文化创意产业

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买到停不下来,“蒜鸟”带着湖博文创首次开到家门口
Chang Jiang Ri Bao· 2025-06-22 01:43
Core Viewpoint - The launch of the "蒜鸟" themed pop-up store in Wuhan has attracted significant public interest, showcasing the integration of local culture with creative products, particularly through collaborations with the Hubei Provincial Museum [1][9][21]. Group 1: Product Popularity - The "蒜鸟" plush toys, inspired by historical figures such as 越王勾践 and 吴王夫差, have become a top-selling item, with customers specifically traveling to purchase them [3][4]. - The pop-up store features a variety of creative products, including over 200 items that highlight the rich cultural heritage of Hubei, such as the 曾侯乙编钟 and 越王勾践剑 [9][16]. Group 2: Customer Engagement - The store has seen a high volume of visitors, with long lines at the checkout, indicating strong consumer demand for cultural merchandise [4][21]. - Families are engaging with the products, using them as educational tools to learn about history and culture, which enhances the overall experience of visiting the pop-up store [16][21]. Group 3: Cultural Integration - The pop-up store aims to make local culture more accessible and relatable to the public, bridging the gap between traditional heritage and modern consumerism [21]. - Future plans include collaborations with other museums, such as a partnership with the Suzhou Museum, to further promote Hubei culture and expand its reach [21].
深度 | 城市更新带来哪些机会?——宏观视角解码城市更新【陈兴团队•财通宏观】
陈兴宏观研究· 2025-06-18 05:20
Group 1 - Urban renewal has become a key initiative for promoting sustainable urban development, encompassing the comprehensive renovation of old residential areas, old streets, old factories, and urban villages [1][4] - The progress of urban renewal is significant, with nearly 220,000 old residential communities under renovation from 2021 to 2024, surpassing the target of 219,000 set in the 14th Five-Year Plan [1][12] - The number of new urban renewal projects has stabilized around 60,000 annually since 2022, but total investment amounts have been notably lower in recent years, highlighting the importance of funding assurance for future projects [1][13] Group 2 - Funding for urban renewal primarily comes from four sources: central finance, local finance, financial institutions, and other social capital, with local government investment playing a dominant role [2][15] - In 2023, government investment accounted for over 40% of total funding in representative cities, with an average investment of approximately 16.6 billion yuan [15] - The diversification of financing mechanisms is continuously improving, with recent innovations including the issuance of special bonds and collaboration with policy-based financial institutions [2][18] Group 3 - Urban renewal is expected to provide long-term support for the real estate market, improve ecological environments, enhance public welfare, and promote cultural development [3][27] - The real estate development industry will need to shift from traditional incremental development models to stock updating models, increasing industry concentration as competition intensifies [32] - Demand for new building materials is anticipated to grow, particularly for high-quality pipes and environmentally friendly materials, as urban renewal emphasizes energy efficiency and sustainability [35]
粤港澳大湾区文化创意产业促进会落户天河
Nan Fang Du Shi Bao· 2025-06-12 23:11
Group 1 - The Guangdong-Hong Kong-Macao Greater Bay Area Cultural and Creative Industry Promotion Association has officially settled in Tianhe, Guangzhou, marking a significant step in promoting the cultural and creative industry in the region [2][3] - The Bay Area Smart Cultural and Creative Week will feature a series of activities including cultural technology exhibitions, policy interpretations, product launches, project roadshows, and e-commerce live broadcasts [2][3] - The promotion association aims to serve the cultural and creative industry, enterprises, and workers, facilitating the prosperous development of the cultural creative sector [3] Group 2 - Six organizations have collaborated to establish a comprehensive ecosystem for the cultural creative industry, focusing on service, investment attraction, platform construction, and financial empowerment [3] - The Tianhe District has maintained the largest cultural and creative industry scale in Guangzhou, with 1,164 legal entities achieving a total revenue of 226.66 billion yuan, accounting for 37.5% of the city's total [5] - The Tianhe District is actively collaborating with the promotion association on projects related to digital creative industry service platforms, AI live e-commerce demonstration platforms, and cultural digital asset trading services [5][6] Group 3 - The event showcased a blend of traditional and modern cultural products, highlighting innovative applications of "AI + 3D + cultural tourism" [4] - The "Cultural Industry High-Quality Development Policy Package" from Guangdong is expected to provide favorable policies for enterprises, encouraging them to align with policy resources and develop market-demand products [4] - The Tianhe District plans to leverage the promotion association to further connect culture, technology, and finance, supporting high-quality development in the cultural creative industry across Guangdong and the Greater Bay Area [6]
文创消费掀热潮,前四月相关企业注册量同比增长46.15%
Qi Cha Cha· 2025-05-30 06:23
Core Insights - The cultural and creative industry in China is experiencing explosive growth, driven by increased public interest in traditional culture and innovative business models that merge traditional culture with contemporary trends [2] Group 1: Growth in Registration of Cultural Enterprises - The registration of cultural and creative enterprises has shown significant growth in recent years, with a year-on-year increase of 46.5% in 2023, reaching 4,162 new registrations [3] - In the first four months of 2023, the registration of cultural enterprises reached 2,185, marking a year-on-year growth of 46.15% [4] - The total number of existing cultural and creative enterprises in China has reached 29,100 as of the end of May [5] Group 2: Geographic Distribution of Enterprises - The majority of existing cultural and creative enterprises are concentrated in the East China region, accounting for 33.18% of the total, followed by South China at 16.45% [5] - Other regions such as Southwest China, Central China, and North China account for 12.58%, 12.34%, and 11.77% respectively [5]
龙舟文创出海 “龙舟+艺术”何以架起跨文化传播之桥?
Yang Guang Wang· 2025-05-30 00:38
央广网北京5月30日消息(总台中国之声记者韩雪莹 郑澍 成颖杰)据中央广播电视总台中国之声《新闻纵横》报 道,端午将至,各地的龙舟赛陆续开赛。在国内首个"中国龙舟龙狮运动名城"广东佛山,几乎村村都有龙舟队,这里 龙舟文化底蕴丰厚,形成了完整的龙舟文化体系,包括龙母诞、龙眼点睛、龙舟宴、龙舟说唱、起龙舟等非遗文化和 民俗传统。在佛山南海区里水镇,有这样一个龙舟基地,它不仅能生产专业的竞赛用船,更致力于龙舟文化的延续和 发展,一件件精美的龙舟文创产品从这里设计诞生、走出国门。 临近端午,一支来自澳门的人才交流团走进南海区里水镇的纳德利龙舟基地,参观了现代龙舟的生产、体验过龙 舟划行的振奋,他们最终驻足在一处不大的摊位前,被一众龙舟文创产品深深吸引。 "龙的船人,零舍醒神",这八个印在纪念帆布包上的文字,是基地第三代传承人陈家欣"创造"出的一句文化标 语,其中,谐音"船人"意为陈家三十年制造龙舟、以船为生,粤语中的"零舍醒神"可以理解为"特别有精气神儿"。包 括帆布包在内,摊位上展示的所有龙舟文创产品,皆由陈家欣原创设计。 陈家欣说:"我们参加一些文化集市,或者到外面承办龙舟赛的时候,往往都会把这个摊位放到赛场,让 ...
“慧湖”三箭齐发开展路演
Su Zhou Ri Bao· 2025-05-30 00:29
Core Insights - Suzhou Industrial Park is accelerating the establishment of an upgraded collaborative innovation relationship between universities and local industries through the "Huihu Leading Innovation Plan," "Huihu Excellent Innovation Plan," and "Huihu Youth Innovation Plan" [1] - A total of 57 projects were selected from over 100 submissions to participate in a live pitch event, showcasing innovative entrepreneurial ideas [1] - The plans aim to identify high-tech projects with independent intellectual property rights and strong market potential, facilitating the local transformation of scientific achievements from laboratories to industries [1] Group 1 - The "Huihu Youth Innovation Plan" focuses on the cultural and creative industries, encouraging university students to reinterpret cultural essence through a competition format [2] - Participants presented their creative ideas, industry developments, project highlights, product advantages, and operational plans to a judging panel [2] - The innovation ecosystem will be optimized to attract entrepreneurial resources and stimulate talent growth, allowing more young innovators to settle in the park [2]
让文博会吉祥物“小水滴”动起来,深圳福田加速打造中央文化区
2 1 Shi Ji Jing Ji Bao Dao· 2025-05-25 12:28
Group 1 - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) was held from May 22 to 26, showcasing over 30 cultural enterprises from Futian District, focusing on AI empowerment, creative design, technology consumption, tourism, and entertainment [1] - Futian District is leveraging cultural consumption upgrades to cultivate new growth points, signing multiple cultural tourism projects during the fair to enhance quality performances and diversify tourism offerings [1][5] - The mascot "Little Water Drop" was upgraded to an interactive AI partner, significantly enhancing visitor engagement and contributing to a revenue increase of over 20 times since 2024 for the company responsible for its development [2][3] Group 2 - Futian District is integrating technology with cultural tourism, exemplified by the launch of the world's first ice and snow-themed metaverse product, which offers a fully immersive sensory experience [2] - The district has a total of 389 cultural enterprises, with significant representation in various sectors including manufacturing, business services, and cultural entertainment [5] - During the fair, Futian District signed agreements with several companies to enhance its cultural tourism brand and attract more domestic and international visitors [5][6] Group 3 - In 2024, Futian District received 36.09 million tourists, a year-on-year increase of 14.6%, contributing to nearly one-fifth of Shenzhen's total tourist numbers [7] - The district's tourism revenue reached approximately 34.79 billion yuan, growing by 18.5%, and the revenue from travel agencies and related services surged by 48.7% [7] - Futian District has been recognized for its vibrant night economy and cultural tourism innovations, positioning itself as a key player in Shenzhen's tourism landscape [7]
来文博会穿越广东“时空隧道”,踏入两个平行世界
Nan Fang Du Shi Bao· 2025-05-22 11:55
Group 1: Event Overview - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) opened on May 22, showcasing the theme "Innovation Leads Trends, Creativity Lights Up Life" [1] - Liard Lifen Culture participated in the Guangdong Pavilion, presenting new scenarios of cultural and technological integration [1] Group 2: Exhibits and Innovations - Last year's highlight was the "Future Eye" exhibit featuring AI explanations and immersive digital content [2] - This year, Liard Lifen Culture introduced the "Immersive Interactive Time Tunnel," utilizing naked-eye 3D, motion interaction, and LED immersive space technologies, becoming a popular attraction [2][3] - The design of the Time Tunnel involved five large LED screens to create a fully immersive interactive experience, blending Guangdong's cultural heritage with futuristic concepts [5][7] Group 3: Technological Advancements - The company emphasized upgrades in "immersion," "interactivity," and "intelligence" compared to last year, moving from mere technology display to a participatory experience [8][9] - The integration of AI recognition and audience behavior analysis allows for dynamic content adaptation based on visitor interactions [9][13] Group 4: Cultural and Technological Integration - The fair highlighted the trend of deep integration between culture and technology, with Liard Lifen Culture leading in this area [5] - The company aims to create a cultural ecosystem that enhances local culture and drives economic growth through technology [12][14] Group 5: Future Plans and Global Outreach - Liard Lifen Culture is focused on building an "AI + Display + Cultural Tourism" ecosystem, aiming for sustainable operations and cultural dissemination [13][14] - The company is committed to promoting traditional Chinese culture globally through innovative technological means, ensuring that cultural elements resonate with international audiences [15]
大连博涛文化用仿生机械巨兽将城市存量资产变为文旅“香饽饽” 探寻“神兽街”模式的成功密码
Liao Ning Ri Bao· 2025-05-21 00:40
Core Viewpoint - The article highlights the innovative approach of博涛文化 in integrating traditional culture with modern technology through the creation of large mechanical beasts, which serve as interactive art installations to enhance the tourism experience and address common issues in traditional tourism [1][2]. Group 1: Company Overview - 博涛文化 has developed a series of large mechanical creatures, including the 48-ton "夔牛雷雷," which showcases the company's capabilities in creating engaging and interactive cultural tourism products [1]. - The company has successfully launched over 2000 high-tech cultural tourism projects across more than 100 cities in China, holding 137 independent intellectual property rights [3]. Group 2: Innovation and Development - Since 2016, the company has invested 30 million yuan annually for three years in the research and development of large cultural tourism equipment, resulting in a revenue of 400 million yuan, demonstrating the commercial value of technological innovation [4]. - 博涛文化 is advancing towards AI integration, aiming to develop mechanical beasts that can express emotions and engage in conversations, enhancing the interactive experience for visitors [4]. Group 3: Future Plans - The company plans to promote the "神兽街" model nationwide, with a total investment of 2.5 billion yuan in related cultural tourism projects across cities like 淮北, 沈阳, and 哈尔滨 [5]. - The "神兽街" model aims to revitalize urban assets and create successful city IPs similar to "巨熊北北," expanding the reach of 博涛文化's innovative tourism offerings [5].
西九文化区CEO:香港带来“西九出品” 上海文化产品也能借道西九“出海”
Jie Fang Ri Bao· 2025-05-19 01:43
Core Viewpoint - The Hong Kong West Kowloon Cultural District is expanding its cultural influence by hosting the "2025 Shanghai West Kowloon Cultural Week" in Shanghai, showcasing seven significant artistic works and aiming to strengthen cultural collaboration between Hong Kong and Shanghai [1][2]. Group 1: Cultural Exchange and Collaboration - The West Kowloon Cultural District is seen as a cultural emblem of Hong Kong, with a focus on leveraging local resources to tell compelling stories about Hong Kong, Shanghai, and China [1]. - The CEO of the West Kowloon Cultural District Management Authority expressed confidence in Shanghai's cultural consumption environment, noting that audiences are willing to pay for quality programs [2]. - Collaborative agreements have been signed between various cultural institutions in Hong Kong and Shanghai, facilitating the exchange of cultural products and performances [3]. Group 2: Economic Viability of Cultural Initiatives - The development of the cultural and creative industry is a priority for the Hong Kong government, emphasizing the need for cultural venues to operate sustainably and avoid becoming economically unviable "white elephants" [2]. - High-quality exhibitions and products are essential to meet the growing artistic appreciation of visitors, with examples of successful IP exports and the sale of cultural products in various markets [2]. - The upcoming exhibition "Pyramid at the Top: Ancient Egyptian Civilization" will transition from Shanghai to the Hong Kong Palace Museum, showcasing effective communication and cooperation between the two cities [2]. Group 3: Global Cultural Promotion - The West Kowloon Cultural District aims to introduce global cultural excellence while promoting Chinese culture abroad [4].