Core Points - The publication "Beijing·Dongcheng" showcases the district as a core area of the capital, highlighting its role as a political, cultural, and international exchange center [1][3] - The book is presented in both Chinese and English, featuring six chapters that cover various aspects of Dongcheng's development [1][3] - The publication was well-received at the 2025 Beijing Cultural Forum, indicating its quality and unique value [3] Summary by Sections - **National Hub**: The district is emphasized as a central hub for national functions, reflecting its importance in governance and administration [1] - **Ancient Capital**: The historical significance of Dongcheng as a millennium-old city is highlighted, showcasing its rich cultural heritage [1] - **Cultural City**: The area is presented as a cultural landmark, with various cultural achievements and contributions [1] - **Human Landscape**: The publication illustrates the picturesque aspects of Dongcheng, enhancing its appeal as a livable city [1] - **Livable Paradise**: The district is characterized as a desirable place to live, focusing on its residential qualities and amenities [1] - **Modern City**: The modern developments and urban planning initiatives in Dongcheng are also covered, reflecting its contemporary growth [1]

中新社北京9月28日电 题：新技术浪潮如何重塑全球电影行业？ 现将访谈实录摘要如下： 中新社记者：在电影诞生与发展过程中，技术发挥了哪些作用？新技术浪潮如何影响电影行业？ 邱章红：电影业与技术密不可分，可以说，电影史就是一部技术革新史。每一次重大的技术突破，都深 刻改变了其形态、语言、观感体验及产业。 电影诞生于19世纪末，核心技术是摄影术、胶片和间歇运动装置，解决了如何记录并再现连续运动画面 这一问题。此后，电影行业迎来无声电影成熟、有声时代、彩色时代、大银幕与沉浸式体验、数字化革 命、AI新范式等。其中，AI打破了作者中心制的电影创意系统，变为人与智能体并列的双主体创意系 统。 可以说，新技术浪潮给电影行业带来了深远影响，我认为有五个方面：一是制作效率提升与成本优化。 AI工具和虚拟制作技术显著缩短制作周期；二是创意潜能释放与创作民主化。AI技术降低高质量影视 内容的制作门槛，让更多创作者得以实现创意；三是IP运营与商业模式革新。成功的原始IP将以前所未 有的速度和广度衍生出各种形态的内容，形成更强大的生态壁垒和更灵活的商业模式；四是人机协同成 为新常态。人类的创意、审美和情感洞察力，与AI的执行效率将更 ...

2025北京文化论坛日前在北京举办，以"文化和科技融合发展"为年度主题。这令三联书店(香港)有限公 司总编辑于克凌打开了话匣子，近日在香港接受中新社"东西问"专访时，他谈起近年来香港出版界在应 用创新科技方面的诸多尝试与累累硕果。面向电子时代，香港出版界选择拥抱人工智能(AI)，将冲击转 化为助力，也继续肩负着促进中外文化出版交流的重任。 现将访谈实录摘要如下： 中新社香港9月27日电 题：香港出版界如何拥抱人工智能？ ——专访三联书店(香港)有限公司总编辑于克凌 中新社记者 韩星童 中新社记者：您如何看当今香港市民的阅读习惯？电子时代的到来对实体书店带来了哪些冲击？ 于克凌：香港出版学会连续几年进行香港全民阅读调查，报告中可以看到一个趋势——纸质书阅读量逐 年渐趋下跌。2022年至2025年间，纸本书年均阅读量中位数从8本下降至5本。同时，电子阅读时间显著 增长。 但有趣的是，大部分受访者表示，平时使用电子阅读只是因为携带方便，可以利用碎片化时间阅读；当 遇到比较严肃或自己喜欢的内容，即便已阅读了电子书，也会再去买实体书。这对我们来说是一个可喜 的现象，说明香港读者没有抛弃实体书。 至于冲击，从销售层面而言 ...

Core Viewpoint - The interview with renowned French director Jean-Jacques Annaud emphasizes the power of film as a medium that transcends cultural barriers and connects human emotions, highlighting the importance of respect and resonance in cross-cultural storytelling [3][4][6]. Group 1: Cultural Exploration - Annaud's fascination with Chinese culture began in childhood, driven by a personal desire to deeply explore the country rather than just visiting as a tourist [4]. - His experience in China, particularly during the filming of "Wolf Totem," allowed him to appreciate the integration of various cultural elements, including Han and Mongolian cultures, while emphasizing the importance of understanding and protecting nature [4][6]. Group 2: Cross-Cultural Collaboration - Annaud does not identify strictly as a "French director," having worked in multiple countries, which allows him to approach filmmaking with a unique perspective and curiosity [6]. - He believes that the essence of cross-cultural creation lies in respecting and appreciating each other's cultures, with emotional resonance being the core of storytelling that can appeal to audiences from different backgrounds [6][10]. Group 3: Technology in Film - Annaud has utilized advanced technologies like 3D IMAX in his films and acknowledges the potential of AI in enhancing creativity, while cautioning against its misuse that could lead to soulless productions [8]. - He stresses that AI should be a tool to support creativity rather than replace the essence of storytelling, as audiences can sense when authenticity is lacking [8]. Group 4: International Film Market - The current challenges for Chinese films in Western markets include cultural misunderstandings and the perception that they often revolve around similar themes, which can limit their appeal [9]. - Annaud suggests that more French directors should engage with Chinese cinema to foster mutual understanding and collaboration, which could enhance the global reach of both cultures [9][10]. Group 5: Future of Sino-French Cooperation - Annaud expresses hope for increased collaboration between China and France in the film industry, emphasizing that film can serve as a bridge to foster cultural exchange and understanding [12]. - He believes that the current global landscape presents a unique opportunity for strengthening ties through film, which can help convey the essence of both cultures to a wider audience [12].

Core Insights - The 2025 Beijing Cultural Forum successfully convened nearly 800 guests, featuring six parallel forums and over 20 professional salons, focusing on the integration of culture and technology [1][3] Group 1: Cultural and Technological Integration - The forum emphasized the opportunities and challenges presented by the integration of culture and technology, with notable discussions on the impact of disruptive technologies like artificial intelligence on cultural transformation [5][6] - Former French Prime Minister Jean-Pierre Raffarin highlighted the necessity of promoting culture within a multilateral framework, asserting that both France and China recognize the profound changes AI could bring to the cultural sector [5][6] Group 2: Digital Technology in Cultural Heritage - The importance of digital technology in preserving and sharing cultural heritage was underscored, with examples such as the Palace Museum's AI knowledge graph and the Dunhuang Research Academy's digital resources reaching over 20 million global visitors [6][8] - The National Library of China has digitized over 120,000 ancient texts, supporting academic research and public learning, while the "Cloud Central Axis" project has engaged over 1.09 million participants in heritage protection [6][8] Group 3: Cultural Industry Growth - The forum showcased the potential of cultural industries, with popular cultural products like the National Museum's refrigerator magnets achieving sales exceeding 1 million units, and the game "Black Myth: Wukong" generating over 10 billion yuan in sales [8][10] - The cultural industry is seen as a vital source of happiness and social cohesion, with favorable conditions for development highlighted during the Cultural Industry Investors Conference [10] Group 4: Challenges in the Digital Age - The rapid advancement of AI technology poses challenges for copyright management in creative industries, necessitating new frameworks for data usage and content creation [12] - Experts emphasized the need for a new ecosystem to adapt to the evolving landscape of AI-generated content, focusing on the balance between technology and cultural originality [12][13]

Core Viewpoint - The key to contemporary drama dissemination lies in "empathy," emphasizing the importance of emotional connection in theatrical performances and cross-cultural understanding [3][9]. Group 1: Differences Between Eastern and Western Drama - Eastern and Western dramas exhibit significant differences in values and performance systems, rooted in philosophical foundations: the West emphasizes "individual conflict and social critique," while the East focuses on "overall harmony and expressive representation" [5][6]. - The "mask theory" training method proposed for East Asian actors suggests that Eastern performers tend to maintain a level of concealment in their expressions, while Western performances are characterized by emotional openness [5][6]. Group 2: Cultural Exchange and Collaboration - There is a deep cultural foundation shared between Chinese and Korean dramas, yet they also display notable differences in teaching methods and thematic expressions [6][11]. - Recommendations for enhancing collaboration between China and Korea in drama and arts education include strengthening cultural exchanges between universities and participating in international drama festivals [11][14]. Group 3: The Role of Technology in Drama - The digital age presents more opportunities than challenges for the drama field, as students increasingly view drama as a means of emotional expression despite the prevalence of digital screens [13][14]. - Concerns about artificial intelligence replacing human actors have been addressed, with a consensus that the core of drama remains the emotional expression of "human" experiences [14].

转自：北京市劳动人民文化宫 9月24日上午，作为2025北京文化论坛系列活动之一，"大众文艺的蝶变 新时代文艺新景观"专业沙龙在北京市劳动人民文化宫举行。75年前，北京市第一届 文学艺术作者代表大会在此开幕，首届主席老舍先生致辞时表示：在劳动人民文化宫开成立大会真是"出门见喜"；75年后，中外嘉宾与现场观众重聚故地， 在这里，回顾大众文艺发展历程，探讨数字时代文艺新变化。 沙龙对话嘉宾阵容多元，涵盖学术研究、传统戏曲、网络文学、民间音乐及国际传播领域。北京大学教授贺桂梅指出，当前文艺格局正从印刷文化主导转向 网络与电子文化主导，呈现多元互动新特征。江苏省苏州昆剧院原院长蔡少华认为，科技应成为助力传统艺术复兴的工具，但需坚守以人为核心的艺术本 质。网络作家柳下挥提出，网络文学题材日益多元，已成为文化IP源头。谷仓乐队主唱许多分享了基层大众通过数字化平台进行创作、助力乡村振兴的实 践。法国元气阅读总编辑查尔斯・德威斯则分析了中国网络文学海外传播的新模式。 与会专家认为，数字技术正重塑文艺的"大众性"。新时代文艺发展应坚持以人民为中心，加强优质内容创作，积极借助新技术推动中华优秀传统文化创新传 播。研讨环节后，中外 ...

Core Insights - The 2025 Beijing Cultural Forum, held on September 23-24, focused on the theme of "Cultural and Technological Integration," gathering over 800 global guests to discuss the deep integration of culture and technology, promoting human cooperation through cultural power [1][10] - Shuyong, a national political advisor and vice president of the Central Academy of Fine Arts, shared insights on the integration of AI and art, emphasizing the need for technology to enhance human creativity rather than dominate it [3][6] Group 1: AI and Art Integration - Shuyong has engaged in over 800 days of AI creative practice, advocating for a "dual-track" approach that explores new artistic expressions while comparing them with traditional methods [3][5] - AI has redefined the role of the creator, allowing for unexpected inspirations and significantly increasing creative efficiency, enabling rapid realization of ideas that previously took months [5][6] Group 2: Risks and Challenges - Concerns were raised about the risks associated with AI, including the dilution of originality, style homogenization, copyright issues, and ethical concerns such as algorithmic bias [6][9] - Shuyong highlighted the "Westernization" bias in AI models, which may affect the accurate transmission of Chinese values due to the predominance of Western cultural data in training sets [6][9] Group 3: Industry Development and Recommendations - The integration of art and technology must prioritize human needs, with a focus on cultivating talent that combines artistic sensibility with technical skills [7][9] - Recommendations include establishing platforms for industry collaboration, such as technology-art biennales and associations, to guide ethical practices and prevent disorder in the industry [7][9] Group 4: Forum Significance - The Beijing Cultural Forum serves as a platform for fostering consensus on the integration of culture and technology, emphasizing the importance of top-level design in this area [9][10] - The forum gathered over 180 international guests from 57 countries, facilitating extensive discussions on the possibilities and boundaries of cultural and technological integration [9][10]

Group 1 - The article highlights the release of significant cultural achievements, including the "2024 China-foreign Cultural Exchange Report" and the "Top Ten Cultural Center Construction Events for 2024" [1] - It mentions the special announcement of a news service cooperation between the International Video Communication Agency of China Central Radio and Television and mainstream media from 12 countries [1] - The article emphasizes the facilitation of important project signings to enhance cultural exchange and mutual learning among civilizations [1]

Core Insights - The article discusses the transformation of director Chen Kun into a pioneer in the AI film industry, highlighting his journey from traditional filmmaking to embracing AI tools for industry innovation [1] Group 1: AI Integration in Film - Chen Kun's initial engagement with AI began at the end of 2023, leading to significant developments in his career within just a year and a half [1] - His AI creation "Shan Hai Qi Jing" achieved over 58 million views online, showcasing the potential of AI in attracting audiences [1] - The collaboration with Stephen Chow on the AI animated short film "Unnamed Special Attack Team" also received considerable attention, indicating a growing interest in AI-generated content [1] Group 2: Shift in Role and Industry Impact - Chen Kun has transitioned from a creator to a product leader, spearheading the development of the AI video generation tool "aipai.ai" [1] - This shift is not seen as a departure from his role as a director but rather as a new approach to drive deeper industry progress [1] - Chen Kun believes that AI technology will profoundly reshape the future of film creation, offering new possibilities for the industry [1]