Core Viewpoint - The interview with Roland Boer highlights the significance of cycling as a means to explore and understand Chinese culture, emphasizing the importance of personal experience in comprehending contemporary China [3][5][12]. Group 1: Cycling Experience and Cultural Insights - Boer has cycled extensively across various regions in China, including Beijing, Shanghai, and Hebei, using cycling as a way to engage with local communities and observe rural revitalization efforts [3][5]. - His cycling journeys allow him to experience life in China from a unique perspective, often leading to interactions with friendly villagers and insights into local economic developments, such as the growth of the homestay economy [5][8]. Group 2: Cultural Preservation and Innovation - Boer discusses the dual nature of culture, which requires both stable transmission and creative transformation, citing examples of traditional craftsmanship being revitalized through modern design [8][12]. - He emphasizes the importance of innovative practices in preserving traditional culture, such as the collaboration between local artisans and modern industries to attract younger generations [8][12]. Group 3: Understanding China - Boer stresses that to truly understand contemporary China, one must experience it firsthand, as many Western perspectives lack depth due to the authors' limited engagement with the country [9][12]. - He highlights the growing availability of translated works by Chinese scholars, which can provide more accurate insights into Chinese society and philosophy [9][12]. Group 4: Technology and Cultural Development - Boer addresses the impact of new technologies like artificial intelligence on cultural industries, arguing that these tools should be viewed as opportunities for creative enhancement rather than threats [12][14]. - He notes that the integration of technology into cultural practices can lead to new forms of economic development and cultural expression [12][14]. Group 5: Australia-China Relations - Boer points out the cultural and economic ties between Australia and China, noting that Mandarin is the second most spoken language in Australian households [14]. - He advocates for Australia to adopt China's philosophy of "harmony in diversity" to foster better relationships among its multicultural population [14].

转自：北京日报客户端 近800名中外嘉宾，6大平行论坛，20余场专业沙龙，多个配套活动……9月23日至24日，2025北京文化 论坛圆满举办，围绕永久主题"传承·创新·互鉴"，紧扣年度主题"文化和科技融合发展"，论坛交流真知 灼见，结出丰硕成果。 文化论坛上，嘉宾深入探讨行业前瞻议题。北京日报客户端记者 武亦彬摄 法国前总 理让-皮埃尔·拉法兰。北京日报客户端记者 蔡代征摄 对此，联合国教科文组织世界遗产中心主任拉扎赫·伊伦都·阿索莫肯定数字技术在文明存续、互鉴交流 中的重要作用："数字技术不仅有助于应对当前挑战，更能推动数据、知识与经验的开放共享，促进跨 国界合作。"他对"中国始终坚定致力于世界遗产保护，并在数字创新领域发挥引领作用"予以深切赞 赏，三维数字扫描、5G网络等尖端技术的应用"为技术进步与文化保护的结合树立了新标准，也为世界 遗产领域提供了宝贵经验"。 "中国经验"辐射深远，大有可为。"上下五千年，中华文明经历了从'一元多体'到'多元一体'的转化，体 现了中华文明高度包容的基本特征。"在北京大学人工智能研究院院长、北京通用人工智能研究院院长 朱松纯看来，"源远流长的古老中华文明，为应对智能时代的 ...

Core Viewpoint - The key to contemporary drama dissemination lies in "empathy," emphasizing the importance of emotional connection in theatrical performances and cross-cultural understanding [3][9]. Group 1: Differences Between Eastern and Western Drama - Eastern and Western dramas exhibit significant differences in values and performance systems, rooted in philosophical foundations: the West emphasizes "individual conflict and social critique," while the East focuses on "overall harmony and expressive representation" [5][6]. - The "mask theory" training method proposed for East Asian actors suggests that Eastern performers tend to maintain a level of concealment in their expressions, while Western performances are characterized by emotional openness [5][6]. Group 2: Cultural Exchange and Collaboration - There is a deep cultural foundation shared between Chinese and Korean dramas, yet they also display notable differences in teaching methods and thematic expressions [6][11]. - Recommendations for enhancing collaboration between China and Korea in drama and arts education include strengthening cultural exchanges between universities and participating in international drama festivals [11][14]. Group 3: The Role of Technology in Drama - The digital age presents more opportunities than challenges for the drama field, as students increasingly view drama as a means of emotional expression despite the prevalence of digital screens [13][14]. - Concerns about artificial intelligence replacing human actors have been addressed, with a consensus that the core of drama remains the emotional expression of "human" experiences [14].

论坛现场，舒勇通过展示AI创作的"熊猫"等作品，直观呈现科技与艺术的碰撞效果。他坦言，AI为艺术 创作带来了颠覆性助力：其一，重新定义"创作者"角色，让创作者在与技术的互动中突破思维边界，比 如输入"情绪森林"，AI会生成"水晶构成的无叶树林"，这类意外灵感让他对符号、色彩、时空有了全新 理解；其二，极大提升创作效率，过去需数月构思的作品，如今借助AI可快速落地，"AI就像'思想的照 相机'，能定格创作中每一次思想变化"。 中新网湖南新闻9月25日 电9月23日至24日，由中共中央宣传部、北京市委市政府共同主办的2025北京 文化论坛在京举行。本届论坛以"传承·创新·互鉴"为永久主题，以"文化和科技融合发展"为年度主题， 汇聚全球800多位嘉宾共话文化与科技的深度融合，践行全球文明倡议，搭建文化之桥、深化交流对 话、推动人文合作，以文化文明的力量推动构建人类命运共同体。全国政协委员、民进中央开明画院副 院长、湖南省新的社会阶层人士联合会执行主席舒勇受邀出席，围绕AI与艺术创作的融合实践、传统 文化的数字化传承等核心议题在"破界共生：科技激发文化原创力"平行论坛分享前沿观点，为文化科技 融合发展提供"艺术家视角 ...

记者：庞元元 新华社音视频部制作 0:00 2025北京文化论坛期间，业界专家学者聚焦"文化和科技融合发展"的年度主题展开研讨。从数字展陈让 文物"活"起来、到人工智能创作激发艺术新形式，科技重塑文化新生态，全方位变革文化内容与体验。 在可以预见的未来，科技将为文化传承发展开辟新空间，创造多元价值，助力文化在新时代焕发新光 彩。 ...

Group 1: Core Themes of the Forum - The 2025 Beijing Cultural Forum focused on the integration of culture and technology, with over 800 guests from 58 countries discussing future developments in cultural and technological fusion [1] - The forum featured a main forum, six parallel forums, and over 20 professional salons, showcasing significant achievements in cultural prosperity and civilizational exchange [1] Group 2: Digital Technology in Cultural Heritage - Digital technology is seen as a key tool for the protection and transmission of cultural heritage, with examples such as the digital preservation of the Great Wall using advanced technologies like 3D imaging and virtual reality [2] - The "Cloud-based Central Axis" program has engaged 1.095 million public participants, contributing nearly 89,000 inspection records and almost 170,000 images [2] - The Ministry of Culture and Tourism reported significant advancements in digital heritage initiatives, including the integration of national movable cultural relics data and the documentation of intangible cultural heritage [3] Group 3: Cultural and Technological Synergy - The dual empowerment of culture and technology is identified as a crucial trend for high-quality development in the cultural industry, with projects like "8K theaters" and digital studios being highlighted [4] - The rapid development of information technology is transforming cultural production and dissemination, enabling immersive experiences that transcend geographical and temporal limitations [4] - The integration of technology is viewed as essential for enhancing cultural originality and creativity, with technology serving as a powerful engine for cultural innovation [4] Group 4: Promoting Civilizational Exchange - The forum emphasized the importance of respecting cultural diversity and promoting mutual learning among civilizations as a shared vision for the future [7] - The release of the multilingual book series "Chinese Keywords: Global Civilization Initiative" aims to enhance understanding of China's role in global cultural exchanges [7] - Beijing's ongoing efforts to host international cultural events, such as the Beijing Cultural Forum and the Beijing International Film Festival, are aimed at strengthening global cultural ties [7] Group 5: Future Directions - The China Foreign Languages Publishing Administration plans to create more platforms for cultural exchange and cooperation, contributing to the construction of a community with a shared future for humanity [8]

因此，博物馆要为文物提供稳定、洁净的环境，尽力避免有害因素对文物产生侵扰，减缓文物材质的劣 化速度，从而达到延长文物寿命和"治未病"的效果，这一过程被称为展厅文物的预防性保护。 以首博和北京大运河博物馆正在开展的"太保墉燕"和"看·见殷商"两个展览为例，二者都是以青铜文物 为主要展品的展览，青铜器的无机材质相对稳定，对它有影响的因素主要包括湿度和空气质量——高湿 度和空气中的酸性物质可能引发有害锈，预防性保护工作主要针对这两项来进行。 中新社北京9月24日电 题：科技如何为文物插上"翅膀"？ ——专访首都博物馆保护部副主任、副研究馆员傅萌 中新社记者 徐婧 位于北京大运河博物馆(首都博物馆东馆)的文物保护中心展示项目日前对公众开放。从博物馆展厅到文 物修复室，多学科融合在文物保护中如何体现？科技如何赋能古老文物，为文化传播插上"翅膀"？ 以"文化和科技融合发展"为年度主题的2025北京文化论坛召开之际，首都博物馆保护部副主任、副研究 馆员傅萌接受中新社"东西问"专访，讲述该馆如何践行文化和科技融合发展。 现将访谈实录摘要如下： 中新社记者：首都博物馆(下称"首博")为什么要打造可视化文物保护中心？ 傅萌：在博 ...

9月23日至24日，由中共中央宣传部，北京市委、市政府共同主办的2025北京文化论坛在京举行。本次论坛以"文化和科技融合发展"为年度主题， 共设主论坛、6场平行论坛、26场专业沙龙以及多项精彩配套活动。 论坛邀请中外嘉宾围绕培育文化领域新质生产力、信息时代的文化创造和传播方式变革、人工智能对文化发展的影响、数字文化产品和服务的高 效供给等前沿议题展开演讲交流。 本次论坛以"文化和科技融合发展"为年度主题 主论坛：以文化为桥梁连接世界 9月23日上午，主论坛举办，中外嘉宾致辞演讲，为推动文化繁荣发展、文明交流互鉴汇聚智慧力量。 "而新时代文艺工作者需融入这股洪流，从人间万象中提炼当代中国人的价值与生命力，彰显开放进取的时代气象与刚健清新的民族精神。"高世 名说。 人民日报社社长于绍良则从主流媒体变革视角出发，围绕"主动变革、拥抱创新"分享实践经验。他表示，从媒体发展的角度来看，当前新一轮科 技革命方兴未艾，技术创新正在重新定义媒体传播的方式和边界。面对新形势，唯改革者进，唯创新者强。 平行论坛：聚焦考古遗产价值阐释与可持续发展 9月23日下午，"保护传承：数字化赋能文化遗产""破界共生：科技激发文化原创力""虚 ...

中新社北京9月24日电 题：搭建文明之桥 2025北京文化论坛促国际交流合作 中新社记者 徐婧 9月23日至24日，2025北京文化论坛举行。本届论坛以"文化和科技融合发展"为年度主题，来自58个国 家和地区的800多位嘉宾出席论坛。从数字化技术赋能文化遗产到科技激发文化原创力，交流合作成为 参会者关注焦点。 9月23日，2025北京文化论坛在北京开幕。图为法国前总理拉法兰(左一)和联合国教科文组织世界遗产 中心主任拉扎赫·伊伦都·阿索莫(右一)在会前交谈。 中新社记者 易海菲 摄 "国际合作是必不可少的。"新加坡亚洲文明博物馆副馆长曾文明说，该馆和世界各国的博物馆开展合 作。在未来，数字化和国际合作仍然是文化保护的重要组成部分，希望能继续开展合作，让亚洲文化瑰 宝持续启发子孙后代。 敦煌研究院"数字敦煌"资源库2016年正式上线，2017年英文版上线，实现了30个洞窟高清壁画图像全球 共享。敦煌研究院副院长俞天秀表示，该院充分利用数字资源，在国内外举办了50余场次的数字敦煌 展，助力敦煌文化的传播弘扬。 9月23日， 2025北京文化论坛举行。图为嘉宾在文创展示区。 杨郁然 摄 600余件文创精品以设计激活 ...

Group 1 - The 2025 Beijing Cultural Forum opened on September 23, focusing on the integration of culture and technology, emphasizing the importance of digital empowerment and information transformation in cultural development [1][2] - Keynote speeches were delivered by prominent officials, including Li Shulei, a member of the Political Bureau of the CPC Central Committee, highlighting the significance of cultural and technological integration in the context of the current technological revolution [1] - The forum attracted over 800 guests from 58 countries and regions, discussing themes such as leveraging artificial intelligence for human civilization, cultural exchange, and the role of digital technology in protecting global cultural heritage [2] Group 2 - Participants emphasized the need for value-driven and demand-oriented approaches in the integration of culture and technology, ensuring that technology serves cultural heritage and innovation [2] - There is a call for enhancing cultural digital infrastructure and expanding the digital production of cultural products to better support cultural creation and dissemination [2] - The forum aims to promote mutual understanding and appreciation of diverse cultures through online cultural exchange platforms, benefiting humanity through cultural and technological innovation [2]