田沁鑫对戏剧是痴迷的。她形容戏剧为"最好的朋友"，舞台是她梦开始的地方。小时候的田沁鑫也 曾陷入成长的迷惘，按照她的话说："不懂演戏、不太合群、有点多愁善感"。从小出生在北京的她，总 是喜欢骑着自行车去看戏。而在戏剧中，田沁鑫找到了一股内心充盈的力量。"那时候总是一副很愁苦 的样子。"田沁鑫笑言，"但戏剧好像一场千秋大梦，美得让你不愿醒来。铃儿响了，舞台中央亮了，一 场梦开始了；灯灭了，梦也结束了。极致、幻灭，都在那个舞台上。" "小时候看于是之老师演的《茶馆》，当演员谢幕的时候，场下观众的欢呼声一浪高过一浪，我被 那个璀璨的舞台震撼了。"在田沁鑫的认识中，戏剧有着电影或电视剧无法替代的艺术价值和独特美 感，戏剧更重视"人"与"人"之间的交流。台上演员之间的交流，观众与演员之间的互动，都赋予戏剧极 强的生命力。"它是一个巨大的磁场，强烈地吸引着你，拉着你往前走。" 新华网北京2月14日电（记者胡可璐）在中国戏剧界，有一位女导演独树一帜。她的戏剧关注宏大 叙事，恢弘大气，题材横跨历史、家国，既有对中华传统文化的传承与发扬，也有对社会现实的观照与 反思，传递着深刻的人文关怀。她就是田沁鑫，中国国家话剧院院长。近日 ...

Group 1 - The Beijing Opera House is presenting a modern Peking opera titled "Wildfire Spring Breeze Fighting Ancient City" at the Chang'an Grand Theatre from August 1 to 3 and 5 [2] - The National Symphony Orchestra will perform a concert titled "Melody in My Heart" at the National Grand Theatre on August 1 [7] - The National Peking Opera Company will stage the modern Peking opera "Wisdom Takes the Tiger Mountain" at the National Grand Theatre on August 1 and 2 [7] Group 2 - The Chinese Coal Mine Art Troupe will present "The Warm Taste" at the Beijing Poly Theatre from August 1 to 3 [10] - The Beijing People's Art Theatre will perform "Camel Xiangzi" at the Capital Theatre from August 1 to 3 [10] - The Happy Mahua Theatre will stage "This Guy is Not Bad" at the Geological Hall Theatre from August 1 to 3 and 5 to 10 [10] Group 3 - The Northern Kunqu Opera Theatre will perform "Lankeshan" at the Beijing Tianqiao Arts Center on August 2 [14] - The Northern Kunqu Opera Theatre will also present "Changsheng Hall" on August 5 [14] - The Beijing National Orchestra will hold a concert titled "Victory Light" at the Beijing Arts Center on August 23 [7][14] Group 4 - The Italian MIC Company will present the original Italian musical "Divine Comedy" at the Century Theatre from August 1 to 3 [19] - The Shanghai Opera House will perform the opera "Dream of Hua Lu" at the National Grand Theatre on August 9 and 10 [17] - The Yunnan Yang Liping Cultural Communication Co., Ltd. will stage the dance drama "Pingtan Reflection" at the Chaoyang Theatre on August 16 and 17 [17]

Core Viewpoint - The 2025 China National Theatre "CNT Live" HD Screening Season aims to leverage digital technology and AI to enhance the accessibility and quality of classic theatrical performances, promoting cultural digitalization and innovation in the performing arts industry [3][5][14]. Group 1: Event Overview - The "CNT Live" HD Screening Season was officially launched on July 15, 2025, with participation from key figures in the cultural and technological sectors [1][3]. - The event will feature eight classic works, showcasing a blend of traditional and digital performance art, and will run from July to September 2025 across 30 theaters in various cities [10][11]. Group 2: Technological Integration - The China National Theatre is transitioning from a traditional performance model to a fully digital strategy, utilizing AI and advanced technology to create high-quality visual representations of theatrical works [3][5]. - The collaboration with China Unicom and BOE Technology Group aims to enhance the viewing experience through optimized HD imaging processes and specialized broadcasting equipment, ensuring high resolution and smooth playback [8][10]. Group 3: Cultural Significance - The selected performances, including "Beijing Fayuan Temple" and "The Zhao Family's Orphans," reflect the essence of Chinese theatrical aesthetics and aim to break geographical barriers, allowing broader audience access to cultural heritage [5][11]. - The initiative is seen as a tribute to the past while also paving the way for future innovations in the performing arts, emphasizing the importance of integrating technology with traditional art forms [14].

Core Viewpoint - The article discusses the ongoing issue of box office manipulation in Chinese cinemas, particularly focusing on the recent "补票房" (supplementing box office) actions taken by cinemas that were found to have engaged in fraudulent practices during the Spring Festival period. This has led to significant financial implications for the industry, with the total amount of supplementary box office exceeding 2 billion yuan, marking one of the largest actions of its kind in history [1][5]. Group 1: Box Office Manipulation - "补票房" actions are a response to cinemas that engaged in fraudulent practices, such as inflating box office numbers, which were discovered through big data analysis [3][5]. - The concept of "影厅服务费" (theater service fee) was introduced to compensate cinemas for the operational costs of special screening rooms, but some cinemas exploited this by charging excessive fees that did not contribute to the official box office [4][5]. - The recent crackdown on these practices has revealed that many cinemas were charging service fees exceeding 30%, violating established regulations [5][6]. Group 2: Historical Context of Box Office Fraud - The term "偷票房" (stealing box office) refers to cinemas underreporting ticket sales to retain a larger share of revenue, a practice that has been prevalent since the implementation of the revenue-sharing system [6][8]. - The first major public awareness of box office fraud occurred with the release of "Avatar" in 2010, where it was estimated that over 20% of ticket sales were unreported [8]. - "挪票房" (moving box office) is another fraudulent practice where ticket sales from one film are reported under another, often to meet funding requirements or revenue-sharing agreements [9][10]. Group 3: Regulatory Measures and Industry Response - In response to the rampant box office fraud, the National Film Administration has implemented stricter regulations and is utilizing advanced technology for monitoring and enforcement [15][16]. - The industry has seen a reduction in the scale of box office fraud, with estimates suggesting that currently about 4% of total box office revenue may still be unreported [15][16]. - The involvement of fans and the public in monitoring box office practices has been highlighted as a significant factor in increasing transparency and accountability within the industry [14].