上海香山路 李铭 珅 摄（资料照片） 上海的香山路，总能在梧桐叶影里透出一缕南国的气息。这条路不长，却像一条时光隧道，连接着黄浦 江的波光与珠江的浪涌。1943年，当彼时法租界莫利爱路更名为香山路时，上海以一种含蓄的方式，向 一位广东香山走出的伟人致意。而此时，距离孙中山先生逝世已18年，他的故乡香山县早在1925年便已 改名为中山县。 南宋绍兴二十二年（1152）香山设县，伶仃洋的涛声里千年文脉就此扎根；元至元二十九年（1292）上 海设县，黄浦江的潮起潮落间一座新城悄然崛起。时光流转到19世纪，两座城市在西风东渐的浪潮中率 先迈出近代化的步伐。香山面朝南海，毗邻澳门，早得海外风气；上海扼守长江，眺望太平洋，后发而 先至。及至近代，它们几乎同步踏上转型路。一个扼守长江咽喉，吞吐着江南的富庶物产；一个雄踞珠 江门户，承载着岭南的开放基因。珠江与长江，一南一北，最终都汇入那片蔚蓝，历史的巧思就这样把 两座城连在一起。 上海开埠之初，外滩洋行楼宇次第而起，商机涌动，一群香山人乘风破浪而来，在这片热土上书写了波 澜壮阔的实业传奇。1851年首届伦敦世博会上，香山人徐荣村带着12包精心挑选的湖丝一举摘得"制造 业和手 ...

徐鸣（蒋立冬 绘） 1935年10月8日，中国标准国货铅笔厂（中铅）于上海斜徐路1176号正式开工生产，这是中国第一家能 够自己生产铅笔板、笔芯、笔杆及外观加工的全能铅笔企业。从这个时间节点算起，中国民族铅笔制造 业已走过了九十年的风雨历程。 徐鸣，1975年2月被招入中铅一厂技校并留厂工作，1977年12月参加高考，后毕业于同济大学，长期从 事上海近现代史研究。作为中国铅笔工业的亲历者与研究者，他近期出版了《"笔"路蓝缕：中国民族铅 笔制造业史话》。该书采用史叙与科普结合的方式，系统梳理了中铅、上铅、长铅三家铅笔厂的兴衰分 合，记述了行业奠基人、"铅笔大王"吴羹梅的传奇人生，以及"飞机""鼎""长城""中华"等国民品牌的创 设历程。近日，徐鸣就中国民族铅笔制造业的相关历史话题接受了《上海书评》的专访。 《"笔"路蓝缕：中国民族铅笔制造业史话》，徐鸣著，上海大学出版社，2025年8月出版，285页， 78.00元 徐鸣："铅笔"自古就有，但那种是真的用金属铅做成的、靠铅棒在纸上划动而留下痕迹的笔，所以 叫"铅"笔。自从十六世纪英国人意外发现石墨后，彻底颠覆了书写工具的性质，采用石墨书写，既醒目 又可直接获得， ...

《河头春秋》这部作品以我国北方近代工业发祥地之一的唐山为背景，以晚清时期开平矿务局挑挖煤河 及修筑铁路为主线，以煤河两岸的河头老街为故事场景，通过塑造朝廷大小官员、当地佃农乡绅等各色 人物对挑河修路的不同态度，反映了顽固守旧与勇于学习西方、立志富国强兵的两种势力之争，具有重 要的史料价值与文学意义。诚如作者张进岭在感言中所述："一座矿，一条河，一段路历经一百四十多 个春秋，它们用矿的深邃、水的柔情和钢的坚毅共同述说着中国工业的世纪之梦。如今，那座矿已经演 变成一座唐山新城，河尽头的百年老街，依然在向人们回忆着过去的苦难，展示着今天的辉煌，而这里 诞生的我国第一条标准轨距的铁路已经伸向了更远的地方……"综览全书，其艺术成就与思想深度集中 体现在四个方面。 全景式还原挖河修路的艰难历程，揭示朝野之间的重重矛盾。开平煤矿开凿后，煤炭运输成为惊动朝野 的大事。为了解决这一问题，时任开平矿务局总办、洋务运动核心骨干唐廷枢数易方案，不辞劳苦实地 考察，时任直隶总督、北洋大臣，洋务运动主要倡导者李鸿章亲自饬令各地配合煤炭开采与运输事宜， 最终敲定开凿一条从阎庄到胥各庄、全长70里的运煤河道。1881年3月，煤河正式动工，于 ...

Core Viewpoint - The article highlights the rich historical and cultural significance of Hechuan, a district in Chongqing, China, emphasizing its notable figures and events that shaped its identity and contributions to Chinese history [1][2]. Group 1: Historical Significance - Hechuan is known for its historical resistance against the Mongol army during the Southern Song Dynasty, which lasted for 36 years and significantly impacted world history [1]. - The district is home to various historical sites, including the former residence of Lu Zuofu, a prominent patriotic industrialist and educator, who played a crucial role in the development of local education and industry [5]. Group 2: Cultural Exploration - The author expresses a deep appreciation for Hechuan's natural beauty and cultural richness, mentioning various landmarks such as the ancient city wall and the Puyuan Temple, which are tied to significant historical events [4]. - The article describes the vibrant community life in Hechuan, highlighting the efforts of local officials to foster a sense of belonging and support among residents through community services [6]. Group 3: Modern Developments - The article notes the modern infrastructure and accessibility of Hechuan, with convenient transportation options such as the Yuwu Expressway and high-speed trains connecting it to Chongqing [3]. - There is an emphasis on the role of financial institutions in community engagement, with banks and insurance companies actively participating in local development and providing services to residents [6].

Core Viewpoint - The musical "Forty Days," produced by the China Oriental Performing Arts Group, dramatizes the historical event known as the "IYichang Evacuation," which is likened to the Dunkirk evacuation in World War II, highlighting the courage and determination of Chinese patriots during the Second Sino-Japanese War [1][3]. Group 1: Historical Context - In the autumn of 1938, as Japanese forces advanced on Yichang, over 1.5 million people and a million tons of strategic materials were evacuated within 40 days under the leadership of patriot Lu Zuofu, preserving China's industrial lifeline [3]. - The musical is based on this evacuation, showcasing the urgency and heroism involved in the operation [3]. Group 2: Narrative and Character Development - The story unfolds through the interactions between Lu Zuofu, crew members, refugees, and soldiers, creating a rich tapestry of human experience against the backdrop of war [3]. - Subplots include Lu Zuofu's wife evolving into a supportive new woman and the relationship between Lu's subordinate and a Fudan University graduate, adding depth to the main narrative [3]. Group 3: Stage and Musical Elements - The stage design features industrial elements like gears and metal bridges, symbolizing the weight and value of China's industrial efforts during the war [5]. - The musical incorporates a "three-stage" shipping method, visually represented on stage, emphasizing the logistical strategies employed during the evacuation [5]. - The score, composed by Lao Zai, combines elements of opera and various musical styles, with the Sichuan river shanty serving as a powerful symbol of national spirit, enhancing the dramatic tension throughout the performance [5].

Core Viewpoint - The musical "Forty Days" premiered on December 25, 2025, at the Poly Theatre in Beijing, showcasing a historical narrative based on the evacuation during the Second Sino-Japanese War, emphasizing the theme of national salvation through industrial efforts [1][3]. Group 1: Historical Context and Narrative - The musical is based on the "Yichang Evacuation" in 1938, where patriotic entrepreneur Lu Zuofu led a fleet to transport over 1.5 million people and a million tons of strategic materials within 40 days, providing economic support for China's prolonged resistance against Japan [3][5]. - The performance aims to recreate the urgency and heroism of the time, intertwining the sounds of the Yangtze River, labor songs, and the roar of enemy aircraft to honor the spirit of national self-rescue [3][5]. Group 2: Artistic Presentation - The musical seeks to unify historical authenticity with poetic stage artistry, using powerful musical elements like the "Chuanjiang Haizi" as a symbol of indomitable national spirit, with music closely aligned to the narrative's emotional peaks [5]. - The visual design incorporates industrial elements such as gears, metal bridges, and ship structures, symbolizing the weight and value of China's industrial lifeline during the war [5]. Group 3: Audience Engagement and Impact - The production offers an immersive historical experience, transforming Lu Zuofu from a distant historical figure into a relatable character, and the 40 days into a vivid representation of struggle and hope [5]. - Themes of patriotism, sacrifice, and collective strength resonate deeply with audiences across generations, aiming to strike a balance between historical depth and artistic expression [5][7]. Group 4: Production and Support - "Forty Days" is co-produced by the China Oriental Performing Arts Group, Beijing Ziyunxing Cultural Technology Co., and several government entities, with support from the Lu Zuofu Foundation and the Beijing Cultural Arts Fund [7]. - The production is part of the National Arts Fund's 2026 stage art creation initiative and the Beijing Cultural Arts Fund's 2025 support program, indicating significant institutional backing [7].

"天地之大德曰生"，《易经》以此开篇。1895年，张謇在南通创办第一家实业纺纱厂，名曰"大生纱厂"，寓意开办纱厂造福百姓，这也是张謇迈出实业救国 的关键一步。 漆颖斌并不是南通本地人，他2006年来到南通工作。2011年底，他开始担任大生集团总会计师。在不知不觉间，他被这位先贤的人格魅力所深深打动。"能 够来大生这样一家具有历史底蕴和精神内涵的百年企业工作，是可遇而不可求的机会。这份基业的传承与焕新，亦是一代又一代大生人心中牢记的目 标。"大生纱厂，已成为南通纺织业的缩影，更是中国百年纺纱工厂的"活标本"。 来源：上海证券报·中国证券网 上证报中国证券网讯（记者 仲茜）来到"近代第一城"江苏省南通市，不得不提一个人，清末"状元企业家"张謇。他高中状元，却放下毛笔，拨动算珠， 以"实业救国"为初心，在家乡南通兴办实业、投身教育，开辟了新路，造福于一方。 "在那个充满不确定的时代，创办企业，谈何容易；办好企业，更不容易。张謇这位清代状元企业家，他却做到了。"大生纱厂董事长漆颖斌说，张謇从打造 一个核心产品起家，先后布局农业、商业、船舶业、电讯业、教育业，环环相扣，一手打造了商业传奇。"他敢为人先、强毅力行，克勤克 ...

Core Viewpoint - The article discusses the conflict between two different value logics represented by the character Qin Er Ye from Lao She’s "Teahouse," highlighting the tension between grand ambitions and the neglect of individual suffering [2][4]. Group 1: Value Logic - Qin Er Ye's choice illustrates a harsh truth: saving one person is charity, while saving thousands is a business. He believes every penny should contribute to the factory, which can change the fate of millions [4]. - The limited nature of empathy is emphasized, suggesting that if one empathizes with every individual misfortune, they may lose the capacity for action due to emotional exhaustion [5]. - The mindset of maintaining order is evident, where casual charity is seen as fostering dependency, while establishing factories is viewed as creating opportunities for self-reliance [6]. Group 2: Consequences of Value Logic - The cost of this logic is significant, as the initial purpose of "saving the people" becomes an abstract concept, reducing individuals to mere numbers in reports [8]. - Humanity is lost in calculations, leading to evaluations of assistance based on "worth" and judgments of help based on "efficiency" [8]. - Success becomes distorted, resulting in individuals becoming what they once despised—professing moral values while being indifferent to the suffering around them [8]. Group 3: Finding a Third Path - A third path exists between "cold-blooded success" and "ineffective emotional help," which involves balancing ideals with compassion. For instance, Jack Ma maintained a focus on helping others even during tough times [9]. - Balancing systems with empathy is crucial; effective systems should have rigid principles while also providing humane channels for support [10]. - Recognizing that "saving the country and the people" and "a bowl of rotten meat noodles" are not mutually exclusive choices is essential for true greatness [11]. Group 4: Reflection on Human Nature - Historians note that Qin Er Ye's tragedy lies not in having high ideals but in a lack of human warmth, reminding those pursuing success that the scale of their endeavors should not come at the expense of human empathy [13]. - True success is defined not only by how many lives are changed but also by maintaining one's humanity in the process [13].

Core Viewpoint - The Hu Juewen Memorial Hall in Shanghai's Jiading District has undergone a comprehensive upgrade and will officially open to the public on September 18, commemorating the 130th anniversary of the birth of Hu Juewen, a prominent patriotic democrat and industrialist in China [1][7]. Group 1: Hu Juewen's Contributions - Hu Juewen (1895-1989) was a dedicated patriot, political activist, and outstanding industrialist, known for founding the China Democratic National Construction Association and holding various significant positions, including Vice Chairman of the Shanghai Municipal Political Consultative Conference and Vice Mayor of Shanghai [3]. - Throughout his life, Hu Juewen exemplified the spirit of patriotism and responsibility, actively participating in the anti-Japanese war and the establishment of a democratic nation, and later contributing to the socialist construction of New China [5][16]. Group 2: Memorial Hall Exhibits - The upgraded exhibition at the Hu Juewen Memorial Hall features a rich collection of historical materials, artifacts, and scene recreations that chronicle Hu Juewen's life journey from industrial salvation to revolutionary involvement and participation in building New China, showcasing his historical contributions and noble character [7][16]. - The hall displays 213 items (sets) donated by Hu Juewen's family, which comprehensively illustrate his relentless pursuit of truth and dedication to the country and its people [7]. Group 3: Personal Legacy and Local Impact - Hu Juewen had a deep connection to his hometown of Jiading, where he established several enterprises that benefited the local community and later donated his ancestral home to the Jiading County government [11]. - He actively supported the development of traditional arts, such as Jiading bamboo carving, and encouraged local leaders to promote cultural initiatives [14].

Core Viewpoint - The article highlights the historical significance and modern transformation of the Liuhe Silk Factory in Nanchong, Sichuan, emphasizing its role in the silk industry and cultural heritage, as well as its ongoing efforts to attract tourism and educate the younger generation about silk culture [1][4][9]. Group 1: Historical Significance - Liuhe Silk Factory, once the largest silk enterprise in Asia, has a history of over a century and is now part of the Liuhe Silk Cultural Park, which spans approximately 30,000 square meters [1][4]. - The park features a historical building called "Liuhe Courtyard," established in the 1920s, which has been renovated into a cultural museum [1][3]. - Zhang Lan, the founder of the factory, is commemorated with a statue, and his contributions to the silk industry and education are highlighted [3][4]. Group 2: Cultural and Economic Impact - The region of Nanchong has been recognized as a "Silk Capital" and "Silk Origin Point" due to its historical significance in silk production [4][6]. - The Liuhe Silk Factory has adapted to modern times by transforming old factory buildings into exhibition spaces and cafes, while also promoting traditional crafts like tie-dye and embroidery [6][7]. - In 2024, the Liuhe Silk Cultural Park is expected to receive 1.203 million visitors, generating a total tourism revenue of 1.36 billion RMB, with the Liuhe Group contributing 70 million RMB [7][9]. Group 3: Future Development - The Liuhe Silk Factory plans to develop a cultural industry park centered around Zhang Lan's legacy and the factory's history, aiming to engage more young people both domestically and internationally [9].