Core Viewpoint - The "Art Sea Flowing Gold: Colorful Guizhou" cultural and tourism exchange event aims to enhance collaboration between mainland China and Hong Kong and Macau, showcasing Guizhou's rich cultural and tourism resources [2][3]. Group 1: Event Overview - The event is co-hosted by the Ministry of Culture and Tourism and the Guizhou Provincial Government, with support from various governmental offices, featuring cultural and tourism promotion activities across multiple cities in Guizhou [2]. - Since its inception in 2005, the "Art Sea Flowing Gold" event has facilitated cultural exchanges across various provinces, with Guizhou being the latest destination [2]. Group 2: Cultural Exchange and Impact - The establishment of the "Guizhou-Hong Kong-Macau Tourism Alliance" has led to a significant increase in tourism, with Guizhou receiving 107,200 visitors from Hong Kong and Macau in the first half of the year, marking a 74% year-on-year increase [3]. - Participants expressed a deep appreciation for Guizhou's diverse cultural heritage, including its unique ethnic traditions and modern developments, which they believe can enhance cultural understanding and tourism collaboration [5][6]. Group 3: Artistic Collaborations - The Central Opera House and Guizhou Province are collaborating on original productions, such as the opera "Wang Yangming" and the dance drama "Tunpu Long Song," to promote cultural integration [3]. - The event highlighted the potential for showcasing Guizhou's intangible cultural heritage, such as the Dong people's choral singing, on international platforms like the Hong Kong Arts Festival [7].

Group 1 - The "Colorful Guizhou: Wind Across the World" symphonic concert was held at the Sydney Opera House, showcasing a blend of Chinese ethnic instruments and Western orchestral music [1][3] - Highlights of the concert included the performance of traditional Dong songs, particularly "Eating New," which combines original ecological singing with modern arrangements, and "Hometown Love Song," featuring traditional instruments from various ethnic groups [3][4] - The concert was organized by the Guizhou Cultural Performing Arts Group and aimed to introduce Chinese folk music to Australian audiences while enhancing confidence in the development of ethnic music [4] Group 2 - Australian composer Elena Kats-Chernin expressed admiration for the unique charm of Chinese ethnic instruments, emphasizing their captivating nature [3] - Luke Spicer, the guest conductor of the Australian Orchestra, noted that music serves as a remarkable tool to unite people from different cultures and backgrounds, highlighting the commonalities shared among diverse groups [4] - The concert is part of a broader initiative, with performances scheduled to continue in Melbourne, indicating ongoing cultural exchange efforts between China and Australia [4]

Core Viewpoint - The "Wulue Changa" ensemble from the Sanbao Dong Village in Guizhou has successfully brought Dong folk songs to an international audience, showcasing the cultural significance and modern adaptations of this traditional music [1][10]. Group 1: Cultural Significance - Dong folk songs are considered one of the "three treasures" of the Dong ethnic group, embodying the belief that singing is as essential as eating, and serve as a living history of the community [4]. - The traditional form of Dong folk songs is characterized by unaccompanied, multi-part harmonies, which convey the community's understanding of nature, society, and life [4]. - In 2009, Dong folk songs were recognized as a representative work of human intangible cultural heritage by UNESCO [4]. Group 2: Personal Journey and Professionalization - Yang Xiangni, the founder of the "Wulue Changa" ensemble, began her journey in music through her grandfather's collection of Dong song CDs, which opened her to the ancient musical world [2]. - She pursued formal music education at Guizhou University, where she learned the theoretical aspects of Dong songs and honed her vocal skills [5]. - After returning to her hometown, she formed the ensemble to innovate and modernize Dong folk songs, aiming to make them appealing to younger audiences [6]. Group 3: Modern Adaptations and Collaborations - The ensemble gained recognition after adapting traditional songs into contemporary styles, such as reggae, which sparked both interest and controversy within the community [6]. - A significant turning point came in 2023 when the ensemble was invited to create music for the popular animated film "Nezha: Birth of the Demon Child," blending traditional elements with modern cinematic styles [7]. - The ensemble's performance in Cairo included both traditional and adapted songs, aiming to demonstrate the evolving nature of their music to an international audience [10]. Group 4: Community Engagement and Preservation Efforts - Yang Xiangni initiated a public Dong song classroom to teach children, utilizing online platforms to reach a broader audience [8]. - The "Song Seeking Project" was launched to document and preserve endangered Dong songs by collaborating with elder singers in the region [8][9]. - The ensemble's success has led to increased commercial opportunities, allowing members to sustain themselves while contributing to community projects and cultural preservation [9][10].

传唱千年的侗族大歌，邂逅动画电影《哪吒之魔童闹海》，迅速走红出圈。 "侗家无字传歌声——口传心授的侗族大歌，很古朴也很时尚。"贵州省黔东南苗族侗族自治州黎平县文 体广电旅游局局长唐大才介绍。 贵州有17个世居少数民族，以侗族大歌为代表的民族文化多姿多彩。2021年2月，习近平总书记在贵州 考察时指出："要支持少数民族和民族地区发展特色优势产业，繁荣发展少数民族文化。"今年3月，习 近平总书记在贵州考察时指出："少数民族文化是中华文化不可或缺的组成部分，既要保护有形的村 落、民居、特色建筑风貌，传承无形的非物质文化遗产，又要推动其创造性转化、创新性发展，让民族 特色在利用中更加鲜亮，不断焕发新的光彩。" 加快建设多彩贵州文化强省，贵州持续做好民族文化的保护、创新与利用，增强文化自信，助推经济社 会高质量发展。 方形石墩、木构长廊、高大门楼……黔西南布依族苗族自治州贞丰县者相镇纳孔村文化广场，一条青石 板路将各式建筑串珠成链，形似布依族八音坐唱中使用的一种乐器——月琴。 "营建方案融合非遗元素、体现民族特色，在群众会上高票通过。"纳孔村党支部书记岑立江说，拥有约 600年历史的布依古寨，民居修缮或新建均须从村到县 ...

Core Viewpoint - The articles emphasize the importance of protecting and revitalizing minority cultures in China, highlighting the need for creative transformation and innovative development to ensure these cultures thrive in modern society [1][2][3][4]. Group 1: Cultural Protection - Minority cultural heritage is a testament to ethnic history and a carrier of national spirit, necessitating systematic protection and research to preserve diversity and uniqueness [2]. - Modern technology, such as virtual reality and artificial intelligence, can enhance the experience and transmission of minority cultures, making them more accessible and engaging [2]. Group 2: Creative Transformation - The transmission of minority cultures should not be limited to preservation; it must find a balance between tradition and modernity, transforming cultural elements into contemporary products [3]. - Digital technologies allow traditional forms, like the Dong people's choral music, to be integrated into modern music, broadening their reach and appeal [3]. Group 3: Innovative Development - Innovation is essential for cultural vitality, requiring technological empowerment, industry support, and an open perspective to connect traditional cultures with modern markets [4]. - The integration of minority cultures with tourism and commercial sectors can create competitive cultural products, enriching consumer experiences and fostering a complete industrial chain [4].

Core Viewpoint - The article emphasizes the importance of protecting and developing minority cultures, particularly in the context of the Zhaoxing Dong Village, which is a significant representation of traditional villages in Guizhou, China. It highlights the need for systematic protection of both tangible and intangible cultural heritage while promoting innovative development to keep the ethnic characteristics vibrant and relevant [5]. Group 1: Cultural Heritage Protection - The Zhaoxing Dong Village, established during the Northern Song Dynasty, is one of the largest Dong villages in China and serves as a model for traditional village protection in Guizhou [5]. - The local government has implemented a five-level collaborative protection system, completing 415 traditional village protection plans to enhance top-level design [6]. - A new evaluation system categorizes traditional villages into three levels: premium enhancement, general improvement, and contraction rescue, with Zhaoxing Dong Village rated as premium enhancement due to its intact cultural resources and mature tourism foundation [7]. Group 2: Architectural Preservation and Community Involvement - The article discusses the challenges of maintaining traditional architectural styles while improving living conditions, exemplified by a local resident's efforts to renovate their home while preserving its traditional features [9][10]. - The local government has established strict guidelines for new constructions and renovations to ensure they align with traditional aesthetics, which has gradually gained community acceptance [10][11]. - The integration of traditional craftsmanship into the local economy is highlighted, with over 400 guesthouses and numerous handicraft enterprises established in the village, contributing to a projected tourism revenue of 1.02 billion yuan in 2024 [13]. Group 3: Revitalization of Cultural Practices - The revival of traditional Dong songs and cultural practices is actively promoted through community events and educational programs, enhancing local cultural engagement [12]. - The article notes the success of local artisans, such as a representative of the indigo dyeing craft, who has created job opportunities for over 200 women through her cooperative, generating significant income [13]. - The overall strategy aims to fuse cultural preservation with rural revitalization, creating a sustainable model for the development of traditional villages [13].