Core Viewpoint - The article discusses the return of socialist realism in contemporary Chinese art, exemplified by the TV series "Mountain Flowers Blooming," which reinterprets this tradition with modern characteristics [9][10]. Group 1: Artistic Characteristics - "Mountain Flowers Blooming" represents a revival of socialist realism, which had diminished after the Soviet Union's collapse and the rise of American cultural dominance [10][11]. - The series emphasizes the complexity of social relationships and the collective responsibility of individuals within a community, contrasting with the individualism prevalent in many contemporary narratives [8][11]. Group 2: Narrative and Character Development - The character Zhang Guimei is portrayed as a dynamic figure who mobilizes community support to establish a girls' high school, showcasing the collective effort required to address social issues [5][6]. - The narrative structure of the series allows for a rich portrayal of various characters, each contributing to the overarching goal of education and social improvement, rather than merely serving the plot [6][7]. Group 3: Societal Reflection - The series reflects the harsh realities faced by families in rural China, highlighting issues such as poverty and gender inequality, while also presenting a message of hope and resilience [3][4]. - It illustrates how individuals can inspire collective action and change, moving beyond personal struggles to foster a sense of community responsibility [11][12].

Core Viewpoint - The emergence of "famous scenes" in artistic creation reflects an increasing media awareness and user consciousness, but it also leads to a disconnection in overall artistic expression and the creation of "famous scenes" for the sake of it [1][3]. Group 1: Characteristics of "Famous Scenes" - "Famous scenes" are defined as classic segments in films and dramas that possess strong dissemination power and memorability, contributing significantly to the success of characters and works [1][2]. - The phenomenon of "famous scenes" is prevalent across various media, including stage performances and short videos, where creators attempt to replicate the success of classic scenes [1][2]. Group 2: Impact of Media Trends - The rise of "famous scenes" is a response to new trends in media technology and changes in cultural consumption, driven by the fast pace of life and fragmented leisure time, making attention a scarce resource [2][3]. - The efficiency of dissemination has become a key indicator of a work's influence, with "famous scenes" serving as critical points for engagement and virality [2]. Group 3: Narrative Innovation - "Famous scenes" reflect narrative innovation in popular art, catering to audiences' decreasing patience for traditional storytelling and the growing trend of "speed-watching" and "speed-reading" [2][3]. - The creation of "famous scenes" often involves breaking down narratives into visually intense, emotionally charged segments to meet audience expectations [2]. Group 4: Challenges and Misconceptions - The focus on "famous scenes" can lead to a disconnect where segments gain popularity independently, while the overall work may lack substance, resulting in a phenomenon described as "having lines without a story" [3]. - Some creators may design "famous scenes" based on data analysis, detaching them from the narrative, which can lead to a sense of artificiality and formulaic content [3]. Group 5: Artistic Integrity - Ultimately, "famous scenes" serve as a crucial interface between artistic works and audiences, necessitating a balance between market responsiveness and artistic integrity [4]. - The aspiration is to create substantial works that support memorable "famous scenes," contributing to a vibrant cultural landscape that reflects contemporary artistic expectations [4].

Core Viewpoint - The 2025 China Network Civilization Conference aims to promote the integration of internet culture with local cultural elements, particularly in Anhui province, showcasing its rich cultural heritage and innovative approaches to network civilization [1][2]. Group 1: Anhui's Cultural Integration - Anhui has a long history and rich cultural resources, having produced over 10,000 creative works such as micro-dramas, short videos, online literature, and music in the past year, significantly enhancing the recognition and influence of Anhui culture [2][6]. - The province emphasizes the innovative transformation of traditional culture, leveraging its historical significance and regional cultural characteristics, including Huizhou culture and Huangmei opera [6][8]. Group 2: Promotion of Revolutionary History - Anhui has organized significant creative works centered on revolutionary history, with the popular TV series "Awakening Era" becoming a hit, and has produced over 4,000 online stories related to red history [6][7]. - The province has hosted the China Red Microfilm Festival for seven consecutive years, promoting patriotic education through various media initiatives [6][7]. Group 3: Good Citizen Initiatives - Anhui leads the nation with 1,759 individuals recognized on the "China Good Person List," and has implemented initiatives to cultivate a positive online environment through various campaigns targeting different demographics [7]. Group 4: Central Internet Administration's Efforts - The Central Internet Administration has focused on promoting traditional Chinese culture through innovative online strategies, including the "What is China" brand, which has organized nine events to showcase regional cultures [8][9]. - The administration targets youth by utilizing popular online platforms and engaging them with short videos and interactive content to promote mainstream values [9]. - Future plans include expanding the "What is China" brand through nationwide online promotional activities, emphasizing regional characteristics and comprehensive media dissemination [9].

Core Points - The 2025 Shanghai Jing'an Drama Festival will take place from April 25 to June 2, featuring 20 productions and 84 performances, with over 85% being Shanghai premieres and more than half being international works, including nearly 90% as China premieres [1][3] - The festival aims to elevate from a regional cultural brand to an internationally influential cultural event, showcasing a variety of performances and engaging the community [3] - Notable productions include the UK’s Olivier Award-winning director Rebecca Frecknall's "Julie," which will be performed exclusively in Shanghai, and the French director Philippe Caubère's "Paradise on Earth," which explores the relationship between nature and civilization [5][7] Festival Structure - The festival consists of three main sections: classic performances, city-wide events, and the "One Drama Award" [3] - The classic performances section includes six series focusing on Shanghai exclusives and premieres, while the international vision section features four productions, including "Paradise on Earth" and works by influential artists like Pip Delbono [3][7] Notable Productions - "Julie," based on August Strindberg's 1888 play, will be presented in a modern context with a unique stage design [5] - "The Dark Side of the Moon," directed by Robert Lepage, will explore the space race between the US and the Soviet Union, marking its first performance in China after 25 years of international touring [5][7] - The festival will also feature adaptations of classic works, including Jules Verne's "Twenty Thousand Leagues Under the Sea," showcasing innovative stagecraft [8] Community Engagement - The festival will utilize various venues across Shanghai, including mobile container theaters and community events, to enhance public participation [10] - Initiatives such as the "Drama Passport" will offer discounts and promotional activities to encourage attendance and integrate cultural experiences with local commerce [10]