新京报讯（记者陈璐）9月22日，2025北京文化（000802）论坛"保护传承：数字化赋能文化遗产"平行 论坛"考古遗产价值阐释与可持续发展"专业沙龙在首都博物馆举办。约200名来自国内外的考古学者、 相关领域专家、世界遗产地代表及社会公众展开深度对话，探讨考古遗产保护、利用与传承的未来之 路。 国际古迹遗址理事会印度全国委员会主席莉玛·胡贾（Rima Hooja）以斋浦尔和拜拉特为例，向观众阐 述了考古遗产价值阐释与联合国可持续发展目标之间的内在联系，阐明遗产保护是推动区域发展、安居 乐业和环境可持续的重要力量。 讨论结束后，中国社会科学院考古研究所、国家文物局考古研究中心、北京大学考古文博学院、故宫博 物院考古部、北京市考古研究院共同签署协议，宣布成立"琉璃河遗址考古研究联盟"，该联盟的建立将 整合国内顶尖学术力量，深入推进琉璃河遗址的系统性考古研究与价值阐释工作。 在沙龙对话环节，6位国内外专家围绕考古遗产的价值挖掘、阐释方式、公众参与以及可持续活化利用 等议题分享见解，并结合斋浦尔、良渚、琉璃河等国内外典型案例展开叙述，为考古遗产的未来发展提 供了多元化视角和前瞻性思路。 中国国家博物馆考古院研究馆员 ...

中新社北京9月22日电 题：跨文化理解为什么是修复世界的黏合剂？ ——专访英国牛津大学格林坦普顿学院荣休教授罗伯特·沃克 作者 赵婧姝 "跨文化理解是修复世界的黏合剂。"英国牛津大学格林坦普顿学院荣休教授罗伯特·沃克(Robert Walker) 如是说。 七年前，沃克受邀担任北京师范大学教授并长居中国。在中国，他与同事从事贫困问题和社会政策研 究。近日，在接受中新社"东西问"专访时，罗伯特·沃克结合自身经历，提出跨文化理解对弥合差异、 增进交流发挥重要作用的思考。 当然，我所获得的，或许仍是一个陌生人的理解。而这些差异引发我的疑问，我的问题又让中国同事感 到好奇："为什么他会这样想？"正是在这样的互动中，我们一步步解开中国社会的复杂图景。 中新社记者：为什么跨文化理解是必要的？是什么契机使您开始关注跨文化理解问题？ 罗伯特·沃克：跨文化理解至关重要，无论在个人层面，还是在国家之间。 某种意义上，不同文化在相互理解过程中容易被"扭曲"——我们在自身成长过程中形成了看世界的认知 结构，它们并不总能跨文化通用。因此，必须摆脱"我的文化才是正确的"这种观念，这是尊重的态度。 尊重带来理解，理解反过来催生尊重，形成良 ...

Core Viewpoint - The 2025 Beijing Cultural Forum will be held on September 23-24, focusing on the theme of "Cultural and Technological Integration" and showcasing the latest achievements in cultural and creative industries [3][4]. Group 1: Event Overview - The forum will feature a special exhibition area for high-quality cultural and creative products, integrating display, experience, and consumption [3]. - The main exhibition area, titled "Beijing Cultural Creativity Shines, Blooming with New Rhythms of the Era," will showcase over 600 cultural and creative products from 80 enterprises and institutions [3][4]. Group 2: Exhibition Highlights - The exhibition will include various themed areas such as "Inheriting Culture, Innovating the Future," focusing on intangible cultural heritage and modern cultural integration [4]. - Notable products include the "Phoenix Crown" themed cultural products developed by major museums, with the Phoenix Crown refrigerator magnet achieving over 1 million sales and generating over 100 million yuan in revenue [5]. Group 3: Popular Products - Popular items at the exhibition include creative stationery and decorative magnets that combine design with cultural significance, many of which have sold out online [6]. - The exhibition will also feature a variety of cultural products from different sectors, including traditional crafts and modern IP toys, showcasing the diversity of the cultural creative industry [7]. Group 4: Technology Integration - The exhibition emphasizes the integration of innovative product development and the application of the latest technological achievements, highlighting Beijing's role as a national cultural and technological innovation center [9]. - Interactive experiences will include AI products and robotics, enhancing public engagement with cultural and technological fusion [9][11].

Core Viewpoint - The article highlights the cultural contributions of Ma Weidu, a prominent cultural scholar and founder of the Guanfang Museum, emphasizing his role in preserving and promoting traditional Chinese culture, particularly in Beijing [3][5][12]. Group 1: Cultural Preservation and Promotion - Ma Weidu founded the Guanfang Museum in 1997, which is the first non-state-owned museum in China with legal status, and it has become a significant platform for cultural education [3][9]. - In 2024, Ma was appointed as the "Cultural Ambassador of the Temple of Heaven," tasked with promoting the culture of the Temple and traditional Chinese culture [3][13]. - He believes that cultural preservation must follow the natural development of culture, advocating for the retention of traditional commercial practices and everyday sounds in Beijing to maintain cultural continuity [4][5][6]. Group 2: Personal Connection to Beijing - Ma Weidu has deep personal ties to Beijing, recalling fond memories of his childhood and the vibrant cultural atmosphere of the city, which he feels is diminishing [6][8]. - He emphasizes the importance of everyday cultural elements, such as the sounds of cicadas and pigeons, which contribute to the unique character of old Beijing [6][8]. Group 3: Cultural Heritage and Urban Development - Ma expresses concern that while many cultural heritage sites along Beijing's central axis are well-preserved, they lack liveliness and everyday life, which are essential for cultural vitality [5][13]. - He advocates for a balance between preservation and the integration of daily life into cultural heritage sites, suggesting that allowing small vendors and traditional practices could enhance the cultural experience [13][14]. Group 4: Evolving Cultural Engagement - The article notes a shift in public interest towards understanding the stories behind cultural artifacts rather than merely their monetary value, indicating a growing appreciation for history and culture among visitors [9]. - Ma Weidu actively engages with the public through various media, including short videos, to make cultural knowledge accessible and relatable, emphasizing the importance of sincere and genuine communication [14][16].

Group 1 - The "Virtual and Real Without Boundaries: Breaking the Circle of Audiovisual Industry Integration" parallel forum is part of the 2025 Beijing Cultural Forum, scheduled for September 23, 2023, at the Beijing International Hotel [1][3] - The forum aims to create a high-end dialogue platform for the audiovisual industry, promoting global cultural exchange and industry cooperation [3] - The event will feature discussions on global cooperation, cross-cultural communication, and the integration of technology in the audiovisual sector, with participation from over 20 international guests from 17 countries and regions [3][4] Group 2 - The forum will showcase a series of high-quality audiovisual works, including commemorative dramas for the 80th anniversary of the victory in the Chinese People's Anti-Japanese War [4] - A professional salon focusing on audiovisual technology will explore how innovations like ultra-high definition, XR/VR, and AI can empower cultural expression and international communication [4][5] - The forum will also address the role of artificial intelligence in reshaping the film and television industry, with discussions on its applications in scriptwriting, virtual production, and intelligent distribution [5] Group 3 - A professional salon on animation will discuss how Chinese animation can leverage Eastern aesthetics to penetrate the global market, featuring insights from industry leaders and organizations [5][6] - The "Drama Power Unlimited" salon will focus on high-quality drama creation and industry upgrades, inviting top creators to share their experiences and insights on the industry's future [6]

【2025北京文化论坛的可喜之处：既有学术科研人才，又有一线实践者参与】近日，北京文化论坛"双 向赋能：网络文化创新发展"平行论坛专业沙龙在石景山首钢园三高炉A馆报告厅举办。教育部长江学 者特聘教授，北京师范大学新闻传播学院传播创新与未来媒体实验平台主任喻国明在接受北京日报都视 频采访时说到：2025北京文化论坛的可喜之处是既有学术科研人才，又有一线实践者参与。 #2025北京 文化论坛##文化与科技双向赋能##变革与重塑聚焦智媒时代##北京范儿# ...

Group 1 - The core viewpoint of the article emphasizes three key changes that Tencent's ima AI will adapt to in the era of intelligent media [1] - The event took place at the Beijing Cultural Forum, focusing on the dual empowerment of culture and technology [1] - The discussion was led by Yao Yuan, a senior operations expert from Tencent ima AI, highlighting the importance of knowledge management in the evolving landscape [1]

Core Viewpoint - The play "Teahouse" serves as a "social mirror" for cultural exchange and understanding, highlighting the commonality of human experiences across different cultures [3][4][6]. Group 1: Insights from the Play - The teahouse in the play represents a microcosm of society, showcasing various characters from different walks of life, reflecting their hopes and anxieties about the future [4][6]. - The character Wang Lifafa embodies the struggle of small business owners who wish to maintain stability amidst societal turmoil, illustrating the universal challenges faced by individuals in changing times [6][7]. - "Teahouse" is not only a historical drama but also a humanistic one, prompting reflections on the dignity of ordinary people in the face of larger societal changes [6][7]. Group 2: Cultural Exchange and Understanding - The play can help Egyptian students understand modern China by providing insights into Chinese history, character traits, and emotional responses to change, making it more relatable than traditional history books [7][8]. - Effective translation is crucial for conveying the cultural nuances of the play, ensuring that the audience grasps both the language and the underlying cultural context [8]. - Creating an immersive atmosphere through stage design and performance can enhance the audience's experience, making it easier for them to connect with Chinese culture [8][10]. Group 3: Broader Implications of Cultural Dialogue - The importance of cultural dialogue in fostering mutual trust between nations is emphasized, suggesting that collaboration is essential to address global challenges [11]. - The integration of cultural exchanges, such as China's Belt and Road Initiative and Egypt's Vision 2030, exemplifies how cultural understanding can lead to tangible cooperation and deeper emotional connections between countries [11].

Group 1 - The forum focused on the theme "Reform and Restructuring: Large Models Empowering Systemic Change in Mainstream Media" [1] - The event was organized by the Central Publicity Department, the Beijing Municipal Committee of the Communist Party of China, and the Beijing Municipal Government, bringing together experts from academia and industry [1][2] - The discussion emphasized the need for mainstream media to innovate and explore new models of integration with large models to revitalize the media landscape in the context of cultural prosperity and development [2] Group 2 - The keynote speech highlighted the evolution of mainstream media's influence through three stages and identified four major issues, advocating for a dual breakthrough in "institutional track" and "technical track" to transition from "identity mainstream" to "ability mainstream" [2] - The roundtable discussion included topics such as the application of AI large models in the media industry and the systemic transformation of broadcasting media through artificial intelligence [2][3] - The significance of large models in the broadcasting system was discussed, noting that technology empowerment is crucial for systemic change, with AI providing value both externally and internally [5]

Core Viewpoint - The article highlights the remarkable journey of Li Junge, a master carpenter and ancient building restoration expert, who played a crucial role in the restoration of the Tian Palace Zaojing, a national treasure, showcasing the importance of traditional craftsmanship in preserving cultural heritage [3][11]. Group 1: Li Junge's Background and Achievements - Li Junge became a "Level 8 Carpenter" in his twenties and has been involved in the restoration of numerous ancient buildings across China, including the Great Wall and the Summer Palace [3][6]. - The Tian Palace Zaojing, known as the "ceiling among ceilings," was reconstructed by Li and his team over three years, transforming a pile of fragmented wood into a masterpiece [3][11]. - The restoration project was initiated after the Tian Palace Zaojing was dismantled following the 1976 Tangshan earthquake, with many components left exposed to the elements [11][12]. Group 2: Restoration Process and Techniques - The restoration involved categorizing over 20,000 components from three truckloads of fragmented wood, using old photographs as references to reassemble the structure [11][12]. - Li emphasized the importance of understanding traditional Chinese wooden structures and the intricacies of joinery techniques, which are essential for accurate restoration [7][16]. - The final restoration adhered to the design logic of Ming dynasty craftsmen, with additional components crafted to replace missing parts, ensuring the integrity of the original design [12][16]. Group 3: Cultural Impact and Legacy - The recent popularity of the Tian Palace Zaojing refrigerator magnet has brought renewed attention to Li Junge's work and the significance of ancient architecture among younger generations [3][8]. - Li expressed a desire to pass on his skills to a new apprentice, highlighting the need for the continuation of traditional craftsmanship in ancient building restoration [4][17]. - The article underscores the cultural value of ancient architecture and the importance of preserving these skills for future generations [13][17].