一、主要会计数据和财务指标 富德生命人寿保险股份有限公司-传统 11164.99 15.61 退出 | 报告期指标 | 2024年年报 | 2023年年报 | 本年比上年增减(%) | 2022年年报 | | --- | --- | --- | --- | --- | | 基本每股收益（元） | -0.2174 | -0.3910 | 44.4 | -0.0852 | | 每股净资产（元） | 1.52 | 1.75 | -13.14 | 2.15 | | 每股公积金(元) | 4.44 | 4.44 | 0 | 4.44 | | 每股未分配利润(元) | -3.99 | -3.78 | -5.56 | -3.39 | | 每股经营现金流(元) | - | - | - | - | | 营业收入(亿元) | 3.17 | 5.89 | -46.18 | 1.08 | | 净利润(亿元) | -1.56 | -2.8 | 44.29 | -0.61 | | 净资产收益率(%) | -13.32 | -20.08 | 33.67 | -3.91 | 数据四舍五入，查看更多财务数据>> 二、前10名无限售条件股东持股 ...

Financial Performance - The company's revenue for Q1 2025 was ¥97,981,692.10, a significant increase of 1,480.50% compared to ¥6,199,392.55 in the same period last year[5] - The net loss attributable to shareholders was ¥217,897,637.25, representing a decline of 1,490.38% from a loss of ¥13,700,994.29 in the previous year[5] - The operating profit for the current period was a loss of ¥215,830,002.37, compared to a loss of ¥11,514,062.92 in the previous period, reflecting a deterioration in profitability[24] - The company reported a net loss of approximately ¥217.90 million for the current period, compared to a net loss of ¥13.70 million in the previous period, indicating a significant decline in profitability[25] - Basic and diluted earnings per share were both reported at -¥0.3044, compared to -¥0.0191 in the previous period, reflecting a worsening financial performance[25] - The company reported a total comprehensive loss of approximately ¥217.90 million for the current period, compared to a loss of ¥13.70 million in the previous period[25] Cash Flow and Liquidity - The operating cash flow for the period was a negative ¥10,876,253.82, a decrease of 108.08% compared to a positive cash flow of ¥134,671,197.56 in the same period last year[10] - Operating cash flow for the current period was negative at approximately ¥10.88 million, a sharp decrease from a positive cash flow of ¥134.67 million in the previous period[27] - The company received cash inflows of ¥32.00 million from financing activities, but had cash outflows of ¥37.19 million, resulting in a net cash outflow of approximately ¥5.19 million[28] - The company reported a cash and cash equivalents balance of ¥10,365,990.40, up from ¥4,899,168.17, an increase of approximately 111%[22] - Total cash and cash equivalents at the end of the period decreased to approximately ¥45.20 million, down from ¥162.26 million at the end of the previous period[28] - The company incurred total operating cash outflows of approximately ¥120.43 million, slightly down from ¥120.93 million in the previous period[27] Assets and Liabilities - The total assets at the end of the reporting period were ¥2,084,549,246.86, down 21.66% from ¥2,660,792,925.07 at the end of the previous year[5] - Total current assets decreased to ¥930,610,231.38 from ¥1,490,842,202.53, a decline of approximately 38%[22] - Total liabilities decreased to ¥1,238,333,858.09 from ¥1,596,679,920.82, a reduction of about 22%[23] - The total assets decreased to ¥2,084,549,246.86 from ¥2,660,792,925.07, indicating a decline of approximately 22%[23] Investments and Projects - The company has reduced its investment in the Xiamen Beiweng Fund from 400 million yuan to 330 million yuan after transferring 70 million yuan of its subscribed capital to Beijing Xinghe Quansheng Investment Holdings Co., Ltd.[14] - The total scale of the Xiamen Beiweng Fund is 2.8 billion yuan, with the company's actual paid-in capital amounting to 221.71 million yuan after the transfer.[14] - The company is actively communicating with partners regarding the fund's extension to ensure the rights of fund partners are not affected.[15] - The company has several upcoming projects, including "Mars Project" scheduled for September 2024 and "Welcome to Dragon Restaurant" also set for 2024, all in various stages of production.[17] Film Revenue and Production - The company confirmed revenue from the film "Fengshen Part II," contributing to the significant increase in revenue for the quarter[8] - The film "Fengshen Part II: The Battle of Xiqi" grossed ¥1.225 billion during the Spring Festival, ranking third in the box office for the holiday period[13] - The company is currently in post-production for "Fengshen Part III," which is part of a trilogy aimed at promoting Chinese traditional culture globally[13] - The film "Fengshen Part II: The War of Fire" was released on January 29, 2025, while "Fengshen Trilogy: The Heavenly Down" is in post-production.[17] Operational Costs - Total operating costs amounted to ¥315,310,177.53, up from ¥26,240,437.58, indicating an increase of about 1,103%[24] - Management expenses decreased by 11.38% to ¥18,563,021.00 from ¥20,946,108.94 in the previous year[10] - Financial expenses increased by 53.89% to ¥6,946,981.43 due to higher bank loan interest[10] Accounts and Inventory - Accounts receivable decreased to ¥249,969,046.16 from ¥225,273,298.22, showing an increase of approximately 11%[22] - Inventory significantly decreased to ¥45,574,092.20 from ¥201,320,078.99, a reduction of about 77%[22] Audit and Disclosure - The first quarter report was not audited, indicating that the financial figures may be subject to further review[29] - The company has not disclosed any new product developments or market expansion strategies during this reporting period[29]

北京文化（000802）公告，2025年第一季度营业收入9798.17万元，同比增长1,480.50%。净亏损2.18亿 元，去年同期净亏损1370.1万元。 ...

Financial Performance - The company's operating revenue for 2024 was approximately ¥316.93 million, a decrease of 46.20% compared to ¥589.07 million in 2023[18]. - The net profit attributable to shareholders for 2024 was a loss of approximately ¥155.64 million, an improvement of 44.40% from a loss of ¥279.92 million in 2023[18]. - The net cash flow from operating activities for 2024 was approximately -¥220.47 million, a significant decline of 937.51% compared to -¥21.25 million in 2023[18]. - The total assets at the end of 2024 were approximately ¥2.66 billion, a decrease of 3.08% from ¥2.75 billion at the end of 2023[19]. - The net assets attributable to shareholders at the end of 2024 were approximately ¥1.08 billion, down 13.32% from ¥1.25 billion at the end of 2023[19]. - The basic earnings per share for 2024 were -¥0.2174, an improvement of 44.40% from -¥0.3910 in 2023[18]. - The weighted average return on equity for 2024 was -13.32%, an improvement from -20.08% in 2023[18]. - The company reported a total of -3.49 million yuan in non-recurring gains and losses for 2024, a significant decrease from -92.84 million yuan in 2023[26]. - The company achieved total revenue of 316.93 million yuan in 2024, a year-on-year decrease of 46.20% due to an overall decline in the film market and underperforming box office results for certain projects[39]. - The net profit attributable to shareholders was -155.64 million yuan, representing a year-on-year reduction in losses of 44.40%, primarily due to provisions made in the previous year[39]. Business Strategy and Focus - The company has transitioned its main business focus from tourism to a full-chain cultural group encompassing film, television, and new media[16]. - The company plans to focus on developing film, TV series, and performance businesses, enhancing investment, production, marketing, and distribution capabilities[34]. - The company is actively developing new projects, including "Fengshen Part 3," "Angry Tiger," and "Mars Plan," which are currently in progress[40]. - The company is expanding its cultural tourism business by integrating its existing resources and exploring new opportunities in the industry[36]. - The company plans to enhance its production capabilities and focus on core projects, with upcoming releases including "Fengshen Part Three" and "Dongji Island" films[71]. - The company will continue to develop its cultural tourism business alongside its film and television production, leveraging its resources in the film industry[71]. Market Trends and Industry Analysis - In 2024, the total box office in the national film market reached 42.502 billion yuan, a decrease of 22.6% compared to 2023[29]. - The number of cinema screens increased to 81,000, a growth of 4.1% year-on-year, with a total of 13,200 cinemas nationwide, also up by 4%[29]. - In 2024, 497 new films were released, a decrease of 11 films compared to 2023, with 72 films surpassing 100 million yuan at the box office, an increase of 2 films[29]. - The company recorded a total of 166 new online dramas approved for release in 2024, indicating a downward trend in the industry[31]. - The domestic tourism market saw 5.615 billion trips in 2024, a year-on-year increase of 14.8%, with total spending reaching 5.75 trillion yuan, up 17.1%[33]. Revenue Breakdown - Revenue from film production dropped significantly to ¥55.88 million, representing a 90.46% decline from ¥585.73 million in the previous year[46]. - Revenue from TV dramas and web series surged to ¥247.83 million, a remarkable increase of 7,447.20% from ¥3.28 million in 2023[46]. - The average ticket price in 2024 was 42.1 yuan, a slight decrease of 0.2 yuan compared to 2023, reflecting a more rational market pricing trend[29]. - The company's revenue for the film and brokerage segment was 316,929,670, a decrease of 46.20% compared to the same period last year[48]. - The gross profit margin for the film segment dropped to -10.00%, while the TV series and web dramas segment achieved a gross profit margin of 6.20%[48]. Governance and Compliance - The company has established a transparent performance evaluation system for directors, supervisors, and senior management to ensure accountability[85]. - The company operates independently from its largest shareholder, with no reliance on them for business, personnel, assets, or financial matters[87]. - The company has updated its independent director management system to enhance governance and operational efficiency[83]. - The company has implemented a public opinion management system to improve risk prevention capabilities[83]. - The company has a dedicated investor relations management system to facilitate communication with investors[86]. - The company adheres to legal and regulatory requirements for information disclosure, ensuring transparency[86]. Employee and Management Structure - The company reported a total of 55 employees at the end of the reporting period, including 41 in the parent company and 14 in major subsidiaries[110]. - The professional composition includes 7 management personnel, 21 business personnel, 6 financial personnel, and 21 administrative personnel, totaling 55[110]. - The educational background of employees shows 13 with master's degrees or above, 31 with bachelor's degrees, 6 with vocational diplomas, and 5 with high school or lower education[111]. - The company emphasizes a competitive salary policy, aligning with market trends to attract and retain talent[112]. - The company has implemented an internal fairness principle in its salary structure, ensuring compensation reflects job value and performance[112]. Legal and Regulatory Matters - The company is facing ongoing litigation related to previous information disclosure violations, with a total compensation amount of ¥12.5002 million confirmed for 121 cases[159]. - The company has resolved a contract dispute with Zhejiang Dahuitu Film Co., amounting to CNY 87 million, and has completed the agreement fulfillment[138]. - A contract dispute with Xinjiang Weiying Muwai Film and Television Culture Co. has been settled, involving CNY 16.518 million, with the agreement fully executed[138]. - The company has settled a contract dispute with Jia Ying Shangxing (Beijing) Cultural Communication Co., totaling CNY 27.5 million, and the agreement has been fulfilled[139]. - The company is involved in a labor dispute case with a claim amount of CNY 25.94 million, which has been concluded with the original claim dismissed[140]. Future Outlook and Plans - The company aims to enhance brand influence and core competitiveness through the acquisition and project development[162]. - The project will leverage the company's film IP resources to create a comprehensive film industry cluster and tourism destination[162]. - The company plans to appoint Zhongrui Certified Public Accountants as the auditing firm for the 2024 fiscal year[108]. - The company has established a comprehensive training program aimed at enhancing employee skills and management capabilities, fostering a strong learning environment[113]. - The company plans to continue expanding the breadth and depth of its training content to support employee growth and development[113].

A股影视院线板块走高，北京文化涨停，华谊兄弟涨超9%，博纳影业、欢瑞世纪、慈文传媒跟涨。消 息面上， 国家电影局称适度减少美国影片进口数量。 ...

影视院线板块走高，北京文化（000802）涨停，华谊兄弟（300027）涨超9%，博纳影业（001330）、 欢瑞世纪（000892）、慈文传媒（002343）跟涨。消息面上，国家电影局称适度减少美国影片进口数 量。 暗盘资金正涌入这些股票，点击速看>>> ...

4月10日，北京文化论坛会客厅首场活动——"对话：文化遗产保护传承"在天坛公园神乐署启动，现场发布了首批17处北京文化论坛会客厅场地。 具体来看，首批17处北京文化论坛会客厅场地包括位于东城区的太庙、天坛、观中·中轴线在地文化博物馆、隆福寺文创园、钟鼓楼、颜料会馆、地坛、景 山街道市民文化活动中心、曹雪芹故居纪念馆；位于西城区的先农坛庆成宫、湖广会馆、报国寺、海清苑、宣南文化博物馆、十月文学院佑圣寺、正乙祠、 沈家本故居。 另据了解，"北京文化论坛会客厅"承办方将整合、对接北京市现有优质文化活动和演出，重点吸纳文化属性强的论坛类、对话类、学术交流类活动，作为北 京文化论坛常态化活动。同时，将与各领域企业、机构建立深度合作关系，构建完善的招商推广和会员募集机制，不断拓展市场优质资源纳入论坛常态化组 织运营体系，进一步增强论坛的关注度和吸引力。 据悉，上述场地主要是文化保护腾退空间，承载了厚重的古都历史底蕴，具有鲜明的文化特色，主办方将根据学术交流、对话研讨等不同性质和主题，精心 选择符合活动需要的举办场所，非会期恢复这些场所的日常功能，更好地推进北京老城文化文物空间的活化利用。 北京商报记者 卢扬 程靓 北京文 ...

中宣部文艺局和市委宣传部、东城区、西城区有关领导，文化遗产领域专家学者，文化论坛会客厅场地 运营方、论坛常态化活动承办方代表，非遗传承人代表等约120人出席活动。 相关背景材料： 活动现场发布了太庙、天坛、先农坛庆成宫等首批17处北京文化论坛会客厅场地，中宣部文艺局、东城 区、西城区有关负责同志向场地运营方代表授予"北京文化论坛会客厅"标牌。这些场地主要是文化保护 腾退空间，承载了厚重的古都历史底蕴，具有鲜明的文化特色，主办方将根据学术交流、对话研讨等不 同性质和主题，精心选择符合活动需要的举办场所，非会期恢复这些场所的日常功能，更好推进北京老 城文化文物空间的活化利用。 对话环节，单霁翔、王春法、李黎等与会嘉宾聚焦"文化遗产保护的世界性价值"、"科技赋能文化遗产 保护"主题，进行深入对话交流，就更好推进文化遗产保护传承提出真知灼见。活动现场还设置了非遗 和文创展示区，给与会嘉宾带来了"京"味浓厚、精彩纷呈的精彩特色文化体验。 4月10日上午，在中和韶乐的悠扬古韵中，北京文化论坛会客厅首场活动——"对话：文化遗产保护传 承"在天坛公园神乐署正式启动。北京市委常委、宣传部部长孙军民，联合国教科文组织前总干事伊琳 ...

新京报讯(记者陈琳)4月10日，北京文化（000802）论坛会客厅首场活动——"对话：文化遗产保护传 承"在天坛公园神乐署正式启动。活动现场发布了太庙、天坛、先农坛庆成宫等首批17处北京文化论坛 会客厅场地。 首批17处北京文化论坛会客厅场地，位于东城区的太庙、天坛、观中.中轴线在地文化博物馆、隆福寺 文创园、钟鼓楼、颜料会馆、地坛、景山街道市民文化活动中心、曹雪芹故居纪念馆；位于西城区的先 农坛庆成宫、湖广会馆、报国寺、海清苑、宣南文化博物馆、十月文学院佑圣寺、正乙祠、沈家本故 居。 这些场地主要是文化保护腾退空间，承载了厚重的古都历史底蕴，具有鲜明的文化特色。主办方将根据 学术交流、对话研讨等不同性质和主题，选择符合活动需要的举办场所，非会期恢复这些场所的日常功 能，更好地推进北京老城文化文物空间的活化利用。 北京文化论坛创办于2022年，永久主题为"传承.创新.互鉴"，致力打造展示中华文化精华、博览世界文 化精粹的重要窗口，引领先进文化潮流、聚合文化创新力量的国际品牌，搭建起促进文化交流、深化文 明互鉴的一流平台。论坛坚持国际性定位，影响力迅速扩大，已成为继中国(北京)国际服务贸易交易 会、中关村论坛、 ...

转自：北京日报客户端 4月10日，伴着古韵悠扬的中和韶乐，北京文化论坛会客厅首场活动——"对话：文化遗产保护传承"在 天坛公园神乐署启动。活动现场发布了太庙、天坛、先农坛庆成宫等首批17处北京文化论坛会客厅场 地。 北京文化论坛创办于2022年，以"传承·创新·互鉴"为永久主题，致力打造展示中华文化精华、博览世界 文化精粹的重要窗口，引领先进文化潮流、聚合文化创新力量的国际品牌，搭建起促进文化交流、深化 文明互鉴的一流平台。论坛坚持国际性定位，影响力迅速扩大，已成为服务新时代首都发展的重要平台 之一。为持续推进全球文明互鉴，实现文化交流常态化，今年，北京文化论坛创新设立"北京文化论坛 会客厅"，将常态化组织国内外文化领域专家学者、知名人士，围绕文化传承发展等主题，开展交流研 讨、对话合作，打造永远在线的北京文化论坛。 首批17处北京文化论坛会客厅场地以文化保护腾退空间为主，承载了厚重的古都历史底蕴，具有鲜明的 文化特色。主办方将根据学术交流、对话研讨等不同性质和主题，精心选择符合活动需要的举办场所， 非会期恢复这些场所的日常功能，更好推进北京老城文化文物空间的活化利用。 北京文化论坛会客厅承办方将整合、对接北 ...