Core Insights - The research team led by Sun Bowen from Shandong Women's University embarked on an in-depth study of the traditional embroidery art "Liu Xiu," focusing on its cultural significance and modern innovation pathways [1][3]. Group 1: Research Objectives and Methodology - The study aimed to explore the historical origins, production techniques, industrial ecology, and future development of Liu Xiu, with a focus on empowering traditional crafts [3]. - The team visited local Liu Xiu workshops, intangible cultural heritage transmission bases, and cultural exhibition halls to conduct systematic research [3]. Group 2: Historical and Cultural Context - Liu Xiu originated during the Spring and Autumn Period and has evolved over a thousand years, forming a unique technical system that integrates the characteristics of Qi and Lu cultures [3]. - The embroidery techniques are characterized by bold needlework and vibrant colors, reflecting the grandeur of Northern culture while emphasizing artisans' meticulous attention to detail [3]. Group 3: Practical Experience and Challenges - Team members observed the complete process of Liu Xiu production, from design to material selection, embroidery, and framing, and practiced various classic stitching techniques [3]. - The research identified contemporary challenges facing Liu Xiu, including gaps in skill transmission, shifts in market demand, and insufficient brand innovation [3]. Group 4: Future Directions and Initiatives - The research will contribute to the development of Liu Xiu cultural and creative projects and the digital dissemination of its techniques [4]. - The team aims to transform research findings into actionable initiatives to support the transmission of Liu Xiu through innovative design and industry-academia collaboration [4].

Core Insights - The article highlights the thriving development of the mud sculpture industry in Liu Ying Village, known as "China's First Mud Sculpture Village," with an annual output value exceeding 40 million yuan and products exported to over 30 countries and regions [1][2]. Group 1: Industry Development - Liu Ying Village has over 200 households and thousands of people engaged in the mud sculpture industry, which has seen significant growth due to collective efforts and a focus on cultural tourism [1][2]. - The mud sculpture industry in Fengxiang has a rich history dating back to the Western Zhou period, characterized by vibrant colors and traditional patterns, and was recognized as a national intangible cultural heritage in 2006 [1][2]. Group 2: Key Figures and Innovations - Hu Xinming, a representative inheritor of the Fengxiang mud sculpture, has played a pivotal role in promoting the craft, including showcasing it internationally and creating over 180 new varieties of mud sculptures [2][3]. - The introduction of a closed-loop cooperation model involving "company + cooperative + farmers" has enhanced production efficiency and created job opportunities for over 320 local residents [3]. Group 3: Youth Engagement and Modernization - The younger generation, represented by Hu Jinwei, is modernizing the mud sculpture art by integrating it with contemporary design and lifestyle products, appealing to younger consumers [4][5]. - Hu Jinwei has developed various derivative products and educational programs to promote traditional culture among local schools and universities, attracting thousands of participants annually [5][6]. Group 4: Cultural Significance and Future Aspirations - The mud sculpture culture embodies the hopes and positive attitudes of local people towards life, and there is a strong emphasis on maintaining traditional elements while adapting to modern consumer trends [6][7]. - Plans for a Fengxiang mud sculpture cultural and creative competition aim to engage more young talents in the innovative development of the craft, expanding its presence in everyday life [7].

Core Points - The "Cultural Pulse of China" project aims to digitally preserve and promote intangible cultural heritage, particularly focusing on the ceramic culture of Jingdezhen, a city known for its historical significance in porcelain production [1][2] - The project emphasizes the need for systematic engineering and continuous innovation in the protection of intangible cultural heritage, highlighting its importance as a genetic code of Chinese civilization [1] - The initiative will utilize a three-pronged approach of "digital recording + new media dissemination + immersive experience" to create a comprehensive ecosystem for heritage transmission [2] Group 1 - The project will establish a non-material heritage database by interviewing inheritors and experts to preserve oral history and facilitate the collection, storage, and dissemination of heritage information [2] - New media live streaming will be employed to showcase and promote Jingdezhen's unique intangible cultural heritage products across diverse platforms [2] - The project will also include offline initiatives, such as setting up a digital ceramic research base to develop exhibitions and digital art products [2] Group 2 - The project is expected to leverage collaboration among government, industry, academia, research, and media to promote the orderly transmission of Chinese cultural heritage in the digital age [2] - The launch ceremony featured stories from Chinese arts and crafts masters and local inheritors, showcasing the innovative vitality of Jingdezhen [2] - The project aims to serve as a model for expanding the digital preservation of intangible cultural heritage across the country, starting from Jingdezhen [2]

Core Viewpoint - The Yizu embroidery industry in Chuxiong has become a significant source of income for women, showcasing traditional craftsmanship through innovative designs and modern applications [11][12][13]. Group 1: Industry Overview - The Chuxiong Yizu embroidery, with a history of nearly 1800 years, was listed as a national intangible cultural heritage in 2014 [11]. - Traditional Yizu embroidery features vibrant colors and intricate patterns, utilizing techniques such as flat embroidery and pile embroidery [11]. - The local government has implemented policies to support the Yizu embroidery industry, enhancing its role as a source of income for women [13]. Group 2: Company and Innovation - Jin Rui Rui, an eighth-generation inheritor of Yizu embroidery, has played a crucial role in innovating the craft by integrating it into modern products like handbags, accessories, and clothing [12]. - The company founded by Jin Rui Rui has helped over a thousand local embroiderers increase their income [13]. - In 2024, the Yizu embroidery industry is projected to achieve an added value of 312 million yuan, benefiting tens of thousands of people [13].

Group 1 - The core idea of the news is the launch of the "New Industry · Imprint Intangible Cultural Heritage Industrial Park" in Nanjing, which aims to revitalize intangible cultural heritage (ICH) in modern society and create a comprehensive urban landmark [1][2] - The industrial park is the first of its kind in the country, located in a prime area of Nanjing, integrating industry, ICH, research, sales, and cultural tourism [1][2] - The project emphasizes the importance of preserving historical architecture while modernizing it, creating multifunctional spaces for showcasing ICH [2][3] Group 2 - The park will feature various ICH projects, including traditional crafts such as gold and silver craftsmanship, Nanjing paper-cutting, and Nanjing wood carving, among others [2] - Collaborations with local universities aim to leverage academic research for the systematic transformation of ICH [2] - The event highlighted the vitality of Nanjing's gold foil craftsmanship and provided new ideas for the integration of traditional culture with modern economy [3]