上海原创轮番登台 在上海这座日新月异的国际大都市，城市与人的故事，永远是最吸引中外观众的"上海原创"，《繁 花》写上海的过去，《菜肉馄饨》写上海的当下。将在艺术节首演的上海评弹团中篇评弹《菜肉馄饨》 改编自金莹同名小说，"上海爷叔"老汪每周六骑着自行车穿行于市集，为儿子精心准备一碗菜肉馄饨， 却意外在公园相亲角卷入情感旋涡。上海评弹团团长高博文担任评弹《菜肉馄饨》制作人，一级演员徐 惠新任编剧及主演，为观众"烹调"出有别于同名电影的舞台味"上海馄饨"。 上海民族乐团《诗的中国》音乐会，则是又一部在本届艺术节首演的"上海原创"。与《太和正音 ——故宫昆曲萃集》类似，创作者从中华优秀传统文化中汲取灵感。乐团首度牵手知名学者骆玉明，以 超越编年的历史纵深视角，撷取从《诗经》到唐诗宋词等不朽名篇的精华，通过隽永的国乐之声灵动展 现中国诗词承载的文化美学基因。 记者 诸葛漪 昨晚，上海昆剧团与故宫博物院共同出品的《太和正音——故宫昆曲萃集》（第一季）亮相上海大 剧院，为第二十四届中国上海国际艺术节拉开大幕。"上海原创"借助艺术节这一世界一流节展平台扬帆 远航，在全球演艺版图锚定上海坐标。 全新演绎中国故事 10月16日 ...

Core Insights - The series "赴山海" has become a new flow password in the internet space, marking a significant event in the drama market for the second half of 2025 [1] - Despite high initial viewership and popularity, the series has faced criticism regarding its quality, leading to a complex evaluation of the lead actor 成毅's ability to carry a show [3][12] - The phenomenon of "black-red" (negative publicity leading to increased attention) has emerged, indicating that the series' flaws have generated significant online discussion, overshadowing its actual quality [9][11] Group 1: Series Performance and Reception - "赴山海" achieved over 700 million views within 10 days of its release, topping the drama popularity charts for 10 consecutive days [1] - The lead actor 成毅's character has garnered over 200 million views on iQIYI, showcasing his significant role in driving the series' initial success [1] - However, the series has been criticized for its production quality, with common complaints about the plot, pacing, and technical errors, leading to a decline in audience reception [6][11] Group 2: Actor's Market Position and Future Projects - 成毅 is set to star in the upcoming series "两京十五日," indicating that despite the current setback, he continues to secure high-profile projects [3] - The market's perception of an actor's ability to carry a show has become increasingly complex, with traditional metrics of success being challenged [3][18] - The concept of "single-person approval" has emerged, where top actors can secure projects based on their individual influence, reflecting a shift in how projects are evaluated in the industry [20][22] Group 3: Industry Trends and Actor Dynamics - The dual nature of flow (popularity) and its backlash has created a cycle where actors can quickly rise and fall based on a single project's reception [11][12] - The industry is witnessing a trend where both flow actors and established talent must continuously prove their worth, as the market allows for limited mistakes [29] - The emergence of a new generation of actors who can balance both popularity and acting skills is reshaping the competitive landscape, with a focus on diverse roles and strong performances [30]

Core Viewpoint - The "Audio-Visual China Goes to Africa" program promotion event highlights the importance of film and television works as a window for enhancing understanding between China and Africa, showcasing various Chinese productions at the MIP Africa 2025 event in Cape Town [1][3]. Group 1: Event Overview - The MIP Africa 2025 is being held from September 1 to 3 at the Cape Town International Convention Centre, featuring a Chinese joint exhibition and the "Audio-Visual China Goes to Africa" program promotion [1]. - The event is the ninth appearance of the Chinese joint exhibition at the Africa Television Festival, which serves as a significant platform for Chinese broadcasting institutions and film enterprises to enhance international promotion [3]. Group 2: Key Presentations - The Chinese joint exhibition includes seven participating institutions showcasing a variety of works such as "The Justice Trial," "When Socrates Meets Confucius," and "Tibet: Legends Under the Starry Sky," covering genres like drama, documentary, variety shows, and animation [3]. - A special thematic exhibition area was set up to commemorate the 80th anniversary of the victory of the Chinese People's Anti-Japanese War and the World Anti-Fascist War, featuring works that reflect the Chinese people's resistance against invasion and the maintenance of world peace [3]. Group 3: Collaborative Opportunities - The event aims to foster collaboration between Chinese and African filmmakers, encouraging exchanges and partnerships in areas such as technology development, personnel training, and new media dissemination [1][3]. - The Chinese side expresses a desire to bring more "Chinese stories" to the world while also introducing more "African stories" to China [1].