来源：白鹿视频 巴拿马当地时间12月27日深夜，阿赖汉市政府当局不顾现场华侨华人代表的一致反对，悍然强行拆除了位于美洲大桥观景台 的、铭记华人对巴百年贡献和象征中巴人民友谊的中巴公园及华人抵巴150周年纪念碑。对此，12月29日上午，中国驻巴拿马大 使馆发布严正声明，表示极度震惊、强烈愤慨和坚决反对；中国外交部发言人当日下午郑重表示，中方对巴拿马有关地方政府 强拆华人抵巴纪念碑行径严重不满，已向巴方提出严正交涉。中国侨联完全同意、坚定支持上述表态。 巴拿马当地时间12月27日深夜，阿赖汉市政府当局不顾现场华侨华人代表的一致反对，悍然强行拆除了位于美洲大桥观景台 的、铭记华人对巴百年贡献和象征中巴人民友谊的中巴公园及华人抵巴150周年纪念碑。对此，12月29日上午，中国驻巴拿马大 使馆发布严正声明，表示极度震惊、强烈愤慨和坚决反对；中国外交部发言人当日下午郑重表示，中方对巴拿马有关地方政府 强拆华人抵巴纪念碑行径严重不满，已向巴方提出严正交涉。中国侨联完全同意、坚定支持上述表态。 我们注意到，阿赖汉市政府当局的错误行径已引起全球公愤。巴拿马总统穆利诺已公开谴责这一行径，巴拿马总统府已下令立 即在原址重修纪念碑。 ...

反排木鼓舞流传于台江县方召乡反排村，是一种世代相传的苗族祭祀性舞蹈，起源于苗族神圣的祭鼓节。它不仅是苗族先民迁徙历史与精神的动态载体，更 因其粗犷豪放、热情奔放的舞姿被外界赞誉为"东方迪斯科"。2006年，苗族木鼓舞(反排苗族木鼓舞)被列入第一批国家级非物质文化遗产名录。 反排木鼓舞依据木鼓的节奏而跳，其舞姿粗犷奔放，动作大开大合，五体皆动，充满了原始的力量感。全舞通常分为五个章节，依次表现祖先的迁徙跋涉、 山林狩猎、开辟田园、建设家园与欢庆丰收，堪称一部用身体镌刻的苗族"舞蹈史诗"。伴奏仅凭木鼓，通过敲击鼓心、鼓边和双鼓互击，便能模拟出雷鸣、 风雨、流水等丰富声响，舞者的步伐必须与这些复杂而强烈的鼓点严密契合。 版画作品：《反排鼓韵》 版画《反排鼓韵》以刀木之力将一场动态的仪式转化为静态的视觉艺术，运用了高度概括的艺术语言，通过点、线、面的交织与黑白灰的强烈对比来构建画 面。画面中，国家级代表性传承人万政文与环绕木鼓的舞者们构成了视觉焦点，他们与背景中的百年古桥、传统村寨融为一体，共同构建了一个鲜活的文化 场景。作品所捕捉到的远不止是舞蹈的某个瞬间，它展现的是文化遗产在其原生土壤中的生生不息与活态传承，是一 ...

在江西的青山绿水间，南丰，这座千年古邑，不仅以"傩舞之乡"、"曾巩故里"闻名，更因一枚金黄如玉的果实 ——南丰蜜桔，而香飘天下。它的故事，是一首跨越千年的史诗，凝结着皇家的荣耀、文人的风骨与百姓的匠 心。 【壹：开元贡礼，一枚金果的盛世启航】 故事的辉煌起点，在盛唐。 公元713年，唐玄宗李基登基，开创"开元盛世"。彼时，地方官员将南丰特产的"小果"蜜桔献入长安宫廷。当玄 宗与群臣品尝到这"实不大而味特甘"的珍品时，其皮薄核少、汁多无渣、酸甜适口的极致风味，瞬间征服了盛 世的味蕾。 从此，南丰蜜桔被钦定为皇室贡品，名登金册，开启了"一骑红尘妃子笑，无人知是桔子来"的贡品生涯。这枚 来自南丰的金果，就此与大唐的恢弘气度紧密相连，其"贡品"的基因与标准，也烙印在血脉之中，传承至今。 历史印记：清代的《南丰风俗物产志》明确记载："蜜桔，乃吾邑土产之一，唐开元间有司岁贡。" 【贰：文人咏叹，一盏清甜的风雅注脚】 "谁种金榖小，却倚蒹葭碧。" "家林香橙有两树，根缠铁钮凌坡陀。" 诗中的"金榖"，正是对南丰蜜桔金黄灿烂、其味如穀（粮食）般滋养人的雅称。曾巩的咏叹，为这枚甜蜜的果 实镀上了了一层深厚的文化底蕴，让它从一种 ...

现在，慕名前来排依克边境派出所红色教育基地参观的观众，多把目光集中在展厅的陈列中。其实，绕 过三代营房，穿过一小片杨树林，就能来到二代营区，见到当时的办公、生活场所和马厩。 军马和军犬，同样是边防部队中的"战士"。二代营区的马厩（见图），仍处于原环境保存状态。 2025年9月18日，游人络绎不绝，专程来到"排依克"参观、写下留言（左图）。在第三代营区内，副所 长肖恭尼·龙吉克正在为游人作讲解；副所长廖正建（前）和民警徐彦康正在悬挂基地新获得的又一个 红色教育合作项目标志（右图）。 "G314"进入塔什库尔干塔吉克自治县后，沿途有许多成为文保单位的古人类遗址、古墓葬和古驿站。 近年来，沿线加大了对近现代遗存的辨识、保护力度。这是到达红其拉甫山口前标识的红其拉甫边检站 皮拉力旧址。相距不远处，还可以看到红其拉甫海关水布浪沟旧址、红其拉甫边检站水布浪沟旧址。 从喀什前往红其拉甫山口的"G314"（喀喇昆仑公路中国段），通行能力不断提升。一路可见新旧并存 的路段。即便临近傍晚，跨国运输的重卡和夏季游客的自驾车仍呼啸而过，交错穿梭。 "G314"全长近2000公里。如果见到了1616公里里程碑，那就意味着到达了有61年 ...

当东方的晨光掠过千年古刹的飞檐，当西方的思绪沉入史前遗址的黄土，一场关于时间与文明的对话在 北京展开。来自西班牙巴塞罗那自治大学的米凯尔·莫利斯特·蒙塔尼亚教授和安娜·戈麦斯·巴赫教授，与 中国人民大学的年轻学子们展开一场为期5天的交流。这是以考古为题的相遇与对话。 讲堂里，时间仿佛被重新编织。米凯尔教授站在讲台前，精心制作的PPT被一页页翻动，仿佛轻轻剖开 历史的断层。他带领听众穿越到1万年前的新月沃地，见证人类第一次放下石矛、拾起种子的瞬间。当 他展示发掘现场的照片时，泥土的质感仿佛透过屏幕传递到每个听众的指尖。尤其当他提到黄河流域的 磁山遗址，提到那里与耶利哥遥相呼应的农业曙光时，一种跨越大陆的文明默契此刻仿佛具象化了。在 相隔万里的两个文明发源地，人类不约而同地开始了作物的驯化。这不仅是文明的智慧，更是人性的共 鸣——面对自然的挑战，我们总是能找到相似的答案。 安娜教授将目光投向那些朴素的陶器，在她眼中，每一片陶片都不是沉默的遗物，而是史前社会的"密 码本"。她用形态学的放大镜、计量统计的标尺，解读那些纹饰背后的分工图景，复原那些器型暗含的 权力结构。这些陶器上的每一道纹路，都是远古人类留给我们的信息 ...

此次大赛以"在博物馆里发现杭州 用画笔诠释考古之美"为主题，打破传统课堂界限，让孩子们走 进博物馆、考古现场、文物修复中心等"活态课堂"，让青少年近距离触摸历史，用创意画笔讲述杭州文 明故事。 自9月初启动以来，活动共收到全市百余个团队的1200余件投稿作品。经严格初评，162件兼具创意 张力与文化内涵的作品晋级终评；在杭州青少年活动中心美术楼举行的终评现场，评委团历时两个多小 时审慎评议，最终评出一等奖30名、二等奖50名、三等奖82名，以及优秀辅导教师奖25名、优秀组织奖 12名。 "作品中，有对文物造型的细腻勾勒，有对历史场景的大胆想象，更蕴藏着对文化遗产的真挚热 爱。"市考古所相关负责人表示，笔墨间是美育与考古的深度交融，更是青春与传统的同频共振，"希望 市民能走进展厅，透过孩子们的笔触，感受杭州文脉的厚重底蕴，看见新生代心中的文明之光。" 系列配套活动的开展，为大赛注入了丰富内涵。作为"开篇之作"，"名师带你看文物"主题研学在临 安吴越文化博物馆启动，50余名中小学生循着历史脉络，开启沉浸式文物探秘之旅；考古绘画创作课走 进崇文实验学校，杭州青少年活动中心李瑷安老师为同学们"解锁"考古绘画的创作技巧 ...

Core Insights - The initiative aims to create a platform for Generation Z youth in countries and regions involved in the Belt and Road Initiative to narrate stories about cultural heritage through imagery [1][4] - Generation Z is characterized as "digital natives," possessing unique perspectives and capabilities in interpreting and connecting with cultural heritage [2][3] Group 1: Cultural Heritage and Youth Engagement - Generation Z has a strong sense of meaning and connection to cultural heritage, using modern technology to make these narratives relatable and accessible [2][3] - The youth's approach to cultural heritage is not limited to historical artifacts; they seek to connect these legacies with contemporary life and emotions [2][3] Group 2: Technology and Cultural Narratives - The integration of AI and digital tools in storytelling allows youth to achieve effects previously only possible for large companies, transforming the narrative landscape [2] - The use of technology is seen as a foundational element for innovative storytelling, prompting reflections on how traditional cultural values can be preserved and elevated in the AI era [2] Group 3: Future Directions and Community Building - There is a vision to establish a continuous community for youth cultural exchange, encouraging ongoing storytelling and creative expression [4] - The goal is to showcase a multifaceted image of China that is both ancient and modern, fostering a deeper understanding of diverse cultures among Chinese youth [4]

Core Points - The Louvre Museum theft on October 19 has drawn significant attention, with the president of Paris Drouot auction house, Alexandre Giquelot, urging the criminals to recognize the severity of their actions and return the stolen jewelry, as they are too famous to be sold easily [2][3] - Giquelot compared the theft to the 1911 Mona Lisa heist, noting that the thieves at that time did not grasp the seriousness of their crime, leading to the painting being hidden under a bed [3] - While specific details of the stolen items have not been disclosed, Giquelot mentioned that a crown belonging to Queen Eugenie, which was left behind by the thieves, could be worth tens of millions of euros, emphasizing that the stolen items represent France's cultural heritage and their value cannot be measured solely in monetary terms [3]

Core Viewpoint - The recent theft at the Louvre Museum has drawn comparisons to the 1911 theft of the "Mona Lisa," highlighting the seriousness of the crime and the challenges of selling the stolen items due to their high profile [1] Summary by Relevant Categories Incident Details - The president of Paris Drouot auction house, Alexandre Giquello, emphasized the gravity of the crime and urged the thieves to return the stolen jewelry, as their fame makes them nearly impossible to sell [1] Valuation of Stolen Items - Although specific details about the stolen items have not been disclosed, Giquello noted that a crown belonging to Queen Eugenie, which was left behind by the thieves, could be worth tens of millions of euros [1] Cultural Significance - Giquello stressed that the stolen items represent France's cultural heritage, indicating that their value transcends mere monetary assessment [1]

Core Insights - The Palace Museum celebrated its 100th anniversary on October 10, 2025, with a major exhibition titled "Centennial Guardianship - From the Forbidden City to the Palace Museum" showcasing 200 national treasures that reflect the museum's development history [1][3]. Group 1: Historical Significance - The term "Forbidden City" refers to the imperial palace of the Ming and Qing dynasties, and the Palace Museum was established on October 10, 1925, marking its significance in Chinese history [3]. - The museum houses approximately 1.95 million cultural relics, with visitor numbers surpassing 10 million for the first time in 2009 and projected to exceed 17.6 million in 2024 [7]. Group 2: Exhibition Highlights - The exhibition features 200 selected treasures from over 1.95 million artifacts, with the first section titled "A Continuous Literary Source," which narrates the museum's origins, including a focus on the historical moment of its establishment in 1925 [9]. - A key exhibit is the "Twenty-Five Treasures," which were once symbols of imperial authority and now represent cultural heritage belonging to the people [11]. - The exhibition also includes "newly acquired" artifacts, totaling over 280,000 items obtained through purchases, donations, and transfers since the founding of the People's Republic of China [13]. Group 3: Cultural Representation - The centerpiece of the exhibition is the Lianhe Fanghu, a representative of the "newly acquired" artifacts, which signifies the museum's expanded collection vision beyond royal treasures to encompass broader aspects of Chinese civilization [15]. - The third section of the exhibition, "Myriad Phenomena," showcases the diversity of the museum's collection, featuring artifacts from various dynasties and regions, illustrating the rich tapestry of Chinese cultural exchange [19]. - Notable artworks on display include the Northern Song Dynasty's "Along the River During the Qingming Festival" by Zhang Zeduan and the Tang Dynasty's "Five Oxen" by Han Huang, among other rare treasures [22].