Core Viewpoint - The article highlights the resurgence of interest in the works of 70-year-old writer Zhao Defa, particularly due to the popularity of the TV series "Sheng Wan Wu," which is adapted from his novel "Qian Quan Yu Jue Jue" written 30 years ago [1]. Group 1: Author's Background and Career - Zhao Defa, born in 1955 in Shandong Province, faced challenges in his writing journey due to a lack of formal education until he gained confidence after winning the Baihua Award for his short story "Tong Tui Er" in 1991 [3]. - His literary career includes a trilogy focused on rural themes, consisting of "Qian Quan Yu Jue Jue," "Jun Zi Meng," and "Qing Yan Huo Bai Wu," which he developed over several years starting in 1993 [4]. Group 2: Themes and Insights from Works - Zhao Defa's writing is influenced by sociological insights, particularly from the work of French sociologist Mendras, which discusses the transition of traditional farmers in the context of industrial civilization [5]. - The TV series "Sheng Wan Wu" has sparked discussions on the relationship between farmers and land, emphasizing the need to rekindle farmers' passion for land through improved land benefits and relationships [5]. Group 3: Future Aspirations - Zhao Defa expresses a desire to continue producing high-quality literary works that reflect societal changes, with plans to diversify his themes, as evidenced by his recent novel "Da Hai Feng," which explores marine literature [5].

Core Insights - The drama "生万物" has resonated with contemporary audiences, breaking viewership records on CCTV8 and becoming a phenomenon in the market [1][2] Group 1: Production and Creative Aspects - "生万物" is adapted from Zhao Defa's novel "缱绻与决绝," focusing on the historical changes in rural land in Lunan, Shandong, and the rise and fall of three families over two generations [2] - The series features a high level of artistic quality in its production, with careful attention to camera work, pacing, and emotional expression [4] - The director emphasized the importance of both life and death in storytelling, with unique designs for character deaths to enhance thematic depth [5] Group 2: Cultural and Social Impact - The series reflects the aspirations of local people for a better life, finding resonance with modern viewers through its themes and cultural expressions [3] - It serves as a model for telling Chinese stories, providing insights into the importance of original literature and its adaptation for contemporary audiences [3] - The portrayal of rural life and agricultural scenes has been artistically rendered, bringing a fresh perspective to everyday experiences [6] Group 3: Actor Contributions - Yang Mi's performance as the lead character, 宁绣绣, showcases her commitment to the role, including immersive experiences in rural life to enhance her portrayal [6] - The cast's dedication and the collaborative atmosphere on set contributed to the overall success of the series, highlighting the importance of respecting labor and the creative process [7]

Group 1: Red Tourism Surge in Nanjing - The movie "Nanjing Photo Studio" has sparked a wave of red tourism in Nanjing, Jiangsu Province during the summer [1] - The Nanjing Massacre Memorial Hall has seen an average daily visitor count of 25,000, with many young people visiting to learn about history after watching the film [3] - The Rain Flower Terrace Martyrs Memorial has also experienced a peak in visitors, averaging 11,000 daily, with a significant number of young attendees [5] Group 2: Tourism Boom from "Living Things" Drama - The drama "Living Things," filmed in Shandong's Rizhao and Linyi, has led to a tourism surge in these locations [6] - The story of "Living Things" focuses on land changes in rural southern Shandong, with over 450 films shot in the area, resulting in a notable increase in visitors [8] - Linyi County has launched a "Travel with Film" cultural tourism project, featuring themed routes like "Living Things: The Legacy of Yimeng," allowing tourists to relive classic scenes [11] Group 3: Impact of "Wang Wang Mountain Little Monster" Animation - The animated film "Wang Wang Mountain Little Monster" is currently popular, showcasing ancient architecture in Shanxi, attracting many visitors [12] - At least 10 filming locations in Shanxi are featured in the movie, with the Yong'an Zen Temple in Datong County being a notable site that draws tourists [14] - To enhance visitor experience, the scenic area has introduced immersive performances, increasing the frequency of shows to provide a unique cultural experience [16][17]

Core Viewpoint - The recent airing of the TV drama "Sheng Wan Wu" has led to a surge in tourism in the filming locations such as Rizhao and Linyi in Shandong province [1] Group 1 - The TV drama "Sheng Wan Wu" is being broadcasted on the national television network [1] - Filming locations in Shandong, including Rizhao and Linyi, are experiencing a tourism boom due to the show's popularity [1]

Core Viewpoint - The television series "Sheng Wan Wu" explores the deep-rooted relationship between land and Chinese culture, aiming to reflect on the historical and cultural significance of rural life in China, particularly in the context of the new China established nearly a century ago [2][3]. Group 1: Themes and Concepts - The series emphasizes the importance of understanding historical roots to grasp contemporary China, focusing on the evolution of rural life since the establishment of the new China [2]. - "Sheng Wan Wu" aims to convey themes of resilience and hope, showcasing the spirit of the Chinese people who strive to change their fate through hard work [3]. - The title "Sheng Wan Wu" signifies the life-giving power of land, highlighting its role as the source of strength and vitality [3]. Group 2: Character Development and Realism - The series features complex character portrayals, avoiding stereotypes and presenting characters with both positive and negative traits, which enhances their relatability and depth [3][4]. - The commitment to realism is evident in the character designs, with each character based on real-life prototypes, making them more impactful [3]. Group 3: Production Techniques - The series was filmed on location, which increased production costs but was deemed worthwhile for the authenticity of the visual presentation [4]. - A blend of realism and romanticism is employed in storytelling, with innovative techniques used to elevate the narrative [4]. Group 4: Commitment to Quality - The director emphasizes a dedication to thorough research and local engagement to accurately depict the historical context of rural life in the Lu Nan region [4]. - The commitment to creating high-quality, meaningful content that resonates with audiences is a priority for the production team [4].

Core Insights - The article discusses the themes of human nature as depicted in the drama "生万物," focusing on the seven deadly sins and their implications on personal and communal relationships [5][26]. Group 1: Greed - The character 宁学祥 exemplifies extreme greed, attempting to acquire land from others despite already owning 700 acres. His actions lead to the downfall of others, showcasing the destructive nature of unchecked desire [7][9]. - The consequences of 宁学祥's greed result in familial estrangement and community tragedy, emphasizing the idea that excessive greed ultimately leads to self-destruction [7][9]. Group 2: Selfishness - The character 铁头 uses the farmers' association for personal gain rather than genuinely advocating for the community's interests, highlighting the theme of selfishness in human nature [9][12]. - In contrast, 费文典 is portrayed as selfless, earning the respect and loyalty of the community, which underscores the importance of altruism over selfishness [9][12]. Group 3: Laziness - The character 封四's laziness leads to his family's demise, as he neglects agricultural responsibilities, resulting in poverty and death [12][14]. - The narrative contrasts 封四's laziness with 封二's diligence, illustrating that hard work and commitment to one's responsibilities yield positive outcomes [12][14]. Group 4: Indifference - The indifference of characters like 宁学祥 and his family towards the suffering of refugees during a disaster highlights a lack of empathy and social responsibility [24][26]. - The article suggests that true humanity involves compassion and the willingness to help others in need, contrasting with the coldness exhibited by some characters [24][26]. Group 5: Hatred - The cycle of hatred is depicted through 封四's actions leading to his own demise and the subsequent revenge sought by his son, which ultimately destroys both their lives [26][29]. - The narrative emphasizes that while hatred may serve as a defense mechanism, it can lead to a destructive cycle that harms both the individual and the community [26][29]. Group 6: Jealousy - The character 费左氏's jealousy towards 苏苏's happiness leads to tragic consequences, illustrating how envy can distort one's actions and relationships [29][30]. - The article reflects on the destructive nature of jealousy and the importance of personal growth and acceptance in overcoming such feelings [29][30]. Group 7: Hypocrisy - 宁学祥's hypocritical actions, where he pretends to support the farmers while actually undermining them, highlight the dangers of insincerity in leadership [32][33]. - The narrative stresses that genuine relationships are built on trust and honesty, and that hypocrisy ultimately leads to downfall [32][33].