Core Insights - The article discusses the importance of emotional resonance in building urban cultural tourism brands, particularly among young consumers, emphasizing the role of quality IP content in creating lasting commercial value and city influence [1][2] Group 1: Emotional Resonance and IP - The core driving force for contemporary young travelers is "spiritual necessity," highlighting the critical role of emotional resonance in urban cultural tourism brand development [2] - The case study of the show "Planting Land" illustrates how quality IP can serve as an emotional entry point for young users, achieving high ratings and transforming a location into a popular destination [2] Group 2: Innovative Marketing Strategies - The company employs an "open-loop ecosystem" marketing strategy, utilizing a content matrix of long videos, short videos, and live broadcasts to maximize IP value [2] - The "518 Love Day" event, derived from the "Planting Land" series, exemplifies how IP can create commercial value by linking multiple enterprises [2] Group 3: IP as a City Brand - Quality IP can act as a "city business card," telling urban stories and serving as a "traffic password" for effective communication [2] - The company aims to achieve long-term retention of audience engagement through new business formats like offline parks and immersive theaters [2] Group 4: Advertising Innovations - The company has launched an upgraded advertising platform called "Qiju," which integrates brand and performance advertising to enhance the efficiency of quality traffic monetization [3] - Innovative technologies such as AI-driven content integration are being utilized to improve advertising effectiveness and user experience [3] Group 5: Strategic Planning in Content Marketing - The company is focused on a "long + short" content ecosystem, maintaining its core strength in long videos while expanding into short-form content to meet diverse consumer needs [5] - The strategy includes breaking down IP into various formats and leveraging different media channels for rapid content iteration and user interaction [5]

Core Insights - Long video platforms have collectively crossed the profitability threshold, with Alibaba's Youku achieving its first profit in nearly 20 years, Bilibili achieving profitability for three consecutive quarters, and iQIYI maintaining profitability for three years [1] - Despite achieving profitability, long video platforms face pressure from the rapidly rising short drama sector, which has seen significant user engagement [1] - The industry is at a crossroads, having found a balance in cost control but needing to seek new growth opportunities [1] Group 1: Short Drama Opportunities - The emergence of micro-dramas presents a new opportunity for long video platforms, with lower production costs and shorter return cycles compared to traditional long-form content [2] - A micro-drama typically costs less than 1 million yuan, while larger productions range from 1 to 2 million yuan, significantly lower than the 3 million yuan per episode cost a decade ago [2] - The trend towards shorter content is evident, with platforms adapting to user preferences for shorter viewing experiences [10][11] Group 2: AI Integration - AI has been highlighted in recent earnings reports from Tencent, Bilibili, and iQIYI for its role in enhancing the effectiveness of advertising [3][5] - AI capabilities have improved ad targeting accuracy, leading to increased return on investment (ROI) for advertisers, with iQIYI reporting over a 20% increase in advertising ROI due to AI-generated content [5][19] - The integration of AI tools is expected to drive further growth in advertising revenue and improve content production efficiency [19] Group 3: Strategic Shifts in Content Production - Major platforms are accelerating their micro-drama initiatives, with Tencent launching its "Mars Short Drama Club" and iQIYI establishing a dedicated micro-drama center [6][7] - iQIYI has seen significant growth in its micro-drama viewership, with a reported 300% increase in weekly viewing time and a 110% increase in unique viewers since late 2024 [11] - The focus is shifting from merely expanding content libraries to enhancing the quality of productions and monetizing micro-drama content through advertising and membership services [14][15] Group 4: International Expansion - Long video platforms are also exploring international markets, with iQIYI reporting over a 30% year-on-year increase in international revenue and a 40% increase in advertising revenue [16][18] - The global search interest in "Mainland Chinese dramas" has surpassed that of "Korean dramas," indicating a growing international audience for Chinese content [18] Group 5: Future Directions - The long video industry is evolving to meet changing viewer preferences, with strategies focusing on shorter, higher-quality content while maintaining a foundation in long-form programming [10][16] - The industry's ability to adapt to new content formats and technologies will be crucial for future growth and competitiveness [19]

Core Viewpoint - The article highlights the significant shift in audience attention affecting content ecosystems, with short drama apps gaining traction against traditional long video platforms, indicating a change in user consumption habits and providing strategic insights for content platforms like iQIYI [1][3]. Group 1: iQIYI's Content Strategy - iQIYI has effectively embraced a "long + short" content strategy, maintaining its long video base while exploring the potential of micro-dramas, showcasing its foresight and execution in content innovation and business model optimization [3][5]. - The recent Q1 2025 financial report from iQIYI shows total revenue of 7.19 billion yuan, a 9% quarter-over-quarter increase, and an operating profit of 340 million yuan, reflecting a 20% increase [1][5]. - iQIYI's CEO, Gong Yu, noted a threefold increase in heavy users of micro-dramas, indicating a growing user engagement with this new content format [1][9]. Group 2: Long Video Performance - Long video remains a cornerstone of iQIYI's content ecosystem, with the platform maintaining a leading market share in long series, supported by successful new releases like "Bleach" and "Northbound" [5][7]. - Membership service revenue reached 4.4 billion yuan, a 7% increase, demonstrating the direct contribution of quality content to financial performance [7][9]. - iQIYI's international version saw over 30% year-on-year revenue growth, with advertising revenue increasing by 40%, closely tied to the rising popularity of mainland productions abroad [7][9]. Group 3: Micro-Drama Development - iQIYI has positioned micro-dramas as a "third type" of content, complementing long dramas and films rather than merely following trends, with a focus on audience preferences [8][9]. - The platform launched 28 premium micro-dramas during the "Micro-Drama Spring Festival," achieving over one million in revenue within a week, indicating rapid growth in user engagement and viewing time [7][9]. - iQIYI's strategy includes five major initiatives aimed at enhancing the aesthetic quality and thematic diversity of micro-dramas, avoiding homogenization while expanding commercial potential [13][19]. Group 4: Future Trends and Innovations - The period from 2025 to 2026 is anticipated to be transformative for the film and television industry, with "short" content becoming increasingly significant [11][19]. - iQIYI plans to optimize long drama formats by deepening IP value and addressing niche demands, while also innovating in micro-drama production [12][19]. - The introduction of features like "Jump View" and AI-driven interactive platforms aims to enhance user engagement and adapt to the fast-paced consumption habits of audiences [16][19].

作者丨高越 影视行业的永恒命题，是如何抓住观众的注意力。 过去15年来，这是爱奇艺持续努力的方向。但随着内容形式日益多元、用户兴趣快速更迭，抓住观 众注意力正在变得更难 这意味着 创作者要更敏锐 更大胆 更前瞻地应对变化 ■ 为应对2025年的新变革周期，爱奇艺在内容方面长短两手抓：以长为主力，以短为增量。 ■ 谁能用好AI，谁就能在"抓住用户注意力"的竞争中快人一步。 爱奇艺不仅打造了"全AI"创作 之路，还用"跳看"功能，将选择权交给观众。 ■ 通过进军线上电商与线下乐园，爱奇艺正在打造一个完整的商业生态。 众注意力正在变得更难。这意味着，创作者要更敏锐、更大胆、更前瞻地应对变化。 大文娱生态新棋局 Fast Reading 4月23日，为期两天的2025爱奇艺世界·大会在北京开幕。爱奇艺创始人、CEO龚宇在会上提出，要提 供"观众喜欢看、更爱看、看不烦、看不够、看不厌"的内容，还要进军线下乐园和内容电商新市 场。 如果以三年为周期回看，不难看到爱奇艺一边延续、一边破局的尝试。 在内容上，爱奇艺坚持剧集的高品质与精品化，也在顺应"短"的趋势：微短剧时长短、长剧集数 短、电影耗时短。在技术上持续探索，逐渐打 ...