Core Insights - The "Yuhui Lantern" cultural event in Huizhou has become a popular attraction, with over 1,500 visitors per day during the recent holiday period, showcasing the integration of traditional culture and tourism [1] - The revival of traditional fish lantern-making in Wangmantian Village has led to nearly 400,000 yuan in orders since 2024, driven by a new generation of artisans embracing the craft [2] - The county has implemented a three-year action plan for the protection and innovation of fish lantern heritage, aiming to secure over 12 million yuan in funding for infrastructure and service projects [3] Group 1 - The "Yuhui Lantern" night tour combines local culture with immersive experiences, reviving historical traditions and attracting significant tourist interest [1] - The fish lantern tradition, with over 800 years of history, has been recognized as an intangible cultural heritage, with several local variants listed at different administrative levels [1] - The local government is focusing on talent cultivation for heritage crafts, establishing a system that includes both experienced and young artisans [2] Group 2 - Educational initiatives have been introduced in local schools to teach fish lantern-making, ensuring the tradition is passed down to younger generations [3] - The integration of fish lanterns with other local cultural elements has led to innovative product designs, enhancing market appeal and consumer engagement [3] - The village of Zhanqi has transformed into a comprehensive tourism destination, leveraging the fish lantern as a central cultural icon [4] Group 3 - The village has seen significant economic benefits from tourism, with 210,000 visitors and a collective income of 1.67 million yuan this year, with fish lantern-related products contributing 40% of revenue [5] - The county has organized over 300 cultural performances related to fish lanterns, attracting more than 10 million visitors and generating over 20 million yuan in revenue from performances [5]

Core Perspective - The article highlights the legacy and evolution of the "Mian Ren Lang" craft, emphasizing its cultural significance and the personal journey of the current practitioner, Lang Jiaziyu, as he navigates the challenges of preserving this traditional art form while adapting it to modern contexts [1][11]. Group 1: Historical Background - The "Mian Ren Lang" craft has been passed down for nearly a century, originating from the family of Lang Shaoan, who established the art form with a focus on realistic and intricate designs [1][2]. - Lang Shaoan showcased his work internationally in 1953, marking a significant moment for Chinese folk art [2]. - The craft faced a prolonged decline during Lang Zhichun's tenure, where for at least ten years, there was no market for the art, leading to a reliance on personal income to sustain the craft [2][3]. Group 2: Personal Journey and Challenges - Lang Jiaziyu grew up immersed in the world of Mian Ren, learning through observation rather than formal training, which fostered a natural affinity for the craft [3][4]. - Despite his passion, Lang Jiaziyu's father initially discouraged him from pursuing a career in Mian Ren due to financial concerns, reflecting a common parental desire for stability [4][5]. - Lang Jiaziyu's determination to prove the value of traditional crafts was fueled by experiences in school, where he faced dismissive attitudes towards his skills [5][6]. Group 3: Artistic Evolution and Innovation - Lang Jiaziyu transitioned from a traditional approach to a more innovative and creative model, aiming to produce unique works rather than repetitive pieces [7][8]. - His creative process is described as intense and focused, likening it to "dancing on the edge of a cliff," where precision is crucial [8]. - He draws inspiration from his grandfather's work while striving to elevate his own artistic expression, recognizing the need for continuous improvement [8][9]. Group 4: Social Relevance and Modernization - Lang Jiaziyu's recent projects focus on capturing the essence of ordinary laborers, aiming to make the art form relevant to contemporary society [9][10]. - He reflects on the importance of representing everyday people in his work, aligning with a broader cultural narrative that values the contributions of all individuals [10]. - Despite achieving personal success, he acknowledges systemic challenges within the non-heritage market, emphasizing the need for demand creation to ensure the craft's survival [11][12]. Group 5: Future Aspirations - Lang Jiaziyu aims to create a sustainable ecosystem for artisans, advocating for a broader societal recognition of traditional crafts [12]. - He envisions a future where the craft can thrive independently of familial lineage, ensuring its continuity for future generations [12].

Group 1 - The 8th China International Import Expo will be held in Shanghai from November 5 to 10, serving as an important platform for China's high-level opening-up and cultural exchange [1] - Jiangsu's cultural exchange activities will feature seven time-honored brands, showcasing the rich heritage and contemporary vitality of Jinling culture through new product launches and interactive experiences [1] - Nanjing Yunjin Research Institute will unveil two significant new products, including a cultural garment featuring auspicious bird patterns, showcasing advancements in traditional Yunjin weaving techniques [1] Group 2 - Shizhu Zhai will present the "Dough Plate Flower" intangible cultural heritage technique combined with digital innovations, highlighting the dialogue between traditional culture and modern sports [2] - The Zisha brand Huafengxiang will debut a special "Suhou" licensed product series, including a Zisha teapot themed around jasmine flowers and football elements, reflecting a blend of traditional craftsmanship and contemporary design [2] - Nanjing Zhengguanzhuang E-commerce Co. will introduce a "Suhou" licensed product, a football-themed soap that combines sports vitality with the essence of intangible heritage [2] Group 3 - Previous participation in the Import Expo has led to successful collaborations, such as discussions with LVMH Group executives, demonstrating the event's role in connecting traditional crafts with global buyers [3] - The Import Expo has provided a valuable platform for showcasing intangible cultural heritage and has facilitated connections with various industry peers, enhancing cultural confidence [3] - The focus on digitalization in previous years has allowed for a broader presentation of traditional techniques, further promoting Chinese culture on the global stage [3]

Core Viewpoint - The recent announcement by the China Civilization Rural Conference highlights the successful integration of cultural revitalization and rural development through the "Village Show" initiative in Wuzhishan City, showcasing local ethnic fashion and culture [1] Group 1: Cultural Revitalization - Wuzhishan City has a rich heritage of Li and Miao cultures, which is being actively promoted through the "Village Show" as a means of cultural transmission and ecological protection [1] - The "Village Show" breaks traditional fashion show formats by hosting events in rural fields and urban parks, featuring local villagers, city residents, and grassroots officials as models [1] Group 2: Economic and Ecological Integration - The initiative combines local cultural elements with unique industries, introducing creative costumes like "Harvest Goddess" and "Lotus Fairy," which reflect both ecological conservation and economic development [1] - The event also includes a cultural market and local food festival, enhancing the immersive experience for visitors and promoting the integration of culture and tourism [1]

Core Points - The Shanghai Helong Art Museum's new building has opened, adding a cultural landmark in the Qingpu District [1] - The inaugural exhibition, "Wonders of Haipai Art: The First Haipai Art Series Exhibition," showcases significant works from modern Haipai masters [1] Summary by Sections Museum Overview - Established in 2016, the Shanghai Helong Art Museum focuses on collecting works from renowned Haipai artists, with over 300 pieces including works by Zhang Daqian, Lin Fengmian, and others [1] - The new museum features four exhibition areas, including a special gallery for Qing Dynasty lacquerware with over 20 precious pieces from the Qianlong era [1] Architectural Design - The new building is characterized by a modern design using exposed concrete and glass curtain walls, creating an airy and artistic atmosphere [1] - Each exhibition hall has a height of over 7 meters, allowing for large-scale artworks to be displayed prominently [1] Cultural Activities - The museum plans to host various cultural activities, including art appreciation lectures and educational courses, focusing on Jiangnan culture, Haipai culture, and intangible cultural heritage [1] - The museum is open to the public for free, aiming to integrate Haipai art into daily life and encourage community engagement [1]

Core Insights - The 14th Wuyang Baijiu Sealing Ceremony and the 2025 Consumption Assistance Activity were held in Chongqing, showcasing the integration of cultural heritage and agricultural support [1][3][10] Group 1: Event Overview - The Wuyang Baijiu Sealing Ceremony has become a significant platform for showcasing the cultural heritage and craftsmanship of Chongqing since its inception in 2011 [3] - The event emphasizes the importance of traditional practices and practical measures for rural revitalization, as highlighted by local officials [3][5] Group 2: Cultural and Agricultural Integration - The event serves as a medium to promote Wuyang's non-material cultural heritage and enhance the visibility of local agricultural products through a consumption assistance platform [5][10] - Local high-quality agricultural products, such as ecological beef, free-range chickens, and red-fleshed pomelos, were showcased, aiming to connect production and sales effectively [10] Group 3: Immersive Experience - Attendees participated in immersive experiences, including observing the traditional brewing process and engaging in hands-on activities, which deepened their understanding of the craftsmanship behind Wuyang Baijiu [7] Group 4: Future Prospects - The event is seen as a living representation of the city’s identity and a beneficial exploration of cultural empowerment in industry, with plans to continue leveraging the festival to support rural revitalization [14]

Core Insights - The article highlights the innovative educational approach of a vocational school in Fujian, where students engage in hands-on learning through local cultural practices, particularly focusing on tea culture and heritage [1][4]. Group 1: Educational Transformation - The school integrates local cultural heritage into its curriculum, using tea leaves and traditional songs as teaching tools, which helps students understand the history and customs of the She ethnic group [1][4]. - The principal emphasizes the importance of changing students' perceptions of vocational education, aiming to cultivate a sense of pride and recognition in their chosen fields [3][5]. Group 2: Community Engagement and Economic Development - Students participate in projects that promote local handicrafts, such as handmade flower tea, which not only enhances their skills but also provides employment opportunities for local women [4][8]. - The school collaborates with local tea enterprises and integrates e-commerce marketing into its curriculum, allowing students to apply their knowledge practically while contributing to rural revitalization [8]. Group 3: Cultural Confidence and Identity - The curriculum includes music and cultural history, fostering a sense of cultural confidence among students and encouraging them to appreciate their heritage [6][8]. - The principal believes that the students are not just learners but also contributors to local development, aiming to instill a sense of responsibility and capability in them [8].

Core Viewpoint - The article highlights the cultural significance and modern revival of traditional archery in China's Xibe ethnic community, particularly through the efforts of Wu Junliang, a national-level inheritor of this intangible cultural heritage [1] Group 1: Cultural Heritage and Significance - The traditional archery of the Xibe ethnic group has been recognized as a national-level intangible cultural heritage [1] - Wu Junliang, a 37-year-old archery expert, embodies the cultural legacy and skills associated with this heritage, having been trained since the age of 16 [1] - Archery is portrayed not only as a competitive sport but also as a representation of the Xibe people's spirit and cultural identity [1] Group 2: Professional Development and Community Engagement - After retiring from competitive archery, Wu Junliang became a coach at the Xibe Ancient City scenic area, promoting archery to tourists [1] - Over the past decade, he has expanded his skills to include various archery techniques and has won multiple championships across the country [1] - Wu Junliang has initiated a traditional archery center in the Yili Old Town cultural tourism area, which has gained popularity among visitors [1] - He actively participates in the "Intangible Cultural Heritage into Campus" initiative, providing free archery training to elementary school students [1]

Core Insights - The article highlights the innovative integration of AI technology in the traditional craft of tie-dyeing, showcasing how Jiangsu Huayi Garment Group has revitalized this ancient art form through automation and smart production techniques [1][4]. Group 1: AI Empowerment in Traditional Craft - Huayi Group has developed China's first intelligent robot production line for non-heritage tie-dyeing, transitioning from "experience-driven" to "intelligent decision-making" [1][4]. - The production line utilizes AI dyeing sampling systems and fully automated assembly lines, creating a comprehensive intelligent production system [2][4]. Group 2: Efficiency and Environmental Impact - The intelligent artisans on the production line can replace the workload of five workers, increasing production efficiency by six times and improving dye utilization from 60% to 92% [4]. - The project has achieved a product quality rate of 98% while significantly reducing wastewater discharge, demonstrating a balance between economic benefits and green development [4]. Group 3: Market Performance and Growth - Since the launch of the intelligent production line in early 2024, Huayi Group has reported a 22% increase in sales revenue, with annual output value exceeding 800 million yuan [4]. - The company has successfully expanded its market reach, with domestic sales hitting record highs and products being exported to the United States and Japan [4][5]. Group 4: Cultural and Educational Initiatives - Huayi Group has established a comprehensive empowerment model that includes a laboratory, workshop, and market, positioning itself as a leader in the domestic artistic dyeing segment [5]. - The company has created the Huayi Nantong Tie-Dye Museum, which showcases various tie-dye works and offers immersive experiences to visitors, promoting the heritage and innovation of this craft [5].

Core Insights - The establishment of the Qijiang Intangible Cultural Heritage Museum is a collaboration between Chongqing Yitong College and the Qijiang District Cultural and Tourism Commission, showcasing 105 items of intangible cultural heritage by the end of 2024, including 1 national-level and 14 municipal-level items [1][2] Group 1: Museum Features and Exhibits - The museum features various sections, including "Qijiang Nostalgia," which highlights 42 intangible cultural heritage food projects, and "Salt Horse Ancient Road," which connects the history of salt in Sichuan with the Long March [2][3] - The museum also showcases local folk music arts, particularly the national-level project "Yongcheng Blowing and Beating," along with student-created works in sections like "Artistic Wonders" and "Craftsmanship of Qijiang" [2][3] - The majority of exhibits were collected by students and teachers from local artisans, emphasizing community involvement in preserving cultural heritage [5][11] Group 2: Educational and Cultural Impact - The museum serves as a living classroom for students, allowing them to engage in hands-on learning experiences related to intangible cultural heritage [6][9] - It aims to cultivate students' cultural expression, innovation abilities, and appreciation for traditional arts, thereby enhancing their overall educational experience [9][12] - The integration of digital media technology with traditional culture is highlighted, as students from technical backgrounds apply their skills to enhance the museum's outreach and educational efforts [12][13] Group 3: Community and Student Engagement - The museum has become a platform for local intangible cultural heritage practitioners to interact with students, offering workshops and classes [6][7] - Students express pride in contributing to the preservation of local culture, with many actively participating in the collection and exhibition of cultural artifacts [5][11] - The initiative has positively impacted students' personal and professional development, enhancing their employability and cultural literacy [11][12]