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东西问·北京文化论坛|罗伯特·沃克:跨文化理解为什么是修复世界的黏合剂?
Zhong Guo Xin Wen Wang· 2025-09-22 12:13
Core Viewpoint - Cross-cultural understanding is essential for bridging differences and enhancing communication globally [3][6]. Group 1: Importance of Cross-Cultural Understanding - Cross-cultural understanding is crucial at both personal and national levels, as it fosters respect and comprehension among diverse cultures [6][10]. - The lack of understanding of other cultures leads to misconceptions, which can create deeper divides if not addressed [6][10]. Group 2: Personal Experience and Observations - The individual has lived in China for several years, experiencing firsthand the cultural differences and the importance of generosity and respect in Chinese society [4][5]. - The individual emphasizes the need to share authentic experiences of China to counteract distorted perceptions formed through Western media [7][12]. Group 3: Challenges to Cross-Cultural Understanding - A significant challenge is the lack of knowledge about other cultures, which can be mitigated through inquiry, listening, and empathy [9][10]. - Language differences pose a barrier, as the way language is used shapes thought processes, particularly between Chinese and English [9][10]. - The prevailing competitive worldview in the West, which divides people into "us" versus "them," hinders problem-solving and fosters isolation [10].
北京文化论坛精品文创展区亮相,文创“顶流”一站式体验
Bei Jing Ri Bao Ke Hu Duan· 2025-09-22 11:42
Core Viewpoint - The 2025 Beijing Cultural Forum will be held on September 23-24, focusing on the theme of "Cultural and Technological Integration" and showcasing the latest achievements in cultural and creative industries [3][4]. Group 1: Event Overview - The forum will feature a special exhibition area for high-quality cultural and creative products, integrating display, experience, and consumption [3]. - The main exhibition area, titled "Beijing Cultural Creativity Shines, Blooming with New Rhythms of the Era," will showcase over 600 cultural and creative products from 80 enterprises and institutions [3][4]. Group 2: Exhibition Highlights - The exhibition will include various themed areas such as "Inheriting Culture, Innovating the Future," focusing on intangible cultural heritage and modern cultural integration [4]. - Notable products include the "Phoenix Crown" themed cultural products developed by major museums, with the Phoenix Crown refrigerator magnet achieving over 1 million sales and generating over 100 million yuan in revenue [5]. Group 3: Popular Products - Popular items at the exhibition include creative stationery and decorative magnets that combine design with cultural significance, many of which have sold out online [6]. - The exhibition will also feature a variety of cultural products from different sectors, including traditional crafts and modern IP toys, showcasing the diversity of the cultural creative industry [7]. Group 4: Technology Integration - The exhibition emphasizes the integration of innovative product development and the application of the latest technological achievements, highlighting Beijing's role as a national cultural and technological innovation center [9]. - Interactive experiences will include AI products and robotics, enhancing public engagement with cultural and technological fusion [9][11].
北京文化守护人|马未都:留住鸽哨蝉鸣,生活场景也是文化传承
Xin Jing Bao· 2025-09-22 09:51
Core Viewpoint - The article highlights the cultural contributions of Ma Weidu, a prominent cultural scholar and founder of the Guanfang Museum, emphasizing his role in preserving and promoting traditional Chinese culture, particularly in Beijing [3][5][12]. Group 1: Cultural Preservation and Promotion - Ma Weidu founded the Guanfang Museum in 1997, which is the first non-state-owned museum in China with legal status, and it has become a significant platform for cultural education [3][9]. - In 2024, Ma was appointed as the "Cultural Ambassador of the Temple of Heaven," tasked with promoting the culture of the Temple and traditional Chinese culture [3][13]. - He believes that cultural preservation must follow the natural development of culture, advocating for the retention of traditional commercial practices and everyday sounds in Beijing to maintain cultural continuity [4][5][6]. Group 2: Personal Connection to Beijing - Ma Weidu has deep personal ties to Beijing, recalling fond memories of his childhood and the vibrant cultural atmosphere of the city, which he feels is diminishing [6][8]. - He emphasizes the importance of everyday cultural elements, such as the sounds of cicadas and pigeons, which contribute to the unique character of old Beijing [6][8]. Group 3: Cultural Heritage and Urban Development - Ma expresses concern that while many cultural heritage sites along Beijing's central axis are well-preserved, they lack liveliness and everyday life, which are essential for cultural vitality [5][13]. - He advocates for a balance between preservation and the integration of daily life into cultural heritage sites, suggesting that allowing small vendors and traditional practices could enhance the cultural experience [13][14]. Group 4: Evolving Cultural Engagement - The article notes a shift in public interest towards understanding the stories behind cultural artifacts rather than merely their monetary value, indicating a growing appreciation for history and culture among visitors [9]. - Ma Weidu actively engages with the public through various media, including short videos, to make cultural knowledge accessible and relatable, emphasizing the importance of sincere and genuine communication [14][16].
北京文化论坛平行论坛“虚实无界:视听产业融合破圈”即将举办,推动全球视听文化交流合作
Bei Jing Ri Bao Ke Hu Duan· 2025-09-22 09:34
Group 1 - The "Virtual and Real Without Boundaries: Breaking the Circle of Audiovisual Industry Integration" parallel forum is part of the 2025 Beijing Cultural Forum, scheduled for September 23, 2023, at the Beijing International Hotel [1][3] - The forum aims to create a high-end dialogue platform for the audiovisual industry, promoting global cultural exchange and industry cooperation [3] - The event will feature discussions on global cooperation, cross-cultural communication, and the integration of technology in the audiovisual sector, with participation from over 20 international guests from 17 countries and regions [3][4] Group 2 - The forum will showcase a series of high-quality audiovisual works, including commemorative dramas for the 80th anniversary of the victory in the Chinese People's Anti-Japanese War [4] - A professional salon focusing on audiovisual technology will explore how innovations like ultra-high definition, XR/VR, and AI can empower cultural expression and international communication [4][5] - The forum will also address the role of artificial intelligence in reshaping the film and television industry, with discussions on its applications in scriptwriting, virtual production, and intelligent distribution [5] Group 3 - A professional salon on animation will discuss how Chinese animation can leverage Eastern aesthetics to penetrate the global market, featuring insights from industry leaders and organizations [5][6] - The "Drama Power Unlimited" salon will focus on high-quality drama creation and industry upgrades, inviting top creators to share their experiences and insights on the industry's future [6]
2025北京文化论坛的可喜之处:既有学术科研人才,又有一线实践者参与
Bei Jing Ri Bao Ke Hu Duan· 2025-09-22 02:25
【2025北京文化论坛的可喜之处:既有学术科研人才,又有一线实践者参与】近日,北京文化论坛"双 向赋能:网络文化创新发展"平行论坛专业沙龙在石景山首钢园三高炉A馆报告厅举办。教育部长江学 者特聘教授,北京师范大学新闻传播学院传播创新与未来媒体实验平台主任喻国明在接受北京日报都视 频采访时说到:2025北京文化论坛的可喜之处是既有学术科研人才,又有一线实践者参与。 #2025北京 文化论坛##文化与科技双向赋能##变革与重塑聚焦智媒时代##北京范儿# ...
北京文化论坛|智媒时代,腾讯ima AI将适配知识管理的3个核心变化
Bei Jing Ri Bao Ke Hu Duan· 2025-09-21 13:14
Group 1 - The core viewpoint of the article emphasizes three key changes that Tencent's ima AI will adapt to in the era of intelligent media [1] - The event took place at the Beijing Cultural Forum, focusing on the dual empowerment of culture and technology [1] - The discussion was led by Yao Yuan, a senior operations expert from Tencent ima AI, highlighting the importance of knowledge management in the evolving landscape [1]
东西问·北京文化论坛|埃及汉学家:话剧《茶馆》何以成为文明交流互鉴的“社会镜像”?
Zhong Guo Xin Wen Wang· 2025-09-21 11:38
Core Viewpoint - The play "Teahouse" serves as a "social mirror" for cultural exchange and understanding, highlighting the commonality of human experiences across different cultures [3][4][6]. Group 1: Insights from the Play - The teahouse in the play represents a microcosm of society, showcasing various characters from different walks of life, reflecting their hopes and anxieties about the future [4][6]. - The character Wang Lifafa embodies the struggle of small business owners who wish to maintain stability amidst societal turmoil, illustrating the universal challenges faced by individuals in changing times [6][7]. - "Teahouse" is not only a historical drama but also a humanistic one, prompting reflections on the dignity of ordinary people in the face of larger societal changes [6][7]. Group 2: Cultural Exchange and Understanding - The play can help Egyptian students understand modern China by providing insights into Chinese history, character traits, and emotional responses to change, making it more relatable than traditional history books [7][8]. - Effective translation is crucial for conveying the cultural nuances of the play, ensuring that the audience grasps both the language and the underlying cultural context [8]. - Creating an immersive atmosphere through stage design and performance can enhance the audience's experience, making it easier for them to connect with Chinese culture [8][10]. Group 3: Broader Implications of Cultural Dialogue - The importance of cultural dialogue in fostering mutual trust between nations is emphasized, suggesting that collaboration is essential to address global challenges [11]. - The integration of cultural exchanges, such as China's Belt and Road Initiative and Egypt's Vision 2030, exemplifies how cultural understanding can lead to tangible cooperation and deeper emotional connections between countries [11].
北京文化论坛“双向赋能:网络文化创新发展”平行论坛专业沙龙举办
Zhong Guo Xin Wen Wang· 2025-09-21 09:16
Group 1 - The forum focused on the theme "Reform and Restructuring: Large Models Empowering Systemic Change in Mainstream Media" [1] - The event was organized by the Central Publicity Department, the Beijing Municipal Committee of the Communist Party of China, and the Beijing Municipal Government, bringing together experts from academia and industry [1][2] - The discussion emphasized the need for mainstream media to innovate and explore new models of integration with large models to revitalize the media landscape in the context of cultural prosperity and development [2] Group 2 - The keynote speech highlighted the evolution of mainstream media's influence through three stages and identified four major issues, advocating for a dual breakthrough in "institutional track" and "technical track" to transition from "identity mainstream" to "ability mainstream" [2] - The roundtable discussion included topics such as the application of AI large models in the media industry and the systemic transformation of broadcasting media through artificial intelligence [2][3] - The significance of large models in the broadcasting system was discussed, noting that technology empowerment is crucial for systemic change, with AI providing value both externally and internally [5]
北京文化守护人丨李俊阁:三车“碎木头”,八级木工复原天宫藻井
Xin Jing Bao· 2025-09-21 03:05
Core Viewpoint - The article highlights the remarkable journey of Li Junge, a master carpenter and ancient building restoration expert, who played a crucial role in the restoration of the Tian Palace Zaojing, a national treasure, showcasing the importance of traditional craftsmanship in preserving cultural heritage [3][11]. Group 1: Li Junge's Background and Achievements - Li Junge became a "Level 8 Carpenter" in his twenties and has been involved in the restoration of numerous ancient buildings across China, including the Great Wall and the Summer Palace [3][6]. - The Tian Palace Zaojing, known as the "ceiling among ceilings," was reconstructed by Li and his team over three years, transforming a pile of fragmented wood into a masterpiece [3][11]. - The restoration project was initiated after the Tian Palace Zaojing was dismantled following the 1976 Tangshan earthquake, with many components left exposed to the elements [11][12]. Group 2: Restoration Process and Techniques - The restoration involved categorizing over 20,000 components from three truckloads of fragmented wood, using old photographs as references to reassemble the structure [11][12]. - Li emphasized the importance of understanding traditional Chinese wooden structures and the intricacies of joinery techniques, which are essential for accurate restoration [7][16]. - The final restoration adhered to the design logic of Ming dynasty craftsmen, with additional components crafted to replace missing parts, ensuring the integrity of the original design [12][16]. Group 3: Cultural Impact and Legacy - The recent popularity of the Tian Palace Zaojing refrigerator magnet has brought renewed attention to Li Junge's work and the significance of ancient architecture among younger generations [3][8]. - Li expressed a desire to pass on his skills to a new apprentice, highlighting the need for the continuation of traditional craftsmanship in ancient building restoration [4][17]. - The article underscores the cultural value of ancient architecture and the importance of preserving these skills for future generations [13][17].
北京文化守护人丨张涛:为万宁桥测“心跳”,给雍和宫治“未病”
Xin Jing Bao· 2025-09-20 14:47
Core Viewpoint - The article highlights the innovative approaches taken by Zhang Tao and his team in the preservation and monitoring of ancient architecture in Beijing, emphasizing the importance of preventive measures and advanced technology in heritage conservation [4][10]. Group 1: Technological Innovations - Zhang Tao utilizes various advanced tools such as micro-drilling resistance instruments, rebound testers, stress wave devices, and infrared thermal imaging to assess the condition of ancient buildings [5][10]. - The micro-drilling resistance instrument, developed over five years, allows for precise detection of internal conditions of wooden structures, revolutionizing the field of ancient architecture preservation [10][11]. Group 2: Monitoring Techniques - The team has implemented long-term monitoring of structures like the Wanning Bridge, using sensitive devices to detect minute vibrations, akin to an electrocardiogram for humans [6][10]. - Data collection often requires challenging conditions, such as working in extremely cold temperatures to ensure accurate measurements [7][10]. Group 3: Preventive Conservation - The shift from reactive to preventive conservation is emphasized, with the aim of identifying potential issues before they lead to significant damage [11]. - Zhang Tao's work has already benefited over seventy ancient sites in Beijing, preventing severe deterioration through early detection and intervention [10][11]. Group 4: Future Aspirations - There is a call for the establishment of more refined local and industry standards for ancient building protection, alongside the need for increased training and recruitment of professionals in the field [11].