中新社景德镇1月11日电 题：七十二道传古法 一色青花续新韵 中新社记者 李韵涵 "素坯勾勒出青花笔锋浓转淡"，一曲《青花瓷》将其神韵之美传唱五湖四海。如今，古老的青花瓷正走 出博物馆与歌词，以创新的姿态融入现代生活。 在海内外，人们对于青花瓷的美好追求可以追溯至数百年前。有"千年瓷都"之称的景德镇有2000余年的 冶陶史、1000余年的官窑史、600余年的御窑史，景德镇手工制瓷技艺在2006年被列入第一批国家级非 物质文化遗产名录。 明代科学家宋应星在《天工开物》中如此描绘制瓷工序："共计一坯工力，过手七十二，方克成 器。""景德镇手工制瓷技艺"这项有着七十二道工序的非遗技艺，也由此衍生出众多传统技艺，青花瓷 便是其中一种。 "景德镇自宋代起便发展出青白瓷褐彩工艺。至元代，釉下褐彩已臻成熟。"景德镇陶瓷大学考古文博学 院副院长、古陶瓷研究所所长李其江表示，随着来自中东地区的钴料经贸易路线传入景德镇，这种外来 青料迅速与本土技术相结合，从而催生出元青花这一划时代的陶瓷品种。 月11日，在江西省景德镇市的一间陶瓷工作室内，展示着青花瓷的素坯与原料。中新社记者 李韵涵 摄 李其江告诉中新社记者，元青花几乎一经创烧 ...

青花鱼跃龙门应龙纹大盘纹饰布满整个盘面，颇具气势。内腹部绘应龙纹，鲤鱼和应龙周身饰如意 云、"壬"字形和海浪纹，内底双圈内绘鲤鱼跃龙门图，两组纹饰以海浪纹间隔。据介绍，应龙即翼龙， 指带有翅膀的龙。明正德时期，应龙纹在民窑瓷器上较为常见。 参观者欣赏展品。陈晓根摄（人民图片） 蓝色灯光在地面营造出水波粼粼的效果，展墙上的圆形"舷窗"呈现着深海考古的画面，海浪声和幽 远的鲸啸回荡在展厅……走进被誉为"运河之舟"的北京大运河博物馆（首都博物馆东馆），"向海而行 ——中国南海西北陆坡海域深海考古特展"将埋藏深海的明代沉船遗址生动展现在观众面前。 2022年10月，科考人员在海南岛与西沙群岛之间的南海海底发现南海西北陆坡一号、二号沉船。 2023年开始进行深海考古调查，发现了大量保存完好的陶瓷器、乌木等，经研究判断两艘沉船年代分别 属于明代正德、弘治年间。这是首次在1500米深海发现明代沉船，标志着中国深海考古达到世界先进水 平。该考古项目入选"2023年度全国十大考古新发现"。 此次展览由国家文物局考古研究中心、中国科学院深海科学与工程研究所、海南省文物考古研究院 （南海深海考古研究院）、中国（海南）南海博物馆、首 ...

转自：北京日报客户端 元旦假期，"向海而行——中国南海西北陆坡海域深海考古特展"迎来参观热潮。假期前两日，近万人走 进北京大运河博物馆（首都博物馆东馆），探秘明代"宝船"，领略"海丝瑰宝"。 踏着幽蓝的水波纹光影，耳畔传来海浪声与水下探测器的"滴滴"声，观众步入展厅，便"潜"入一片静谧 的深海。 "本次展览聚焦于2022年10月的一次重大考古发现。在海南岛与西沙群岛之间的南海西北陆坡海域，考 古工作者在约1500米深的海底，相继发现了南海西北陆坡一号与二号沉船遗址。"在讲解员的带领下， 观众穿过沉船舷窗营造的"时空隧道"，宛若置身1500米深的海底，开启一场穿越500年的探秘之旅。 观众步入展厅，仿佛亲身体验水下考古 展厅里还原的明代商船模型 两艘沉船一"出"一"归"：一号沉船满载着即将销往海外的青花瓷、单色釉瓷、红绿彩瓷等陶瓷器，二号 沉船则装载了从海外进口的乌木原木等。经考证，它们的年代分别属于明代正德与弘治年间。这是首次 同时发现中国古代出航和返航的海外贸易沉船，见证了海上丝绸之路的双向交流。 青花鱼跃龙门应龙纹大盘 1500米的深海是什么样？展览第一单元"发现沉船"，如同一部深海探测的纪实片，通过实物 ...

Core Viewpoint - The exhibition "Sailing Towards the Sea - Special Exhibition of Deep-sea Archaeology in the Northwest Slope of the South China Sea" showcases a significant collection of Ming Dynasty artifacts, highlighting the prosperous maritime trade during that period and marking a milestone in China's deep-sea archaeology [1][5]. Group 1: Exhibition Overview - The exhibition features 377 artifacts, including blue and white porcelain, enamelware, and colorful ceramics from the Ming Dynasty, which are well-preserved and hold high historical, scientific, and artistic value [1]. - Artifacts are sourced from two Ming Dynasty shipwrecks discovered in October 2022, located at a depth of approximately 1500 meters in the South China Sea, between Hainan Island and the Xisha Islands [5]. - The shipwrecks represent the first simultaneous discovery of ancient Chinese outbound and return maritime trade vessels, illustrating the two-way exchange of the Maritime Silk Road [5]. Group 2: Thematic Focus - The exhibition aims to present two main themes: the exchange and mutual learning along the Maritime Silk Road during the Ming Dynasty, particularly the production and export of porcelain, and the advancements in China's deep-sea archaeology [6]. - It utilizes artifacts, underwater imagery, and archaeological narratives to engage visitors and highlight the significance of deep-sea archaeology in promoting cultural exchange and understanding [6]. Group 3: Exhibition Structure - The exhibition is structured around three content sections: discovering the shipwrecks, exploring the shipwrecks, and uncovering the shipwrecks, showcasing the latest archaeological findings and integrating innovative display technologies for an immersive experience [6]. - The exhibition will run until March 15, 2026, allowing ample time for public engagement with these historical discoveries [22].

Core Insights - The article explores the beauty of "Tianqing color" as inspired by the lyrics of the song "Blue and White Porcelain," linking traditional Chinese culture with ceramic craftsmanship [2][3] - "Tianqing color" is described as a deep blue hue that appears after rain, characterized by its visual properties and natural optical principles [3][4] Summary by Sections - **Cultural Significance**: The phrase "Tianqing color waits for smoke and rain" reflects a moment of clarity in nature, capturing the essence of a pure and deep blue sky after a rainstorm, which serves as a model for porcelain production [2][3] - **Artistic Pursuit**: The pursuit of "Tianqing color" is highlighted in the Song Dynasty's Ru kiln ceramics, known for their jade-like warmth and subtle blue tones, representing the pinnacle of celadon art [3] - **Color Mechanism**: The article explains that true "Tianqing color" is rare in Ru kiln ceramics, as most exhibit a greenish tone due to the color formation mechanisms involving both chemical and physical processes [4] - **Production Challenges**: It is noted that while "Tianqing color" is inspired by specific weather conditions, the production of ceramics is not suitable during rainy weather due to high humidity affecting kiln temperature and atmosphere stability [4]

Core Points - The article highlights the charm and cultural significance of Savona, a small coastal city in Italy, known for its historical sites and unique blue pottery [1][6][17] - Savona serves as a starting point for Mediterranean cruises and is historically linked to explorer Christopher Columbus [8][10] - The city offers a blend of history, art, and local culture, making it an appealing destination for travelers seeking a more intimate Italian experience [19][26][32] Summary by Sections Historical and Cultural Significance - Savona is not only a picturesque coastal city but also a historical site, featuring a medieval tower and a 16th-century fortress that reflects its rich past [13][15] - The city is renowned for its unique blue pottery, reminiscent of Chinese blue and white porcelain, which has evolved over centuries [17][19] Tourism and Local Experience - The article describes Savona as a less crowded alternative to larger cities, with lower prices for food and beverages, enhancing its appeal to tourists [25][26] - Visitors can enjoy leisurely walks through the old town, exploring charming streets, local shops, and historical buildings [19][20][29] Culinary and Artistic Offerings - Savona boasts a variety of local delicacies and artistic treasures, including a vibrant café culture and artisan shops selling unique crafts [26][32] - The presence of local markets and art exhibitions adds to the city's cultural richness, making it a delightful stop for travelers [26][29]

Core Viewpoint - The article discusses the origins and significance of Tang Dynasty blue-and-white porcelain, highlighting a current exhibition at the Henan South-to-North Water Diversion Museum that showcases valuable artifacts and reveals the historical context of blue-and-white porcelain's development [1][3]. Group 1: Historical Significance - The first piece of Tang blue-and-white porcelain was discovered in 1975, leading to the recognition that Tang blue-and-white porcelain existed, pushing back the timeline of its origin by over 300 years from the previously accepted Yuan Dynasty [3]. - The exhibition features significant artifacts, including two large Tang blue-and-white tower jars, one of which depicts a child playing a popular sport of the Tang Dynasty [4]. Group 2: Cultural Exchange - A dedicated display area in the exhibition narrates the story of Tang blue-and-white porcelain's maritime journey, including the discovery of a Tang Dynasty shipwreck in Indonesia in 1998, which contained over 67,000 artifacts, including three intact Tang blue-and-white plates [6]. - The designs on the blue-and-white plates, such as diamond patterns and scattered leaf motifs, reflect the preferences of Arab traders, indicating that these porcelain items were exported through the Grand Canal to various regions, showcasing the cultural exchange along the Maritime Silk Road [8]. Group 3: Visitor Engagement - The exhibition allows visitors to appreciate the intricate blue-and-white porcelain pieces up close and offers an interactive experience where attendees can create unique blue-and-white porcelain designs using an AI system based on their simple outlines [9].

Group 1 - The core viewpoint is that technological innovation is fundamentally transforming the traditional arts and crafts industry, enhancing production efficiency and cultural value [1][2][4] - Technological advancements have led to a significant reduction in production cycles and an increase in yield rates, exemplified by the case of blue and white porcelain, where production time decreased from 15 days to 3 days and yield rates increased from 60% to 92% [1] - The introduction of digital production technologies has resulted in an average profit margin increase of 17.3 percentage points for arts and crafts enterprises compared to traditional methods [1] Group 2 - Technological innovation has restructured the dissemination and trading systems of traditional arts and crafts, expanding the boundaries of industry development [2] - Virtual reality technology allows users to explore museum collections in detail, overcoming time and geographical limitations, while blockchain technology has improved traceability in the arts and crafts market, leading to a 215% increase in online transactions in the jade carving industry [2] - The live-streaming sales of traditional arts and crafts are projected to reach 12.7 billion yuan in 2024, with 43% of consumers being from the post-95 generation, indicating a successful connection between traditional crafts and younger consumers [2] Group 3 - Technological innovation is accelerating the cross-industry integration of traditional arts and crafts with modern industries, fostering a high-end customization market [3] - The establishment of "pattern gene banks" across the country allows designers to utilize AI algorithms for innovative inspiration, significantly enhancing design efficiency [3] - By 2024, 124 digital industrial parks for traditional crafts have been established, attracting companies from AI and new materials sectors, creating a collaborative innovation ecosystem that has generated 280,000 new jobs [3] Group 4 - Traditional arts and crafts are dynamic and continuously evolving, influenced by cultural trends throughout history [4] - Technological innovation not only provides new tools but also initiates a journey of exploration and practice regarding heritage and breakthroughs [4] - The integration of 5G and the metaverse is creating broader development opportunities for the industry, allowing traditional crafts to flourish while preserving cultural heritage [4]

Core Viewpoint - The "Tea and the World: Elegant Gathering" event held in Mexico City highlights the cultural exchange between China and Mexico through tea, emphasizing the deep-rooted heritage and humanistic spirit of Chinese tea culture [1][4]. Group 1: Event Overview - The event took place on May 22 in Mexico City, organized by the China Council for the Promotion of International Trade in Mexico [1]. - Attendees included various guests from both China and Mexico, who gathered to enjoy Yunnan's Dianhong tea, fostering cultural connections [1][4]. Group 2: Cultural Significance - The event showcased the rich history of Chinese tea culture, which is characterized by diverse regional features and unique brewing techniques, increasingly gaining global recognition [4]. - A tea culture display area featured various styles of tea utensils from the Tang Dynasty to modern times, including purple clay teapots and blue-and-white porcelain [8]. Group 3: Activities and Performances - Guests participated in a tasting session featuring three types of Dianhong tea from the core production area of Fengqing, paired with traditional Mexican pastries, creating a unique blend of flavors [5]. - Mexican student Angelica Gomez performed classic Chinese bamboo flute pieces, such as "In That Distant Place" and "Jasmine Flower," receiving applause from attendees, symbolizing the beauty of cross-cultural exchange [5][8]. Group 4: International Recognition - The United Nations designated May 21 as "International Tea Day" in December 2019, and in November 2022, "Traditional Chinese Tea-making Techniques and Related Customs" was included in UNESCO's list of intangible cultural heritage [8].