（来源：湖州日报） 转自：湖州日报 孙贤龙 汶川大地震后，我奉命赴四川广元参加灾后重建工作。有年冬天，我带了嘉兴秀洲的洛东羊肉回广元给 同事品尝，满心欢喜地交给食堂师傅，只叮嘱了一句："辛苦蒸一蒸。"心里想着那浓油赤酱的汤汁，拌 饭该是何等滋味。 结果取餐时，只见干爽的肉块孤零零地躺在盘里。原来师傅把羊肉直接放在蒸架上蒸，冷冻凝结在羊肉 上的汤汁全部进了锅里。那一锅凝聚了江南水汽、桑柴火功与冰糖黄酒之魂的醇厚卤汁，在他看来，或 许与涮锅水无异。后来我渐渐明白，那锅被舍弃的汤汁，恰似两种饮食文化的隐喻——一种视醇厚为 魂，一种以清爽为本。我深切地感到，一方水土养一方人，也养一方近乎执拗的味觉信仰。 一碗红烧羊肉的变迁，从凭票供应的年节滋味，到菜市场里从容挑选的日常食材；从需要节省着用的柴 火与酱油，到灶台上琳琅满目的调料——这锅中风味的日渐丰厚与从容，便是最具体而细微的时代注 脚。恰如一位先生所言，这滋味本身，便是"中国人生活史的一部分"。 在江南，这部生活史的风味，尤为绵长而富足。 江南人吃羊肉，历史悠远，这饮食习惯本身，就是一场跨越千年的"北风南渐"。湖羊，如今杭嘉湖地区 的绝对主角，其祖先正是宋室南渡时， ...

桥是太原最深情的守望者。它于流水之上，把一座城的岁月轻轻托举 。 "桥见太原"，见证了千年城脉的流转，见证了时代发展的铿锵，也必将见证未来征程的壮阔。而那些刻 在桥梁里的奋斗与热爱、牵挂与期盼，终将如同这汾河水一般，在岁月长河中静静流淌，生生不息！ ...

Core Viewpoint - The exhibition "Patterns of the Nine Provinces - Ancient Chinese Patterns and Designs" at the Jiangsu Wu Culture Museum showcases over 370 precious cultural relics from 29 cultural institutions across China, highlighting the evolution of patterns from the Neolithic era to the Ming and Qing dynasties, emphasizing the rich cultural heritage and aesthetic values of Chinese civilization [2][3][4]. Group 1 - The exhibition features a diverse range of artifacts including bronze, jade, gold and silver, ceramics, and clothing, allowing the public to experience the vibrant pulse of civilization through lines and colors [2]. - The exhibition is structured into four chapters: Qi, Li, Guang, and Hua, connecting the evolution of patterns across different materials and regions, facilitating a dialogue among various artistic expressions [2][4]. - The exhibition aims to be informative without the need for guides, providing detailed descriptions and historical contexts for each artifact, and showcasing the evolution of patterns through time [4]. Group 2 - The exhibition has attracted significant interest, with visitors returning multiple times due to the extensive information presented, indicating a high level of engagement with the content [4][5]. - The museum has integrated a stamp collection activity into the exhibition, allowing visitors to collect stamps based on the patterns displayed, enhancing the interactive experience [4][5]. - Since its opening on December 30, 2025, the exhibition has received 92,000 visitors, reflecting the public's enthusiasm for traditional culture and its connection to contemporary emotions and memories [5].

Group 1 - The article reflects on the personal history and experiences of a family, emphasizing the importance of storytelling and memory in understanding one's roots and heritage [1][54] - The narrative captures the emotional connection between generations, highlighting the struggles and resilience of the grandparents during historical events such as the war [10][13][17] - The author discusses the mundane yet profound aspects of family life, illustrating how daily interactions and shared meals contribute to the family's identity [9][10][19] Group 2 - The text explores the themes of aging and the passage of time, particularly focusing on the grandparents' reflections on their lives and the inevitability of death [22][24][25] - It addresses the societal changes over generations, contrasting the past experiences of the grandparents with the current lifestyle of the younger generation [12][39][53] - The narrative also touches on the significance of familial bonds and the emotional weight of caring for elderly relatives, as well as the challenges faced in communication due to aging [22][24][50]

《飞行家》是鹏飞的第四部电影。他之前的作品都是以温柔、清亮而云淡风轻的方式讲一些沉重的题材，比如讲述边陲少数民族地 区留守儿童的《米花之味》，又比如讲述日侨遗孤无血缘母女情的《又见奈良》，都是口碑佳作。 他轻盈的影像叙事风格，与双雪涛写于2017年的小说《飞行家》叠加，就是一次"很对胃口"的合作。 《飞行家》的时间线横跨上世纪70年代至90年代，从集体主义的荣光到市场经济的浪潮，李明奇的飞行梦想始终与时代共振。 2026年开年，电影《飞行家》以超过6700万元票房和豆瓣7.2分的成绩，在寒冬中划出一道暖流，兼具市场热度与艺术口碑。 这部由双雪涛同名小说改编、鹏飞执导的电影，讲述一位普通东北工人李明奇（蒋奇明饰），在时代的冻土上执着于追逐飞行梦的 故事。剧中没有英雄史诗的恢弘，只有普通人踮起脚尖触碰天空的执拗。扎根于东北的叙事里，有国企改制浪潮与下岗阵痛，有迪 斯科舞厅的年代感，有改革开放洪流中的波浪起伏与坚韧，也有身在沟渠中依然仰望星空的浪漫主义。 有影迷感叹，哪怕是贫瘠单调的年月，总还是有人想要往上一够，试试飞行的感觉，"看看离开地面哪怕三米五，视线可以带动视 野如何更易，这是仰望群星的意义，却又是脚踏实地 ...

Core Viewpoint - The Guangzhou Railway Station has officially transitioned from conventional train services to high-speed rail operations, marking a significant milestone in its 115-year history, with the new train operation schedule taking effect on January 26 [1] Group 1: Transition to High-Speed Rail - The new operational model at Guangzhou Railway Station reflects a shift to high-speed rail, with daily operations of 208 high-speed trains extending service to regions including North China, Northwest, and Southwest [1] - The station will achieve a 15-minute interconnectivity with Guangzhou South Station, enhancing the transportation network in the Guangdong-Hong Kong-Macao Greater Bay Area [1] Group 2: Historical Significance and Public Sentiment - The transition from conventional trains to high-speed rail symbolizes the rapid development of China's railway system and the changing times, with historical significance tied to the migration waves of the 1980s [1] - Public sentiment is strong regarding the last conventional "green train," with many expressing nostalgia and personal connections to the station, highlighting its role in their life journeys [2]

Core Viewpoint - The investment logic for high-end liquor has fundamentally changed, as highlighted by contrasting views from prominent investors in the industry [1][2]. Group 1: Diverging Investment Perspectives - Lin Yuan emphasizes the "monopoly" aspect of high-end liquor, viewing it as a cash cow due to its addictive nature, cultural significance, and social currency, suggesting that long-term investments in leading companies will yield returns that cover costs [2]. - Dan Bin expresses concern over structural challenges in the market, including a cooling real estate sector and changing social dynamics, leading him to shift investments from traditional liquor companies to tech firms like Nvidia [2]. Group 2: Industry Performance and Trends - The liquor industry is undergoing a severe "stress test," with a significant decline in revenue, net profit, and cash returns, all dropping approximately 20% year-on-year, marking the highest decline in 12 years [3]. - The industry is experiencing unprecedented concentration, with a reduction of 102 small-scale liquor companies in the first half of the year, while leading brands like Moutai and Wuliangye are increasing their market share and profit margins [4]. Group 3: Embracing Technology - The liquor industry is not necessarily in competition with AI; rather, it is beginning to integrate AI technologies into its operations, such as using smart systems for fermentation monitoring and data-driven sales and inventory management [5]. - The real challenge for the liquor industry lies in overcoming its own complacency and stagnation, as consumer needs evolve, while the fundamental human desire for social recognition and emotional connection remains unchanged [6].

Group 1 - The event "2025 China Positive Energy Network Boutique Exhibition" has been officially launched, focusing on the theme "You Strive, China Advances," aiming to collect and showcase impactful positive energy content [1] - The initiative encourages participation from diverse creators, transforming the network space into a vibrant platform for collective voices, as seen during the 15th National Games and the 13th World Games [2][4] - The positive energy content reflects the spirit of the times, showcasing significant achievements in technology and innovation, such as the DEEPSEEK AI model and advancements in quantum computing [6][9] Group 2 - The narrative of China's progress is illustrated through various real-life stories, including efficient logistics by delivery personnel and the global sales of agricultural products through cross-border e-commerce [8] - Technological innovations, such as the CR450 high-speed train achieving a record speed of 453 km/h, serve as emotional connections between content and audiences, enhancing engagement [10][11]

Core Viewpoint - The article highlights the life and work of 83-year-old Guo Yong'an, who has been documenting his life through diaries for 61 years, showcasing the evolution of personal, familial, and national history through his meticulous records [1][3][8]. Group 1: Personal Journey - Guo Yong'an, born in 1942, began his diary-keeping habit in 1964, emphasizing the importance of recording memories with the saying "A good memory is not as good as a bad pen" [3][5]. - After retiring in 2004, Guo increased his diary entries from one per month to four, and later added digital records, resulting in a total of five diaries per month, amounting to 60 per year [5][7]. Group 2: Documentation of Change - Guo's diaries reflect significant societal changes, from the use of grain tickets in 1983 to the introduction of high-speed trains in 2009, illustrating the progress of the times [7]. - His diary entries include a mix of newspaper clippings, personal notes, and digital content, showcasing a transition from traditional to modern documentation methods [5][7]. Group 3: Artistic Presentation - The diaries are artistically arranged, resembling professional art books, with creative layouts that include large images, fold-out pages, and hand-drawn titles, demonstrating Guo's background in stage art [7][8]. - Personal touches, such as notes from his spouse, add warmth and life to the records, making them not just historical documents but also cherished family memories [7][8].

Group 1 - Wang Jianlin, the founder of Wanda Group, has been restricted from high consumption due to a failure to fulfill a debt of 186 million, leading to his designation as an "executed person" [3][5] - The restriction means he cannot travel in first class, stay in luxury hotels, or use private jets, complicating his financing and loan processes [5] - Despite the recent lifting of the restriction, Wanda Group has 10 execution records totaling approximately 5.262 billion, along with 47 frozen equity records, indicating ongoing financial troubles for Wang Jianlin [5] Group 2 - Wanda Group's debt crisis has been ongoing, with total liabilities reaching 300 billion, including interest-bearing debt of 137.5 billion and annual interest payments of 13 billion, while cash on hand is only 13.3 billion [13] - To manage debt, Wang Jianlin has sold numerous assets, including 13 cultural tourism projects, 77 hotels, and 85 Wanda Plazas, raising over 52 billion this year alone, yet the debt remains a significant burden [13] - Many prime locations of Wanda Plazas have had their revenue rights seized, and 9.4 billion in equity has been frozen, limiting options for asset liquidation and financial recovery [13] Group 3 - The article reflects on the dramatic rise and fall of Wang Jianlin and his son Wang Sicong, contrasting their past prominence with their current struggles [18][19] - The narrative highlights the broader theme of fluctuating fortunes among prominent figures in the business world, emphasizing that success can be fleeting and subject to change over time [27][28]