风从河面吹来，闷热的洞窟里有了丝丝凉意。古阳洞内，脚手架上，马朝龙和同事正在进行石窟测绘、 病害监测。 洞内一尊造像局部出现了潮湿，长出了苔藓。"这里有渗漏点。渗漏会带来岩体开裂、微生物滋生，影 响石质文物的安全，不能大意。"马朝龙说。 马朝龙是龙门石窟研究院研究馆员。最近，他正带着同事排查隐患、绘制病害图，为后续考古报告编写 和保护工作提供资料。 河南洛阳城南，两山对峙，伊河中流。沿西山拾级而上，只见崖壁窟龛密布、造像大小各异，龙门石窟 到了。 龙门石窟始凿于北魏孝文帝迁都洛阳之际，繁荣于唐代，断续营造400余年。2345个窟龛、近11万尊造 像、2800多块碑刻题记、近80座佛塔……历经1500多个春秋的龙门石窟，是世界上造像最多、规模最大 的石刻宝库，联合国教科文组织称之为"中国石刻艺术的最高峰"。2000年11月，龙门石窟被列入《世界 遗产名录》。 古迹保护 从"救急症"到"防未病" 古阳洞是龙门石窟最早的洞窟。洞窟内，一尊尊造像栩栩如生，题记众多。 时隔50年，龙门石窟再启"修复模式"，这次有了新技术。 2021年，奉先寺被脚手架与防护网包裹，披上了"手术衣"。比起半个世纪前，监测手段、勘测技术、灌 ...

新华社北京5月20日电 题：做推动高质量发展和高效能治理的践行者——习近平总书记在河南考察 时的重要讲话激励干部群众奋勇争先谱新篇 新华社记者 习近平总书记近日在河南考察并发表重要讲话。广大干部群众表示，要以习近平总书记重要讲话精 神为遵循，全面深化改革开放，完整准确全面贯彻新发展理念，凝心聚力、鼓足干劲，自觉做推动高质 量发展和高效能治理的践行者，奋力谱写中国式现代化新篇章。 坚持创新引领 牢牢把握高质量发展首要任务 机器轰鸣中，洛阳轴承集团股份有限公司的生产线上，工人们正在忙碌作业。9大类型、3万余种产 品在这里制造，应用于航空航天、工程机械、风力发电等领域。 "习近平总书记对我们说，现代制造业离不开科技赋能，要大力加强技术攻关，走自主创新的发展 路子。这坚定了我们做好制造业、挺起民族轴承工业脊梁的决心。"现场聆听习近平总书记的重要讲 话，洛阳轴承集团股份有限公司董事长王新莹感到肩上的担子更重了。 王新莹表示，企业将加大科技研发力度，积极拥抱数字化智能化浪潮，提升核心竞争力，让轴承这 一机械设备的核心基础零部件更好服务于各产业，实现从传统制造向先进制造的跃升。 制造业是国民经济的重要支柱，科技创新是推动高 ...

Core Viewpoint - The restoration of the Nine-Story Temple in Kathmandu Durbar Square, Nepal, symbolizes the friendship between China and Nepal, coinciding with the 70th anniversary of diplomatic relations between the two countries [4][6]. Group 1: Project Overview - The restoration project began in 2017, passed mid-term acceptance in 2022, and is expected to complete by 2024 [6][11]. - The project is part of a broader initiative by the Chinese government to assist Nepal in post-earthquake reconstruction, specifically focusing on cultural heritage preservation [7][8]. Group 2: Challenges Faced - The Nine-Story Temple suffered significant damage during the 8.1 magnitude earthquake in April 2015, with approximately 550 square meters of the structure completely collapsed [8][9]. - The restoration faced challenges such as structural instability, lack of historical documentation, and adverse weather conditions during the monsoon season [8][9][11]. Group 3: Restoration Techniques - The restoration team adopted a philosophy of "minimal intervention" to maximize the preservation of historical information, utilizing 85% of the original components [11][12]. - Local craftsmen were engaged in the restoration process, emphasizing the importance of traditional techniques and cultural significance [13][14]. Group 4: Cultural Significance - The Nine-Story Temple is a vital cultural heritage site in Nepal, representing the country's historical and artistic values [7][10]. - The project not only restored a physical structure but also facilitated cultural dialogue and the transmission of traditional craftsmanship [14][15]. Group 5: Future Prospects - Following the completion of the Nine-Story Temple project, the Chinese team is now working on the restoration of the Nuwakot Durbar Palace, further strengthening cultural heritage cooperation between China and Nepal [15].

Core Insights - The Afghan National Museum, established in 1919, has faced significant challenges due to over 40 years of conflict, resulting in approximately 70% of its collections being looted, destroyed, or smuggled out of the country [1][2] - Despite these challenges, the museum houses around 60,000 ancient artifacts that reflect Afghanistan's rich historical connections with various civilizations, showcasing the region's political, religious, and artistic heritage [2] - The museum aims to enhance international cultural exchange by planning to resume exhibitions of Afghan artifacts globally, particularly in China, to better present its ancient civilization [2] Museum's Historical Context - The Afghan National Museum serves as a tragic symbol of Afghanistan's tumultuous modern history, especially during the civil war when many artifacts were stolen [1] - The museum has endured relocations, demolitions, fires, and large-scale thefts, marking a dark period in its history [1] Visitor Engagement - The museum currently receives approximately 200 to 300 visitors daily, including many foreign tourists who are often impressed by the diverse cultural heritage represented in the collections [2] Cultural Heritage Protection - The Afghan interim government has reiterated its commitment to protecting cultural heritage, prohibiting the possession or smuggling of historical artifacts, and preventing theft and illegal trade [2] - Since the interim government took office in August 2021, over 5,000 artifacts have been transferred to the national museum, with more than 2,000 items restored [2]

Core Viewpoint - The story of "Dwelling in the Fuchun Mountains" by Huang Gongwang is a reflection of the tumultuous journey of Chinese cultural heritage, showcasing both the beauty of nature and the resilience of art through its historical trials and tribulations [1][2]. Group 1: Artwork and Historical Significance - "Dwelling in the Fuchun Mountains" is a masterpiece of Chinese landscape painting, completed by Huang Gongwang after years of dedication while living by the Fuchun River [1]. - The painting captures the serene beauty of the Jiangnan landscape, illustrating the harmony between nature and personal emotion, making it a classic in Chinese art [1]. - The painting's fate mirrors the broader historical changes in China, witnessing dynastic shifts and societal transformations, thus embodying the enduring love and dedication to art [2]. Group 2: Preservation and Legacy - The artwork was tragically divided into two parts due to a near destruction event, with the first part known as "Shengshan Tu" and the second part called "Wuyong Shijuan," both retaining significant artistic value despite their fragmentation [2]. - "Shengshan Tu" is currently housed in the Zhejiang Provincial Museum, while "Wuyong Shijuan" is preserved in the National Palace Museum in Taipei, symbolizing the resilience of cultural heritage [2]. - Advances in digital technology now allow for the merging of these two segments, enabling a complete appreciation of the original masterpiece, highlighting the importance of preserving cultural artifacts [2].

Core Viewpoint - The exhibition "70 Years of Friendship between China and Serbia - A Bridge of Cultural Heritage" opened in Belgrade, showcasing over a hundred exquisite handicrafts from both countries, celebrating the 70th anniversary of friendship between China and Serbia [1][2]. Group 1: Exhibition Details - The exhibition is organized by the Chinese Cultural Center in Belgrade and the Serbian Handicrafts Association, featuring a variety of crafts including weaving, embroidery, and pottery [1]. - The event was attended by over a hundred local citizens, allowing them to experience the craftsmanship of both nations up close [1]. Group 2: Cultural Significance - The cultural counselor of the Chinese Embassy in Serbia emphasized that the exhibition represents a dialogue of skills and a handshake of civilizations, reflecting the pursuit of beauty and love for life by the people of both countries [1]. - The president of the Serbian Development Foundation highlighted that culture serves as both a memory of history and a hope for the future, suggesting that the exhibition symbolizes mutual trust and cultural exchange between the two nations [1]. Group 3: Future Collaborations - The president of the Serbian Handicrafts Association introduced several items listed in Serbia's national heritage, including various types of carpets and traditional towels, indicating plans for more collaboration with Chinese artists and professionals [1]. - The director of the Chinese Cultural Center in Belgrade expressed a commitment to working with various sectors to protect and pass on the cultural heritage of both countries [2].

Core Points - The 121st Paris International Exhibition concluded on May 11, showcasing global cultural exchanges and innovations, with a significant focus on Chinese culture through the "Encountering China" exhibition [2][5] - The exhibition attracted over 400,000 visitors, featuring various thematic areas including global culture, home decoration, and automotive travel [2] - The "Encountering China" exhibition presented nearly 2,000 unique exhibits, highlighting traditional crafts and modern cultural products, significantly increasing its exhibition area compared to the previous year [2][3] Group 1: Cultural Representation - The exhibition included participation from 10 cultural institutions and 30 tech companies from various Chinese provinces, emphasizing the richness of Chinese heritage [2][5] - Traditional crafts such as paper-cutting, ceramics, and embroidery were showcased alongside modern products like AI digital humans and popular cultural IPs, appealing to a diverse audience [2][3] - Non-heritage representatives demonstrated traditional skills live, showcasing the vibrancy and relevance of cultural heritage in contemporary contexts [4] Group 2: International Engagement - The event served as a platform for cultural dialogue, with notable figures praising China's efforts in cultural heritage preservation and the engagement of younger generations [4][5] - Shenzhen's debut at the exhibition highlighted innovative cultural tourism projects, aiming to enhance cross-cultural dialogue and understanding [5] - The exhibition coincided with the 50th anniversary of diplomatic relations between Europe and China, positioning it as a significant cultural exchange opportunity [5][6] Group 3: Future Prospects - The exhibition aimed to present a credible and appealing image of China to European audiences, fostering a deeper understanding of Chinese culture [6] - Future initiatives include the development of new cultural landmarks and projects in Shenzhen, which are expected to stimulate further international cultural exchanges [5][6]

（原标题：GUCCI于佛罗伦萨发布2026早春系列） 本季系列延续品牌设计团队集体创作模式，为即将上任的创意总监Demna预留观察期。值得关注的是， Demna将在7月巴黎高定时装周完成BALENCIAGA收尾工作后正式履职，这一过渡期安排体现出GUCCI 对创意迭代的审慎态度。 同时，GUCCI 还公布了两项重要投资：一是成为 2026 佛罗伦萨夏季艺术季的最大赞助商，用现代艺术 装置为老建筑注入新活力；二是牵头修复 Parco delle Cascine 公园，延续从 2011 年就开始的 "文艺复兴 遗产保护计划"。据佛罗伦萨市政府透露，过去十年，GUCCI 在当地文化保护上总共花了超 3800 万欧 元。 有业内人士分析，在母公司开云集团调整架构的背景下，GUCCI 正通过强化意大利特色，来打造自身 独特优势。这次早春系列发布，不仅传承了创始人 Guccio Gucci "从传统中打造经典" 的理念，还为奢 侈品牌如何实现可持续发展，提供了新范本。 GUCCI确认2026早春系列回归品牌精神腹地，将于5月15日在佛罗伦萨Palazzo Settimanni档案馆发布全 新系列。这座始建于文艺复兴时期的 ...

Group 1: Cultural Heritage Protection and Restoration - The emergence of young "cultural heritage doctors" showcases a blend of tradition and innovation in cultural preservation [4] - The Beijing Archaeological Research Institute employs advanced technology for the diagnosis and treatment of ancient buildings, enhancing their longevity [5][6] - The use of micro-drilling resistance instruments and infrared thermal imaging has improved the accuracy of detecting structural issues in ancient wood structures [5][6] Group 2: Skills Competition and Training - The first Shanghai Municipal Cultural Heritage Skills Competition was held, featuring 22 finalists competing in various restoration techniques [8][9] - The competition included practical assessments of real artifacts, emphasizing the importance of hands-on skills in the restoration process [9][10] - The event aims to cultivate high-skilled talents in the cultural heritage sector and enhance the social impact of restoration techniques [10] Group 3: International Collaboration in Restoration - Chinese "cultural heritage doctors" are actively involved in the restoration of the Angkor Wat site in Cambodia, contributing to international cultural exchange [12][13] - The Zhejiang Ancient Architecture Design Institute is leading restoration efforts, utilizing digital technologies for complex restoration tasks [13][14] - The restoration process emphasizes scientific management and archaeological research to ensure the authenticity and safety of the heritage site [14]

Group 1: Exhibition Overview - The "Encountering China" cultural exhibition opened at the Versailles Gate Exhibition Center in Paris, attracting global audiences as part of the Paris International Exhibition [1][2] - The exhibition features nearly 2000 items, showcasing traditional crafts like paper-cutting and porcelain, alongside modern products that integrate cutting-edge technology, presenting a comprehensive view of China's cultural heritage and innovative achievements [2][4] Group 2: Popular Products and Cultural Heritage - Notable "internet celebrity" cultural products include exquisite fridge magnets, jewelry, and 3D postcards, which have gained significant attention from visitors [2][4] - The exhibition highlights intangible cultural heritage, with live demonstrations of traditional crafts such as embroidery and paper-cutting, emphasizing the unique charm of Chinese culture [7][8] Group 3: International Collaboration and Cultural Exchange - The exhibition serves as a platform for cultural exchange, with representatives from UNESCO and the Chinese government emphasizing the importance of sharing cultural heritage and experiences with the world [8][11] - The event marks the 50th anniversary of diplomatic relations between China and Europe, promoting various cultural cooperation projects to enhance humanistic exchanges [11][12] Group 4: Local Contributions and Future Prospects - Shenzhen's participation in the exhibition highlights its rapid development and cultural tourism projects, showcasing the city's transformation into an international urban center [9][11] - The exhibition is supported by various cultural institutions and aims to deepen interactions with French audiences through diverse local cultural displays [13]