Core Insights - The "Wenxin Diaolong·Silk Culture Digital Center" has been officially established at the Suzhou Silk Museum, focusing on the digitization of traditional silk patterns [1] - The center aims to transform 100,000 traditional silk patterns into digital resources that can be computed and applied [1] - The collaboration between Suwen Investment Group, Beijing University of Posts and Telecommunications, and Suzhou Silk Museum has led to the establishment of a cultural metaverse laboratory and a silk pattern database [1] Group 1 - The "Cai Sun Can" cultural resource technology service platform and the silk pattern database have been launched, marking a significant step in revitalizing traditional silk culture through digital technology [1] - The "intelligent lighting original collection" system developed by Beijing University of Posts and Telecommunications has improved the efficiency of pattern collection by 30% [2] - As of now, nearly 20,000 silk patterns have been collected, with a target of 50,000 by the end of the year [2] Group 2 - The establishment of a standardized cultural data labeling process is crucial for creating detailed digital archives for each silk pattern [2] - The "one core six sides" decoding method will provide comprehensive insights into the aesthetic wisdom embedded in traditional patterns [2] - The center will explore innovative applications and market transformation of pattern data, including immersive digital exhibitions and educational courses [3] Group 3 - The collaboration has led to the development of a digital offline experience space called the "Future Museum" and various popular cultural products [3] - Future plans include the replication of the digitalization framework in other cultural fields such as garden design, embroidery, and traditional opera [3] - The ongoing efforts aim to contribute to the high-quality development of cultural digitization in Suzhou [3]

Core Insights - The article highlights the recognition of Nanjing's cultural industry through the selection of key enterprises and projects for national cultural export, indicating a significant step towards internationalization [1] - Nanjing's cultural industry has shown continuous growth, with an estimated value added of 126.6 billion yuan in 2024, accounting for 6.8% of the city's GDP [1] Policy Support - A joint initiative by 26 departments in Jiangsu has been launched to promote high-quality development in foreign cultural trade, supporting Nanjing in establishing a national cultural trade base [2] - Nanjing has introduced several action plans and policies aimed at enhancing the competitiveness of its cultural industry, reducing costs and risks for enterprises venturing abroad [2] Corporate Initiatives - Numerous cultural enterprises in Nanjing are actively expanding into overseas markets, creating a diverse cultural export landscape [3] - Jiangsu Shunyu Information Technology Co., ranked 26th among global language service providers, has provided extensive translation services during the 19th Asian Games, showcasing its capabilities [3] - Nanjing Yunjin Research Institute is promoting the traditional craft of Yunjin through innovative designs that appeal to international consumers [3][4] Innovation and Technology - Nanjing is implementing a cultural digitalization strategy, integrating IP development, content production, and overseas distribution into a comprehensive industry chain [6] - The city showcased nearly 30 leading cultural technology enterprises at the 21st China (Shenzhen) International Cultural Industry Expo, highlighting advancements in AI, VR, and audio technology [6][7] Cultural Exchange - Nanjing has actively engaged in cultural exchange activities, performing in various countries and promoting its cultural heritage, such as the Qinhuai Lantern Festival in France [9] - The city has established friendly city relationships with 25 countries and 83 cities, enhancing its international cultural influence and providing a broader platform for cultural enterprises [9]

Group 1 - The "digital eraser" phenomenon refers to the loss, alteration, or oversimplification of original cultural information during the digitization process, which poses a threat to the integrity and authenticity of culture [1][2][5] - The digitalization of culture should drive innovation, but if it becomes mere "formal replication," it can lead to a loss of foundational creativity [2][12] - The phenomenon can result in information distortion and loss, where cultural data may be modified or fabricated, leading to a misrepresentation of cultural elements [5][8][10] Group 2 - The use of AI in cultural restoration can lead to aesthetic homogenization, where unique historical values and meanings of artifacts are lost in pursuit of visual perfection [7][11] - Cultural homogenization occurs as digital platforms favor popular content, marginalizing local and diverse cultural expressions [11][12] - The digitalization process may neglect traditional methods of cultural transmission, leading to a disconnection from cultural roots and a decline in recognition among younger generations [12][13] Group 3 - The underlying logic of the "digital eraser" phenomenon includes a focus on efficiency over cultural depth, resulting in a superficial treatment of cultural resources [16][18] - Technical limitations and a lack of standardized practices can lead to data loss and inaccuracies in cultural representation [19][20] - Profit-driven motives may lead companies to prioritize easily digitizable cultural projects, neglecting those with significant cultural value [21][23] Group 4 - Algorithmic biases and data monopolies can suppress cultural diversity by favoring mainstream content, effectively erasing minority cultural expressions [24][26] - The need for a collaborative mechanism that integrates technology, humanities, and institutional frameworks is essential to ensure that cultural digitization respects cultural values while meeting technical standards [29][31]

据了解，今年是卓易文化连续第四次参加深圳文博会。在5月25日举办的"数聚湾区 文链未来"峰会上， 卓易文化与华南版权服务大厅、南方文化产权交易所正式签约，共建华南"数版易"版权和IP创意孵化平 台。这标志着由卓易文化创新引领的"电商+（数据）版权+拍卖+交易"融合发展的全链路模式正式落地 大湾区数字文化产业。 据了解，自2024年深圳文博会首秀以来，卓易文化创新的全链路模式已引发行业共振，吸引超200家文 化机构和科技企业洽谈合作入驻，先后接待近二十批次省或地方文化产业部门领导的专程考察，并为浙 江龙泉青瓷、云南茶叶、广东非遗及动漫游戏等多地地标产业提供了落地方案与服务。 江南时报讯 拿出手机扫一下就能查到紫砂壶的"出生档案"，在深圳文博会现场，"文化数字化先 锋"——江苏卓易文化发展有限公司（以下简称"卓易文化"）通过区块链技术打造的"紫砂·易"平台正式 发布。 此外，由卓易文化打造的"遇见东坡""龙耀丰登""龙德传人"三大全新IP项目也于5月23日正式启动。卓 易文化还携手江苏省文交所、江苏交易场所登记结算有限公司及交通银行，联合发布了"国文数字文创 资产交易平台"。 "卓易文化以紫砂产业为模板打造的版权 ...

除了前沿技术成果外，雅昌还不遗余力地将创新延伸到数字文化产品领域。活动现场集中展示的雅昌艺 数盒子、雅昌百灵等产品，以多元内容与交互设计为载体，将艺术教育与文化传承融入数字生活场景， 让传统文化与红色精神以更加鲜活的姿态触达大众。而在沉浸式艺术体验领域，雅昌同样不断突破边 界，打造出一系列妙趣横生的互动项目。例如《红楼梦生成式粒子系统》，把画中人物变成百万级的动 态粒子流，开创了文化遗产数字化呈现的新方式，等等。 在本届文博会上，雅昌与中科紫东太初（北京）科技有限公司、佳能（中国）有限公司、宁波博洋控股 集团、茑屋投资（上海）有限公司、平安臻颐年（上海）企业管理有限公司、深圳市画然美育文化创意 有限责任公司、深圳市左印视觉艺术发展有限公司、广东树华科技咨询服务有限公司、深圳出版集团有 限公司、深圳广播电影电视集团等知名机构及行业领军企业正式签署战略合作协议。这些合作围绕文化 全产业链展开，包括文化数字化与数据资产入表和交易、艺术科技与智能应用、文化教育与美育服务、 艺术产业与空间运营等多个方面。雅昌以开放包容的姿态推进艺术数据标准化建设，深化技术协同研发 与跨界资源整合。 值得一提的是，雅昌艺术中心分会场聚焦 ...

Group 1: Company Overview - Haikan Network Technology (Shandong) Co., Ltd. plans to develop six major industry sectors, including IPTV and digital applications, with a projected net asset of 3.709 billion yuan and a main business revenue of 934 million yuan in 2024, achieving a profit margin of 43% [1] - Henan Elephant Media Group has seen revenue growth from 917 million yuan to 1.321 billion yuan, a 44% increase, and profit growth from 5.69 million yuan to 27.57 million yuan, a 385% increase [2] - Wuhan University of Technology Digital Communication Engineering Co., Ltd. achieved a revenue of 3.595 billion yuan in 2024, a 48.76% year-on-year increase, and a valuation of 9.8 billion yuan, becoming a unicorn [3] Group 2: Technological Innovation - Haikan Network is actively creating platforms for the international dissemination of traditional Chinese culture, integrating AI technology into media content [1] - Henan Elephant Media has established an AIGC application research center and is involved in national AI talent standard formulation, leading in AI application across 12 industry tracks [2] - Wuhan University of Technology has developed the AI model BOOKSGPT and integrated over 1,300 applications into its RAYS platform, significantly increasing industry revenue [3] Group 3: Market Performance - Haikan Network's market capitalization reached 10.22 billion yuan by the end of 2024 [1] - Henan Elephant Media's Daxiang News client has been downloaded over 162 million times and ranked first in a national media evaluation list [2] - Wuhan University of Technology's innovative publishing model has led to an industry revenue increase of over 15 billion yuan [3] Group 4: Cultural Impact - Haikan Network promotes the creative transformation of traditional culture, aligning with national digital cultural strategies [1] - Henan Elephant Media's initiatives in AI and media have enhanced its social responsibility and innovation capabilities [2] - Wuhan University of Technology's projects aim to reshape the value of printed books through AI technology, leading to significant industry changes [3]

本报讯 （记者李昱丞）近日，在第二十一届中国（深圳）国际文化产业博览交易会开幕之际，深圳文 化产权交易所有限公司（以下简称"深圳文交所"）全国文化大数据交易中心"国家声音资产全产权生态 链建设"项目启动仪式举办。 目前十家示范基地包括：北京鱼果声景港、陕西西安易俗社声景港、上海音乐疗愈声景港、海南国际声 景港、四川乐山声景港、内蒙古马头琴声景港、山西声景港、河北磁县声景港、广东上品神韵声景港、 广东佛山声景港。 首批示范单位将通过"非遗数字化采集—科技创意转化—交易场景落地"的闭环路径，形成声音资产全产 权生态链的建设与文化数字化发展的创新模式。 在线下，该平台打造区域国别声景文化地标，孵化区域文化声音资产，推动声景资源在公共服务、新文 旅体验、国际传播等领域的创新应用，进而实现声音资产交易场景替代产品生产。 深圳文化产权交易所总经理、全国文化大数据交易中心主任塞夫表示，"国家声音资产全产权生态链建 设"项目启动仪式的成功举办，开启了中国声音资产保护、开发与交易的新篇章，意味着声音资产领域 即将迎来蓬勃发展，也将为文化产业的高质量发展注入新活力。 另外，在活动上，区域国别声音资产研究院正式成立。该机构以声音资 ...

数字长卷演绎"曲水流觞"新意境 来源：环球网 5月22日，第21届中国（深圳）国际文化产业博览交易会开幕，由福建省委宣传部主办、福建广电网络 集团承办的福建馆以"赓续文脉 慧通八闽"为主题精彩亮相，现场运用AR全息导览、3D投影等数字科 技，集中呈现近年来福建在文化保护传承、文化产业高质量发展以及促进文化国际传播等方面的创新性 成果，以一场"可听、可视、可触、可感、可带走"的文化盛宴，全面展示福建牢记嘱托奋勇争先，加快 建设更高水平文化强省的生动实践。 穿越千年的"简牍之门"震撼开启 在福建馆入口序厅，一面近17米宽、7米高的巨型"数字竹简"大屏壮观呈现。这扇以建阳雕版与传统竹 简为原型打造的"简牍之门"，将我省千年印刷典范"建本"承载的典籍智慧与竹简凝聚的文化基因结合， 打开了通往八闽文化传承宝库的"大门"。福建典籍、文人名言、名家题字……文化与科技的有机融合， 带观众一起踏入时光长河，感受千年文脉的流淌，领略福建"古与今""山与海""文与商"交相辉映的独特 魅力。 科技赋能打造非遗活化新范式 福建馆运用最新信息技术、科技装置应用等，进一步增强了现场观众的互动感与体验感。"'画'映古 今"板块中，通过3D ...

5月22日，福建馆亮相第二十一届中国（深圳）国际文化产业博览交易会。新华网发（主办方供图） 新华网福州5月23日电（蒋巧玲）5月22日，第二十一届中国（深圳）国际文化产业博览交易会开幕，由福建省委宣传部主 办、福建广电网络集团承办的福建馆在深圳国际会展中心亮相。 本次亮相的福建馆以"赓续文脉 慧通八闽"为主题，运用AR全息导览、3D投影等数字科技，以一场"可听、可视、可触、可 感、可带走"的文化盛宴，集中呈现近年来福建在文化保护传承、文化产业高质量发展、文化国际传播等方面的创新性成果。 在福建馆入口序厅，以建阳雕版和传统竹简为原型打造的"简牍之门"，展现了福建省千年印刷典范"建本"承载的典籍智慧 和竹简文化；以沉浸式体验贯穿福建馆全馆的数字地屏，融入"曲水流觞"的创意概念，通过"科技+艺术"的手段，将"文化闽 江"幻化为动态数字化长卷；展区还带入了文人八雅"琴、棋、书、画、诗、酒、花、茶"篇章板块，观众穿行其中，可通过"活 起来"的沉浸式展览，感受中华传统文化在八闽大地的传承与延续。 此外，在福建馆的"'书'香致远"板块，海峡出版发行集团还展示了中外文化融合、走向世界的福建名人等八大主题经典书 目。"八闽书房 ...

此次文博会期间，深圳文交所将陆续举办十余场活动，涵盖新平台发布上线、高端艺术论坛、跨域项目 落地成果展示及与新合作伙伴的签约等。现场还精心布置了众多交易平台中上架的文化产品，全方位展 示深圳文交所"数实结合"的生态场景构建成果。 本报讯(记者李昱丞)5月22日，第二十一届中国(深圳)国际文化产业博览交易会(以下简称"文博会")开 幕。本届文博会凭借高规格定位、超大规模布局与国际化视野，成为全球瞩目的文化产品与服务交易枢 纽，吸引了海量文化企业、优质项目及资本在此集聚，为行业搭建了集中展示的"全景窗口"，更为多元 合作创造无限可能，持续赋能文化产业高质量发展。 作为国家级文化产权要素交易平台，深圳文化产权交易所有限公司(以下简称"深圳文交所")致力于打 造"永不落幕的文博会"。通过全国文化大数据交易中心及应用场景模式的建设作为"专项抓手"，并充分 发挥自身在文化金融服务、文化艺术品交易服务、项目孵化合作等方面的"综合能力"，坚持"严选交易 标的、严控交易流程"的严格标准，为文化产品构建了一条从创意生产到场景设计，再到交易流转的完 整变现路径。 在本届文博会上，深圳文交所相关负责人介绍道："截至目前，深圳文交所全 ...