近几年，中国大众文化呈现出"更新换代"的趋势：一方面，传统文艺形式缺乏活力，另一方面，诸如游戏、网络文学、短视频、短剧等新兴文艺形式迅速 发展。 本文是对改革开放五十年来中国大众文化演进的梳理与界说，勾勒出一条改开初期的思想解放一路勾连到当前多元纷繁的文化生态，为理解当代中国文化 图景提供了历时性框架。 文章认为，改革开放以来，中国大众文化经历的三个时代与两次转折。80年代前中期文化行业虽由传统官方媒体和文化精英主导，但大众的文化诉求仍能 获得体制内和知识界的回应。90年代以来，随着激进市场化进程开启，大众文化也加速市场化和产业化，新富阶层和中产阶级逐渐控制了文化生产，大众 真实的文化需求被压抑，但他们对中产阶级化的文化产业的抵抗始终潜藏在水面以下。进入新世纪后，随着（移动）互联网的崛起，资本与行业精英的文 化垄断开始松动，大众不再是沉默的受众，开始更主动地参与文化生产与表达，草根力量和新文化形态由此勃发。作者认为，一种更具自主性、扎根民间 并展现出世界性抱负的新大众文化正在孕育之中，它可能为我们想象一种超越现有格局的新文明提供宝贵的感性资源与创造动能。 三个时代与三种大众文化 大众文化，"文化"上的特征易于 ...

Group 1 - The article emphasizes the importance of cultural self-awareness and self-confidence for the Chinese Communist Party, highlighting its historical role in promoting cultural development and its commitment to integrating traditional culture with modern practices [2][4][5] - It discusses the new cultural mission proposed by the Party under Xi Jinping's leadership, aiming to foster cultural prosperity and build a strong cultural nation, which reflects the Party's high cultural self-awareness [3][6] - The article outlines the necessity of maintaining the Party's leadership in cultural matters, asserting that this is crucial for the future of the Party and the nation [6][8] Group 2 - The concept of the "Second Combination" is introduced as a means to deepen the integration of Marxist principles with traditional Chinese culture, enhancing the understanding of China's path, theory, and system [7] - The article advocates for an open and inclusive approach to culture, emphasizing the need for innovation while adhering to core Marxist principles and the Party's leadership [8] - It highlights the importance of adapting to new technological advancements in cultural production, promoting both cultural services and industries to meet the growing spiritual and cultural needs of the populace [9]

Core Viewpoint - The core viewpoint emphasizes that the openness and inclusiveness of Chinese civilization are fundamental driving forces for its continuous development, as it has absorbed and learned from foreign cultures throughout its history [1][28]. Group 1: Event Overview - The 11th Nishan World Civilization Forum will be held in Qufu, Shandong from July 9 to 10, 2025, serving as a platform for global experts to contribute wisdom for the future development of human civilization [3]. - The forum's theme is "Each Beauty is Beautiful, and Beautiful Together - The Relationship Between Civilizations and Global Modernization," addressing urgent dialogues among different civilizations [4]. Group 2: Historical Context - The 1990 East Asia Social Research conference marked a significant moment for scholars from China, Korea, Japan, and the West to "rediscover" Asia amid a changing global political and economic landscape [5][6]. - Fei Xiaotong's principle of "Each Beauty is Beautiful, Beautiful Together, and Great Harmony" was introduced as a guiding philosophy for cultural relations during this conference [7][14]. Group 3: Cultural Philosophy - "Each Beauty is Beautiful" acknowledges that every culture has its own merits, advocating for respect and recognition of cultural diversity [8][15]. - "Beautiful Together" represents a state of coexistence and mutual respect among different cultures, while "Great Harmony" envisions a global community where diverse cultures can thrive together [9][17]. Group 4: Modern Challenges - The post-World War II era has seen nations prioritize economic development over cultural construction, leading to a lack of cultural communication and understanding [10][19]. - Globalization has intensified cultural exchanges but has also created challenges in maintaining cultural integrity and mutual respect among nations [20][21]. Group 5: Role of Confucianism - Confucianism is suggested as a framework for fostering inclusiveness in cultural exchanges, emphasizing the importance of learning from others [11][12]. - The concept of "Cultural Self-Awareness" is highlighted as essential for understanding one's own culture through the lens of others [15][27]. Group 6: Future Directions - The need for a cultural dialogue platform is emphasized to address global challenges and ensure human dignity and safety [23][24]. - The idea of a "Cultural Globalization" that respects and shares diverse cultures is proposed as a means to build a community of shared human destiny [23][24].

Group 1 - The core idea of the article revolves around the importance of cultural inclusivity to resolve conflicts between civilizations, as articulated by the scholar Jin Guangyi [1][2][3] - The phrase "各美其美、美人之美、美美与共、天下大同" (appreciating each other's beauty, recognizing the beauty in others, coexisting beautifully, and achieving a harmonious world) serves as a guiding principle for cultural interactions [4][5][6] - Jin Guangyi emphasizes that each culture has its own merits and should be respected, advocating for a relativistic approach to cultural understanding [5][6][7] Group 2 - The current geopolitical tensions hinder the realization of the ideals of cultural coexistence and mutual respect, as nations focus on economic development at the expense of cultural values [8][9] - Globalization has led to significant cultural and social changes, creating a need for improved cultural communication skills among nations [9][10] - Jin Guangyi suggests that the future of globalization should prioritize cultural exchange and inclusivity rather than solely economic interests [12][13][14] Group 3 - The role of Confucianism is highlighted as a framework for fostering cultural inclusivity and understanding, with teachings that encourage learning from diverse cultures [15][16] - The concept of "仁" (benevolence) in Confucianism is identified as a core value that promotes cultural acceptance and the building of a harmonious community [16]

Core Points - The article highlights Ole Bouman's journey along the Silk Road, emphasizing the importance of understanding different cultures and promoting dialogue in a time of increasing misunderstandings and divisions [1][6][12] - Bouman aims to share his experiences through a book, hoping to inspire those who wish to maintain world peace [1][6] - The narrative reflects on the challenges of writing and the solitude it entails, contrasting it with the physical journey he undertook [4][5] Group 1 - Ole Bouman, a historian and professor, embarked on a 156-day cycling journey covering 10,756 kilometers from Amsterdam to Shanghai to explore the meaning of "the East" [1][6] - The journey is described as a personal "Eastern Odyssey," intended to foster understanding and dialogue among cultures [1][6][12] - Bouman expresses that true dialogue requires stepping away from the accelerated pace of modern life, emphasizing the need for human connection to overcome prejudices [6][12] Group 2 - Bouman's reflections on his long-term engagement with China reveal a deep cultural exploration that transcends superficial understanding [7][12] - He critiques the ease of accessing other cultures in the digital age, arguing that genuine cultural awareness requires overcoming laziness and engaging deeply with different perspectives [7][12] - The article illustrates Bouman's encounters with various cultures during his journey, highlighting moments of connection that transcend cultural differences [12][13] Group 3 - Bouman draws parallels between historical and contemporary experiences, noting how modern industrialization supports cultural heritage [12][19] - His journey prompts reflections on historical figures and their quests for understanding, suggesting a continuity of human experience across time [19][20] - The narrative culminates in a philosophical contemplation of the shared human experience, emphasizing the importance of kindness and understanding in fostering peace [12][19][20]