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刘梦溪|读书与修身
Xin Lang Cai Jing· 2026-01-08 00:26
【编者按】 生活中的我们,难免习焉不察。环境、密切接触的人群、社会风气,乃至不同的行业,都可以让人沾染 上习气。有一次我们研究所想招一个人。我们招人的条件比较严格,标准是人品第一、学问第一。有人 问我,两个第一谁在前面?我回答,学问好的人品在前面,人品好的学问在前面。那一次想招的这个 人,成果很多,也很有影响。大家见面多次,实在看不出有什么不好。后来明白,原来他是文学出身, 身上有文学习气。有文学习气,距离学问境界,就差了那么一点点。真正进入学问境界的人,连文学习 气都需要刊落。社会上有各种行业,各种专业,行业和专业本身,时间长了,也会滋生特有的习气。在 一界长了,就有一界的习气。不是俗气,是习气。俗气不必说了,连习气都需要刊落,才能成为所期待 的不一样的人。如何刊落?读书是重要途径。 读书还有助于确立人生的自我认知,就是弄明白自己。通过读书,会意识到自己是立身于从古至今的历 史河流里,在这条河流里反照自己,可明白自己的身份和角色。当然书读得好,具有高华的气质,对找 一份合意的工作,会有帮助,慢慢获得事业上的成就感。我小的时候发蒙,那是在1940年代初,念《三 字经》《百家姓》《千字文》《唐诗三百首》《古文观 ...
汉服舞蹁跹 灯火映新年
Xin Lang Cai Jing· 2026-01-01 02:18
中新社西安1月1日电 题:汉服舞蹁跹 灯火映新年 中新社记者 张一辰 "穿汉服并不仅是回溯过去,而是让千年文脉在当下绽放光彩。"林汐的话道出许多"同袍"的心声。 "提一盏鲤鱼灯,与'同袍'静候新年钟声。那一刻,既是今朝也是千年。"2025年的最后一晚,汉服爱好 者许静娴轻抚衣袖,她的身旁,衣香鬓影,笑语盈盈…… 2025年12月31日晚,长安十二时辰主题街区内灯火璀璨、衣袂翩跹,一场以"万国笙歌聆长安"为主题的 唐风跨年活动在此启幕。在精心复原的唐风街市里,齐胸襦裙的少女步履轻盈,宽袍博带的学子从容揖 礼,更有甲胄爱好者肃立如松。他们或与扮演"李白"的演员对诗,或体验投壶之趣,或细品油锤的酥 香。 2025年12 月31日晚间,位于西安的长安十二时辰主题街区内,一场唐风跨年活动正在进行。 滕瀚 摄 "这才是真正的国潮!"西安"00后"林汐第一次尝试汉服,"'云想衣裳花想容'的意境突然具象化了。原来 传统服饰不是束之高阁的遗产,而是可以穿在身上的文化自信。" "汉服复兴的意义,是在尊重历史的基础上实现传统与现代的和谐共生,让传统文化真正融于当下。"陕 西省社科院专家王晓勇表示,汉服的核心价值在于其承载的文化基因 ...
热词里的2025:苏超出圈&哪吒封神丨新闻两点论
Xin Lang Cai Jing· 2025-12-28 02:56
新闻两点论 曾勋 2025年即将画上句号,我们又走过了很不平凡的一年:既承受外部环境的风高浪急,又面对转型升级的多重考验;既共享里程 碑时刻的集体荣耀,又亲历舆论场争辩的多元碰撞。这一年,新事物层出不穷,网络热点如潮水般涌现。《新闻两点论》推出 年终盘点,用五组关键词串联年度热点,回望难忘的2025,共赴值得期待的未来。 今天推出第四组关键词:苏超出圈&哪吒封神。 2025年最火爆的群众性赛事非"苏超"莫属。11月1日,南京奥体中心夜空璀璨,江苏省城市足球联赛(即"苏超"),历时近六个 月的赛事画上句号。"黑马"泰州队通过点球大战4∶3战胜"头马"南通队,夺得首届联赛冠军。 11月1日,在南京奥体中心举行的"苏超"决赛上,泰州队球迷为球队加油助威。新华社发(曹政 摄) 一场场"草根"赛事没有天价转播权,没有高昂的门票和巨星效应,甚至没有系统性的商业推广,却以最本真的足球魅力俘获了 千万中国观众。这背后,是一场来自民间的、自下而上的文化选择。"比赛第一,友谊第十四""没有假球,全是世仇""叫南哥"等 热梗,将"散装江苏"特有地域活力与竞争氛围,展现得淋漓尽致。调侃归调侃,城市与球队血脉相连的情感,球场内外质朴而 ...
吾乡新地图——广东“百千万工程”三年纪实
21世纪经济报道· 2025-12-25 08:16
记者丨喻淑琴 编辑丨包芳鸣 黄裕济的笔记本上,记满了看似和生意无关的数字。 修剪看角度、施肥讲配方、土壤测PH值、管理控参数……这是梅州市梅县区雁洋镇南福村这 位"90后"产业村长为自家300多亩柚园建立的"数据档案"。 "农业要想做得好,得用工业化思维。"这句他从专家那里学来,又在田间地头反复验证的心 得,不仅让自家柚子身价上涨、每斤多卖三到五毛钱,更辐射带动了梅县区近5000个果园转 向科学种植。 黄裕济的探索像一滴水珠,折射出南粤乡土三年来一场静水深流的变革。粤东柚园的"数据种 植"提质、粤西茂名的"直播卖果"热销、粤北瑶寨的"非遗创收"富民……从田间地头的技术革 新到市场端的模式重构,从单个主体的创新突围到区域协同的集群发力,当广湛高铁打通城 乡壁垒,当江门塘口"空心村"因文旅融合重聚人气,多元化实践正汇聚成一股重塑乡土的蓬 勃力量,勾勒南粤"吾乡新地图"的清晰轮廓。 这些散落在南粤大地的发展故事,被一个共同的事业紧密串联——"百县千镇万村高质量发展 工程"(以下简称"百千万工程")。这场发轫于攻坚"最大短板",覆盖122个县(市、区)、 1612个镇(街)、2.65万个村(社区)的实践,学习运用"千 ...
全球南方人文合作的演进与发展
Xin Lang Cai Jing· 2025-12-21 21:43
(来源:天津日报) 转自:天津日报 人文合作专注于知识、文化、价值观和情感的互动,有助于不同国家跨越分歧、构筑长期稳定的信任基 础。伴随国际格局深刻变革与全球南方群体性崛起,人文合作愈发从边缘补充上升为核心议题之一。 全球南方人文合作根植于去殖民化进程,兴起于万隆精神,成熟于新时代的共同发展诉求,其核心是通 过文明互鉴实现发展经验的多元共生,本质是全球南方国家通过文化纽带实现集体赋权的过程。全球南 方人文合作的理论发展,体现了对西方中心主义知识文化体系的反思与超越。它主张知识生产的民主 化,突出跨文化对话的平等性,强调发展经验的语境化。中国在推动全球南方人文合作的理论与实践发 展中发挥了重要的引领作用。 全球南方人文合作发轫于文化自觉。1955年的万隆会议不仅在政治上宣告了不结盟运动的诞生,更在文 化上强调了"亚非精神",此后的全球南方人文合作内涵更多地体现为文化自觉和逆转边缘化。世界体系 理论从更宏观的视角解释了全球南方的文化边缘化。尤其是沃勒斯坦的"中心—半边缘—边缘"模型,分 析了资本主义体系的结构性不平等,指出边缘国家虽具有主观能动性,但在文化领域也面临被同化与边 缘化的风险。全球南方人文合作正是要摆 ...
中国大众文化50年
Hu Xiu· 2025-10-04 09:07
Core Viewpoint - The article outlines the evolution of popular culture in China over the past 50 years, highlighting three distinct eras and two significant turning points, ultimately suggesting that a new form of popular culture is emerging that is more autonomous and rooted in grassroots movements [2][4][10]. Group 1: Evolution of Popular Culture - Popular culture in China has transitioned through three main eras: the traditional media-dominated era of the 1980s, the commercialized media era of the 1990s, and the internet-driven self-media era of the 21st century [4][6][8]. - The 1980s saw a reliance on traditional media such as newspapers and radio, with limited commercialization and a focus on educational and enlightening content [6][7]. - The 1990s marked the rise of television as the dominant medium, leading to the commercialization of popular culture, where the new middle class began to control cultural production, often suppressing genuine cultural demands from the broader public [7][12]. Group 2: Cultural Shifts and Resistance - The early 2000s witnessed a decline in traditional media's influence, with the rise of self-media and short video platforms allowing the public to actively participate in cultural production, thus challenging the previous cultural monopolies [8][10][23]. - The article argues that the cultural identity of the masses has evolved significantly, moving from passive consumers to active participants in cultural expression, driven by technological advancements and shifts in political and economic landscapes [9][20][22]. - Despite the commercialization of popular culture, there has always been an undercurrent of resistance from the masses against the middle-class cultural hegemony, which has shaped the cultural landscape [15][19]. Group 3: New Trends in Popular Culture - The emergence of a new popular culture is characterized by a blend of local and global influences, showcasing a newfound cultural confidence and a willingness to creatively adapt foreign cultural elements [28][32]. - Recent years have seen a rise in grassroots cultural expressions, with independent creators gaining recognition and challenging the established cultural production systems dominated by capital and elite interests [24][25][26]. - The article emphasizes that the new popular culture is not without its flaws, but it represents a significant shift towards a more vibrant and diverse cultural landscape that reflects the genuine experiences and aspirations of the masses [27][38].
新的文化使命彰显文化自觉和文化自信
Jing Ji Ri Bao· 2025-07-31 00:07
Group 1 - The article emphasizes the importance of cultural self-awareness and self-confidence for the Chinese Communist Party, highlighting its historical role in promoting cultural development and its commitment to integrating traditional culture with modern practices [2][4][5] - It discusses the new cultural mission proposed by the Party under Xi Jinping's leadership, aiming to foster cultural prosperity and build a strong cultural nation, which reflects the Party's high cultural self-awareness [3][6] - The article outlines the necessity of maintaining the Party's leadership in cultural matters, asserting that this is crucial for the future of the Party and the nation [6][8] Group 2 - The concept of the "Second Combination" is introduced as a means to deepen the integration of Marxist principles with traditional Chinese culture, enhancing the understanding of China's path, theory, and system [7] - The article advocates for an open and inclusive approach to culture, emphasizing the need for innovation while adhering to core Marxist principles and the Party's leadership [8] - It highlights the importance of adapting to new technological advancements in cultural production, promoting both cultural services and industries to meet the growing spiritual and cultural needs of the populace [9]
倾听尼山|金光亿:只有实现文化上的包容,才能化解文明间冲突
经济观察报· 2025-07-03 10:52
Core Viewpoint - The core viewpoint emphasizes that the openness and inclusiveness of Chinese civilization are fundamental driving forces for its continuous development, as it has absorbed and learned from foreign cultures throughout its history [1][28]. Group 1: Event Overview - The 11th Nishan World Civilization Forum will be held in Qufu, Shandong from July 9 to 10, 2025, serving as a platform for global experts to contribute wisdom for the future development of human civilization [3]. - The forum's theme is "Each Beauty is Beautiful, and Beautiful Together - The Relationship Between Civilizations and Global Modernization," addressing urgent dialogues among different civilizations [4]. Group 2: Historical Context - The 1990 East Asia Social Research conference marked a significant moment for scholars from China, Korea, Japan, and the West to "rediscover" Asia amid a changing global political and economic landscape [5][6]. - Fei Xiaotong's principle of "Each Beauty is Beautiful, Beautiful Together, and Great Harmony" was introduced as a guiding philosophy for cultural relations during this conference [7][14]. Group 3: Cultural Philosophy - "Each Beauty is Beautiful" acknowledges that every culture has its own merits, advocating for respect and recognition of cultural diversity [8][15]. - "Beautiful Together" represents a state of coexistence and mutual respect among different cultures, while "Great Harmony" envisions a global community where diverse cultures can thrive together [9][17]. Group 4: Modern Challenges - The post-World War II era has seen nations prioritize economic development over cultural construction, leading to a lack of cultural communication and understanding [10][19]. - Globalization has intensified cultural exchanges but has also created challenges in maintaining cultural integrity and mutual respect among nations [20][21]. Group 5: Role of Confucianism - Confucianism is suggested as a framework for fostering inclusiveness in cultural exchanges, emphasizing the importance of learning from others [11][12]. - The concept of "Cultural Self-Awareness" is highlighted as essential for understanding one's own culture through the lens of others [15][27]. Group 6: Future Directions - The need for a cultural dialogue platform is emphasized to address global challenges and ensure human dignity and safety [23][24]. - The idea of a "Cultural Globalization" that respects and shares diverse cultures is proposed as a means to build a community of shared human destiny [23][24].
倾听尼山|金光亿:只有实现文化上的包容,才能化解文明间冲突
Jing Ji Guan Cha Bao· 2025-07-01 11:14
Group 1 - The core idea of the article revolves around the importance of cultural inclusivity to resolve conflicts between civilizations, as articulated by the scholar Jin Guangyi [1][2][3] - The phrase "各美其美、美人之美、美美与共、天下大同" (appreciating each other's beauty, recognizing the beauty in others, coexisting beautifully, and achieving a harmonious world) serves as a guiding principle for cultural interactions [4][5][6] - Jin Guangyi emphasizes that each culture has its own merits and should be respected, advocating for a relativistic approach to cultural understanding [5][6][7] Group 2 - The current geopolitical tensions hinder the realization of the ideals of cultural coexistence and mutual respect, as nations focus on economic development at the expense of cultural values [8][9] - Globalization has led to significant cultural and social changes, creating a need for improved cultural communication skills among nations [9][10] - Jin Guangyi suggests that the future of globalization should prioritize cultural exchange and inclusivity rather than solely economic interests [12][13][14] Group 3 - The role of Confucianism is highlighted as a framework for fostering cultural inclusivity and understanding, with teachings that encourage learning from diverse cultures [15][16] - The concept of "仁" (benevolence) in Confucianism is identified as a core value that promotes cultural acceptance and the building of a harmonious community [16]
东西问|行万里路:奥雷·伯曼骑行手记对和平的感悟
Zhong Guo Xin Wen Wang· 2025-05-11 12:54
Core Points - The article highlights Ole Bouman's journey along the Silk Road, emphasizing the importance of understanding different cultures and promoting dialogue in a time of increasing misunderstandings and divisions [1][6][12] - Bouman aims to share his experiences through a book, hoping to inspire those who wish to maintain world peace [1][6] - The narrative reflects on the challenges of writing and the solitude it entails, contrasting it with the physical journey he undertook [4][5] Group 1 - Ole Bouman, a historian and professor, embarked on a 156-day cycling journey covering 10,756 kilometers from Amsterdam to Shanghai to explore the meaning of "the East" [1][6] - The journey is described as a personal "Eastern Odyssey," intended to foster understanding and dialogue among cultures [1][6][12] - Bouman expresses that true dialogue requires stepping away from the accelerated pace of modern life, emphasizing the need for human connection to overcome prejudices [6][12] Group 2 - Bouman's reflections on his long-term engagement with China reveal a deep cultural exploration that transcends superficial understanding [7][12] - He critiques the ease of accessing other cultures in the digital age, arguing that genuine cultural awareness requires overcoming laziness and engaging deeply with different perspectives [7][12] - The article illustrates Bouman's encounters with various cultures during his journey, highlighting moments of connection that transcend cultural differences [12][13] Group 3 - Bouman draws parallels between historical and contemporary experiences, noting how modern industrialization supports cultural heritage [12][19] - His journey prompts reflections on historical figures and their quests for understanding, suggesting a continuity of human experience across time [19][20] - The narrative culminates in a philosophical contemplation of the shared human experience, emphasizing the importance of kindness and understanding in fostering peace [12][19][20]