Group 1 - The seventh Grand Canal Cultural Tourism Expo concluded in Suzhou, attracting 912 participating units, a nearly 40% increase from the previous edition, with 65% of exhibitors from outside the province [1] - The event saw approximately 160,000 attendees, a 23% increase compared to the last expo, and over 520 million online viewers [1] - The expo featured a global theme exhibition covering 35 countries and regions, showcasing diverse cultural experiences and signing tourism cooperation agreements [1] Group 2 - Innovative products and activities were highlights of the expo, including the first museum-original gamified VR exhibition in China, which attracted over 2,300 visitors in three days [2] - The "Su Super" area generated sales of 1.07 million yuan through cultural and intangible heritage products [2] - The event included 1213 performances and 1133 interactive projects, with total on-site sales reaching nearly 30 million yuan [4] Group 3 - The expo introduced a new cultural and creative exhibition that attracted significant interest from young audiences, with over 100,000 interactive engagements and sales of 2.51 million yuan [3] - The non-heritage brand area featured 80 representative projects and 200 types of exhibits, showcasing traditional craftsmanship [3] - The event successfully facilitated 62 matchmaking meetings, resulting in nearly 1,000 intention agreements and an on-site intention transaction amount of 298 million yuan [4]

Group 1 - The seventh Shanxi Cultural Industry Expo will be held from August 21 to 25, featuring nearly 2,000 enterprises from 31 provinces and 35 countries, marking the largest scale in its history [1] - The expo will adopt a hybrid format with a main venue at the Shanxi Xiahe International Exhibition Center and multiple sub-venues, divided into seven thematic exhibition halls [1] - The first two halls will showcase comprehensive cultural industry achievements, while the third hall will focus on cultural technology, including digital creativity, animation, gaming, and AI applications [1] Group 2 - The expo's cultural creativity lineup has been significantly enhanced, covering seven categories such as traditional crafts, intangible cultural heritage, red cultural creativity, and digital cultural creativity [2] - Four major highlights of the expo include the empowerment of cultural heritage through technology, the transformation of unique IPs into everyday life, modernization of traditional crafts, and the establishment of a cultural creativity ecosystem [2] - A "Cultural Creativity Shanxi" themed exhibition area will be set up for the first time, showcasing premium works in red cultural creativity, trendy toys, and official cultural creativity [2]

Group 1 - The 9th Inner Mongolia Cultural Industry Expo is held in Hohhot, focusing on digital empowerment to revitalize cultural heritage [1] - The expo features nine major exhibition areas, including Northern Border Culture, Cultural Technology, Smart Tourism, and International sections, with over 500 enterprises from more than 20 countries and regions participating [1] - Innovative projects showcased include AI-assisted performances, 3D virtual fitting mirrors for ethnic clothing, and immersive experiences related to Inner Mongolia's culture [1] Group 2 - The expo introduces a Smart Tourism theme area, presenting various outdoor lifestyle solutions, including a robot coffee bar that prepares coffee in 50 seconds and smart temperature-controlled clothing [2] - The international exhibition area has expanded by 20%, featuring cultural products from over 20 countries, including Russia, Mongolia, France, Nepal, and Indonesia, facilitating cultural exchange and performances [2]

Core Viewpoint - The 21st China (Shenzhen) International Cultural Industry Expo (Cultural Expo) showcased the integration of cultural revitalization and industry in Shanwei, highlighting the achievements of the Deep-Shan collaboration [2][3][52]. Group 1: Event Overview - The Cultural Expo took place from May 22 to 26 at the Shenzhen International Convention and Exhibition Center, being the largest and most influential event in China's cultural industry [2][3]. - The event served as an important platform for showcasing regional collaboration achievements, featuring various innovative forms such as dual pavilion linkage and live-streaming to promote agricultural products [4][52]. Group 2: Shanwei's Cultural Presentation - Shanwei's themed pavilion, titled "Mountain and Sea, Meet Shanwei," became a unique highlight of the expo, featuring seven distinct thematic exhibition areas showcasing intangible cultural heritage and local specialties [9][11]. - The pavilion included displays of traditional crafts, cultural products, and local delicacies, attracting significant visitor interest and engagement [12][13][18]. Group 3: Agricultural and E-commerce Integration - The expo featured a sub-venue for the Qing Apple Live E-commerce Industry Park, exploring new paths for "live-streaming + industry" integration, which showcased various thematic activities related to rural revitalization and cultural tourism [27][30]. - The live-streaming events successfully promoted local agricultural products, with notable sales achievements reported by participating businesses [25][39]. Group 4: Cultural and Tourism Development - Concurrently held was the Cultural Tourism Resource Promotion Conference, which focused on exploring new pathways for the transformation and integration of the cultural tourism industry [41][52]. - Shanwei promoted its eight major islands and introduced a development plan aimed at enhancing tourism infrastructure and experiences, contributing to the revitalization of the local economy [44][46][47]. Group 5: Future Prospects - The expo demonstrated the fruitful outcomes of the Deep-Shan collaboration, with plans for continued support and cooperation to further enhance Shanwei's cultural and economic landscape [52][53].

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) concluded successfully, showcasing the strong momentum of China's cultural industry development with a focus on innovation and technology integration [1][2] Group 1: Event Overview - The fair featured a total exhibition area of 160,000 square meters, with 6,280 participating government groups, cultural institutions, and enterprises, an increase of 265 from the previous year [1][4] - Over 2.2 million attendees participated across the main venue, 52 sub-venues, and related activity points, with more than 120,000 cultural products exhibited [1][4] - The event showcased over 4,000 cultural industry investment and financing projects, significantly enhancing its transaction capabilities [1][4] Group 2: Innovations and Highlights - A new artificial intelligence exhibition area attracted over 60 leading AI companies, featuring advanced technologies such as robotic piano performances and algorithmic embroidery [2] - The fair introduced the AI mascot "Little Water Drop" and launched three innovative models: "AI + Cultural Creation," "AI + Guided Tours," and "AI + Research and Learning," indicating a rapid digital transformation in culture [2] - The "Cultural Creation China" exhibition area expanded from 1,300 square meters to 3,000 square meters, with over 100 institutions showcasing significant intellectual properties [2] Group 3: Economic Impact and Policies - A "Departure Tax Refund Zone" was established to facilitate overseas consumers, aligning the fair's "Consumption Season" with online sales trends [3] - Guangdong Province announced multiple policy packages to support high-quality cultural industry development and launched a series of cultural and tourism activities to extend the exhibition economy's impact [3]

Core Insights - The 21st Cultural Industries Fair opened in Shenzhen, featuring over 6,000 exhibitors, an increase of 265 from the previous year, and is expected to showcase more than 120,000 cultural products [1] - The fair includes over 4,000 cultural industry investment and financing projects available for display and transaction, transforming exhibition traffic into economic growth [1] - Sports consumption and the ice and snow economy are highlighted as significant attractions at this year's fair [1] Group 1 - A ski resort has introduced a snow-making machine to create an immersive experience combining ice and snow, technology, and culture [2] - The fair features a first-ever order and exhibition meeting for licensed merchandise, with participation from 15 manufacturers and over 30 retailers, emphasizing collaboration across the supply chain [3] Group 2 - The fair has introduced 22 measures to promote transactions, including a "departure tax refund area" where foreign consumers can experience immediate refunds on purchases [4] - The event has transformed exhibition halls into super marketplaces, launching a "Cultural Fair Consumption Season" and a hot-selling product list [6] Group 3 - The general manager of Shenzhen International Cultural Industry Expo Co., Ltd. noted the presence of numerous live streaming sessions, aiming to enhance the economic and transactional attributes of the fair [8] - The fair is designed to expand transaction scenarios, including product launches and industry promotion meetings, facilitating further negotiations and transactions during the event [8]

Core Viewpoint - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) showcases the significant role of "market," "industry," "technology," and "openness" in establishing Shenzhen as a leading cultural industry hub in China [1] Market Perspective - Shenzhen was designated as the first cultural reform pilot city in China in 2003, establishing a "cultural city" strategy to develop the cultural industry as a key pillar alongside high-tech, logistics, and finance [2] - The fair has evolved from a simple exhibition to a market-oriented event, allowing exhibitors to compete and emphasizing transactions, which has contributed to its recognition as a major cultural event [2][3] - This year's fair features 6,280 exhibitors, an increase of 265 from the previous year, including nearly 300 well-known cultural enterprises and over 60 first-time participants [3] Industry Orientation - Shenzhen has implemented numerous policies to promote the cultural industry, including the first cultural industry promotion regulation in 2008 and strategic support for cultural creative industries [4][5] - The cultural industry in Shenzhen has seen significant growth, with the added value increasing from 16.3 billion yuan in 2004 to 275 billion yuan in 2023, representing a nearly 17-fold increase [5] - The city has also established itself as a leader in digital creative industries, with a market share of over 40% in the domestic esports market and more than 4,000 gaming companies contributing to over half of the national revenue [5] Technology Features - Shenzhen leverages its status as a technology innovation hub, with over 25,000 national high-tech enterprises, to enhance the value of cultural products and services [7] - The fair showcases advanced technology applications, including AI assistants and robotics, highlighting the integration of culture and technology [7] - In 2024, 16 sub-sectors within the cultural industry are expected to generate 586.4 billion yuan in revenue, reflecting a 12.2% year-on-year growth [8] Openness and Internationalization - The fair serves as a platform for cultural exchange, with participation from 110 countries and regions, and an increase in international exhibitors to 305, representing 20% of total participation [9][10] - The event has expanded its international partnerships, growing from over 60 to more than 70 global cooperation institutions, enhancing its international presence [10] - Shenzhen aims to promote cultural products and services globally, facilitating dialogue and exchange between different cultures [9]

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) has evolved into a comprehensive platform integrating trading, investment, release, co-creation, trade, communication, and display, significantly empowering the trillion-level cultural industry ecosystem and providing a "Shenzhen model" for the globalization of Chinese culture [1][9]. Group 1: Market Overview - The CICIF serves as a major marketplace for cultural products, with a cumulative transaction volume exceeding 3 trillion yuan by 2024, benefiting over 45,000 cultural enterprises globally and showcasing more than 2 million products [2]. - The current fair attracted 35,000 overseas professional visitors and 305 international exhibitors from 65 countries, creating a "never-ending digital CICIF" through online and offline integration [2]. Group 2: Investment and Innovation - The fair has facilitated over 70,000 investment and financing projects, with nearly 200 events organized during the exhibition, including product launches, investment attraction, and project signing [3]. - The focus on new product launches and project roadshows has expanded the channels for showcasing innovations, doubling the number of release areas compared to the previous year [3]. Group 3: Technological Integration - The CICIF has become a launchpad for global cultural technology, with a dedicated AI exhibition area featuring over 60 leading companies like Huawei and Tencent, showcasing robots, drones, and smart wearable devices [4]. - AI applications are integrated throughout the event, enhancing visitor experience with AI assistants and smart translation services, while also promoting AI-driven projects in various cultural sectors [4]. Group 4: Cultural Heritage and Modern Design - The fair promotes the integration of intangible cultural heritage with contemporary design through various exhibitions, showcasing projects that blend traditional culture with technology [5]. - Collaborations with leading domestic cultural tourism operators have resulted in themed exhibitions that highlight the application of traditional culture in modern lifestyles [5]. Group 5: Internationalization Efforts - The international participation rate of the fair reached 20%, with a new "Cultural Going Global" exhibition area facilitating connections with buyers from 110 countries [6]. - International institutions showcased significant cultural products, and forums were held to discuss global cultural consumption trends, enhancing the competitiveness of Chinese IP on the international stage [6]. Group 6: Media and Brand Promotion - The fair generated 68,000 reports and over 5 billion online views, significantly increasing its international influence through various media channels [7]. - Innovative promotional strategies, including influencer marketing and live streaming, have transformed exhibited products into "phenomenal bestsellers" [8]. Group 7: Economic Impact - The CICIF has witnessed continuous growth in scale, audience numbers, internationalization, and transaction volume over its 21-year history, reflecting new opportunities for high-quality development in the cultural industry [9]. - Shenzhen's cultural creative industry has experienced an average annual growth rate of 20% from 2004 to 2024, with significant contributions from emerging sectors like multimedia gaming and smart wearables [9].

Core Viewpoint - The 21st China (Shenzhen) International Cultural Industries Fair (Cultural Fair) will be held from May 22 to 26 at the Shenzhen International Convention and Exhibition Center, featuring a newly established Rural Cultural Revitalization Exhibition Area [1] Group 1: Exhibition Overview - The Rural Cultural Revitalization Exhibition is supported by the Shenzhen Rural Revitalization and Cooperation Exchange Bureau and involves over 10 organizations, showcasing achievements in county economy and rural cultural development [1] - The exhibition area covers 3,000 square meters and adopts a "culture + industry" dual-track display model, focusing on county-level cultural tourism, cultural creativity, and specialty products [1] - The exhibition will feature over 20 exemplary counties and nearly 100 units, organized into three main sections: "County Theme Pavilions," "Cultural Tourism Promotion," and "Investment Release" [1] Group 2: Key Highlights - The exhibition emphasizes three core highlights: a matrix of county theme pavilions that make rural culture tangible, a media communication engine to enhance the visibility of county IPs, and a financial promotion meeting for seamless resource matching [2] - The county theme pavilions will showcase local characteristics and typical achievements in rural revitalization, including cultural history, tourism attractions, intangible cultural heritage, and specialty foods [2] - The financial promotion meeting aims to create a platform for immediate communication among industries, finance, buyers, and county enterprises, facilitating the connection between funding needs and project resources [2]