正在首都博物馆展出的"太保墉燕——房山琉璃河遗址专题展"上，180件（套）珍贵文物汇聚展厅，娓娓讲述3000多年前北京"城之源"的故事。这也是该遗 址获评中国考古界最高奖项后首次亮相。 1945年，一批陶片的发现，让考古学家苏秉琦注意到了琉璃河遗址。历经80年，一代代考古人在这里相继发现了城墙、护城河等遗迹，发掘出土堇鼎、伯矩 鬲等青铜重器，确定该遗址为西周燕国始封地，收获诸多重要成果。 今年，琉璃河遗址入选2024年度全国十大考古新发现。 观展亮点 "鼎天鬲地"合璧展出 北京地区西周青铜艺术巅峰之作——伯矩鬲。 西周青铜器上的铭文内容，通常是记载王室给予分封地的诸侯或宠臣的赏赐，受赏一事往往与祭祀先祖联系在一起，这是当时青铜礼器的一个重要特 点。"伯矩"在当时就是掌管迎接周王使者事务的官员。 伯矩鬲的全身由7个牛头组成，艺术设计和铸造工艺极为高超，是北京地区西周青铜艺术巅峰之作。伯矩鬲盖内及颈内壁分别铸有相同的15个字："才（在） 戊辰，匽侯赐伯矩贝，用作父戊尊彝"，翻译过来是，"某年某月戊辰这一天，燕侯赏赐了我的主人伯矩许多海贝，主人为了纪念这一荣耀而铸造了我，并用 于祭祀他的父亲戊"。 鬲的作用与鼎相似 ...

转自：北京日报客户端 今年是琉璃河遗址发现80周年，"太保墉燕——房山琉璃河遗址专题展"正在首都博物馆展出。自1945年 发现这处遗址至今，文物部门考古发掘和研究的脚步从未停歇，不但确定了北京三千年建城史，还对遗 址和出土文物进行了保护、利用。伴随着历史遗存不断被发现，北京"城之源"的轮廓也越来越清晰。 （1）尘封多年后被发现 琉璃河遗址位于北京房山区，多年尘封于地下，1945年，终于被人瞧出了"蛛丝马迹"。 那一年，华北最大的洋灰公司决定在琉璃河建厂，生产水泥。该公司向中国银行贷款，银行派经理吴良 才商洽相关事宜。吴良才是中国考古学先驱之一吴金鼎的弟弟，对考古也很内行，他在琉璃河发现了非 比寻常的陶片，便找到考古学家苏秉琦。苏秉琦看到陶片后，立即断定是商周的东西，无奈时局动荡， 考证之事便搁置了。 上世纪70年代，发掘车马坑现场。 上世纪60年代，琉璃河遗址考古有了进展。1962年，北京大学历史系考古专业邹衡先生在房山区刘李 店、黄土坡、董家林村一带进行调查并试掘。经过对当地出土陶片的仔细整理，他认定燕国的始封地极 有可能就在琉璃河。（2015年6月25日《北京日报》4版，《"鼎天鬲地"带您穿越回古燕国》） ...

来源：中国文化报 中国文化报记者 刘源隆/文 1945年，一批不起眼的陶片在北京市房山区琉璃河镇被偶然发现，谁也没想到，它们竟揭开了北京城市 文明源头的一角。80年过去了，经过几代考古人手铲释天书、风雨无阻的发掘，琉璃河遗址——这片西 周燕国始封地与都城遗址，终以浩大的规模、丰富的内涵重现世人面前。 今年是琉璃河遗址发现80周年。8月28日，"太保墉燕——房山琉璃河遗址专题展"在首都博物馆开幕。 这是该遗址历次展览中规模最大、规格最高的一次，共展出文物180件（套），其中113件（套）为首次 公开亮相。 步入首都博物馆地下一层展厅，仿佛穿越时空走进三千年前的燕都。展览以"封疆—营都—立制—保 护"为叙事主线，通过"受命北疆""燕都肇建""鼎天鬲地""传承永续"四个单元，系统梳理琉璃河遗址的考 古成果与保护历程。 展厅不远处，伯矩鬲以精美的纹饰吸引众多观众驻足。这件高33厘米的鬲身上装饰着七个牛头，盖钮、 盖面、袋足处处见牛，形态各异、栩栩如生。据首都博物馆展览部副研究馆员、策展人赵立波介 绍："伯矩鬲艺术设计与铸造工艺极为高超，堪称周初青铜器中的杰作。它和堇鼎组成的'鼎天鬲地'组 合，是首都博物馆的镇馆之宝， ...

Core Points - The article discusses the "Taibao Yong Yan - Special Exhibition of the Liuli River Site," which celebrates the 80th anniversary of the discovery of the Liuli River archaeological site, recognized as the earliest urban relic in the Beijing area [2][3] - The exhibition features a total of 170 artifacts, with 39 significant items, including the first public display of 113 artifacts, highlighting the importance of the site in the history of urban development in Beijing [2][3] - The exhibition showcases three important ritual vessels known as the Zuocai Huan Ding, Zuocai Huan You, and Zuocai Huan Zhi, which bear the inscription "Taibao Yong Yan," filling a gap in the historical record of urban design during the Bronze Age [2][3] Artifact Highlights - The exhibition includes the Jin Ding and Boju Li, which are considered national treasures and represent the pinnacle of bronze culture development in the Beijing area [3] - The Jin Ding is noted for being the largest and heaviest bronze vessel discovered in Beijing, while the Boju Li is recognized for its unique design and craftsmanship [3] - The exhibition is organized into four thematic units: "Receiving Orders from the Northern Frontier," "Establishment of the Yan Capital," "Ding Tian Li Di," and "Inheritance and Continuity," utilizing modern technology to recreate the life scenes of the Western Zhou Yan state [3][4] Future Developments - The article mentions the ongoing planning for the Liuli River Archaeological Site Park, with three design proposals currently on display for public voting [4] - This initiative aims to create a public archaeological park along the Dashi River in Liuli River Town, enhancing the cultural and historical significance of the site [4]

Core Insights - The article highlights the significance of the Liulihe site in Beijing, recognized as the earliest urban relic in the region, dating back over 3,000 years, and its upcoming exhibition celebrating its 80th anniversary [1][2] Exhibition Details - The "Taibao Yong Yan" exhibition at the Capital Museum will showcase a total of 170 artifacts, including 39 important items, with 113 pieces being displayed for the first time [1] - The exhibition features three significant bronze vessels, which have been selected as part of the "Top Ten Archaeological Discoveries of 2024" [2] Historical Significance - The inscription "Taibao Yong Yan" on the bronze vessels fills a gap in the historical record of urban design during the Bronze Age, indicating the construction of a capital city by Taibao Shaogong in the Yan region [4][5] - The discovery of a "double city wall" structure at the Yan capital site provides crucial insights into the state formation and urban systems of the Western Zhou dynasty [5] Notable Artifacts - The exhibition includes the largest and heaviest bronze artifact found in Beijing, the Jin Ding, and the uniquely shaped Bo Ju Li, representing the pinnacle of bronze culture in the region [6] - The Jin Ding, weighing 41.5 kg and standing 62 cm tall, features a 26-character inscription detailing historical events related to food offerings and rewards [8] - The Bo Ju Li, known for its intricate design, stands 33 cm tall and showcases detailed bull motifs, highlighting the craftsmanship of the period [10] Community Engagement - The exhibition also features design proposals for the Liulihe Archaeological Park, allowing visitors to vote on their preferred designs, fostering community involvement in the planning process [14]

Core Viewpoint - The Liulihe site in Beijing is recognized as the largest known Western Zhou period site in the Yanshan southern foothills, showcasing significant archaeological findings that enhance the understanding of early urban civilization in Beijing, dating back over 3,000 years [5][14]. Archaeological Significance - The Liulihe site has undergone extensive archaeological excavations since its discovery in 1945, yielding numerous artifacts including exquisite bronze vessels, lacquered wooden items, jade, primitive porcelain, and pottery, with notable pieces like the Jin Ding and Bo Ju Li [5][6]. - The site has been confirmed as the capital of the Yan state during the Western Zhou period, with evidence supporting its historical significance in the context of early urban development in Beijing [9][14]. Excavation Developments - Recent excavations have revealed the existence of an outer city wall and moat, expanding the site’s area from less than 600,000 square meters to approximately 1,000,000 square meters, indicating a complex urban structure [6][10]. - The discovery of multiple layers of deposits within the moat allows researchers to trace the construction and abandonment phases of the outer city [6][10]. Multidisciplinary Approach - The archaeological work at Liulihe involves collaboration among various institutions, employing techniques such as carbon-14 dating, isotopic analysis, and organic residue analysis to gain insights into the site's historical context [10][11]. - The establishment of a geographic information system for the site has enabled the creation of a three-dimensional model, enhancing the understanding of the spatial distribution of archaeological features [11]. Educational and Cultural Impact - The Liulihe site serves as a platform for public archaeology, engaging local communities and international students in understanding the historical and cultural significance of the site [12][13]. - Plans for the construction of an archaeological park at the site aim to promote awareness and appreciation of Beijing's ancient history, making it a vital educational resource [13].

Group 1 - The Capital Museum, which opened on May 18, 2006, showcases the essence of Chinese civilization and has been narrating Beijing's long history for nearly 20 years [1] - The Beijing Grand Canal Museum (East Hall of the Capital Museum) will officially open to the public by the end of 2023, complementing the main museum and together telling the story of Beijing's "capital" and "city" [3] - The main event for International Museum Day in China will take place from May 17 to 19, 2025, at the Beijing Grand Canal Museum [4] Group 2 - The Jin Ding, unearthed in 1974 from the Liuli River site in Fangshan, Beijing, is the largest and heaviest bronze ritual vessel found in the region, reflecting the advanced metallurgy and casting techniques of the early Western Zhou period [7] - The Boju Li, featuring intricate designs and clear inscriptions, exemplifies the high level of bronze casting during the Western Zhou period, with its complex motifs being rare [9] - The jade Zhi, an ancient wine vessel, showcases the significance of jade culture in traditional Chinese society, with its design symbolizing status and auspiciousness [11] - The blue-and-white flat pot, made during the Yuan dynasty, represents a fusion of Central Plains and nomadic cultures, highlighting the importance of blue-and-white porcelain in Chinese ceramic history [13] - The two-part vase with a sky-blue glaze from the Yuan dynasty reflects the innovative spirit of the era, merging agricultural, nomadic, and fishing cultures, and symbolizes the cultural significance of Beijing [15]