作为承载数千年文明积淀的古老国家，埃及和中国在文明对话的道路上拥有广阔空间。从文化遗产保护 的创新实践，到国际事务中的共同立场，再到价值层面的观念契合，埃中两大古老文明在互学互鉴中彼 此支撑，为破解全球治理难题、推动人类社会发展注入文明智慧。 中新社北京1月1日电 题：埃中古老文明如何对话？ 作者 伊萨姆·沙拉夫 埃及前总理、沙拉夫可持续发展基金会主席 埃及文化遗产保护与埃中合作 作为文明长河中的重要坐标，埃及是一个有着悠久历史的文明古国，拥有丰富的历史文化遗产。从卢克 索神庙到亚历山大图书馆，这些文化遗产不仅是埃及人的精神家园，更记录着文明发展历程，是全人类 共同的文化财富。 文化遗产保护方面，埃及旅游和文物部、埃及最高文物委员会之间通力合作，在法律框架下推动本国文 化遗产保护工作。同时，埃及积极参与联合国教科文组织等国际组织相关工作，注重提升公众对文化遗 产价值的认知，推动文化遗产保护成为全民共识。 文化旅游业是埃及重要的经济支柱，正在为这片古老土地注入新活力。近年来，埃及将文化遗产保护与 创新实践相融合，积极引入先进技术，既有效保护文化遗产，又促进其合理利用。 例如，我们在现代博物馆建设上投入力量。20 ...

（来源：光明日报） 在中国传统文化体系中，衣冠远不只是蔽体御寒之物，还是承载着深厚礼制内涵的身份象征。从黄 帝"垂衣裳而天下治"的传说，到历代王朝"改正朔，易服色"的仪式，服饰制度始终是中华文明秩序建构 的重要组成部分。司马迁在《史记》中记载楚庄王"衣以文绣，置华屋之下"的轶事，战国时期"齐纨鲁 缟"号称"冠带衣履天下"，这些记载无不表明，在中国古代社会，衣冠早已超越物质层面，成为文化认 同、社会等级与文明观念的具象表达。 明代洪武年间，朱元璋诏定"士民皆发于顶，官则乌纱帽、圆领袍、束带、黑靴"，建立起一套严格 而细密的服饰等级制度。对官民服饰的颜色、形制等都有明确的限制，通过服饰材质、颜色、纹样等细 节，将社会各阶层纳入一个可见的秩序网络之中，如凡庶民、商贾、技艺、步军、杂职一律不许穿靴； 庶人戴四方平定巾则帽不得用顶，帽珠只许用水晶、香木等。正是在这样的文化语境下，来自遥远欧洲 的耶稣会传教士利玛窦开始了对自身服饰的选择，开启了一场微妙而深刻的文明对话。 画家笔下的利玛窦 转自：光明日报 利玛窦像(局部）明 游文辉/绘 作者提供 《三才图绘》里的"襕衫" 作者提供 对利玛窦，中国人并不陌生。他是中华世纪坛 ...

《狂想之城2》 中国青年报客户端讯（中青报·中青网记者 蒋肖斌）由腾讯新闻出品的人文建筑类纪录片《狂想之城2》 正在热播中，建筑师马岩松带着"全球化时代，我们如何既守护自身文化的独特性，又能与世界共鸣"的 命题，与朋友们走进5座世界文化名城，展开关于文明、建筑与未来的对话。 海报。出品方供图 在已经播出的节目中，马岩松和老狼深入巴西里约热内卢，感受桑巴大道的狂欢节与屋顶的日常烟火； 携手马思纯漫游丹麦哥本哈根，展开关于乌托邦与建筑想象力的对话；与黄渤漫步意大利罗马，在慢与 新的时光碰撞中寻找永恒；和金宇澄在屋顶看到摩登上海的另一面，解读城市的生命力。 《狂想之城 2》海报。出品方供图 《狂想之 城2》海报。出品方供图 走进罗马的"时间剧场"，马岩松感受慢与新的碰撞。斗兽场下新生的滑板公园、切割古旧街巷的博物 馆，告诉我们新不是对旧的覆盖，是让不同时空的文明交融共生。"对建筑来说就是经历过这些风雨， 对人生来说就是体验。"马岩松说。 踏上写给建筑大师奥斯卡·尼迈耶的"回信"之旅，马岩松发出"自由如何塑造美"的叩问。桑巴大道非僵 直形态的混凝土结构和尼泰罗伊当代艺术博物馆的飞碟造型，诠释着"曲线即自由"的思想。穿 ...

欧洲时报文化传媒集团总裁、欧洲时报社社长钟诚在致辞中表示，欧洲时报的媒体产品不仅实现了多媒 体跨越，还实现了多语言跨越。欧洲时报也不再仅仅是一个传统意义上的媒体，业已成为向文化、教育 等领域扩展的文化传媒集团。他说，正是世界的不确定性，激励我们以今天这种方式去拥抱未来，希望 今后每一年的中欧年度演讲大会能继续和"关心人类与未来"的人共襄盛举。 12月19日，2025中欧年度演讲大会在巴黎联合国教科文组织总部举行。 李洋 摄 图为大英 中新网巴黎12月21日电 (记者 李洋)当地时间12月19日，2025中欧年度演讲大会在位于法国巴黎的联合 国教科文组织总部举行。 本届大会由欧洲时报文化传媒集团发起，以"文明对话，预见未来"为主题，旨在打造一个全球视野下的 中欧人文交流平台，汇聚来自文学、教育、科技、人文艺术、社会创新等关键领域的思想者与实践者， 围绕"文化理解""文明互鉴""未来协作"展开启发性演讲与跨文化对话。 当地时间 中国常驻联合国教科文组织大使衔代表杨新育、中国驻法国大使夫人张华、联合国教科文组织前总干事 阿祖莱等嘉宾出席。杨新育在开幕致辞中表示，对话是开展合作与维护和平的必由之路，今年是中欧建 交5 ...

人民网巴黎12月20日电（记者于超凡）2025年12月19日，中欧年度演讲大会在巴黎联合国教科文组 织总部举行。中国常驻联合国教科文组织大使衔代表杨新育、中国驻法国大使夫人张华、联合国教科文 组织前总干事奥德蕾·阿祖莱等嘉宾出席。 本届大会由欧洲时报文化传媒集团发起，以"文明对话·预见未来"为主题，旨在打造一个全球视野 下的中欧人文交流平台，汇聚来自文学、教育、科技、人文艺术、社会创新等关键领域的思想者与实践 者，围绕"文化理解""文明互鉴""未来协作"展开启发性演讲与跨文化对话。 作家刘震云带来精彩演讲。人民网记者 于超凡摄 联合国教科文组织前总干事阿祖莱为演讲嘉宾颁奖。人民网记者 于超凡摄 演员黄渤带来精彩演讲。人民网记者 于超凡摄 演讲环节后，在田川女士主持下，七位嘉宾共同参与了一场圆桌对话。嘉宾围绕"跨越文化，共筑 命运：人类未来的协作之道"命题，就多元共处、青年教育、文化理解的底层逻辑等议题进行了高密度 的思想交流。 中欧年度演讲大会期间，法国作家Marc Levy、大英博物馆亚洲部主管兼大维德爵士中国陶瓷收藏 策展人Jessica Harrison-Hall、美国教育专家Raphael X. Mo ...

中新社澳门12月19日电 题：何以澳门？ 作者 吴志良 澳门基金会行政委员会主席 咸咸的海风吹拂了四百年，妈阁庙的香火缭绕不绝，议事亭前地的碎石路在夕阳下泛着温润的光。澳 门，这座南海之滨的莲花小城，像一位沉默而睿智的长者，以她不疾不徐的步调，见证着东西方文明的 相遇、对话与融合。她不是历史的旁观者，而是文明互鉴的书写者，以自身的实践，回应着人类关 于"如何共处"的永恒追问。 2025年2月12日，澳门中乐团在大三巴牌坊前举行"乐韵悠扬大三巴"元宵节音乐会。图为音乐会中的汉 服展示环节。中新社记者 郑嘉伟 摄 澳门学的学科建构逻辑：在历史皱褶中寻找答案 我们倡导和构建澳门学的初衷，不是学术版图的简单扩张，而是一场关于文明对话的理论自觉。当全球 化遭遇逆流，当"文明冲突论"再次甚嚣尘上，澳门，这个世界上未曾间断的中西文明对话现场，静静地 提供了另一种答案。 漫步在白鸽巢公园，能感受到贾梅士在此吟诵《卢济塔尼亚人之歌》时的苍茫；站在大三巴牌坊下，那 残壁上的东方莲花与西方圣母像交织，无声地诉说着文明的交融。这里的历史不是非黑即白的对抗史， 而是一部充满协商、妥协与创造的"共处史"。 在方法论上，澳门学实现了从地方 ...

Group 1 - The "2025 Chengdu International Forum" is being held in Guangzhou from December 1 to 3, gathering over 200 global leaders, experts, and business leaders to discuss global development and cooperation [1][2] - The forum aims to address significant global challenges such as security, governance reform, and sustainable development, with a focus on enhancing international cooperation and understanding [2][3] - Since its inception in 2014, the forum has invited over 200 international dignitaries and 600 experts, increasing its global influence and fostering dialogue on various themes including multilateralism and sustainable development [3][4] Group 2 - The forum serves as a high-level platform for civil diplomacy, emphasizing the need for dialogue and cooperation in a complex international environment [3][4] - Guangdong province is highlighted as a key window for international engagement, showcasing China's development and reform achievements, and attracting global attention [5][6] - The forum is positioned as a significant opportunity for international participants to better understand China and its development path, reflecting the growing interest in China's role in global affairs [6][7]

Group 1 - The third Nanning International Poetry Week was held in Nanning, focusing on cultural exchange with the theme "Let Poetry Illuminate the Green City" [1][3] - The event gathered 47 poets from China and countries such as Argentina, Colombia, Indonesia, and Russia, including notable figures like Ji Di Ma Jia and Li Shao Jun [3][5] - Activities included visits to Nanning's industrial developments, cultural landmarks, and rural revitalization sites, allowing poets to draw inspiration from the city's unique atmosphere [3] Group 2 - The event aimed to promote cultural dialogue and enhance the city's cultural character, contributing to the global poetry community [5] - The initiative included volunteer services in schools and communities, featuring poetry recitals and creative sharing to benefit the public [3][5] - Local cultural leaders emphasized the importance of poetry in enriching spiritual life and fostering emotional connections in modern urban settings [5]

Group 1 - The second World Sinology Conference is held in Shanghai, emphasizing the city as a significant venue for cultural dialogue and the fusion of Eastern and Western civilizations [1] - The "City's Palm Print" theme in the new season of the "Common People's Thoughts" video series highlights the diverse cultural interactions within Shanghai's urban space [1][2] - Shanghai is set to host a record 178 international and domestic sports events in 2024, showcasing the growth of the cultural and sports industries and their integration [2] Group 2 - The presence of diverse performers, such as Troy and Gize from London, illustrates the city's role in facilitating global cultural exchanges through unique art forms like electronic music and sign language rap [2] - The cultural landscape of Shanghai is enriched by various community activities, where people from different backgrounds find a sense of belonging and contribute to the city's vibrant atmosphere [2][3] - The concept of a "People's City" reflects the essence of a civilized city, focusing on nurturing and empowering every individual within the urban environment [3]

Core Perspective - The Palace Museum in Beijing celebrates its 100th anniversary, marking a significant transformation from a royal palace to a cultural institution accessible to the public [1][3]. Group 1: Transformation of Identity - The transition from a "symbol of power" to a "shared cultural space" began on October 10, 1925, when the Palace Museum was established, allowing public access to what was once a forbidden area [3]. - The essence of this transformation reflects a fundamental change in cultural heritage ownership and participation, evolving from a private royal collection to a public cultural asset [3][4]. - Over the past century, the concept of "sharing" has deepened, with over 80% of the museum now open to the public and the introduction of a "digital Palace Museum" allowing global audiences to engage with its treasures [3][5]. Group 2: Cultural Vitality - The Palace Museum has evolved from a "warehouse of artifacts" to a "living cultural entity," emphasizing not just preservation but also the creation of new cultural narratives [5]. - Initiatives like the documentary "I Repair Cultural Relics in the Palace Museum" showcase contemporary craftsmanship, while cultural products integrate classical aesthetics into modern life [5]. - Various exhibitions, lectures, and educational programs breathe life into static artifacts, fostering emotional connections with contemporary audiences [5]. Group 3: Globalization and Cultural Exchange - The museum's journey over the past century reflects a gradual emergence onto the world stage, transforming from "China's Palace Museum" to "the world's Palace Museum" [6][7]. - The internationalization process involves both inviting global civilizations into the museum and showcasing its artifacts and exhibitions worldwide, facilitating dialogue between Chinese and other cultures [7]. - As a UNESCO World Heritage site, the Palace Museum represents not only China's historical memory but also a shared cultural heritage for humanity, offering a model for balancing tradition and modernity in a globalized context [7]. Group 4: Future Prospects - Looking ahead, the Palace Museum faces both challenges and opportunities, including the need for enhanced artifact protection amid increasing visitor numbers and the balance between commercial development and cultural preservation [8]. - The future vision includes becoming a "super cultural IP," fostering innovative cultural experiences through the integration of technology and humanities [8]. - The museum aims to be a more influential platform for cultural dialogue, showcasing contemporary China's vitality and confidence while continuing to tell ancient Chinese stories [8][9].