Group 1 - The event focused on the living inheritance and popularization of intangible cultural heritage skills, specifically the Yanjing Eight Wonders, aiming to integrate these traditional crafts into modern daily life [1][2] - National first-class craftsman and cloisonné inheritor Ma Chao conducted an engaging cultural lecture for children, explaining the origins, development, and unique production techniques of cloisonné, enhancing their understanding of this ancient craft [1] - The event featured a display of exquisite traditional cloisonné artworks, which captivated the children and sparked their interest in the craft [1] Group 2 - The activity utilized a format of "cultural lecture + boutique display + craft experience," effectively bringing intangible cultural heritage skills to life within the community [2] - The Beijing Gold Inlay Art Museum plans to continue its outreach efforts by bringing museum activities into communities, schools, and parks, aiming to enrich modern life with traditional cultural elements [2]

Core Viewpoint - The event showcased the rich diversity of intangible cultural heritage (ICH) from 15 provinces and cities across China, emphasizing the importance of cultural exchange and the continuity of cultural traditions [1] Group 1: Event Highlights - The second exhibition of excellent ICH programs from various cultural centers across the country was held in Linhe District, Bayannur City, featuring vibrant performances [1] - Performances included traditional songs and dances from different regions, such as Shanxi's "Fenyang Diyan Dance" and Shanghai's Jiangnan Silk Bamboo "Happy Song," highlighting unique regional characteristics [1] - The event served as a platform for cultural exchange, allowing audiences to appreciate the distinctiveness of various ICH programs [1] Group 2: Audience Engagement - Local residents expressed excitement and appreciation for the performances, noting the unique qualities of each program [1] - The closing performance, "Bless You, Dear Motherland," prompted a spontaneous sing-along among the audience, reinforcing a sense of national unity [1] Group 3: Cultural Significance - The exhibition not only showcased artistic skills but also played a vital role in the transmission of cultural heritage and the strengthening of the sense of community among the Chinese nation [1]

Core Viewpoint - The article highlights the establishment of a non-material cultural heritage education system in Yingshan Town, Huanggang City, Hubei Province, which integrates traditional craftsmanship into daily education and campus culture to enhance students' understanding and appreciation of intangible cultural heritage [2]. Group 1 - The local initiative involves a combination of "curriculum teaching + public welfare activities + campus exhibitions + artistic performances" to promote the education of non-material cultural heritage [2]. - The program aims to strengthen students' recognition of intangible cultural heritage, allowing them to experience the beauty of traditional craftsmanship firsthand [2]. - This approach contributes to the protection and transmission of non-material cultural heritage within the community [2].

Core Viewpoint - The "Art Sea Flowing Gold: Colorful Guizhou" cultural and tourism exchange event aims to enhance collaboration between mainland China and Hong Kong and Macau, showcasing Guizhou's rich cultural and tourism resources [2][3]. Group 1: Event Overview - The event is co-hosted by the Ministry of Culture and Tourism and the Guizhou Provincial Government, with support from various governmental offices, featuring cultural and tourism promotion activities across multiple cities in Guizhou [2]. - Since its inception in 2005, the "Art Sea Flowing Gold" event has facilitated cultural exchanges across various provinces, with Guizhou being the latest destination [2]. Group 2: Cultural Exchange and Impact - The establishment of the "Guizhou-Hong Kong-Macau Tourism Alliance" has led to a significant increase in tourism, with Guizhou receiving 107,200 visitors from Hong Kong and Macau in the first half of the year, marking a 74% year-on-year increase [3]. - Participants expressed a deep appreciation for Guizhou's diverse cultural heritage, including its unique ethnic traditions and modern developments, which they believe can enhance cultural understanding and tourism collaboration [5][6]. Group 3: Artistic Collaborations - The Central Opera House and Guizhou Province are collaborating on original productions, such as the opera "Wang Yangming" and the dance drama "Tunpu Long Song," to promote cultural integration [3]. - The event highlighted the potential for showcasing Guizhou's intangible cultural heritage, such as the Dong people's choral singing, on international platforms like the Hong Kong Arts Festival [7].

Core Viewpoint - The core of intangible cultural heritage (ICH) transmission lies in cultural inheritance, which is its intrinsic value. The focus should be on preserving and promoting cultural connotations rather than merely pursuing economic benefits through commercialization [1][2][4]. Group 1: Current Trends in ICH Transmission - There is a noticeable trend of excessive commercialization in ICH transmission, leading to the reduction of ICH to mere consumer symbols. This trend often overlooks the cultural value behind these traditions [1][3]. - Some regions have turned ICH projects into "internet celebrity check-in points" or "fast-moving consumer products," simplifying traditional skills into assembly line-style handcrafts, which diminishes the understanding of the historical and cultural significance behind these crafts [1][2]. - The focus on consumer-driven transmission can yield short-term economic benefits but ultimately erodes the cultural foundation of ICH, reducing it to hollow commercial gimmicks [1][4]. Group 2: Importance of Cultural Inheritance - Each ICH item carries specific cultural genes of a region or ethnicity, embodying the wisdom and spirit of ancestors. For instance, traditional opera forms like Peking Opera and Kunqu not only represent artistic expressions but also encapsulate traditional Chinese cultural values [2][3]. - Institutions like the Palace Museum are effectively using exhibitions, academic lectures, and documentaries to convey the stories behind ICH projects, enhancing public recognition and pride in traditional culture [2][3]. Group 3: Collaborative Efforts for ICH Transmission - Various organizations should take the lead in supporting ICH protection and transmission through policy support and funding, encouraging academic research and cultural exchange [3][4]. - ICH inheritors need to maintain cultural integrity while innovating transmission methods, utilizing new media platforms to showcase the production processes and cultural meanings of ICH [3][4]. - Society at large should engage in ICH cultural transmission through volunteer services and public awareness campaigns, with educational institutions and businesses playing a role in promoting ICH [3][4].

Core Viewpoint - The article highlights the rich history and cultural significance of Lian County's dough sculpture (Mian Su) as a traditional folk art in Shanxi Province, emphasizing the efforts of national intangible cultural heritage representative inheritor Yuan Jianhua and her family in preserving and promoting this craft [1][3][9]. Group 1: Cultural Significance - Dough sculpture is a traditional art form in Lian County, deeply rooted in local culture, historically used to express hopes for a better life and to honor ancestors [3]. - During festivals, locals create various dough sculptures, forming a "river of dough sculptures" displayed in public [3]. Group 2: Family Tradition - The dough sculpture craft has been passed down through generations, with Yuan Jianhua's daughter, Liu Lili, learning the art from her mother [5]. - The family utilizes common household tools like scissors and chopsticks in the intricate process of creating lifelike dough figures [5]. Group 3: Evolution and Innovation - Traditionally, the dough sculptures were white, but modern influences have led to colorful and innovative designs that are now popular [7]. - Creating a complete piece, such as a sculpture featuring nearly a hundred birds, requires a full day of work from the mother-daughter duo [7]. Group 4: Social Engagement and Promotion - As a national intangible cultural heritage inheritor, Yuan Jianhua actively shares her skills with the community, participating in exhibitions and educational activities for children [9]. - The local government has established a street dedicated to dough sculpture, reflecting the growing emphasis on cultural preservation and development [7].

Core Viewpoint - The "Canal Intangible Cultural Heritage: Blooming in Europe" event showcases the rich heritage and contemporary vitality of Chinese culture through the lens of the Grand Canal, fostering cultural exchange between China and Europe [1][5]. Group 1: Event Overview - The event took place on June 12 in Brussels, organized by the Brussels Chinese Cultural Center and Xinhua News Media Group, highlighting the significance of the Grand Canal culture [1]. - The atmosphere was vibrant, with many local attendees, especially young people, eager to engage with the exhibits and experiences [1][2]. Group 2: Cultural Exhibits and Experiences - Attendees participated in hands-on activities, such as traditional printing techniques and embroidery, which showcased the intricate skills of Chinese artisans [2][3]. - The event featured various traditional crafts, including Suzhou embroidery, Yangzhou woodblock printing, and paper-cutting, allowing visitors to appreciate and create their own art [2][4]. Group 3: Cultural Dialogue and Exchange - A cultural salon led by Dr. Pick Keobandith focused on the themes of artistic and cultural transmission between China and Belgium, fostering deep discussions among artists and heritage practitioners [2][5]. - Chinese artisans shared their personal stories and innovative practices aimed at promoting intangible cultural heritage, emphasizing the importance of engaging younger generations [3][4]. Group 4: Significance of the Event - The event is part of the celebration of the 50th anniversary of diplomatic relations between China and Europe, highlighting the value of cultural exchanges in enhancing mutual understanding [5]. - The Brussels Chinese Cultural Center emphasized the role of the event in allowing European audiences to experience the depth of Chinese culture and the shared aspirations for a better life [5].

Core Viewpoint - The article highlights the unique art form of Wuhu Iron Painting, which combines traditional Chinese painting techniques with metalwork, showcasing its cultural significance and modern adaptations to reach broader audiences [4][6][11]. Group 1: Art Form and Techniques - Wuhu Iron Painting is characterized by its intricate techniques, including forging, welding, and engraving, which create a three-dimensional effect, resembling a relief sculpture [5][6]. - The art form has roots dating back to the Kangxi period of the Qing Dynasty and has evolved by integrating elements from various traditional Chinese art forms [4][5]. - The primary materials used in iron painting are black, gray, and silver iron, which provide a unique aesthetic and structural integrity to the artworks [6]. Group 2: Cultural Heritage and Recognition - In 2006, Wuhu Iron Painting was recognized as a national intangible cultural heritage, highlighting its importance in preserving traditional craftsmanship [5]. - The art form is being actively promoted through exhibitions and international showcases, including participation in events in France, Hungary, and Saudi Arabia [9][10]. Group 3: Modern Adaptations and Education - Artists like Chu Tieyi are leveraging social media platforms to raise awareness and appreciation for Wuhu Iron Painting, successfully engaging younger audiences [7][9]. - Educational initiatives are being implemented, such as integrating iron painting techniques into vocational training programs, fostering a new generation of artists [9][10]. - The collaboration between traditional artisans and modern designers is leading to innovative creations that blend cultural heritage with contemporary artistic expressions [10][11].

Core Viewpoint - The 20th Qingyang Sachet Folk Culture Festival was held on May 29, showcasing the cultural heritage of the Loess Plateau and promoting the integration of culture and tourism, with the State Grid Qingyang Power Supply Company playing a crucial role in supporting the event through its "Heart Bridge·Bright Station" initiative [1][7]. Group 1 - The Qingyang Sachet Folk Culture Festival has been successfully held for 19 years since its inception in 2002, becoming a typical platform for cultural display and tourism development [1]. - The "Heart Bridge·Bright Station" serves multiple functions, including as a service and communication hub, enhancing the connection between the party and the public while supporting the development of intangible cultural heritage [1][7]. - During the festival, the State Grid Qingyang Power Supply Company provided essential services, including distributing over 100 electricity safety pamphlets and bottled water to visitors, ensuring a warm and informative experience [3]. Group 2 - The company proactively assessed the high electricity demand for the festival's stage, lighting, sound, and emergency communication vehicles, conducting infrared temperature measurements and load assessments to ensure reliable power supply [5]. - A comprehensive power supply plan and emergency response plan were developed, ensuring zero power outages during the festival and supporting the scale and internationalization of the Qingyang sachet industry [5][7]. - The company aims to deepen the construction of the "Heart Bridge·Bright Station" to further promote the coordinated development of local economy and traditional culture, enhancing the visibility of intangible cultural heritage in the region [7].

Core Viewpoint - The article highlights the revival and modernization of the Yuping Xiao Di, a traditional Chinese bamboo flute, which is recognized as a national intangible cultural heritage and has a history of over 400 years [1][3]. Group 1: Cultural Heritage and Historical Background - The Yuping Xiao Di originated during the Ming Dynasty and was initially made from a unique type of bamboo, known for its elegant shape and clear sound, making it a tribute item [1]. - The craft faced a transmission crisis over time, but recent efforts have revitalized interest and participation in this ancient art form [1]. Group 2: Modern Initiatives and Cultural Integration - Yuping County has implemented "four major cultural projects" to integrate Xiao Di culture into modern life, including talent cultivation, brand building, and innovative protection measures [3]. - A dedicated cultural industry development team has been established to create an integrated management system, and a cultural center has been set up to ensure effective policy implementation [3]. Group 3: Education and Talent Development - The Yuping Xiao Di culture has been incorporated into primary and secondary school curricula, with over 30,000 students exposed to the local textbook "Yuping Xiao Di" [3]. - Schools have established specialized Xiao Di classes and formed large performance teams, fostering early appreciation of the instrument among children [3]. Group 4: Promotion and Global Outreach - Various brand activities have been created to promote Xiao Di culture, including the original musical "Ping Xiao Yu Di," which gained recognition at a national musical theater exhibition [3]. - The "Dong Listening Concert" utilized Douyin live streaming to attract a large audience, and the Xiao Di is gradually reaching international platforms through new media and instrument exhibitions [3]. Group 5: Preservation and Innovation - Yuping County has focused on both the preservation and innovation of traditional techniques, including digital documentation and the publication of historical books [4]. - The upgraded Yuping Xiao Di Museum serves as a cultural showcase and immersive experience venue, reflecting the unique charm of the city [4].