《规划》提出构建省级保护对象名录体系。保护对象包括历史文化名城、名镇、名村、传统村 落、历史文化街区、历史建筑、文物保护单位、工业遗产、农业文化遗产、灌溉工程遗产、非物 质文化遗产、地名文化遗产、民族村寨、不可移动革命文物、长征遗址遗迹、文化和自然遗产、 文化生态保护（实验）区、世代传承品牌、古树名木、历史地段、历史名园等21类。 《规划》从融入城乡建设、深化文旅融合、弘扬历史文化三方面明确11项重点举措—— "五区" 成都平原蜀文化片区、川东北蜀道文化片区、川南盐酒文化片区、川西北民族文化片区、攀西民 族文化及三线建设片区 "四廊" 以长征线路为依托的长征文化走廊，以长江、黄河为依托的生态文化走廊，以蜀道、南方丝绸之 路、茶马古道、川盐古道为依托的经贸文化走廊，以三线建设陆路和水路沿线为依托的三线建设 走廊 本报讯（四川日报全媒体记者 曹凘源）省政府办公厅近日印发《四川省城乡历史文化保护传承体 系规划（2025—2035年）》。《规划》提出，到2030年，多层级多要素的城乡历史文化保护传承 体系基本形成，形成一批可复制可推广的活化利用经验，历史文化保护传承工作系统融入城乡建 设的格局基本形成。到2035年， ...

记者 张文豪 北依邙山、南傍洛水，偌大的遗址公园里，城垣、宫门、大殿、道路等遗迹，诉说着泱泱古都昔日的辉 煌。 汉魏洛阳故城虽以"汉魏"命名，其营建时间可追溯到先秦。"根据史料记载和考古勘察，故城部分城墙 夯土的建造时代始于西周。"中国社会科学院考古研究所副研究员、洛阳汉魏城考古队队长刘涛介绍。 西周初期，周成王命周公在洛阳盆地"土中测影"，营建成周洛邑。何尊铭文有"唯王初迁宅于成周""宅 兹中国"等记载。公元前770年，周平王迁都洛邑，史称东周。东周中期，又向北扩建城池。 秦在洛阳设三川郡，封吕不韦于此，向南扩建洛阳城。西汉时期洛阳城基本沿用秦代形制。 "若问古今兴废事，请君只看洛阳城。"北宋名臣司马光曾退居洛阳，路过洛阳故城时触景感怀，写下了 流传千年的诗句。 自西周肇始，至唐初废弃，作为东周、东汉、曹魏、西晋、北魏时期的都城，汉魏洛阳故城承载着近 1600年建城史、近600年都城史，是中国古代早中期都城的典型代表。 汉魏洛阳故城遗址是首批全国重点文物保护单位，入选全国"百年百大考古发现"，2013年挂牌国家考古 遗址公园，2014年作为"丝绸之路"遗产点列入《世界遗产名录》。走进遗址公园，能够触摸到中华 ...

文化遗产资源底数更加明晰。山东省第四次全国文物普查新发现1.4万余处，数量名列前茅。目前，全 省拥有国保单位226处，省保单位1997处，市县级文物保护单位近万处，省级、市县级文保单位数量均 居全国首位；世界文化遗产4处，7个项目列入中国世界文化遗产预备名单；国有可移动文物286万件/ 套，数量居全国第三位。全省备案博物馆857家，博物馆总量、一二三级馆数量、革命纪念类馆数量、 非国有馆数量等六项指标均居全国第一。 文化遗产保护基础愈加坚实。在全国率先实现国有土地"先考古、后出让"制度省域全覆盖，建成覆盖全 省的"区域中心+工作站"可移动文物保护修复网络，投入运行全国首个省级文物安全卫星遥感监测中 心。省政府公布首批水下文物保护区，组建了全国第一支独立的水下考古物探队伍。编制实施革命文物 保护利用总体及专项规划，与山东海警局开展水下文物保护联合执法，跨部门协作走在全国前列。 文化遗产活化利用质效有力彰显。山东累计22次荣获"全国十大考古新发现"，数量居全国第三；大汶 口、城子崖等6项考古发现入选中国"百年百大考古发现"；国家、省级考古遗址公园达到21个。创新发 布"文润海岱游读齐鲁"山东省十大文物主题游径，成 ...

Core Insights - The Yuan Shangdu site serves as a significant historical testament to the interactions and cultural exchanges among various ethnic groups in China, reflecting a rich tapestry of multi-ethnic integration [1][2]. Group 1: Historical Significance - Yuan Shangdu, located in Inner Mongolia, was recognized as a UNESCO World Heritage site in 2012, highlighting its importance as a historical and cultural landmark [1]. - The site features a well-planned layout that includes a palace city, royal city, outer city, warehouses, markets, and inns, showcasing a blend of architectural styles from different cultures [1][2]. Group 2: Architectural Features - The Da'an Pavilion, the most important palace within Yuan Shangdu, stands at 69 meters tall and exhibits traditional Central Plains architectural styles with a wooden mortise and tenon structure [2]. - A notable artifact, a white marble dragon column, was discovered at the site, measuring 2.1 meters in height and adorned with intricate carvings that reflect Central Plains cultural characteristics [2]. Group 3: Cultural Heritage and Preservation - The Yuan Shangdu site spans approximately 251 square kilometers, with a buffer zone of about 1507 square kilometers, encompassing various natural landscapes and archaeological features [2]. - Ongoing efforts to enhance the protection and utilization of the site include the implementation of a digital monitoring system covering 40 square kilometers, which utilizes IoT sensors and satellite technology for real-time data collection [3]. - Current projects aim to improve the exhibition of cultural heritage, digitize important artifacts, and apply for the designation of a national archaeological park, thereby promoting the preservation and appreciation of historical culture [3].

Group 1 - The Beijing Central Axis serves as both a physical and cultural axis, promoting economic and cultural symbiosis, showcasing a vibrant era of mutual growth [1][2] - Cultural heritage development contains potential for economic growth, with unique cultural products acting as keys to integrate ancient culture into modern life, thus providing economic momentum [1][2] - The integration of culture with modern economy can unleash endless potential, as evidenced by the success of cultural products like the refrigerator magnet inspired by historical artifacts [1][2] Group 2 - The Central Axis has transformed into a tangible cultural space, with initiatives like immersive dining experiences and escape rooms that blend history with modern entertainment [2][3] - Cultural tourism projects around the Central Axis have stimulated surrounding businesses, creating a comprehensive consumption ecosystem driven by culture [2][3] - The coexistence of daily life and cultural elements in the hutongs illustrates the vibrant cultural atmosphere, enhancing the quality of life and urban development [3] Group 3 - The practice of humanistic economics along the Central Axis demonstrates the vitality of cultural heritage, emphasizing the need for innovative approaches to protect and utilize cultural assets [3] - Innovative strategies not only enhance the preservation and transmission of cultural heritage but also inject new vitality and charm into urban development [3]

Core Points - The 19th Venice International Architecture Biennale opened on May 9, showcasing the Suzhou Garden preservation case [1] - Suzhou Gardens are a significant cultural symbol for the city, reflecting its heritage and architectural aesthetics [2] Group 1: Exhibition Details - The theme of Suzhou's exhibition is "Suzhou Garden Archives - A Vivid Record of Heritage Garden Protection and Utilization" [1] - The exhibition features four chapters: "Containers of Memory," "Renewed Vitality," "Echoes of the World," and "Seeds of the Future," highlighting the role of archives in connecting heritage gardens with the world [1] - The exhibition includes models and physical artifacts, such as the Canglangting Maple Arch model and garden tiles, showcasing the unique architectural aesthetics of Suzhou Gardens [1] Group 2: Cultural Impact - The Suzhou Garden Management Bureau aims to expand the international presence of Suzhou's garden culture, adhering to the principle of "facing the public and reaching out to the world" [2] - The participation in the Biennale enhances Suzhou's international influence and provides a replicable and promotable Chinese solution for heritage protection and utilization [2] - The European curators praised the Suzhou Garden case for ensuring that the city's garden heritage remains a living tradition rather than a static relic [1]