中新社辽宁本溪2月21日电 题：百年社火走街串巷 辽东上演"移动的春节" 中新社记者 韩宏 农历新年，一阵铿锵有力的锣鼓声从辽宁本溪满族自治县同江峪村响起。74岁的杨和清手握令旗，身后 跟着一支面绘彩妆、手持木制兵器的队伍，他们踏着鼓点，走进村中街巷。 "平时在景区、在舞台上，那是'表演'。只有每年春节这几天走街串巷，进入每家每户的院落，才是真 正延续百年的'老社火'。"身为本溪社火的省级代表性传承人，杨和清告诉中新社记者，"只有鼓声踏进 每一户门槛，年味，才真正落到心里。" 这门被称为"武社火"的民间艺术，追随清末民初"闯关东"的人潮，从中原传入辽东，至今已跨越百年时 光。表演者手持十八般兵器，以武舞叙述英雄故事，在铿锵击打声中寄托着乡土百姓对五谷丰登、人畜 平安的祈愿。 与其他社火不同，本溪社火讲究的是"真功夫"。杨和清强调："这不是摆样子。"早年枪头曾以真铁打 造，对决时需碰撞出"火星儿"。如今虽改用木制兵器，但"刀对枪""枪对棍"等传统套路依然保留招招到 位的刚猛之势。 "手、眼、身、法、步，缺一不可。'法'就是武术套路，要有板有眼。"杨和清边说边示范，本溪社火表 演主要分为走阵、双人对打和群打，功夫 ...

Core Insights - The article highlights the cultural significance and artistic value of flower buns (huamó) in northern China, emphasizing their diverse shapes, colors, and meanings [1][2][3] Group 1: Cultural Significance - Flower buns are used in various customs across different regions, with specific practices for occasions like the Spring Festival, weddings, and funerals, reflecting their role as carriers of emotion and tradition [2][3] - The creation of flower buns involves a detailed process that tests the maker's skills in fermentation, artistic design, and color coordination, indicating a high level of craftsmanship [2] Group 2: Artistic Value - The article describes the intricate designs of flower buns, which can represent various themes such as animals, plants, and auspicious symbols, showcasing the artistic diversity across regions [1][2] - Flower buns serve both as food and as visual art, appealing to both children and adults, and have garnered attention from scholars for their cultural research value [3]

农民画，是扎根黑土地的绚丽艺术之花。它以质朴的笔触、炽热的情感和饱满的色彩，生动描绘着田野 乡间的风物人情，记录着生生不息的劳动创造。从沈阳苏家屯的浑厚朴实，到大连庄河的明快鲜活；从 鞍山岫岩的拙朴天真，到本溪桓仁的灵秀生动……辽宁各地的"民间文化艺术之乡"与创作者，如一颗颗 璀璨的明珠，串联起一幅特色鲜明、光彩夺目的民间艺术星图。 本次展出的百余件作品，既承载着对传统技艺的坚守与传承，也展现出在题材、语言与形式上不断探索 的创新活力。画面中，既有春种秋收、渔获满舱的劳动颂歌，也有节庆民俗、乡风乡韵的欢腾场景；既 有青山绿水、田园家园的诗意描绘，更展现了新时代乡村振兴路上人们热切的期盼与奋进的足迹。这些 作品不仅是现实生活的艺术映照，更是涌动在当代乡村肌理中的生动文化实践。 转自：沈阳日报 本报讯（沈阳日报、沈报全媒体记者盖云飞）"绘梦田园·多彩辽宁"——辽宁省"民间文化艺术之乡"农 民画作品展，日前在沈阳美术馆开展。本次展览由沈阳市文化旅游和广播电视局主办，沈阳市公共文化 服务中心（沈阳市文化演艺中心）承办，展览将于2026年1月23日结束。 （来源：沈阳日报） ...

Industry Focus: Cultural Heritage & Design Innovation - Explores how designer Zeng Lingbo's team is revitalizing the ancient folk art of Jiama woodblock prints from Yunnan's Bai ethnic group [1] - Focuses on connecting traditional craftsmanship ("wild coarse grains") with modern life ("civilized refined grains") through design [1] - Aims to provide a contemporary platform for traditional crafts [1] Key Individuals & Organizations - Highlights Zeng Lingbo's roles: founder of Slow Material brand, consultant to Shenzhen Graphic Design Association, guest professor at Chengdu University, industry mentor at Zhejiang Media College, course professor at Guangzhou Academy of Fine Arts, and instructor for China National Arts Fund [1] Event Context - The content originates from a TEDx event, emphasizing its independently organized nature within the TED conference format [1]

Group 1 - The article describes the daily life and cultural practices of the residents in Houxu Village, located in Longkou City, Jiaodong, highlighting the significance of the door curtain as a symbol of warmth and community [1][2][3] - The door curtain, often embroidered with auspicious patterns, serves as a representation of local craftsmanship and the emotional connection of fishermen to their homes, providing comfort amidst the challenges of their profession [3] - The narrative emphasizes the contrast between the external environment and the internal warmth of the homes, illustrating how the door curtain acts as a barrier that separates the harsh realities of life at sea from the comforting domestic life [2][3] Group 2 - The article captures the essence of village life, including the morning routines of families, the communal atmosphere during meals, and the evening gatherings that reflect a strong sense of community [2] - The imagery of the village, with its clean roads and open doors, conveys a welcoming environment that fosters social interaction among residents [1][2] - The description of the natural surroundings, such as the sea and the weather, adds depth to the portrayal of the village, emphasizing the relationship between the residents and their environment [1][3]

Core Viewpoint - The article highlights the artistic philosophy and contributions of Han Meilin, emphasizing the importance of cultural roots and the integration of traditional Chinese art with contemporary expressions [4][5][6]. Group 1: Artistic Philosophy - Han Meilin believes that art should be independent, unique, and dignified, rooted in national culture, which allows it to stand confidently in the global art scene [4][5]. - The artist emphasizes the need to seek inspiration from the world, life, and folk culture, rejecting the notion of "closed-door" creation [4][6]. - He advocates for a deep connection with the people and the environment, stating that true artistic expression comes from engaging with life and culture [6][7]. Group 2: Contributions and Achievements - Han Meilin has created over 350 works for the upcoming "Beauty of the Forest - Han Meilin Art Exhibition," showcasing a dialogue between ancient and modern aesthetics [5][6]. - His works span various mediums, including painting, calligraphy, sculpture, ceramics, and design, reflecting a broad artistic practice [6][7]. - The artist has received numerous accolades, including the title of "Peace Artist" from UNESCO and the "Coubertin Medal" from the International Olympic Committee, highlighting his role in cultural exchange [5][8]. Group 3: Cultural Impact - Han Meilin's art is deeply influenced by ancient Chinese culture, particularly through the study of ancient symbols and folk art, which he integrates into modern artistic expressions [6][7]. - He has established multiple art museums across China, including in Hangzhou and Beijing, to promote cultural heritage and education [7][8]. - The artist's philosophy emphasizes that art should not only be for the elite but should resonate with the public, making beauty accessible to all [8].