Workflow
Animation
icon
Search documents
David Oyelowo, Tantoo Cardinal, and Henry Witcher Join Acclaimed Cast of Angel and Shining Isle's Animated Series THE WINGFEATHER SAGA
Prnewswire· 2025-10-31 13:53
Core Insights - The Wingfeather Saga Season 3: The Ice Prairies is set to premiere on November 12, 2025, exclusively on Angel platforms, expanding the series' reach and audience engagement [1][8] - The series has successfully raised over $7 million through crowdfunding, making it one of the largest crowdfunded family animated series ever produced [6] - The cast for Season 3 includes notable actors such as David Oyelowo and Tantoo Cardinal, enhancing the series' appeal with their performances [2][3] Company Overview - Angel (NYSE: ANGX) is a media and technology company with 1.5 million grassroots Angel Guild members who influence programming decisions, acting as virtual co-producers [9][10] - The company has released over 40 films and 20 television series, including the successful "Sound of Freedom," which grossed over $250 million globally [10] - Angel's focus on values-based storytelling resonates with its audience, driving engagement and viewership across its platforms [9][10] Industry Context - The Wingfeather Saga is based on Andrew Peterson's bestselling fantasy novels, blending cinematic animation with themes of family and courage, appealing to a broad audience [6][11] - The upcoming release of The Wingfeather Saga: The Journey Begins offers a reimagined experience of the first two seasons, catering to both existing fans and new viewers [7][8] - The animation studio Shining Isle Productions utilizes advanced technology, including Unreal Engine, to enhance the production quality of the series [11]
Kaixin Holdings Announces Intended Acquisition of Honglu Technology to Optimize AI Applications
Globenewswire· 2025-10-28 11:00
Core Viewpoint - Kaixin Holdings has signed a term sheet to acquire a 51% stake in Honglu Technology, aiming to enhance collaboration in the "AI + Animation" ecosystem and promote AI innovation in animation production [1] Company Overview - Kaixin Holdings is transitioning into an AI-driven technology business in China, focusing on expanding its AI capabilities and exploring new growth opportunities [6] - Honglu Technology specializes in animation technology innovation, including the shift from traditional animation to computer-generated graphics, and utilizes emerging technologies such as rendering and AI research [2] Strategic Advantages of Honglu Technology - **Technical Advantage**: Comprehensive coverage of the 3D animation production process, utilizing UE5 Unreal Engine and AI technology R&D capabilities [3] - **Team Advantage**: The core team has over 10 years of industry experience and has produced nearly 5,000 hours of S-rated anime series [3] - **Content Sources Advantage**: Strategic partnerships with Youku Entertainment and suppliers of high-quality S-rated anime series [4] - **IP Advantage**: Ownership of original and novel copyright IP, a large fan base, and the ability to generate diverse derivative products [4] - **Qualifications Advantage**: Registered 19 software patents, showcasing strong technical capabilities in animation and design [4] - **Network Advantage**: Deep partnerships with Xuanji Technology and major video platforms like Youku, Tencent, and iQiyi, creating a robust ecosystem [4] Recent Developments - The previously intended acquisition of Xingcan was terminated as it did not meet mutual expectations, allowing Kaixin to focus on optimizing AI application scenarios [5]
Guangdong Meets Akihabara: Chinese IPs Spark a New Creative Wave|SFC Markets and Finance
Core Insights - Guangdong is emerging as a significant player in the global animation industry, showcasing its original intellectual properties (IPs) at the New Dimensions of Guangdong Animation and Trendy Toys Exhibition in Tokyo [1] - The cultural exchange between China and Japan highlights the fusion of Eastern narratives and aesthetics, with a shift from contract manufacturing to original IP creation in Dongguan [2] - The collaboration between Chinese 3D animation and Japanese 2D animation is seen as a potential avenue for innovation and creativity in the industry [3] Group 1 - Guangdong's animation industry is gaining international recognition, as evidenced by the successful exhibition in Tokyo [1] - The shift from manufacturing for international IPs to creating original content is a key strength for Dongguan, indicating a growing focus on originality [2] - The combination of Chinese and Japanese animation styles could lead to new creative opportunities, enhancing the overall industry landscape [3] Group 2 - The cultural route connecting the Guangdong-Hong Kong-Macao Greater Bay Area to Tokyo Bay signifies deepening collaboration between China and Japan [4] - The increasing visibility of Asian creativity on the global stage is anticipated as both countries work together in the animation sector [4]
《三国的星空》票房惨败,动画电影拍不好“新文化”?
Hu Xiu· 2025-10-10 01:53
国庆档电影市场的惨淡无需多言,动画电影《三国的星空第一部》票房惨败已成定局。 截止到10月9日国庆假期结束,《三国的星空第一部》票房停留在7500万左右,单日票房增长已经低于百万,最终票房大概率无法突破1亿门槛。在票房增 长无力的同时,影片口碑也出现下滑,豆瓣评分从7.5跌至7.2。 | /549.5万 | 199.9万 | 2011.1万 | 7563.5万 | | --- | --- | --- | --- | | 分账票房 | 片方36.86% | 影院52.27% | 其他10.87% | | 6788.1万 | 2502.0万 | 3548.1万 | 737.9万 | | 预测内地总票房: 8988.0万 | | | | 作为国内首部官宣立项的三国题材动画电影,更有易中天编剧、光线传媒参投,《三国的星空第一部》是国产动画电影对历史文化题材的一次全新且大胆 的尝试,承载着市场和无数观众的期待,只可惜这份期待在今年国庆档彻底落空了。 随着《三国的星空第一部》票房惨败,国产动画电影对新题材、新故事的探索实验走向了新的困境。 一、不算烂片,但也不够好看 《三国的星空第一部》绝对算不上一部烂片。 影片讲述了一 ...
你有多久没被简单的美好悄悄击中 | 夏宁 XiaNing | TEDxSongze Ave
TEDx Talks· 2025-10-09 16:01
夏宁导演分享了根据著名儿童绘本改编的动画《霸王龙雷奇》的幕后故事。面对经典,他选择的不是复制,而是“唤醒”。他讲述了团队如何用极致的匠心与技术创新,将平面的色块催化成一个充满“笨拙的温柔”的立体世界,用一句简单的“晚安安”,催化出跨越年龄的温暖共鸣。 夏宁,资深动画导演。深耕三维动画与影视视效领域 25 年,专注于动画创作、技术研发及跨媒介内容创新,主导多部国内外知名动画项目。 2001 年出版的技术专著《超物质视界》被教育部列为大专院校专业技能教材,他曾担任《英雄郑成功》《北纬三十八度线》等影片的数字特效组组长,其中多部作品斩获中国电影华表奖、上海国际电影节最佳影片等国内外奖项。 2014 年起,主导的《奔奔小飞车》《无敌小鹿》等动画作品入选中国广电总局推优动画,获中国网络视听大会优秀作品奖等荣誉。执导的《霸王龙雷奇》斩获 2023 年澳大利亚视觉效果与动画节电视系列片(儿童)单元铜奖、首届湾区国风动漫游戏大奖最佳动漫角色奖、第十届动漫北京“金翼奖”最具创意动画等多项国内外大奖、并入选2023、2024年日本KINEKO儿童动画电影节展映短片。 This talk was given at a TEDx e ...
Korea Creative Content Agency Announces U-KNOCK 2025 in Los Angeles
Globenewswire· 2025-10-08 00:15
Core Insights - The U-KNOCK 2025 event aims to connect Korea's creative companies with global investors, marking a significant step in the globalization of Korean cultural content [1][6] - The central theme, "Next K" wave, signifies the evolution of Korean content into a mainstream global phenomenon, with notable successes in film and music [2][3] Event Structure - The event will take place from November 5-7, 2025, featuring an International Content Investment Forum and exclusive one-on-one business meetings [4][9] - The forum will focus on financing, distribution, and market expansion in the entertainment and media sectors [4] Participants and Industry Impact - Confirmed participants include major players like Pinkfong Company, CJ ENM, and Mofac Studios, highlighting the maturity of Korea's creative economy [5] - U-KNOCK 2025 serves as a strategic platform for global investors to enter Korea's high-growth creative industries, which are projected to generate billions in annual exports [6] Discussion Topics - Key discussions will revolve around intellectual-property development, co-production financing, and market scalability to sustain the international success of the Korean content industry [7]
用AI砍掉70%制作预算,OpenAI首部动画长片《Critterz》能否改写动画规则?
3 6 Ke· 2025-09-26 13:12
Core Insights - OpenAI has confirmed its involvement in the production of its first AI animated feature film, "Critterz," which is expected to revolutionize content creation in Hollywood [1][3][52] - The film's production budget is set at $30 million, with a timeline of nine months, significantly lower than the traditional $100 million budget and three-year timeline for animated films [3][21] - AI will play a central role throughout the entire production process, from creative conception to post-production, drastically lowering the barriers for creators and altering the valuation logic in the content industry [4][39] Group 1: Production Efficiency - "Critterz" utilizes AI tools to enhance efficiency, with the production team aiming to complete the film in 30% of the time and budget typically required for traditional animated films [21][39] - The integration of AI allows for rapid generation of visual content, enabling the creative team to focus more on storytelling and character development [13][30] - AI-generated content will streamline various stages of production, including scriptwriting, storyboarding, and animation, leading to significant time and cost savings [25][41] Group 2: Creative Process Transformation - AI will assist in generating story outlines and character backgrounds, allowing human writers to collaborate more effectively with AI [23][41] - The use of AI in art design and pre-visualization will reduce the need for extensive manual input from artists, enabling quicker iterations and approvals [27][41] - AI's role in motion capture and character animation will preserve the nuances of human performances while automating labor-intensive tasks [28][30] Group 3: Market Implications - The success of "Critterz" could signal a shift in Hollywood towards AI-driven content production, prompting a reevaluation of how media companies are valued [38][41] - The film represents a potential new industrialized production pathway that could democratize content creation, allowing more creators to enter the market [54] - As AI tools become integral to the production process, traditional media companies may face increased competition from AI-enhanced independent studios [54]
Atomic Cartoons to Adapt Beloved Surf's Up Movie Into a New Animated Comedy Series
Businesswire· 2025-09-25 17:00
Core Viewpoint - Thunderbird Entertainment Group Inc. is developing a new animated series titled "Surf's Up: The Series," based on the successful film "Surf's Up" from Sony Pictures Animation [1] Company Summary - The animation studio Atomic Cartoons, a subsidiary of Thunderbird, will be responsible for the development and production of the new series [1] - The writing team for the series includes Lienne Sawatsky, Dan Williams, and John Hazlett, who have previously worked on popular animated children's content [1]
Multi Award-Winning Composer, Danny Elfman, Joins All Star Creative Team for Kartoon Studios’ “Hundred Acre Wood’s Winnie and Friends,” to Compose Original Theme Song
Globenewswire· 2025-09-25 13:15
Core Viewpoint - Kartoon Studios has announced the addition of composer Danny Elfman to the creative team for the upcoming project "Hundred Acre Wood's Winnie and Friends," which aims to reimagine the classic franchise for a new generation [3][6][8]. Company Overview - Kartoon Studios (NYSE American: TOON) is a global leader in children's and family entertainment, delivering premium content and high-value intellectual property to millions of viewers worldwide [9]. - The company operates Mainframe Studios, one of North America's largest animation producers, with over 22,000 minutes of award-winning programming [9]. Project Details - The project will consist of 208 seven-minute episodes and five holiday specials, with the first special set to premiere in December 2026, and a sneak peek scheduled for Christmas Eve 2025 [6][8]. - The franchise is expected to be the most ambitious initiative in Kartoon Studios' history, aiming to create a long-term global franchise that will generate significant shareholder value [6][8]. Financial Impact - The "Winnie-the-Pooh" franchise has historically been commercially successful, generating approximately $80 billion in retail sales [8]. - Danny Elfman's contributions are anticipated to enhance the project's appeal, potentially driving further box office success and audience engagement [5][8]. Creative Team - Elfman joins Executive Producer Linda Woolverton, known for her work on "The Lion King" and "Beauty and the Beast," and Creative Director John Rivoli, recognized for his contributions to major franchises like "Harry Potter" and "Batman" [7][8]. - The collaboration is expected to blend nostalgia with fresh interpretations, appealing to both existing fans and new audiences [8].
X @Ansem
Ansem 🧸💸· 2025-09-23 10:32
very popular kids animation companyStitch (@St1t3h):@blknoiz06 idk even know what this is ...