Core Viewpoint - The article commemorates the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression, highlighting the significant role of four famous Peking opera artists in inspiring the nation through their performances during the war [1]. Group 1: Contributions of Mei Lanfang - Mei Lanfang's play "Anti-Golden Soldiers" was inspired by the story of Liang Hongyu and Han Shizhong, showcasing their bravery against the invading Jin army, which served as a metaphor for resisting Japanese aggression [9][10]. - The play received overwhelming acclaim, with audiences moved to tears, and ticket sales were so high that they damaged the ticket windows [9]. - Mei Lanfang continued to promote anti-Japanese sentiment through his works, including "Life and Death Hate," which depicted the struggles of a couple during the invasion, further igniting public outrage against the Japanese [10][11]. Group 2: Contributions of Shang Xiaoyun - Shang Xiaoyun performed "Liang Hongyu" in Beijing, which mirrored the themes of Mei Lanfang's work, focusing on the love story between Liang Hongyu and Han Shizhong, culminating in their heroic resistance against the Jin army [13][14]. - The performance showcased Shang Xiaoyun's vocal prowess and martial skills, earning him acclaim for his ability to portray the character's complex emotions and the intensity of battle [14]. Group 3: Contributions of Cheng Yaojun - Cheng Yaojun refused to participate in a propaganda performance for the Japanese, stating he would not support their war efforts, demonstrating his strong nationalistic sentiments [15][16]. - After facing harassment from Japanese authorities, he chose to abandon his theatrical career and work in agriculture to avoid further persecution, showcasing his commitment to the cause [16]. Group 4: Contributions of Xun Huisheng - Xun Huisheng created the play "Xun Guanniang," which combined elements of singing, acting, and martial arts, portraying a young girl's bravery in seeking help during a siege, thus contributing to the anti-Japanese narrative [17]. - The play was well-received and served to educate the public about the importance of resistance against invaders, aligning with the broader anti-Japanese sentiment of the time [17].

Core Viewpoint - The original play "Under the Chaotian Palace" reflects on the historical significance of the relocation of cultural relics during the Second Sino-Japanese War, emphasizing the connection between cultural heritage and national identity [1][3][5]. Group 1: Historical Context - The play is set against the backdrop of the 80th anniversary of the victory in the Second Sino-Japanese War and the 100th anniversary of the Palace Museum, highlighting the importance of these events in Chinese history [1][3]. - It narrates the critical moment in December 1937 when Japanese forces invaded Nanjing, endangering the cultural relics stored in the Chaotian Palace [2][3]. Group 2: Cultural Significance - The narrative emphasizes the role of cultural guardians, such as Zhu Tongli, who risked their lives to protect national treasures during times of crisis, symbolizing the enduring spirit of Chinese culture [2][4]. - The play intertwines the stories of various characters, showcasing their dedication to preserving cultural heritage and national identity amidst adversity [4][5]. Group 3: Audience Reception - Since its premiere in July 2020, the play has received multiple awards and positive feedback for its engaging storytelling and historical accuracy, resonating well with audiences [5][6]. - Audience members expressed a newfound appreciation for the historical significance of the Chaotian Palace and the events depicted in the play, indicating its impact on public awareness of local history [5][6].