央视网消息（新闻联播）：这个暑假，全国各地非遗场馆开展内容丰富的传统文化普及活动，让孩子们在沉浸式体验中近距离感受非遗魅力。 在中国非物质文化遗产馆内，发源自隋唐的西安鼓乐以它典雅、古朴的演奏吸引众多青少年前来欣赏。演出结束后，专家还带领孩子们体验了各类传统特色 乐器，深入讲解中国音乐的独特魅力。 暑假以来，多地非遗场馆推出"遇见非遗"、暑期非遗课堂等传统文化普及活动，古琴、昆曲等多个特色非遗项目通过讲解、展演及互动体验点亮青少年假 期。据了解，仅中国非物质文化遗产馆暑期就举办近500场展演、体验活动，日均接待观众超13000人次。 湖南省非物质文化遗产保护中心推出的"我来学手艺"体验活动，涵盖了剪纸、面塑等十余种湖南传统非遗技艺。45场体验活动，场场爆满。在长沙窑的陶瓷 体验活动中，小朋友跟随非遗传承人亲身体验这项传承千年的传统技艺。 在浙江省非物质文化遗产馆的非遗互动体验区，孩子们系着围裙专注地跟着非遗传承人学习靛青白花印染技艺。由于捆扎的松紧不同，每一块扎染作品都是 独一份儿的艺术品。暑期该馆已举办90场非遗展览、展演、体验活动，日均接待观众超5500人次。 ...

Core Perspective - The article highlights the journey of Filippo Costantini, an Italian scholar who uses the guqin to bridge Eastern and Western cultures, emphasizing the instrument's historical significance and its role in cultural exchange [2][7]. Group 1: Cultural Exchange and Historical Significance - The guqin has been recognized as a significant cultural artifact, included in UNESCO's list of intangible cultural heritage, symbolizing the deep connection between Chinese civilization and the world [2]. - Filippo's exploration of the guqin reflects a broader historical narrative of cultural exchange, tracing its influence from ancient times through various interactions with Western scholars and musicians [6][7]. Group 2: Personal Journey and Challenges - Filippo faced numerous challenges in learning the guqin, including a lack of resources and instructional materials in Italy, as well as the complexity of the instrument's playing techniques [3][5]. - His dedication led him to develop unique methods for mastering the guqin, such as creating visual aids and practicing diligently, which ultimately transformed his understanding and appreciation of the instrument [5][6]. Group 3: Philosophical Insights and Artistic Expression - Through his study of the guqin, Filippo discovered its deep philosophical connections to Chinese thought, particularly Confucian and Daoist principles, which emphasize harmony, balance, and introspection [6][7]. - The guqin serves as a medium for expressing profound cultural and philosophical ideas, allowing Filippo to articulate the essence of Chinese aesthetics and spirituality through music [7][8]. Group 4: Global Outreach and Impact - Filippo has actively promoted the guqin in various countries, conducting performances and lectures to introduce its unique qualities to international audiences, thereby fostering cross-cultural dialogue [7][8]. - His efforts have led to a growing appreciation for the guqin, demonstrating its universal appeal and potential to connect diverse cultures through shared musical experiences [8].

Core Viewpoint - The event "Dialogue·Soulmate" featuring Chinese Guqin music was held in Romania, aiming to enhance cultural exchange between China and Romania through the ancient art of Guqin [1]. Group 1: Event Overview - The event was co-hosted by multiple organizations including the Chinese Embassy in Romania and attracted over a hundred participants from various sectors such as culture, art, education, and media [1]. - The cultural counselor of the Chinese Embassy emphasized the significance of Guqin as a "civilization activator" to build cultural bridges and promote mutual understanding between the two nations [1]. Group 2: Artistic Presentation - The presentation was led by Wang Peng, a national-level representative inheritor of Guqin art, along with flutist Liu Xiaogang, who combined interactive explanations with live performances to showcase the unique charm and profound cultural connotations of Guqin music [2]. - Wang Peng highlighted that Guqin art is not only a vital part of traditional Chinese music but also reflects a mindset of spiritual cultivation and life attitude, emphasizing the integration of technique and inner peace [2]. Group 3: Cultural Significance - Guqin, recognized as one of the oldest plucked instruments in China with a history of nearly 3,000 years, is regarded as a "civilization fossil" and was listed as a "Masterpiece of the Oral and Intangible Heritage of Humanity" by UNESCO in 2003 [5]. - The instrument symbolizes noble character and spiritual pursuit, embodying rich philosophical thoughts from Confucianism, Taoism, and Buddhism, and reflects cultural concepts such as "music conveys the way" and "harmony between heaven and humanity" [5].

Core Viewpoint - The article highlights the extraordinary craftsmanship of Ming Dynasty artisans from the Wu region, particularly focusing on their unique skills and the cultural significance of their creations, which have transcended time and continue to be celebrated today [1]. Group 1: Baotiancheng and Rhinoceros Horn Carving - Baotiancheng is recognized as the foremost master of rhinoceros horn carving during the late Ming Dynasty, known for his exceptional skills in various materials including ivory and rosewood [2][3]. - His works, such as the rhinoceros horn ewer and the "Immortal Floating on a Raft" cup, showcase a blend of realism and artistic expression, reflecting the cultural ideals of the time [4][5]. Group 2: Zhou Zhu and Inlay Craftsmanship - Zhou Zhu is celebrated for pioneering the "Hundred Treasures Inlay" technique, which combines various precious materials in lacquerware, elevating the art form during the Ming Dynasty [6][8]. - His inlay works often feature intricate designs that merge literary themes with visual artistry, appealing to the aesthetic sensibilities of the literati [9][10]. Group 3: Zhu Bingshan and Silver Craftsmanship - Zhu Bingshan is credited with creating the silver raft cup, a unique design that reflects ancient myths and showcases advanced metalworking techniques [11][12]. - Only four of his silver raft cups are known to exist today, each representing a blend of functionality and artistic expression, embodying the spirit of the era [13][14][17]. Group 4: Other Notable Artisans - Zhao Liangbi, known for his comb-making skills, represents the continuation of traditional craftsmanship in the Wu region, with his work reflecting a deep cultural heritage [18]. - The article also mentions other artisans like Ma Xun and Zhang Jixiu, who contributed to the rich tapestry of Wu craftsmanship through their respective specialties in fan-making and guqin [19][20][22].

Core Viewpoint - The development of courtyard economy in Longling County has significantly improved the livelihoods of local farmers, with a focus on sustainable and profitable agricultural practices [6][7]. Group 1: Courtyard Economy Development - Longling County has invested nearly 1.29 billion yuan from 2017 to 2024 to encourage the development of courtyard economy, helping farmers establish partnerships with large agricultural enterprises for order-based production [6]. - The county has trained 518 rural revitalization instructors to provide targeted technological guidance and promote advanced agricultural techniques [6]. - The courtyard economy has expanded to 1,067,200 square meters, producing 24,000 tons of fruits and vegetables last year, with an average income increase of 3,800 yuan per household [7]. Group 2: Crop Selection and Management - Initially, villagers were skeptical about the profitability of courtyard farming, but after several trials, they shifted to growing peppers in 2021, which proved to be less labor-intensive and more profitable [5][6]. - The village has implemented a "green planting" policy, prohibiting the use of banned pesticides and promoting the use of organic fertilizers, which has led to better crop quality and safety [6][7]. Group 3: Economic Impact - A local farmer, Li Jingwen, reported an annual income of around 5,000 yuan from growing 4,500 pepper plants, with a guaranteed minimum price of 1.2 yuan per kilogram [7]. - The village's average income reached 17,000 yuan per capita last year, with a total pepper order volume increasing to 400 tons [7]. Group 4: Cultural and Educational Integration - In Xu Chang Village, Henan Province, the integration of traditional craftsmanship with educational experiences has transformed the local economy, attracting visitors and creating new income streams for residents [9][10]. - The establishment of the "Mo Wu Qin Fang" research base has allowed for hands-on learning experiences in traditional guqin making, significantly increasing local engagement and income [9][10].

Core Idea - Yang Ying, a cultural curator of the Yinhul Tea House in Paris, is dedicated to showcasing traditional Chinese culture through a tea-centric space that emphasizes the beauty of Chinese tea culture and aesthetics [1][4]. Group 1: Background and Motivation - Yang Ying, originally from Chengdu, Sichuan, grew up in an artistic environment and developed a passion for traditional Chinese arts, including guqin and tea culture [2]. - After graduating from a French university and working in finance, Yang Ying felt a strong desire to pursue cultural endeavors, leading to the idea of opening a Chinese tea house in Paris [2][3]. Group 2: Establishment of the Tea House - In 2022, Yang Ying and her partner Wang Li opened the Yinhul Tea House, designed with Song Dynasty aesthetics, despite facing significant cost increases for imported materials [4]. - The tea house began trial operations in November 2022, hosting cultural events and providing tea services during significant local celebrations, thereby creating a cultural experience [4][5]. Group 3: Cultural Engagement and Activities - The tea house has attracted a diverse clientele, including many foreign visitors who appreciate the unique atmosphere and cultural offerings [5]. - Yang Ying and her team have organized over 60 cultural events within a year, allowing more than 20,000 people to experience the charm of Chinese tea culture [7]. Group 4: Future Aspirations - Looking ahead, Yang Ying aims to deepen the understanding and appreciation of Chinese tea culture in France, focusing on brand development to enhance cultural exchange [7].

Core Viewpoint - The article highlights the development and challenges of the traditional musical instrument industry in Lankao County, emphasizing government support and the need for improved operational conditions for local manufacturers [1][2]. Group 1: Industry Development - Lankao County has integrated the traditional musical instrument industry into its rural revitalization strategy, with a focus on supervision and support to enhance its growth [1]. - The county produces over 700,000 traditional musical instruments annually, with a market value exceeding 3 billion yuan, benefiting from local resources and a complete industrial chain [1]. - The county's Paulownia wood supply accounts for over 90% of the national demand for soundboards, supporting the production of various instruments including guzheng, guqin, and pipa [1]. Group 2: Challenges and Solutions - The industry faces challenges such as small-scale operations, financial constraints, inconsistent product quality, and difficulties in brand establishment, which hinder high-quality development [2]. - The local government is addressing these issues by streamlining application processes for subsidies and enhancing financial support for businesses in the musical instrument sector [2]. - Measures are being taken to strengthen market regulation and protect intellectual property rights, ensuring a fair competitive environment for local manufacturers [2].

Core Points - The fourth International Bakhshee Arts Festival in Uzbekistan emphasizes the importance of oral cultural traditions in understanding national identity and values [1] - The festival showcases various performances from different countries, highlighting the global appreciation of traditional music, including Chinese folk art [3][6] - Bakhshee, a traditional Uzbek art form, promotes peace, friendship, and respect through music and storytelling [6][8] Group 1: Festival Overview - The festival is held in Khiva, a UNESCO World Heritage site, and features performances from artists around the world [3] - Participants engage in cultural exchanges, showcasing their unique traditions while appreciating others [3][6] Group 2: Cultural Exchange - Artists from various countries express admiration for Chinese music and dance, noting the richness of China's 55 ethnic minority cultures [8][9] - The connection between Kyrgyz epic traditions and Chinese civilization is highlighted, with a focus on the influence of Confucian thought [11][13]

Core Insights - The rise of "market tourism" as a new cultural and tourism trend in Suzhou, integrating local culture, intangible heritage, and contemporary art, is driven by both demand upgrades and policy support [1][5][6] Group 1: Market Trends - The "Lion City Market" attracted over 250,000 visitors during the Dragon Boat Festival last year and continued its popularity with the "Most Chinese Cultural Market" theme during the recent May Day holiday [2] - The recent "Lion City Market" saw over 220,000 visitors and generated sales exceeding 5 million yuan, boosting the sales of the Lion Mountain business district by 24% [3] - Various creative markets, such as "Non-Heritage Fun" and "National Trend New Generation," have emerged, showcasing a blend of cultural experiences, social interaction, and leisure shopping [4] Group 2: Consumer Behavior - Consumers, especially young people, are increasingly drawn to unique, handmade, and original products, preferring the experience of browsing markets over traditional shopping [5][6] - The appeal of markets lies in their ability to provide a distinctive shopping experience, allowing for social interaction and the discovery of niche products [5][6] Group 3: Policy and Development - The Chinese government has initiated measures to support the development of creative markets as a means to stimulate cultural and tourism consumption [5][6] - The flexibility and low operational costs of markets make them an effective supplement to modern commerce, promoting consumption and job creation [5][6] Group 4: Challenges and Recommendations - Some markets face issues of homogenization, with many products resembling those found on e-commerce platforms, leading to consumer fatigue [6][7] - Recommendations for sustainable market development include better infrastructure, standardized fees, and a focus on unique content and cultural resonance to enhance consumer engagement [7]