Core Viewpoint - The "Non-Heritage Youth - Achievements Exhibition of China's Intangible Cultural Heritage Inheritors Training Program" showcases over 1,000 outstanding works and academic research results from participants in the program, highlighting the importance of intangible cultural heritage in human civilization and its role in fostering creativity and emotional connection [7][8]. Group 1: Exhibition Overview - The exhibition is divided into four thematic areas: traditional crafts, performing arts, and features over 1,000 pieces from more than 140 participating institutions [7]. - The event is held at the China Intangible Cultural Heritage Museum, emphasizing the significance of intangible cultural heritage as a witness to historical evolution [7]. Group 2: Training Program Impact - The Non-Heritage Training Program targets various levels of intangible cultural heritage inheritors and ordinary practitioners, providing targeted training through collaboration with universities and institutions [8]. - Participants engage in professional knowledge learning and practical exchanges, expanding their creative horizons [8]. Group 3: Traditional Arts and Crafts - The exhibition includes traditional arts such as shadow puppetry, which has a rich history and diverse styles across regions, and was included in UNESCO's intangible cultural heritage list in 2011 [9]. - The program revitalizes traditional arts by engaging younger generations, as seen in the case of a student who found success in shadow puppetry through the program [9]. Group 4: Modern Integration of Traditional Crafts - Participants are encouraged to integrate traditional crafts into modern life, exemplified by a unique Zisha pottery piece that combines traditional techniques with contemporary aesthetics [10]. - The program supports various traditional crafts, including silk weaving, with institutions like Zhejiang University offering courses to enhance skills and broaden perspectives [10]. Group 5: Cultural and Economic Empowerment - The program empowers rural communities by promoting local intangible cultural heritage, such as the Yunwu tea culture in Jiangsu, which has led to job creation and tourism development [11]. - In Xinjiang, traditional crafts training has attracted nearly 800 participants, enhancing local cultural resources and skills [12]. Group 6: Global Outreach - Graduates of the training program are exploring international markets, with examples of young inheritors successfully exporting traditional crafts to countries like Japan and Thailand [14]. - The rise of e-commerce has facilitated the growth of local handicraft businesses, such as the silverware industry in Yunnan, which has expanded its market reach globally [15].

Core Viewpoint - The article emphasizes the importance of intangible cultural heritage (ICH) as a vital part of Chinese traditional culture, highlighting the need for innovative development while preserving its authenticity and cultural integrity [1][3]. Group 1: Challenges in ICH Development - There is a contradiction between the preservation of authenticity and the need for transformation and innovation, requiring a balance between maintaining aesthetic and practical values while avoiding excessive commercialization [3]. - The traditional transmission methods face risks of loss due to insufficient social participation, necessitating innovative approaches to transmission and broader communication channels [3]. - The tension between local knowledge and universal standards requires careful management to ensure ICH aligns with broader public preferences while retaining its unique regional characteristics [3]. - The reliance on government-led protection highlights a lack of intrinsic motivation for social resource participation, indicating an underdeveloped professional service chain for ICH [3]. Group 2: Enhancing ICH through Productive Service Chains - Productive service chains are essential for improving the efficiency and value of ICH, involving various specialized service components throughout the lifecycle of economic and cultural production [4]. - Research indicates that many ICH practitioners lack awareness of their projects' market potential, leading to ineffective transformation and development strategies [4]. - The need for skilled creative, design, and research talent is critical, as many ICH projects currently operate as individual workshops with insufficient integration of productive service resources [4]. Group 3: Recommendations for High-Quality ICH Development - Innovation in productive service chains is necessary, focusing on digitalization, research and design, market research, supply chain management, quality control, brand marketing, and e-commerce [5]. - A collaborative approach involving government, ICH stakeholders, social organizations, and enterprises is essential to establish a market-oriented mechanism and resource clusters for effective ICH revitalization [5].

Core Viewpoint - The article highlights the rich intangible cultural heritage of Tianjin, showcasing various traditional crafts, foods, and performing arts that reflect the city's unique character and charm [23]. Group 1: Cultural Events and Activities - A large immersive summer music and fireworks show titled "Night on Jinmen: Fireworks Encounter Aircraft Carrier" took place at the Tianjin TEDA Aircraft Carrier Theme Park, themed "Fireworks Planet," attracting many citizens and tourists [3]. - The "What is China: Harmony and Coexistence" online theme promotion event will take place from August 7 to 9, 2025, allowing media members to deeply experience Tianjin's charm [3]. Group 2: Traditional Crafts - Yangliuqing New Year Paintings, known as "South Peach North Willow," are a prominent form of Chinese folk woodblock prints, characterized by meticulous craftsmanship and vibrant colors [5]. - The sixth-generation inheritor of the clay sculpture technique, Zhang Yu, continues the tradition of creating lifelike figures, showcasing the artistic skills passed down through generations [7]. - The "Tianjin Kite Wei" making technique, a national-level intangible cultural heritage, features over 200 types of kites designed by Wei Yuantai, known for their intricate craftsmanship [9]. Group 3: Culinary Heritage - "Goubuli" steamed buns are renowned for their exquisite flavor and craftsmanship, with a specific ratio of meat to fat and carefully selected seasonal ingredients [11]. - "Guifaxiang Eighteen Street Fried Dough Twist" is celebrated for its crispy texture and traditional preparation methods, embodying the essence of Tianjin's culinary culture [13]. - The Tianjin Mahua Cultural Festival featured a giant 118-pound fried dough twist, showcasing the city's rich food heritage [15]. Group 4: Performing Arts - Tianjin, known as "Gendudu," has a rich tradition of comedic arts, particularly in the form of crosstalk, with famous masters like Ma Sanli and Hou Baolin contributing to its popularity [17]. - The Tianjin Law Drum performance combines various percussion instruments to create a lively atmosphere, reflecting the city's vibrant cultural scene [19]. - Traditional Tianjin magic relies on genuine skills and clever verbal tricks, showcasing the city's unique approach to performance art [21]. Group 5: Intangible Cultural Heritage - The article emphasizes that Tianjin's intangible cultural heritage is a blend of craftsmanship and memory, representing the city's soul through its diverse artistic expressions [23].

Core Viewpoint - The article highlights the cultural and economic significance of Xiangyunsha, a unique silk fabric from Lingnan, which has a history of over 600 years and is recognized as a "soft gold" in the textile industry [17][36]. Group 1: Cultural and Historical Significance - Xiangyunsha is the only silk fabric in the world that uses pure plant dyes and is entirely handmade, showcasing the craftsmanship and respect for nature by the Lingnan people [14][15]. - The fabric's production involves a complex process that includes using taro juice for dyeing and local river mud as a medium, taking nearly a year to complete [16][18]. - Historically, Xiangyunsha was exported as a prized trade item during the Ming Dynasty and was considered a luxury good among social elites in major cities during the Republic of China [26][30]. Group 2: Economic Impact and Modern Relevance - The intricate craftsmanship and limited production of Xiangyunsha contribute to its high value, making it a sought-after item in both domestic and international markets [17][36]. - In 1922, the production of Xiangyunsha generated significant revenue, with exports reaching approximately 10,000 taels of silver, indicating its importance in global trade [32]. - Today, Xiangyunsha has become a symbol of Eastern fashion on international stages, with designers incorporating it into modern clothing that blends traditional aesthetics with contemporary styles [36][40].

Core Viewpoint - The article highlights the significance of intangible cultural heritage (ICH) in Tianjin, showcasing various representative projects that reflect the city's history and cultural identity [1]. Group 1: Intangible Cultural Heritage Projects - Yangliuqing Woodblock New Year Paintings are renowned for their rich themes, intricate craftsmanship, and auspicious meanings, holding an important place in Chinese folk culture and the development of Tianjin's culture [4]. - Tianjin Mudman Zhang, with over 200 years of history, draws inspiration from folk stories and historical figures, emphasizing the artistic techniques of "sculpting, painting, form, and spirit" [7]. - Tianjin Kite Wei, established in 1892, combines woodworking and painting techniques to create unique kites known for their diverse shapes, realistic colors, and stable flight characteristics [10]. - Tianjin "Goubuli" Steamed Buns, a top delicacy, are made with a unique method that results in a fragrant and non-greasy taste, showcasing rich culinary cultural value [12]. - Gui Fahsiang Eighteen Street Fried Dough Twists blend traditional techniques with innovation, offering a variety of flavors and known for their crispiness and long shelf life [14]. - Han Gu Fei Zha, a folk art from Tianjin's coastal fishing villages, integrates music, dance, and martial arts, with origins dating back over a century [16][18]. - Xiangsheng, a popular comedic performance art, originated in Beijing during the Qing Dynasty and is characterized by its humorous and satirical nature, reflecting the lives of ordinary people [21]. - Wu Ji Quan, a martial art that emerged in the mid-Qing Dynasty, has evolved through generations in Tianjin, showcasing the city's rich martial heritage [23].

Group 1 - The summer season has seen various regions in China utilizing intangible cultural heritage venues and resources to conduct rich traditional cultural experiences and popularization activities, allowing people to immerse themselves in the charm of intangible cultural heritage [1] - The Xi'an Drum Music, originating from the Sui and Tang dynasties, has attracted children with its elegant and ancient performances, showcasing traditional Chinese music notation and unique instruments [3] - The "Meet Intangible Heritage" educational series at the China Intangible Cultural Heritage Museum has featured seven distinctive intangible heritage projects, with a total of 36 performances held, engaging over 5,400 participants [5] Group 2 - In Zhejiang Province, children are learning the unique indigo dyeing technique from intangible heritage inheritors, creating one-of-a-kind art pieces through hands-on experience [7] - The director of the Zhejiang Intangible Cultural Heritage Museum expressed the goal of encouraging more young people to engage with and appreciate traditional culture, becoming modern-day disseminators and promoters of intangible heritage [9] - In Huaihua City, Hunan Province, public classes have been established to bring local intangible heritage projects to children, allowing them to understand the cultural significance of different patterns in Dong ethnic clothing [9][11]

Core Points - The article focuses on the intangible cultural heritage of Tibet, specifically the "Xieba Xiemar" which is a significant cultural expression in the region [2][4] - It highlights the historical and cultural significance of the Xieba Xiemar, emphasizing its connection to ancient legends and traditions [2][4] Summary by Sections - **Cultural Heritage**: The "Xieba Xiemar" is recognized as a regional intangible cultural heritage of the Tibet Autonomous Region, showcasing the rich cultural history and traditions of the area [2] - **Historical Significance**: The article mentions the enduring legacy of the Xieba Xiemar, which resonates with the ancient legends and the vibrant cultural practices of the local people [4]

Group 1 - The Zhejiang Intangible Cultural Heritage Museum has become a popular destination for children during the summer, offering immersive experiences in traditional crafts [1] - Children are learning the indigo dyeing technique, creating unique tie-dye works that are well-received [1] - The bamboo shoot shell collage activity is also popular, where children create various shapes and complete interesting artworks [4] Group 2 - Since the beginning of this summer, the museum has hosted 17 exhibitions and performances related to intangible cultural heritage, and it conducts regular educational courses [8] - The museum receives an average of over 3,000 visitors daily [8]

玉林茶泡。 李喜燕正在錾刻茶泡坯。 大暑刚过，玉林城郊的瓜田里，墨绿如釉的黑皮冬瓜悬垂于藤架，饱满的瓜身沁着晨露，散发着南 方盛夏特有的清甜。它们沉甸甸地缀满枝头，等待着属于各自的旅程——大部分将带着一身薄霜走向喧 闹的市集，而其中一小部分最紧致细密的精华，将经历一场指尖上的蜕变，化身玉林人待客的最高礼遇 ——一枚温润的"杯中玉"。 7月25日，小雨初歇。记者来到清湾江畔的玉州区新定村李世俊茶泡制作坊，见证一场冬瓜的华丽 逆袭之旅。 "不急！请先饮茶。"自治区级非遗代表性传承人李喜燕将一枚"白玉"放入茶盏。热水浇落，茶叶旋 舞，琥珀色的茶汤中，"白玉"透出玉质光泽。满室清芬漫溢，仿佛瓜田的风穿堂而过，带来蝉鸣与泥土 芬芳。 "'摄取冬瓜一缕魂，精雕细錾见丰神。清茶香沁杯中玉，可涤心间无限尘。'这首民间流传的诗写 的就是玉林茶泡，一种流传千年的茶点，堪称古时的网红。"轻抿一口茶泡，李喜燕笑着说。 玉林茶泡起源于宋代，因质地形似美玉，被誉为"舌尖上的艺术品"。相传，清乾隆游历江南时，店 家奉上一盏玉林茶泡，乾隆被这抹清润甜香打动，欣然写下"茶香飘四海，泡甜达三江"对联一副。玉林 茶泡一时名扬四海。 茶泡集剪纸、书 ...

Group 1 - The article highlights the cultural significance of the Chinese traditional toy "Kong Zhu" (空竹) and its role in connecting communities across different cultures [1][2] - The author recounts personal experiences with Kong Zhu, illustrating its impact on childhood memories and cultural identity [1][2] - The presence of Kong Zhu in London serves as a bridge for cultural exchange, as it introduces Chinese heritage to a diverse audience [2] Group 2 - The article mentions the author's efforts to teach Kong Zhu and other traditional Chinese instruments to neighbors from various cultural backgrounds, fostering community engagement [2] - A notable encounter at Covent Garden showcases the popularity of Kong Zhu among non-Chinese performers, indicating a growing appreciation for this aspect of Chinese culture [2]