央视网消息：近期，多地博物馆先后开设食堂，推出创意美食，河南安阳殷墟博物馆的甲骨文面条、湖北省博物馆的编钟牛肉面、河北博 物院的长信宫灯板面等，吸引了不少游客，跟随记者一探究竟。 来到河北博物院，您一定不会忘记欣赏镇馆之宝——"长信宫灯"。它的造型是一位跪坐执灯的宫女，宫女的右袖是一条烟道，能收纳烟 尘，被誉为"中华第一灯"。 然而最近，一碗以"长信宫灯"为造型的板面更是火出圈。以蒸蛋为材料制作的"长信宫灯"，与特色牛肉板面搭配，不少人排队打卡，品尝 分享。 河南："甲骨文面"单日销量数百份 在河南安阳殷墟博物馆，一楼的子飨餐厅热气腾腾的"甲骨文面"端上桌，立刻成为游客镜头下的焦点。自殷墟博物馆新馆开馆推出 后，"甲骨文面"周末及节假日单日销量可达五六百份。 除了"长信宫灯"板面套餐，"错金博山炉"等文物元素也融入到一碗面、一盘饭中，让游客有了别样体验。 河南殷墟博物馆子飨餐厅负责人介绍，面条会压印，压完之后会人工往上刷墨鱼汁。我们选用的是四个不同的甲骨文字，分别是大吉大 利、吉祥安康、上岸成功和日进斗金，满足不同客群的不同需要。餐厅里除了甲骨文面条，还有司母戊鼎米饭等，游客在游览、品鉴中就能够 更加深刻感受 ...

央视网消息：近期，全国多地博物馆陆续开设食堂，将文化内核与烟火气深度融合，新推出的河南安阳殷墟博物馆的甲骨文面条、湖北省 博物馆的编钟牛肉面、河北博物院的长信宫灯板面等，成为不少消费者逛博物馆必打卡的选择。 来到河北博物院，您一定不会忘记欣赏镇馆之宝——"长信宫灯"。它的造型是一位跪坐执灯的宫女，宫女的右袖是一条烟道，能收纳烟 尘，兼具艺术与环保智慧，被誉为"中华第一灯"。 最近，一碗以"长信宫灯"为造型的板面更是火出圈。以蒸蛋为材料制作的"长信宫灯"，与特色牛肉板面搭配，不少人排队打卡、品尝、分 享。 除了"长信宫灯"板面套餐，"错金博山炉"等文物元素也融入到一碗面、一盘饭中，让游客有了别样体验。 而在河南安阳殷墟博物馆，用餐高峰，一楼的子飨餐厅座无虚席，热气腾腾的"甲骨文面"端上桌，立刻成为游客镜头下的焦点。 "甲骨文面"自殷墟博物馆新馆开馆推出后，已成为爆款单品，周末及节假日单日销量可达五、六百份。 在湖北省博物馆二楼的咖啡店，最受欢迎的当属这款"网红"产品——编钟牛肉面。而它最大的亮点，就在于那颗复刻了编钟造型的卤蛋， 不少游客特意来体验这份独特的"穿越感"。 据了解，编钟牛肉面自推出以来便大受欢迎， ...

Core Viewpoint - The forum on "High-Quality Development: The Future of China's Museum Industry" emphasizes the need for collaboration and innovation in the museum sector to enhance cultural services and experiences for visitors [1] Group 1: Collaboration and Resource Sharing - The director of the National Museum of China, Luo Wenli, advocates for establishing a more efficient cooperation and sharing mechanism among museums regarding academic resources, collections, exhibitions, and talent [1] - The focus is on optimizing cultural product supply and visitor experience based on museum collections [1] Group 2: Embracing Digitalization - Museums are encouraged to embrace digital and intelligent trends to further explore the value of their collections [1] - The aim is to curate more profound, artistically refined, and well-produced exhibitions and cultural activities [1] Group 3: Forum Discussions - The forum discussed three subtopics: "Open Cooperation and Future Development of Museums," "Cultural Service Supply Innovation amid 'Cultural Heritage Fever'," and "New Technologies and Museum Transformation" [1] - Attendees expressed that the current period is the best in history for museum development, aiming to promote high-quality development in cultural heritage through superior public cultural products and services [1]

Group 1 - The Louvre Museum in Paris will increase ticket prices for visitors from outside the European Economic Area from €22 to €32 starting January 14, 2024, to fund renovation projects [1][2] - The price increase represents a 45% hike, potentially generating an additional €20 million in annual revenue for the museum [2] - The Louvre expects to receive 8.7 million visitors in 2024, with approximately 70% being foreign tourists, predominantly from the United States [1] Group 2 - A renovation plan announced by French President Emmanuel Macron and Louvre director Laurence des Cars aims to address overcrowding by relocating the painting "Mona Lisa" and improving security and infrastructure [2] - The estimated cost of the renovation project is around €1.1 billion, as reported by the French Court of Auditors [2] - The Louvre is not the only museum in France facing financial challenges; all museums are at a crossroads due to rising operational costs, leading to discussions about increasing visitor fees or reducing opening hours [3]

法国卢浮宫将对大多数非欧盟国家游客提高门票价格 中新社巴黎11月28日电 (记者 李洋)法国卢浮宫28日确认，将于明年开始对大多数非欧盟国家的游客提 高门票价格。 据法新社、法国BFM电视台报道，卢浮宫博物馆管理层透露，对多国游客提高门票价格的举措已在卢 浮宫博物馆董事会会议上获得批准。 法国卢浮宫11月28日确认，将于明年开始对大多数非欧盟国家游客提高门票价格。图为10月22日卢 浮宫在遭遇严重盗窃案后重新开放。 中新社记者 李洋 摄 中新经纬版权所有，未经书面授权，任何单位及个人不得转载、摘编或以其它方式使用。 关注中新经纬微信公众号(微信搜索"中新经纬"或"jwview")，看更多精彩财经资讯。 已对外披露的相关具体方案显示，卢浮宫将从明年1月14日起对欧洲经济区(EEA)以外的游客提高门票 价格，从目前的22欧元提高至32欧元，价格涨幅达45%。欧洲经济区包括欧盟成员国、冰岛、列支敦士 登和挪威。 法国文化部长达蒂今年年初曾表示，将于明年对卢浮宫施行"差异化"门票价格，来自非欧盟国家的外国 游客将支付更高的门票费用。多个法国国家文化机构可能也将陆续施行类似卢浮宫的"差异化"门票价 格，包括凡尔赛宫、巴 ...

Group 1 - The Louvre Museum in Paris will increase ticket prices for visitors from outside the European Economic Area from €22 to €32 starting January 14, 2024, representing a 45% increase to raise funds for renovation projects [1] - In 2024, the Louvre expects to receive 8.7 million visitors, with approximately 70% being foreign tourists, predominantly from the United States [1] - The Louvre aims to generate an additional €20 million in annual revenue from the ticket price increase [1] Group 2 - The renovation plan announced by French President Emmanuel Macron and Louvre director Laurence des Cars includes relocating the painting "Mona Lisa" to a new exhibition space to address overcrowding, improving security, and renovating hundreds of rooms to fix issues like ceiling leaks and HVAC system failures [1] - The estimated cost of the renovation project is approximately €1.1 billion, according to a report from the French Court of Auditors [1] - The Louvre is not the only museum in France facing financial challenges; all museums are at a crossroads due to rising operational costs, with options to either increase visitor fees or reduce operating hours [2]

据法国BFM新闻，卢浮宫博物馆在27日宣布从2026年1月起，非欧洲游客的门票价格上调45%，欧洲经济区(EEA，包括欧盟、冰岛、列支敦士登、挪威) 以外的游客，参观这座博物馆需支付32欧元，较当前票价上涨10欧元(约82元人民币)。 这一举措源于法国文化部长拉希达达蒂年初的声明，她当时表示希望推行"差异化定价政策"。达蒂认为当前的参观与工作条件配不上卢浮宫的地位，希望 通过"创新方式"开辟新财源，此前卢浮宫的珠宝失窃案暴露了这座博物馆在财务方面捉襟见肘，此次涨价预计每年可新增1500万至2000万欧元收入，将用 于解决博物馆的"结构性问题"。值得一提的是，2024年1月，卢浮宫已将所有游客的门票价格从17欧元上调至22欧元。 作为全球参观人数最多的博物馆，卢浮宫此次涨价是政府为其注入资金的举措之一，但已遭到工会的强烈反对。工会认为这违反了博物馆的普世主义和平 等参观权，"以建筑翻新为由，终结卢浮宫两百年的普世主义理念，这一说法无法让我们信服，"法国团结民主工会联盟(SUD)表示。法国总工会(CGT)指 出，这种定价机制将导致欧洲经济区以外的游客"为参观一座年久失修的博物馆支付高昂费用，这相当于承认国家对文化 ...

Core Viewpoint - The article highlights the centenary celebration of the Palace Museum, showcasing a special exhibition titled "A Century of Guardianship - From the Forbidden City to the Palace Museum," which features 200 precious cultural relics and historical documents, reflecting the museum's evolution from a royal garden to a cultural institution for the public [1]. Group 1: Exhibition Overview - The exhibition is organized into three sections: "A Continuous Cultural Heritage," "A Century of Transmission," and "A Myriad of Phenomena," tracing the history of the Palace Museum over the past century [1]. - The exhibition includes significant artifacts, such as the "identity cards" of cultural relics, which document the meticulous inventory process initiated by the Qing Dynasty's restoration committee after the fall of the Qing Dynasty in 1924 [1][2]. Group 2: Cultural Relics and Historical Significance - A total of over 1.17 million items were registered during the inventory process, resulting in the compilation of the first accounting report of the Palace Museum, which consists of 6 volumes and 28 books [2]. - The "Twenty-Five Imperial Seals," established by Emperor Qianlong, represent the highest state authority and are significant historical artifacts, with the "Sandalwood Seal" being the most frequently used [3]. - The article describes various artifacts, including a white-glazed vase from the Ming Dynasty, which is noted for its unique red glaze, and a bronze chicken-shaped vessel that reflects the Qing Dynasty's reverence for ancient styles [5][6]. Group 3: Preservation and Cultural Heritage - The article emphasizes the importance of the numbering system for cultural relics, which has evolved over time but remains rooted in the commitment to protect and preserve these artifacts [7][8]. - The Palace Museum's approach to documenting and preserving its collection reflects a deep respect for cultural heritage, as seen in the transition from historical to modern numbering systems [8].

Core Points - The Jiangkou Sunken Silver Museum, the only museum in the country themed around gold and silver artifacts, is making significant progress in its construction and is expected to complete infrastructure by early December [3][4] - The museum is located near the Jiangkou battlefield site from the late Ming Dynasty, covering a total planned area of 200 acres, with the museum itself occupying 60 acres and a building area of 36,300 square meters [3][5] - The main construction of the museum, including exterior decoration, internal renovation, professional storage, archaeological workstation, and visitor center, has been fully completed [3][4] Summary by Sections - **Museum Structure and Design** - The museum features four exhibition halls, including three permanent and one temporary hall, with construction and display work progressing rapidly [4] - The main exhibition hall, approximately 2,300 square meters, will showcase over 5,000 cultural relics, divided into two main sections: "Millennium Jiangkou, Sunken Silver Legend" and "Dike Archaeology, Unprecedented" [4][5] - Advanced technologies such as holographic imaging will be utilized to create immersive experiences simulating underwater exploration [5] - **Investment and Historical Significance** - The total investment for the museum project is 862 million yuan [5] - The Jiangkou battlefield site was recognized as one of the "Top 100 Archaeological Discoveries of the Century" in 2021, alongside other significant archaeological sites [5]

Core Insights - The article highlights the significance of the Palace Museum's centenary exhibition, showcasing the evolution from the Forbidden City to a cultural institution, emphasizing the importance of cultural rights and public access to heritage [1][3][11] Group 1: Historical Significance - The Palace Museum's establishment marked a milestone in China's museum history, with the relocation of artifacts during the Japanese invasion being a remarkable event in global cultural preservation [3][11] - The museum's collection has grown from over 1.17 million items to more than 1.95 million since the founding of New China, reflecting the contributions of numerous donors [6][11] Group 2: Exhibitions and Artifacts - The "Guardianship of a Century" exhibition features over a hundred artifacts, including the "Cloisonné Enamel of Peace," which is one of the first items to receive an identification number [1][3] - The "Memorial Exhibition of the Relocation of Palace Museum Artifacts" illustrates the dramatic journey of nearly 20,000 boxes of artifacts during wartime, highlighting the resilience of cultural preservation efforts [3][6] Group 3: Cultural and Technical Preservation - The "Craftsmanship of the Garden of Ning Shou Palace" exhibition showcases the historical and cultural value of the garden, emphasizing the principles of minimal intervention in artifact restoration [7][11] - The "Archaeological Achievements of the Former Site of the Palace Workshop" exhibition reveals the continuous evolution of the Forbidden City from the Yuan to the Qing dynasties, providing new archaeological evidence of its architectural history [9][11]