 弗吉尼亚·伍尔夫 的书。 这位女性主义的先驱，用她破碎的一生， 为"自由"、"独立"与"真实"写下了最悲怆也最有力的注脚。 出身书香门第，家中名流云集，伍尔夫的一生却仿佛被命运诅咒。 幼年丧母，青春期遭受哥哥长达数年侵犯 ； 紧接着姐姐、父亲相继离世， 让她数次精神崩溃、跳窗自杀 ； 59岁，她往口袋装满石头 ，独自走入乌斯河，决绝地结束了自己的生命。 可也正是这个一生饱受创伤的女性， 写下了 改变数千万女性命运的"觉醒文字"—— 女性真正的独立， 是从拥有'一间自己的房间'开始的。 女性理想的生活， 应该是： "挣到足够的钱，去旅行，去闲着，去思考世界和过去和未来，去看书去做梦，去街角闲 ...

知乎上有人问 ： 觉得命运不公，做什么都不顺时，该读点什么书？ 高赞答案回答：去读 弗吉尼亚·伍尔夫 的书。 这位女性主义的先驱，用她的一生与文字，深刻探讨了 何为自由、独立与真实。 作为伍尔夫20年的忠实读者，我太同意了！ 出身书香门第，家中名流云集，而她的一生却仿佛被命运诅咒。 紧接着姐姐、父亲相继离世， 让她数次精神崩溃、跳窗自杀 ； 59岁，她往口袋装满石头 ，独自走入乌斯河，决绝地结束了自己的生命。 可也正是这个一生饱受创伤的女性， 写下了 改变数千万女性命运的"觉醒文字"—— 女性真正的独立， 是从拥有'一间自己的房间'开始的。 女性理想的生活， 应该是： "挣到足够的钱，去旅行，去闲着，去思考世界和过去和未来，去看书去做梦，去街角闲逛， 让思绪的钓线沉入街流之中......" 在她去世100年后，所有关于 女性处境、自我认同、精神自由 的讨论，依旧绕不开她的名字。 幼年丧母，青春期遭受哥哥长达数年侵犯 ； 马尔克斯 说：伍尔夫的写作"像坐在飞毯上描摹伦敦"， 让他学会如何同时驾驭宏大叙事 与私密情感 。 玛格丽特·阿特伍德 ，盛赞她为： 每一个女性创作者的守护神 。 弗吉尼亚·伍尔夫 诺奖得主多 ...

Group 1 - The article discusses the themes of personal growth and empowerment for women, emphasizing that true transformation comes from within rather than relying on external factors [5][9][63] - It highlights the importance of setting boundaries within family dynamics, particularly regarding financial and emotional responsibilities [10][18][20] - The narrative illustrates that women should prioritize their own careers and independence, as relying solely on a partner can lead to vulnerability [39][46][47] Group 2 - The article emphasizes the significance of emotional health, advocating for individuals to separate their own issues from those of others to reduce internal conflict [27][32][35] - It stresses the need for women to reclaim their agency and make decisions based on their own needs and desires, rather than succumbing to societal or familial pressures [50][56][60] - The conclusion reinforces that a woman's true empowerment comes from self-acceptance and the realization that she is the architect of her own destiny [63]

Core Viewpoint - The stock of B.Duck (02250) surged over 31% during trading, currently up 10.99% at HKD 1.01, with a trading volume of HKD 777,000, following the successful launch of its new IP "LIITE Lita" Magic Genie Series on November 22 [1] Group 1: Product Launch - The "LIITE Lita" Magic Genie Series was exclusively launched at MINISO Friends Changsha on November 22, with simultaneous online availability on B.Duck's self-operated channels [1] - The launch was supported by promotional activities featuring trend ambassadors and multi-platform marketing, significantly increasing the IP's visibility and attracting a large number of young consumers [1] Group 2: Market Positioning - "LIITE Lita" is the group's first original IP focusing on the Lolita style and targeting the female market, marking a milestone innovation for the company in the trendy toy sector [1] - The product is designed with the theme of "Stardust Fairy Tales and Female Awakening," precisely targeting the Gen Z female consumer demographic [1] - This initiative is expected to enrich the company's IP matrix and strengthen B.Duck's competitive position in the trendy toy market [1]

Core Viewpoint - The article emphasizes the importance of self-identity and independence for women, arguing that the pursuit of being loved can lead to a loss of self and personal autonomy [4][8][30]. Group 1: Historical Examples of Women - The article discusses the life of Yu Xuanji, a talented poet from the Tang Dynasty, who became trapped in her pursuit of love, ultimately leading to her tragic end [7][8]. - It highlights Frida Kahlo's struggles with her husband's infidelity, illustrating how her dependence on love caused her deep emotional pain despite her artistic success [12][13]. - The narrative includes the story of Zhang Ailing, who repeatedly forgave her partner's betrayals, showcasing how societal expectations of love can lead to self-neglect [20][22]. Group 2: The Illusion of Love - The article critiques the fairy tale narratives that suggest women should wait to be rescued by a prince, reinforcing the idea that being loved is the ultimate achievement [19][20]. - It points out that many women mistakenly equate being loved with self-worth, leading to a cycle of dependency and emotional turmoil [29][30]. - The text warns that placing one's value in the hands of others can result in a fragile sense of self, as love can be fleeting and conditional [15][16]. Group 3: Empowerment and Self-Realization - The article shares the story of a woman who, after a painful divorce, focused on her career and became a successful entrepreneur, illustrating the power of self-empowerment [32][35]. - It emphasizes that true freedom for women comes from breaking free from the need for external validation and embracing self-creation [34][36]. - The conclusion encourages women to recognize their worth independent of romantic relationships, advocating for a life driven by personal goals and achievements [35][36].

Core Perspective - The article highlights the evolution of Zong Fuli, a prominent female leader in the beverage industry, showcasing her journey from being perceived as a "little princess" to a powerful figure capable of transforming the industry and challenging traditional gender roles [1][2][19]. Group 1: Leadership and Vision - Zong Fuli took control of Hongsheng Group in 2007, demonstrating her leadership by personally overseeing the company's operations and aesthetic choices, reflecting her strong vision and attention to detail [3][5]. - Under her leadership, Hongsheng Group evolved from a small contract manufacturer to a comprehensive beverage giant, establishing a complete supply chain and significantly reducing reliance on imported materials [6][7]. - Zong Fuli's ambition extends beyond profit; she aims to innovate industry standards and contribute to societal development, as evidenced by her establishment of the Fuli Food Research Institute with a donation of 70 million yuan [7]. Group 2: Family Dynamics and Challenges - The relationship between Zong Fuli and her father, Zong Qinghou, is characterized by both admiration and a desire to surpass him, indicating a complex dynamic in the family business [8][12]. - Following Zong Qinghou's death in 2024, Zong Fuli faced significant challenges, including disputes over inheritance and management control, revealing underlying tensions within the family and the company [13][14]. - Zong Fuli's decisive actions post her father's passing, such as closing factories linked to former executives and attempting to transfer key trademarks, illustrate her commitment to reshaping the company despite facing resistance [16][17]. Group 3: Industry Impact and Future Outlook - Zong Fuli's strategic decisions have led to increased revenue and profit for Wahaha since she took over, indicating her effective management and vision for growth [12]. - The article suggests that Zong Fuli's approach may inspire a new generation of women in business, as she embodies resilience and determination in a traditionally male-dominated industry [19].

Core Viewpoint - The article discusses the growing trend among women to embrace their body hair, particularly underarm hair, challenging societal norms and the concept of "shame" associated with it [3][16][25]. Group 1: Societal Perception and Personal Experience - A significant percentage of women (78%) prefer not to shave their underarm hair due to potential discomfort and health risks [4]. - Personal narratives illustrate a shift in mindset, where women like Yami and Tongwen begin to question the societal standards of beauty that dictate the removal of body hair [5][12]. - The article highlights the journey of women from conforming to societal expectations to embracing their natural selves, as seen in the experiences of different women across ages [13][29]. Group 2: Historical Context and Cultural Influence - The concept of "underarm hair shame" is traced back to marketing strategies from the early 20th century, particularly by companies like Gillette, which promoted hair removal as a standard of beauty [17][21]. - The article notes that the perception of body hair has evolved, with cultural influences leading to a shift in beauty standards, particularly in Eastern cultures [21][25]. Group 3: Health and Biological Aspects - The article discusses the biological functions of underarm hair, such as protection and moisture regulation, which are often overlooked in the pursuit of beauty [23][24]. - It emphasizes that the removal of underarm hair can lead to various skin issues, including irritation and increased odor, challenging the notion that hair removal is inherently hygienic [24][25]. Group 4: Empowerment and Rebellion - The narrative showcases a growing empowerment among women, as they assert their right to choose whether or not to remove body hair, often in defiance of societal pressures [27][28]. - Women like Yami and Tongwen express their newfound freedom in choosing to embrace their natural appearance, rejecting external judgments [28][30].

Core Viewpoint - The article discusses the growing trend among women to embrace their body hair, particularly underarm hair, challenging societal norms and the concept of "shame" associated with it [2][10][20]. Group 1: Societal Perception and Personal Experience - More women are questioning the necessity of shaving underarm hair, with 78% of respondents in a survey indicating they prefer not to shave due to potential discomfort and health risks [2][3]. - Personal stories illustrate the journey of women like Yami and Tongwen, who confront societal expectations and embrace their natural bodies, rejecting the notion of "underarm hair shame" [2][8][20]. - The article highlights the impact of external perceptions on women's choices, with many feeling pressured to conform to beauty standards [4][10][23]. Group 2: Historical Context and Cultural Influence - The concept of "underarm hair shame" is traced back to marketing campaigns in the early 20th century, particularly by companies like Gillette, which promoted hair removal as a standard of beauty [10][11][14]. - The article notes that this cultural phenomenon is not inherent to Eastern women, as historical context shows that body hair was not a concern in earlier times [13][14]. - The influence of Western beauty standards has led to a widespread acceptance of hair removal practices among women in various cultures [14][16]. Group 3: Health and Biological Considerations - The article discusses the biological functions of underarm hair, including protection and moisture regulation, suggesting that removing it can lead to health issues such as increased odor and skin irritation [15][16]. - It emphasizes that the removal of underarm hair can disrupt natural processes, leading to complications like folliculitis and increased hair growth [15][16]. Group 4: Empowerment and Rebellion - Women are increasingly asserting their right to choose whether or not to remove body hair, with many expressing a sense of empowerment in rejecting societal norms [18][20]. - The article features examples of women like Alshu, who undergo personal transformations and challenge gender norms, reflecting a broader movement towards self-acceptance and autonomy [21][23]. - The narrative illustrates a shift in mindset, where women prioritize their comfort and preferences over societal expectations, marking a significant cultural change [20][24].

Group 1 - The film "酱园弄·悬案" is considered a standard and qualified movie, ranking among the top domestic films of the year despite mixed reviews [1][5][24] - Directed by Chen Kexin, the film features a star-studded cast including Zhang Ziyi, Yi Yangqianxi, Zhao Liying, and Yang Mi, marking Chen's first release after establishing his pan-Asian production company [2][5] - The film's narrative has been criticized for being lengthy and disjointed, leading to its division into two parts, with the first part titled "酱园弄·悬案" running for 96 minutes [2][5][24] Group 2 - The character of Zhan Zhoushi, played by Zhang Ziyi, is depicted as a strong female lead, representing the struggles of women in a patriarchal society [6][8][30] - The film explores themes of female awakening and empowerment, showcasing Zhan Zhoushi's transformation from a victim to a figure of resistance against male oppression [25][29][30] - The interactions between Zhan Zhoushi and other female characters, such as Wang Xumei and Su Qing, highlight the importance of female solidarity and support in overcoming societal challenges [18][21][23]

以下文章来源于闲时花开 ，作者刘娜 闲时花开 . 情感作家娜姐和她的朋友们。 作者： 刘娜 来源：闲时花开（ID：xsha369） 谈谈黄圣依和杨子的婚姻。 我不会谈网络上早已流传开来的综艺片段。 什么杨子装B爹味浓啦，嘲笑黄圣依没文化啦，强行规划黄圣依的人生啦，当众威胁打压黄圣依 啦，偷换概念对黄圣依各种PUA啦，日常不陪孩子不履父职还振振有词啦…… 这些娱乐片段，读者轻易就能在网上获取。 无需我再照搬罗列，耽误大家宝贵的时间。 我更愿意做的事情，是陪朋友们一起跳出细枝末叶，看见前因后果，剥开迷雾表象，习得底层逻 辑—— 01 上位者的因果 黄圣依值得同情吗？ 婚姻中任何一个身陷困境的女性，都值得被看见。 但恕我直言： 我们绝大部分人，没有资格同情黄圣依。 同情，是高位者对低位者的怜悯。 黄圣依不管是财富还是地位，都是金字塔顶尖的那部分人，超越我们太多层。 何况，她今天的婚姻，是她自己一手选择的因果。 遥想当年，她靠星爷走红，又和星爷闹掰，面对600万违约金赔偿，杨子替她买了单。 她签约杨子旗下，果不其然开始走上事业下坡路。 后来，她和杨子隐婚，在杨子父亲葬礼上以儿媳妇的名义披麻戴孝，吃瓜群众才恍然大悟： ...