本报北京9月10日电 （记者程龙）国务院台办发言人陈斌华10日在例行新闻发布会上表示，9月3日是中 国人民抗日战争暨世界反法西斯战争胜利80周年纪念日，是海内外中华儿女的胜利之日，是属于中国人 民和一切爱好和平的国家、人民的盛大节日。在这个光荣而重要的时刻，台湾各界代表人士不惧民进党 当局的恐吓、阻挠，踊跃来京出席相关纪念活动，与大陆同胞共同铭记历史、缅怀先烈、捍卫成果、守 护家园、开创未来，并以各种方式表达身为中国人的激动与自豪，以实际行动诠释了深厚的家国情怀和 民族大义。我们对此表示高度赞赏。 9月3日在北京举行的抗战胜利纪念活动引发岛内高度关注。陈斌华答问时表示，台湾同胞有的现场观 礼，更多的以各种方式观看阅兵直播，纷纷表示"九三阅兵是全民族的骄傲"，岛内媒体报道称"台湾民 众无论是去现场，还是通过电视或网络观看或关注，都与有荣焉"。一个个受阅方队威武雄壮，一件件 新式武器装备震撼亮相，展示了解放军体系作战能力、新域新质战力，彰显了我们维护和平、捍卫正义 的决心和能力，也彰显了我们维护统一、反对"台独"的决心和能力。包括台湾同胞在内的全体中华儿女 无不为之欢欣鼓舞，无不为身为中国人而骄傲自豪。 台湾陆委 ...

Core Viewpoint - The 80th anniversary of the victory in the Anti-Japanese War is a significant event for the entire Chinese nation, emphasizing the contributions of all Chinese, including Taiwanese, in the fight against Japanese fascism [1] Group 1: Historical Significance - The victory in the Anti-Japanese War is highlighted as a crucial part of the global anti-fascist struggle, showcasing the sacrifices made by Taiwanese compatriots and the broader Chinese population [1] - Participation of representatives from Taiwan in the commemorative activities in Beijing is framed as an act of national righteousness and a commitment to historical remembrance [1] Group 2: Political Context - The Democratic Progressive Party (DPP) is criticized for its stance against participation in the anniversary events, accused of losing its national perspective and undermining cross-strait relations [1] - The DPP's actions are described as a betrayal of justice and a source of emotional harm to the people on both sides of the Taiwan Strait, revealing its "Taiwan independence" nature [1] Group 3: Response to DPP Actions - The spokesperson indicates that individuals from the DPP who threaten or intimidate others regarding participation in the anniversary will face legal consequences [1]

Core Viewpoint - The article commemorates the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression, highlighting the significant role of four famous Peking opera artists in inspiring the nation through their performances during the war [1]. Group 1: Contributions of Mei Lanfang - Mei Lanfang's play "Anti-Golden Soldiers" was inspired by the story of Liang Hongyu and Han Shizhong, showcasing their bravery against the invading Jin army, which served as a metaphor for resisting Japanese aggression [9][10]. - The play received overwhelming acclaim, with audiences moved to tears, and ticket sales were so high that they damaged the ticket windows [9]. - Mei Lanfang continued to promote anti-Japanese sentiment through his works, including "Life and Death Hate," which depicted the struggles of a couple during the invasion, further igniting public outrage against the Japanese [10][11]. Group 2: Contributions of Shang Xiaoyun - Shang Xiaoyun performed "Liang Hongyu" in Beijing, which mirrored the themes of Mei Lanfang's work, focusing on the love story between Liang Hongyu and Han Shizhong, culminating in their heroic resistance against the Jin army [13][14]. - The performance showcased Shang Xiaoyun's vocal prowess and martial skills, earning him acclaim for his ability to portray the character's complex emotions and the intensity of battle [14]. Group 3: Contributions of Cheng Yaojun - Cheng Yaojun refused to participate in a propaganda performance for the Japanese, stating he would not support their war efforts, demonstrating his strong nationalistic sentiments [15][16]. - After facing harassment from Japanese authorities, he chose to abandon his theatrical career and work in agriculture to avoid further persecution, showcasing his commitment to the cause [16]. Group 4: Contributions of Xun Huisheng - Xun Huisheng created the play "Xun Guanniang," which combined elements of singing, acting, and martial arts, portraying a young girl's bravery in seeking help during a siege, thus contributing to the anti-Japanese narrative [17]. - The play was well-received and served to educate the public about the importance of resistance against invaders, aligning with the broader anti-Japanese sentiment of the time [17].

Core Viewpoint - The article discusses the recent developments surrounding Li Ka-shing's business dealings, particularly his port acquisition strategy, and the implications of his actions in the context of geopolitical tensions and national interests [1][3][6]. Group 1: Business Strategy and Developments - Li Ka-shing's company, CK Hutchison Holdings, is inviting major strategic investors from mainland China to join as important members of the consortium for the port acquisition, indicating a shift from a solely American-controlled asset to a shared one [1][3]. - The acquisition of ports has historically been contentious for Li Ka-shing, as seen during his initial acquisition of the Panama port, which faced significant media scrutiny and accusations of ulterior motives [3][4]. - In a recent deal, BlackRock agreed to purchase 52 ports from CK Hutchison for $22.8 billion, a price 30% above market value, allowing the company to secure over $200 billion in cash while distancing itself from geopolitical conflicts [6]. Group 2: Personal and Social Implications - Li Ka-shing's actions reflect a desire to integrate more closely with mainland China, as evidenced by his family's educational choices and efforts to promote Mandarin among his children [6][8]. - His refusal to name a university after himself, despite suggestions, indicates a preference for being recognized in the hearts of the people rather than through personal accolades, suggesting a deeper connection to community values [8].

Core Viewpoint - The original play "Under the Chaotian Palace" reflects on the historical significance of the relocation of cultural relics during the Second Sino-Japanese War, emphasizing the connection between cultural heritage and national identity [1][3][5]. Group 1: Historical Context - The play is set against the backdrop of the 80th anniversary of the victory in the Second Sino-Japanese War and the 100th anniversary of the Palace Museum, highlighting the importance of these events in Chinese history [1][3]. - It narrates the critical moment in December 1937 when Japanese forces invaded Nanjing, endangering the cultural relics stored in the Chaotian Palace [2][3]. Group 2: Cultural Significance - The narrative emphasizes the role of cultural guardians, such as Zhu Tongli, who risked their lives to protect national treasures during times of crisis, symbolizing the enduring spirit of Chinese culture [2][4]. - The play intertwines the stories of various characters, showcasing their dedication to preserving cultural heritage and national identity amidst adversity [4][5]. Group 3: Audience Reception - Since its premiere in July 2020, the play has received multiple awards and positive feedback for its engaging storytelling and historical accuracy, resonating well with audiences [5][6]. - Audience members expressed a newfound appreciation for the historical significance of the Chaotian Palace and the events depicted in the play, indicating its impact on public awareness of local history [5][6].