Group 1 - The forum focused on "Innovative Consumption Power and Unified Market," featuring a main forum and three specialized forums on tourism, wine culture, and the catering industry, highlighting high-quality development paths in these sectors [3][17] - Deep Blue Think Tank released six annual reports covering hot topics such as consumer finance, humanoid robots, and cultural export, providing valuable insights for industry development [3][14] - The forum gathered hundreds of guests from various sectors to explore practical solutions for boosting consumption, activating the private economy, and promoting innovative integration [3][17] Group 2 - Beijing's Commerce Bureau emphasized the city's role in leading high-quality national consumption market development, with over 20 policy measures to be released soon to stimulate consumption [7] - The keynote speech by Tsinghua University's Internet Industry Research Institute highlighted the transformative impact of AI and data on consumption, stressing the importance of a credible data space for new consumption models [9] - The launch of the "Deep Blue Think Tank Innovation Manufacturing Research Base" aims to focus on intelligent manufacturing and technological innovation, enhancing collaboration among various sectors [11] Group 3 - The four annual thematic reports released include insights on humanoid robots, cultural IP export, consumer power, and financial innovation, providing data-driven recommendations for policy-making and corporate strategy [14] - The dialogue on how finance can stimulate domestic demand revealed a shift from single-scene consumption credit to an ecosystem service model, integrating various sectors to support consumption [14] - The forum served as a high-end platform for exchanging ideas and experiences, addressing frontier issues in consumption, tourism, wine, and catering industries, and showcasing the responsibilities of media think tanks in the new era [17][18]

Group 1 - The global economy is entering a new period of turmoil and transformation due to rising unilateralism and protectionism, necessitating collaboration among the global business community to maintain a stable and efficient global industrial and supply chain [1][3] - The 2025 Global Trade and Investment Promotion Summit emphasized the importance of embracing the digital and intelligent era for mutual development, with a record number of international participants from 48 countries and regions [1][2] Group 2 - The "Beijing Initiative" released at the summit includes six key areas: building a collaborative digital system, sharing technological benefits, promoting trade liberalization, enhancing green transformation, fostering healthy AI development, and deepening global business cooperation for sustainable development [2] - Trade protectionism is making the global economy more vulnerable, with tariffs disrupting normal trade order and increasing global volatility, as highlighted by the president of the New Development Bank [3][4] Group 3 - The importance of resilient and vibrant global supply chains is underscored, with a call to avoid decoupling and trade wars, which have no winners and hinder economic development [3][4] - The rapid development of digital and intelligent technologies is seen as a significant opportunity for economic growth and industrial upgrading, with potential to reshape global productivity and competitiveness [5][6]

Core Viewpoint - The speech by Jiang Xiaojun emphasizes that digital intelligence technology is transforming the cultural industry and trade, creating vast opportunities for growth and innovation in cultural exports [1][2]. Group 1: Impact of Digital Intelligence on Cultural Industry - Digital intelligence technology is driving changes across the entire cultural industry chain, significantly promoting its prosperity and development [1]. - The efficiency of extracting, processing, and generating cultural elements has been greatly enhanced, giving cultural products an inherent global appeal [1]. - The case of the domestic 3A game "Black Myth: Wukong" illustrates the potential of high-quality cultural products in the international market, with one-third of its players being overseas [1]. Group 2: Cultural Trade Forms - Jiang Xiaojun identifies four forms of cultural trade that should be emphasized for collaborative development: 1. Cross-border sales of cultural products, exemplified by Pop Mart's overseas revenue accounting for about 40% [2]. 2. Attracting foreign consumers to experience cultural services in China. 3. Cultural producers operating commercially abroad. 4. A dual cross-border model involving both producers and consumers [2]. Group 3: Challenges in AI-Assisted Creation - The rise of AI-assisted creation is rapidly enhancing creative capabilities, with AI learning from vast amounts of cultural works and generative AI changing the way cultural products are created [1]. - However, challenges remain, such as the lack of high-quality Chinese cultural materials, as many large models primarily rely on internet content, which may not adequately represent the richness of Chinese cultural classics [1].

Group 1 - The forum highlighted the transformative impact of digital intelligence on the cultural industry, promoting its prosperity and providing vast development space for cultural trade [3] - Innovation is fundamental to cultural trade, encompassing literary, artistic, technological, and operational innovations [3] - Chinese companies are shifting from "borrowing boats to go to sea" to "building boats to go to sea," with successful examples in animation, gaming, trendy toys, and theme parks [3][4] Group 2 - Companies like Bubble Mart are focusing on global operations, leveraging IP as a core driver to connect with global consumers [3] - 37 Interactive Entertainment has expanded its business to over 200 countries, integrating Chinese cultural elements into game development and operations [4] - The forum featured discussions on digital cultural trade expansion, revitalizing traditional IPs, and the dual empowerment of brands and culture [5] Group 3 - Online literature has emerged as a global cultural trendsetter, with Chinese online literature entering a new phase of global IP co-creation [5] - Traditional cultural industries are revitalizing through digital technologies, creating new models and immersive experiences [5] - The forum included a policy roundtable discussing the latest measures to support high-quality cultural trade development [6] Group 4 - The forum announced the "2025-2026 National Cultural Export Key Enterprises and Key Projects," with 404 enterprises and 121 projects recognized [8]

Group 1 - The core viewpoint of the articles emphasizes the transformative role of digital technology in reshaping the cultural industry and international trade, highlighting the emergence of new cultural narratives and business models in the digital age [1][3][9] - The total cultural trade volume in China reached 1.4 trillion yuan in 2024, with digital elements like online games and audiovisual content accounting for over 370 billion yuan, representing 25.8% of the total [3] - The global cultural trade has seen rapid growth, with exports exceeding 2 trillion USD in recent years, and digital services now comprise over half of global service trade [3][9] Group 2 - Chinese companies are transitioning from single-point cultural content exports to a more systematic approach, integrating various elements of cultural trade [2][8] - Companies like Bubble Mart have experienced significant growth, with revenues in the Americas and Europe increasing approximately ninefold and sixfold respectively in Q1 of this year [6][7] - The cultural industry is increasingly focusing on localization and international collaboration, as seen in Bubble Mart's strategies to engage local artists and celebrate regional festivals [7][8] Group 3 - The integration of digital technology in cultural heritage preservation has been exemplified by projects like "Digital Dunhuang" and "Digital Forbidden City," which have made significant progress in digitizing cultural artifacts [4][5] - Companies like 37 Interactive Entertainment have successfully expanded globally, with overseas revenue reaching 5.722 billion yuan, accounting for about one-third of total revenue [5][6] - The shift from "product output" to "system output" reflects a broader trend in the cultural industry, where companies are now focusing on comprehensive service offerings and supply chain integration [8][9] Group 4 - The Guangdong-Hong Kong-Macao Greater Bay Area is emerging as a key hub for cultural industry exports, supported by various government initiatives and policies aimed at fostering a stable business environment [9] - The establishment of national cultural trade bases aims to provide policy support, legal assistance, and financial backing to facilitate cultural enterprises' international expansion [9]

Group 1 - High-quality development in cultural trade is essential for building a cultural powerhouse, with digital technology driving unprecedented changes and opportunities in the cultural industry [1] - The 2025 Cultural Powerhouse Construction Summit Forum highlighted the new landscape of cultural trade under the influence of digital technology, with representatives from government, academia, think tanks, and enterprises participating [1] - Digital technology enhances the production, transaction, creation, and service models in the cultural industry, improving efficiency and facilitating better matching between large platforms and individual creators [1][2] Group 2 - The core of contemporary cultural trade is international trade related to digitalization, which is crucial for the construction of a cultural powerhouse [2] - The Palace Museum has embraced new technologies since 1999, achieving 52% digitization of its collection and collaborating with Tencent on projects to protect and revitalize cultural heritage [2] - Chinese companies are shifting from product exports to system exports, requiring capabilities in supply chain integration, delivery resilience, market awareness, and compliance [2] Group 3 - Companies are the main application subjects of digital technology, enhancing competitiveness and innovation across production, management, and marketing [3] - The Chinese gaming industry is expanding globally, with companies integrating AI into various stages of game development and operation to improve efficiency and quality [3] - The theme park industry, exemplified by companies like Huaqiang Fantawild, is leveraging digital technology to create high-tech attractions and promote cultural exchange [3]

Group 1 - The core viewpoint is that cultural trade is entering a new phase driven by digital intelligence technology, which has become a crucial engine for content creation, global dissemination, and the integration of consumption scenarios [1] - The company has over 20 years of experience in the cultural tourism industry and has successfully created the well-known national IP "Boonie Bears," with total box office exceeding 8.5 billion yuan [5] - The animation works have been distributed in over 130 countries and regions, with films screened in more than 70 countries, setting records for Chinese films' overseas distribution [5] Group 2 - The company operates over 40 theme parks nationwide, ranking second globally in visitor reception, only behind Disney [5] - The company is one of the earliest in China to engage in digital 3D production and has continuously invested in technology research and development, creating various software and plugins to enhance production efficiency [5] - AI technology is widely applied in multiple stages of content creation, including concept design, character and scene design, and model building, significantly improving the quality and efficiency of animation and film content [5][6] Group 3 - The company is among the few globally with full industry chain development and operation capabilities for theme parks, as well as the ability to export complete theme park solutions [6] - The company has completed overall designs for theme parks in countries like Ukraine and Nigeria and has exported complete theme park solutions to the Middle East, pioneering the export of Chinese intellectual property theme parks [6] - The company plans to continue deepening its engagement in the cultural technology industry, enhancing digital applications, and exploring the creation of more cultural products [6]

5月26日下午，2025文化强国建设高峰论坛主论坛在深圳举行。本届论坛主题为"深化文化体制机制改革 激发文化创新创造活力"，与会嘉宾中国社会科学院哲学研究所所长张志强，中央民族大学党委副书 记、校长强世功，武汉大学党委常务副书记沈壮海，湖南广播影视集团有限公司（湖南广播电视台）党 委书记、董事长、台长、总编辑龚政文，中国工程院院士、鹏城实验室主任、北京大学博雅讲席教授高 文，中山大学中文系教授、广东省作家协会主席谢有顺，清华大学党委常委、副校长、教务长彭刚等作 主题发言。 张志强：中华文明作为文化生命体必须有自己创生的现实的主体 论坛上，张志强作《在文化生命体的实践创造中把握文化主体性》主题发言。他认为，"将文化理解为 生命体，是用生命的有机性连接起了自然与文化，在自然与文化之间建立起了生命性的关联，让自然与 文化成为了一种连续的生命体，一种自然生命成长为文化生命的连续生长的过程。" 他表示，"立足文化生命体，深刻把握中华文明的突出特性，充分发扬中华民族的文化主体性，不断创 造中华文化新辉煌。文化生命体概念，来自中华文明形成发展的历史经验，是深刻把握中华文明特质的 思想成果。" 他说："一个文化生命体想要获得 ...

Core Viewpoint - The government emphasizes the development of new quality productivity and the construction of a modern industrial system, highlighting that green development is fundamental to high-quality growth and that new quality productivity is inherently green productivity [1] Group 1: Efficiency Improvement - Digital intelligence technology significantly enhances the efficiency of energy and resource utilization, addressing the challenge of limited natural resources against infinite human demands [2] - AI plays a crucial role in digital intelligence technology, enabling self-learning and adaptive capabilities to respond effectively to complex production scenarios [2] - Data-driven decision-making mechanisms transform traditional management into dynamic optimization, improving energy conversion efficiency and resource recycling levels [2] Group 2: Green Low-Carbon Industrial Transformation - Digital intelligence technology serves as a transformative tool for traditional industries, facilitating a paradigm shift through a process of deconstruction, reorganization, and regeneration [3] - The integration of green development theories into every aspect of traditional industries promotes their transition to low-carbon practices while supporting the advancement of emerging industries [3] - Emphasis on innovation in key areas and the application of advanced technologies is essential for accelerating the green low-carbon optimization of industrial structures [3] Group 3: Precision and Transparency in Environmental Governance - Traditional environmental governance faces challenges due to fragmented data and delayed responses, while digital intelligence technology enables comprehensive monitoring systems [4] - The integration of satellite, drone, and ground-based monitoring enhances the precision and transparency of environmental governance, allowing for real-time data collection and pollution tracking [4] - Establishing a data-sharing system through digital intelligence technology fosters collaboration among government, enterprises, and the public, significantly improving environmental governance [4]

沈壮海提出，数智技术的发展给文化创新注入了新的动力，打开了新的空间，带来了更多可能，也提出 了不少风险挑战，要不断完善法规与技术体系，用主流价值驾驭"算法"，坚持伦理优先，推动价值对 齐，建强安全屏障，引导数智向善。 沈壮海认为，当今时代，数智技术要很好地发挥作用，要由新生的人——具备更强创新创造自觉与能力 的人来掌握它们。我们不能陶醉于数智技术设下的文化盛宴，而忘却了作为主体的人所应担负的文化责 任；不能在机器越来越走向"深度学习"时放慢了人深度探索的脚步；而是要更加注重全民族文化和数智 素养的提升、创新创造活力的涵养，更加注重富有文化底蕴、熟谙数智技能的文化人才的培养，让数智 技术更好地服务于人的创造能力的提升、服务于新文化的创造。 沈壮海说，数据是数智的"源头活水"，既要注重文化建设中的数智之用，更要高质量推进文化数字化进 程。要在已有成果基础上，持续推进国家文化大数据体系建设，把文化资源优势转化为数据优势、发展 优势。 沈壮海说，数智时代，信息技术等越来越成为支撑文化发展的重要基座，成为演绎各类精彩文化剧目的 重要舞台。要持续深化人工智能基础理论、方法、工具的研究和开发，加快推进数字技术创新体系建 设 ...