Core Viewpoint - Wuxi is portrayed as a city rich in cultural heritage and economic vitality, blending historical significance with modern development, showcasing its unique identity as a hub of commerce and culture in Jiangnan [3][16][35]. Cultural Heritage - Wuxi's cultural lineage is deeply rooted, with historical figures like Tai Bo contributing to its early development, and the preservation of traditions such as the Tai Bo Temple, which attracts over 100,000 visitors annually during the festival [4][6]. - The city is home to various intangible cultural heritages, including Huishan clay figurines and Su embroidery, which have been recognized nationally and are actively promoted through workshops and educational programs [9][12][14]. Economic Development - Wuxi has evolved into a significant commercial center, historically known for its trade routes and now recognized for its industrial growth, with a reported industrial output exceeding 2.6 trillion yuan [25][26]. - The city has embraced modern technology and innovation, with local enterprises focusing on upgrading production processes while maintaining traditional craftsmanship, exemplified by companies like TianTian Foods and Sanfengqiao [21][22]. Community and Social Responsibility - Wuxi's business culture emphasizes integrity and social responsibility, with local entrepreneurs adhering to ethical practices that have been passed down through generations, fostering a community-oriented approach to commerce [19][26]. - The city actively supports education and talent development, providing incentives for graduates and promoting local cultural heritage through various initiatives, including the establishment of talent summits and scholarships [31][34]. Tourism and Modernization - Wuxi's tourism sector is thriving, with attractions like the Grand Canal and scenic spots around Taihu Lake drawing visitors, while modern developments integrate digital technology to enhance visitor experiences [15][28]. - The city balances its historical charm with contemporary advancements, ensuring that cultural heritage remains a vital part of its identity while adapting to modern demands [35].

Core Viewpoint - The article highlights the efforts of Xiao Yao, a representative inheritor of the Tao Yuan embroidery, to revive and promote this intangible cultural heritage in her hometown, emphasizing the importance of passing down traditional skills to younger generations [7][12][21]. Group 1: Background of Tao Yuan Embroidery - Tao Yuan embroidery is recognized as a representative project of Hunan's intangible cultural heritage, known for its diverse themes, exquisite techniques, and bold color compositions [7]. - The historical significance of Tao Yuan embroidery is rooted in its cultural exchanges, absorbing techniques from Su embroidery and Cantonese embroidery due to its geographical location [7]. Group 2: Xiao Yao's Journey - Xiao Yao, born in 1999, began her journey with Tao Yuan embroidery during her college years and has since become a county-level representative inheritor of this craft [12]. - After returning to her hometown, she sought mentorship from experienced embroiderers to document and preserve the traditional techniques that were fading from public knowledge [12][21]. Group 3: Community Engagement and Education - Xiao Yao established a studio to teach embroidery, although initial efforts faced challenges due to a lack of market recognition and support [21]. - Recently, there has been a resurgence of interest in intangible cultural heritage, attracting young people to join the preservation efforts, with Xiao Yao conducting numerous workshops and classes [21][25]. Group 4: Economic Impact and Future Prospects - The establishment of the Qi Hui Embroidery Studio has enabled local women to participate in embroidery, providing them with supplementary income while balancing family responsibilities [25]. - Xiao Yao plans to reopen a shop in the local market to sell products featuring Tao Yuan embroidery, which have gained popularity among younger consumers [25].

Core Viewpoint - The Chinese government is actively promoting the cultivation of intangible cultural heritage (ICH) talents to ensure the transmission of traditional skills and address the aging issue of current practitioners [1][2][3][4]. Group 1: Policy and Legislative Framework - The revised draft of the Intangible Cultural Heritage Law emphasizes support measures for representative inheritors and includes content on the training of inheritors [2]. - Recent policy documents, such as the "Opinions on Further Strengthening the Protection of Intangible Cultural Heritage," have been issued to establish a comprehensive framework for ICH protection involving various social sectors [2]. Group 2: Talent Cultivation Initiatives - In 2021, a notification was issued to promote the establishment of ICH workshops, resulting in over 18,000 workshops across 2,005 administrative regions, creating job opportunities for over 1.2 million people [3]. - The Ministry of Culture and Tourism, in collaboration with other departments, has implemented a training plan for ICH inheritors, involving 149 universities and training over 51,000 individuals in the past decade [4]. Group 3: Educational Integration - The Ministry of Education has included "Intangible Cultural Heritage Protection" in the undergraduate program directory, enhancing curriculum and textbook development related to ICH [4]. - Future efforts will focus on strengthening ICH-related professional development in universities and reforming the curriculum to promote collaboration between education and industry [4].

Core Viewpoint - The article highlights the launch of a training program aimed at preserving and innovating the traditional craft of coconut carving in Hainan, China, emphasizing its cultural significance and the need for modern adaptation [2][5]. Group 1: Training Program Overview - The training program, titled "Coconut Carving Skills Inheritance and Creative Design Workshop," is organized under the guidance of multiple government departments and hosted by Hainan Vocational Technical College [2]. - The workshop targets inheritors of intangible cultural heritage and their apprentices, providing systematic professional knowledge and practical guidance to promote creative transformation and innovative development of coconut carving [2][5]. - The program lasts for 30 days, comprising 240 class hours, and employs diverse training methods including lectures, practical creation, and discussions [4][5]. Group 2: Participants and Their Experiences - Participants range from young learners like 11-year-old Huang Ziting, who is already creating her own coconut carving works, to older enthusiasts, showcasing a wide age diversity [3][4]. - The workshop encourages participants to innovate by integrating traditional coconut carving techniques with other crafts, such as lacquer art, to create unique products [3][4]. - Instructors like Ke Qiufeng are focused on making coconut carving more appealing to younger generations by designing cultural products that resonate with modern tastes [4]. Group 3: Educational Content and Goals - The training includes practical courses on e-commerce sales techniques and modern cultural product design, aimed at broadening participants' perspectives and enhancing their overall capabilities [5]. - The initiative is seen as significant for cultural development in Hainan, aiming to elevate the skill levels and innovative capacities of the inheritors while connecting traditional crafts with contemporary markets [5].

在白沙元门乡白翔社区党群服务中心"爱心托管站"，悦耳的童声飘出门外，元门乡邀请当地黎族民歌 代表性传承人给孩子们教黎族润方言歌曲。老师将民歌曲调用现代音乐简谱写在白板上，引导孩子们 听歌、识谱、跟唱，优美的旋律、动听的曲调，进一步激发了孩子对非遗的兴趣和传承意识。 "这几天，孩子每天回家后把学到的东西讲给我们听，有时候还给我们唱歌，看到孩子这么开心，我感 到很欣慰。"学生家长陈海苗感慨。 据了解，除了非遗课程外，市县各站点还精心设置了科学实验、爱国主义教育等特色课程。 在昌江，乌烈镇"爱心托管站"则开设了趣味科学实验课堂，老师们通过"泡泡奇遇小实验""手势舞"等简 单有趣的游戏激发孩子们对科学的兴趣；七叉镇"爱心托管站"充分利用黎族文化资源，组织孩子们学 习竹竿舞，既锻炼了他们的身体协调性，又增进了对民族文化的了解；海尾镇"爱心托管站"的"趣味时 刻"同样精彩，通过手工折纸、趣味运动会、故事分享会等活动，让孩子们在轻松愉快的氛围中结交新 朋友，提升动手能力和团队协作精神；叉河镇"爱心托管站"开设了象棋、魔方、安全教育等形式多样 的课程，让孩子们在轻松愉快的氛围中锻炼思维能力、培养专注力，同时提升安全自护能力。 ...

Core Viewpoint - The collaboration between Huaxizi and Suzhou Silk Museum marks an innovative application of the ancient craft of Songjin in the beauty industry, aiming to make intangible cultural heritage accessible and relevant to modern consumers [1][2][4]. Group 1: Product Launch - Huaxizi has launched a new series of high-end beauty products inspired by Songjin, including "Good Color Sunscreen Powder," "Good Color Loose Powder," and "Good Color Cushion," featuring traditional patterns and modern aesthetics [1]. - The products were officially released on August 2 and will be available in overseas markets starting in October [1]. Group 2: Cultural Heritage and Innovation - The partnership aims to transition the preservation of intangible cultural heritage from mere documentation to productive innovation, integrating it into contemporary lifestyles [2]. - The collaboration is seen as a significant step in promoting the application of Songjin from museum collections to everyday life [4]. Group 3: Technical Challenges and Solutions - The project faced challenges in accurately translating design patterns into the weaving language of Songjin, requiring precise control over the placement of patterns on small surfaces [7][8]. - Huaxizi's CMF laboratory developed a unique "True Jin Coating Process" to ensure that pattern deviations are kept within 2mm, allowing for standardized mass production of Songjin on cosmetic products [8]. Group 4: Cultural and Educational Initiatives - Huaxizi has initiated the "Fire Passing Plan" to help young people engage with and learn about cultural heritage, promoting the transmission of ethnic culture in schools [10][11]. - The program has successfully supported over 50 intangible cultural heritage techniques in schools, benefiting more than 100,000 teachers and students since its launch in 2021 [10].

Core Viewpoint - The Zhejiang Wuju Art Research Institute is successfully modernizing traditional Wuju opera through innovative performances and international outreach, exemplified by their recent productions like "The Three Strikes of the White Bone Spirit" and "The Legend of the White Snake" [4][9][10]. Group 1: Performance Innovations - The performance of "The Three Strikes of the White Bone Spirit" features a unique "face-changing" act that captivates audiences, showcasing the integration of traditional and modern elements [4][5]. - The use of technology, such as drones to represent characters, enhances the visual experience and engages the audience more effectively [5][6]. - The incorporation of contemporary aesthetics and humor, including modern dance styles and popular phrases, has received positive feedback from audiences [6][9]. Group 2: Cultural Exchange and International Outreach - The Zhejiang Wuju Art Research Institute has performed over 100 shows in more than 20 countries since its premiere in 2023, indicating a strong international presence [6][9]. - The performances resonate with foreign audiences due to the universal themes of love, redemption, and conflict present in the stories [10][11]. - The institute plans to expand its international outreach, aiming to perform in over 70 countries by the time of its 70th anniversary, further promoting Chinese traditional opera globally [10][11]. Group 3: Talent Development and Tradition - The institute emphasizes the importance of nurturing young talent, with experienced actors mentoring newcomers to ensure the sustainability of the art form [7][8]. - The integration of traditional and contemporary elements in performances is crucial for keeping the art form relevant and appealing to modern audiences [7][8]. - The collaborative environment within the institute fosters a culture of shared learning and growth among actors, contributing to the overall vitality of Wuju opera [8].

一针一线巧生花 "玩转"版权进万家—— 四川省成都华珍藏羌文化博物馆创新开展藏羌织绣版权转化实践 成都华珍藏羌文化博物馆（下称藏羌文化博物馆）建立在邛窑国家考古遗址公园内，日常人来人往。这 是一个集藏羌民族文化藏品展示、藏羌织绣非物质文化遗产活态传承于一体的博物馆。暑期来临，不少 研学团来此感受藏羌织绣的魅力，欣赏"非遗+"模式下的现代文创产品，领略藏羌民族文化在新时代的 传承与创新。 在冯旸看来，非遗传承同商业品牌合作，能够更好发挥传统文化作品的社会价值与经济价值。截至目 前，该博物馆共计拥有版权140余件，累计授权费用1000多万元。版权转化让藏羌织绣这朵民族之花在 全世界绽放光彩。 藏羌织绣图案手表表盘吸引目光、《功夫熊猫4》藏羌织绣图案海报扮靓电影、藏羌民族特色饰品与现 代服饰的"混搭"频频出圈……如今，藏羌织绣的知名度和时尚感不断得到提升。在创造商业价值的同 时，大量的制作订单纷至沓来，特别是帮助藏羌民族农村妇女实现增收致富。 "我们在汶川县、小金县、九寨沟等地的社区、景区搭建藏羌绣苑生产和展示窗口，带动了1500余名绣 娘灵活就业，实现年人均增收超3万元。2020年建立的'汶川巧娘羌绣专业合作社' ...

Core Viewpoint - Shantou City has made significant progress in the moral education of minors by implementing a comprehensive approach that emphasizes "moral education as the fundamental task" and promotes a new framework of "all personnel, all processes, and all aspects of education" [1][2][3] Group 1: Achievements in Moral Education - Shantou City has been recognized as a "National Civilized City" and has several schools awarded as "National Civilized Campuses," with a total of 6 national civilized campuses and 643 city-level civilized campuses, achieving a coverage rate of over 60% [1] - The city has cultivated a total of 191 exemplary youth, including 1 national-level, 16 provincial-level, and 174 city-level "New Era Good Youth," fostering a sense of mission among the youth [1][2] Group 2: Innovative Educational Practices - The city has developed the "Tuo City Big Ideological and Political Education" brand, conducting over 50 events and creating immersive experiences through red culture and local heritage [3][4] - Shantou has implemented a unique cultural project called "Overseas Chinese Letter Culture into Campus," engaging students in activities that promote national pride and cultural confidence [3][4] Group 3: Community and Parental Involvement - Shantou has established standardized parent committees in all 643 primary and secondary schools, promoting a collaborative approach to education between parents and schools [8] - The city has launched the "Family Education Lecturer Group," covering all communities and providing diverse educational resources for parents [8] Group 4: Psychological and Moral Support - A three-tiered psychological health protection network has been established, with over 500 volunteers trained and 800 psychological aid classes conducted, achieving a 100% success rate in crisis intervention [7][8] - The city has opened 40 patriotic education bases and 31 public cultural facilities for free access to minors, facilitating practical learning opportunities [7]

Core Viewpoint - The article highlights the rich heritage and ongoing development of Tonglu paper-cutting, a national intangible cultural heritage, emphasizing its artistic significance and community impact [8][10]. Group 1: Historical Background - Tonglu paper-cutting has a history of over a thousand years, originating with simple designs that express hopes for a better life [8]. - The art form has evolved post-1949, incorporating various styles such as three-dimensional and color-cutting techniques, while also expanding to include engraving [8]. Group 2: Artistic Significance - Tonglu paper-cutting is characterized by its unique aesthetic, described as "thick yet elegant, transparent yet substantial, simple yet luxurious," reflecting the beauty of the local landscape [8]. - Notable works include the collaborative piece "Elegant Tonglu," which captures the essence of local scenery, and a 5-meter-long paper-cut titled "New Fuchun Mountain Residence Map," showcasing the integration of local towns and natural features [9]. Group 3: Community Engagement and Education - Liu Lianhua, a key figure in the preservation of this art, has conducted over 50 training sessions in the past 20 years, fostering a new generation of enthusiasts [9]. - Starting September 2023, a paper-cutting elective course was introduced at Zhejiang Gongshang University, attracting 130 students each semester [9]. Group 4: Government Support and Future Plans - The Tonglu County government is actively involved in the preservation and promotion of paper-cutting, integrating it into educational curricula from kindergarten to university [10]. - Initiatives include the "Shenzhou Fengyun" national paper-cutting competition and the creation of cultural products, with plans for further development to enhance the art's visibility and impact [10].