邵氏兄弟控股(00953)涨超6%，截至发稿，涨6.35%，报0.335港元，成交额460.92万港元。 正午阳光是国内剧集制作龙头，主要从事电视剧投资及制作，并在主流视频平台发行电视剧作品，其主 要收入来源为电视剧发行。其主要作品包括《琅琊榜》《伪装者》《山海情》《知否知否应是绿肥红 瘦》等电视剧。2025年底，正午阳光出品电影《得闲谨制》，首次进入电影圈。 消息面上，近日，邵氏兄弟发布公告称，公司与主要股东华人文化(CMC Inc.)订立买卖协议，拟以发行 代价股份方式收购华人文化旗下核心资产，交易对价达45.765亿元人民币(约合50.98亿港元)。公告显 示，相关资产主要包括知名剧集制作公司正午阳光、影视发行公司同乐影视、电影投资制作公司上海华 人影业、综艺制作公司日月星光传媒，以及运营超50家UME影城的上海思远等。 ...

正午阳光是国内剧集制作龙头，主要从事电视剧投资及制作，并在主 流视频平台发行电视剧作品，其 主要收入来源为电视剧发行。其主要作品包括《琅琊榜》《伪装者》《山海情》《知否知否应是绿肥红 瘦》等电视剧。2025年底，正午阳光出品电影《得闲谨制》，首次进入电影圈。 智通财经APP获悉，邵氏兄弟控股(00953)涨超6%，截至发稿，涨6.35%，报0.335港元，成交额460.92万 港元。 消息面上，近日，邵氏兄弟发布公告称，公司与主要股东华人文化(CMC Inc.)订立买卖协议，拟以发行 代价股份方式收购华人文化旗下核心资产，交易对价达45.765亿元人民币(约合50.98亿港元)。公告显 示，相关资产主要包括知名剧集制作公司正午阳光、影视发行公司同乐影视、电影投资制作公司上海华 人影业、综艺制作公司日月星光传媒，以及运营超50家UME影城的上海思远等。 ...

资深传媒人黎瑞刚又有大动作。 日前，港股邵氏兄弟控股（简称"邵氏兄弟"）披露了一则"蛇吞象"式收购计划。邵氏兄弟拟以约46亿元对价发行159.3亿股，收购华人文化旗下剧集制作 龙头正午阳光、电影投资制作公司上海华人影业等核心优质影视资产。同时，作为华人文化集团原始股东的阿里巴巴和腾讯，将以附属公司作为其他指定 接收人的方式参与此次配股。 华人文化成立于2015年，是黎瑞刚亲手创办的传媒娱乐集团。2016年，华人文化成为香港老牌电影公司邵氏兄弟的控股股东，黎瑞刚任董事局主席。 数据显示，截至2025年三季度末，邵氏兄弟经审核资产总值约4.59亿元，而拟收购资产的净值高达约85.58亿元。然而，消息公布后，邵氏兄弟股价已连续 两个交易日出现回落。 "此次华人文化集团将优质影视资产注入邵氏兄弟，不能单一视作影视领域的资本动作。"聚影汇创始人、中国电影投融资研究院执行院长朱玉卿向上证报 记者分析称，其背后是内地与香港的文化深度整合趋势。 45.77亿元 邵氏兄弟拟收购华人文化核心影视资产 1月21日晚间，邵氏兄弟披露，公司与主要股东华人文化（CMC）订立买卖协议，公司拟以发行代价股份方式收购CMC Moon Hold ...

Core Viewpoint - The article highlights the career journey and insights of voice actor Jiang Guangtao, emphasizing the creativity and emotional depth involved in voice acting, as well as the evolving perception of the profession in the digital age [1][3]. Group 1: Career Development - Jiang Guangtao began his voice acting career in 1995 at the Changchun Film Studio, initially aspiring to voice lead roles in films [3]. - Over his 30-year career, he has voiced characters in various media, including films, documentaries, animations, games, radio dramas, and audiobooks, showcasing his versatility [3][4]. - He transitioned to voice directing in the late 1990s, contributing to popular series such as "Beauty's Rival in Palace" and "Nirvana in Fire" [4]. Group 2: Artistic Philosophy - Jiang emphasizes that voice actors must immerse themselves in their characters' emotional worlds to effectively convey the narrative [3]. - He believes that the essence of a character lies in understanding their motivations and experiences, which allows for a more authentic performance [3]. Group 3: Industry Evolution - The voice acting industry has seen a shift, with many professionals now engaging in public appearances and events to raise awareness about their work [6]. - Jiang advocates for voice actors to share their stories and creative processes, stating that direct interaction with audiences can enhance understanding and appreciation of their craft [6]. Group 4: Impact of Technology - Jiang acknowledges the influence of AI on the voice acting industry, noting that while AI can handle basic tasks, it lacks the emotional depth and aesthetic sensibility that human artists provide [8]. - He warns against the standardization of voices in artistic works, arguing that true art requires human creativity and emotional connection [8]. Group 5: Community Engagement - Jiang actively participates in community events and educational activities, promoting positive energy and social responsibility through his work [8]. - He offers free voice-over services for projects aimed at protecting minors, demonstrating his commitment to social causes [8].

Core Viewpoint - The Shanghai Kunqu Opera Troupe and the Palace Museum have collaborated to present "Taihe Zhengyin - A Collection of Kunqu from the Palace Museum" (Season 1), marking the opening of the 24th China Shanghai International Arts Festival, showcasing Shanghai's cultural confidence and aiming to promote traditional Chinese culture internationally [1][2]. Group 1: Cultural Collaboration - The collaboration between the Shanghai Kunqu Opera Troupe and the Palace Museum began in 2019, focusing on academic research, play creation, and cultural dissemination [2]. - The first season of "Taihe Zhengyin" features three plays themed around the Mid-Autumn and Chongyang festivals, adapted from over 6,467 Qing dynasty scripts, highlighting the rich cultural heritage of Kunqu [2]. Group 2: Artistic Innovation - The Shanghai Kunqu Opera Troupe aims to reinterpret Chinese stories and activate cultural heritage through innovative performances, with plans for a second season already in consideration [2]. - The festival also features the final season of the stage play "Fan Hua," which has been in production for nearly eight years, emphasizing the use of local dialects to convey cultural and regional characteristics [2]. Group 3: Diverse Performances - The festival showcases a variety of "Shanghai Originals," including the Shanghai Pingtan Troupe's adaptation of "Cai Rou Hun Tun," which tells a contemporary story set in Shanghai [3]. - The Shanghai National Orchestra's concert "Poetry of China" draws inspiration from traditional Chinese literature, presenting a musical journey through classic poetry [3]. Group 4: Experimental Art - The production "Disguiser," featuring multiple traditional Chinese opera styles and award-winning performers, aims to explore the future of traditional theater through experimental approaches [4]. - The Shanghai Opera House is actively participating in the festival with multiple performances, including large-scale concerts and operas, showcasing its artistic versatility [4]. Group 5: Artistic Vision - The overarching sentiment among the festival's participants is to integrate contemporary contexts into their creations, aiming to flourish in the artistic landscape and engage with audiences and markets [5].

Core Insights - The series "赴山海" has become a new flow password in the internet space, marking a significant event in the drama market for the second half of 2025 [1] - Despite high initial viewership and popularity, the series has faced criticism regarding its quality, leading to a complex evaluation of the lead actor 成毅's ability to carry a show [3][12] - The phenomenon of "black-red" (negative publicity leading to increased attention) has emerged, indicating that the series' flaws have generated significant online discussion, overshadowing its actual quality [9][11] Group 1: Series Performance and Reception - "赴山海" achieved over 700 million views within 10 days of its release, topping the drama popularity charts for 10 consecutive days [1] - The lead actor 成毅's character has garnered over 200 million views on iQIYI, showcasing his significant role in driving the series' initial success [1] - However, the series has been criticized for its production quality, with common complaints about the plot, pacing, and technical errors, leading to a decline in audience reception [6][11] Group 2: Actor's Market Position and Future Projects - 成毅 is set to star in the upcoming series "两京十五日," indicating that despite the current setback, he continues to secure high-profile projects [3] - The market's perception of an actor's ability to carry a show has become increasingly complex, with traditional metrics of success being challenged [3][18] - The concept of "single-person approval" has emerged, where top actors can secure projects based on their individual influence, reflecting a shift in how projects are evaluated in the industry [20][22] Group 3: Industry Trends and Actor Dynamics - The dual nature of flow (popularity) and its backlash has created a cycle where actors can quickly rise and fall based on a single project's reception [11][12] - The industry is witnessing a trend where both flow actors and established talent must continuously prove their worth, as the market allows for limited mistakes [29] - The emergence of a new generation of actors who can balance both popularity and acting skills is reshaping the competitive landscape, with a focus on diverse roles and strong performances [30]

Core Viewpoint - The "Audio-Visual China Goes to Africa" program promotion event highlights the importance of film and television works as a window for enhancing understanding between China and Africa, showcasing various Chinese productions at the MIP Africa 2025 event in Cape Town [1][3]. Group 1: Event Overview - The MIP Africa 2025 is being held from September 1 to 3 at the Cape Town International Convention Centre, featuring a Chinese joint exhibition and the "Audio-Visual China Goes to Africa" program promotion [1]. - The event is the ninth appearance of the Chinese joint exhibition at the Africa Television Festival, which serves as a significant platform for Chinese broadcasting institutions and film enterprises to enhance international promotion [3]. Group 2: Key Presentations - The Chinese joint exhibition includes seven participating institutions showcasing a variety of works such as "The Justice Trial," "When Socrates Meets Confucius," and "Tibet: Legends Under the Starry Sky," covering genres like drama, documentary, variety shows, and animation [3]. - A special thematic exhibition area was set up to commemorate the 80th anniversary of the victory of the Chinese People's Anti-Japanese War and the World Anti-Fascist War, featuring works that reflect the Chinese people's resistance against invasion and the maintenance of world peace [3]. Group 3: Collaborative Opportunities - The event aims to foster collaboration between Chinese and African filmmakers, encouraging exchanges and partnerships in areas such as technology development, personnel training, and new media dissemination [1][3]. - The Chinese side expresses a desire to bring more "Chinese stories" to the world while also introducing more "African stories" to China [1].