三个小时的节目，"村"风扑面，"村"味十足，"村"意盎然。精彩纷呈的2026贵州"村晚"，不仅是别开生面的贵州"村"味表达，更是新大众文艺的贵州生动 实践。 新大众文艺，何以为新？新时代、新技术、新生活，构成了三大驱动力。以2026贵州"村晚"作为解析样本，我们看到，新时代赋予了文化主体前所未有的 文化自信，新技术打破文化生产与传播的圈层壁垒，而新生活则让文艺回归最本真的状态——它不仅仅是舞台化、形式化的呈现，更应当是生活本身的自 然流淌。 "文艺是时代前进的号角，最能代表一个时代的风貌，最能引领一个时代的风气。"亮相贵州"村晚"的节目，不少题材为人们所熟知。这些耳熟能详的内 容，之所以能在"村晚"舞台焕发独特魅力，在于新的时代内涵的注入。党的十八大以来，贵州以高质量发展统揽全局，奋发有为推进中国式现代化贵州实 践，取得了令人瞩目的成就。如今的贵州，生态宜人，发展向好，是西部欠发达地区推进中国式现代化的典型实践者。"文变染乎世情"，"村晚"所展现的 乡村文艺创造力，正是源于中国式现代化的贵州实践。"村"味浓郁的节目单，散溢着新时代带给贵州人民的文化自觉与文化自信。 2026贵州"村晚"的核心魅力，在一个"真" ...

2011年，中国电影票房榜前三名及前十名中的六席均由进口大片占据，其中《变形金刚3》的票房断崖式领 先，显示出当年好莱坞电影强大的市场号召力。而在刚刚过去的2025年，中国电影票房榜前十名中八部均为 国产电影，第一名《哪吒之魔童闹海》更是同时雄踞中国电影历史票房榜榜首。同样，2024年，首款国产3A 游戏大作《黑神话：悟空》横空出世，打破了国产游戏长期在3A领域的空白，全球销售达到2800余万套。 以上电影市场和电子游戏的两个事实，提示我们已经置身于全新的文化格局之中。如今，新大众文艺方兴未 艾，我们不但要从大众的自发性参与的角度来描述和理解新大众文艺的兴起，也要从组织化生产的角度来予 以解释。中国文化工业成熟是上述两个事实出现的重要原因，也是新大众文艺之"新"的重要内涵。 《哪吒之魔童闹海》破亿手绘海报展 新华社发 以个性化方式深入体悟民族文化的"文化密码"，熟稔掌握国际先进、全球通用的"技术语法" 【面面观·蓬勃发展的新大众文艺】 作者：石岸书（中国人民大学文学院副教授） 20世纪上半叶，中国文化工业在部分地区（如上海）经历过短暂的发展，改革开放以来的实质性重新起步则 应从90年代开始算起。当时社会主义市 ...

Core Viewpoint - The rise of new popular literature in China, including online literature, web dramas, and online games, is significantly contributing to the global dissemination of Chinese culture and narratives, showcasing a vibrant and relatable image of China to the world [2][5]. Group 1: New Popular Literature - New popular literature is characterized by its "lightweight carrier and high penetration," appealing to younger audiences with engaging and emotional content, thus integrating into the global cultural landscape [2][3]. - The online literature sector has expanded rapidly, reaching over 200 countries and regions with nearly 200 million active overseas readers by early 2026, becoming an essential part of young people's reading habits in North America, Eurasia, and Latin America [3]. - The emergence of micro-short dramas, leveraging mobile internet formats, has led to over 300 applications overseas by the end of 2025, capturing more than 90% of the global market share [3]. Group 2: Online Gaming - Chinese online games have entered over 100 countries and regions, with titles like "Genshin Impact" and "Yanyun Sixteen Sounds" establishing stable player bases globally, enriching players' understanding of Chinese culture through immersive experiences [4]. - These games convey traditional Chinese values such as "self-improvement" and "national unity," presenting contemporary narratives that resonate with global audiences [4]. Group 3: Cultural Exchange and Innovation - The vitality of new popular literature stems from China's rapid social development and rising living standards, alongside a rich cultural heritage that fosters innovation [5]. - Creators are encouraged to deeply root their works in traditional culture while exploring new platforms and dissemination methods, ensuring the sustainable global outreach of new popular literature [5]. - New popular literature serves as a bridge connecting Chinese and foreign hearts, adopting an open and inclusive approach that differs from Western cultural industrial logic, emphasizing the importance of shared human emotions in effective cultural communication [5].

本报讯 2月5日，恰逢立春时节，万物复苏、大地焕新，由省评协主办的"艺术唤醒乡土·评论连接大 众"——"大地艺术展"品评导赏与学术沙龙活动在澄迈县福山镇保良古村举办。本次活动是省评协落实 中国文艺评论家协会"中国有品——评论在现场"主题活动的具体实践，旨在通过深入艺术现场，以多元 视角解读作品，探讨新大众文艺时代艺术与乡土、艺术与大众的深层联系，推动文艺评论走向实践、融 入现场。 活动邀请了省文联作协党组成员、省文联副主席王雄，省文联副主席、省评协主席刘复生，澄迈保良古 村第一届大地艺术展策展人、海南评协理事、海南大学教授邓菡彬，中国评协会员、海南师范大学教授 韩潮，海南大学副教授、国际传播与艺术学院传播学系主任朱杰，中国评协会员、海南大学副教授于晓 华，澄迈保良村新村民、文旅博主高晓晓等多领域嘉宾参与。 当天，评论家们带领观众环村而行，在古村落与田野间，对展览作品进行即兴品评与导赏。 导赏结束后，评论家们围坐村中茶轩，开展学术沙龙。大家以保良古村和大地艺术展为案例，多角度聚 焦"新大众文艺"，深入探讨艺术乡建、艺术创新与乡村振兴的融合路径，为海南乃至全国的艺术实践提 供了理论参照与行动启示。 此次学术沙龙观 ...

Core Viewpoint - The recent issuance of the "Work Plan for Accelerating the Cultivation of New Growth Points in Service Consumption" by the State Council emphasizes the inclusion of micro-short dramas as a key area for stimulating development vitality in the new public art sector [1] Group 1: Industry Development - The micro-short drama industry is experiencing a significant rise due to advancements in the internet and digital technology, but it also faces challenges that need to be addressed for healthy development [1] - The industry must prioritize a "people-centered" creative approach, reflecting the active participation of ordinary people in artistic creation, thereby breaking down barriers between professional and amateur creators [1][2] - Micro-short dramas should embody themes of ordinary people's struggles and aspirations, serving as a relatable art form rather than becoming exaggerated or chaotic [2] Group 2: Creative Ecosystem - The creation of micro-short dramas should leverage new productive forces under internet conditions, promoting interconnectivity with other forms of new public art such as short videos and online literature [3] - The proliferation of the internet and AI technology has reshaped the creative ecology, providing platforms for ordinary people to express themselves and unleash their creative potential [3] Group 3: Cultural Significance - New public art emphasizes grassroots wisdom and seeks to blend artistic, work, and life labor, showcasing diverse aesthetics from various social backgrounds [4] - Micro-short drama creators are encouraged to have cultural awareness and to document the lives of ordinary people, contributing to a rich narrative tapestry that reflects societal values [4] Group 4: Community Engagement - Recent initiatives by the National Radio and Television Administration have included themes such as cultural tourism, rural revitalization, and legal education in micro-short drama creation, with active participation from community members and organizations [5] - Examples include the influx of micro-short drama productions in rural areas, where local stories and characters are integrated into the narratives, enhancing community involvement and storytelling [5] - The micro-short drama industry is positioned to thrive within a collaborative and shared artistic ecosystem, aiming to effectively tell Chinese stories and enhance its cultural representation [5]

2026年新春将至，抖音与中国作家协会携手发起2026春节长图文征集大赛，以抖音长图文功能这一新兴内容形式为载体，邀全民以"好好过年 养好老己"为主题，用文字记录新春百态。本次大赛由《文艺报》社、《人民文学》杂志社、中国作家网承办，旨在为大众搭建起表达真情的 书写平台，让新大众文艺在烟火年味中绽放光彩。 据悉，抖音于2025年7月上线长图文功能，支持8000字创作、30张配图及背景音乐搭配，沉浸式的阅读体验让其成为连接专业创作与大众表达 的桥梁。自上线以来，莫言、余华等知名作家纷纷尝试这一新体裁的创作，"56岁阿姨祝薪雁重新养自己""张河清怀念大学室友刘一周"等素人 写作案例持续出圈，长图文约稿活动"用作文回顾我的2025"相关长图文播放量超过6亿，引发全网对抖音"白描文学""老辈子文学"等讨论。 本次大赛征稿时间为2026年2月7日至27日，面向全社会个人开放，无年龄、职业、地域限制。大赛要求作品为原创首发的非虚构写作，字数 800-1500字，严禁抄袭、洗稿及AI协助创作，发布时需添加#用一篇长文记录我的春节 #好好过年养好老己 两大话题词。参赛者可通过抖音电 脑端或手机端的长图文功能投稿，特邀作者可通过 ...

（来源：团结报） 转自：团结报 回顾三十年群众文化工作历程，从最初下社区送文艺演出，组织群众文艺辅导，到如今打造系统化的文 化志愿服务体系，不变的始终是"以群众需求为导向"的初心。"爱心文化种社区"项目坚持十一年焕发生 机，核心就在于我们始终将满足人民群众的精神文化需求作为出发点和落脚点。针对失独家庭的"暖心 文化陪伴"、为残障人士定制的"无障碍艺术体验"、走进孤寡老人家中的"文化送餐"，传统节日里深入 社区、军营、科研院所的"送福送温暖"活动，以及面向特教学生开设的非遗手工课，每一项活动都是 对"人民至上"理念的生动践行。群众文化工作不仅传递知识与快乐，更是搭建情感联结的桥梁。只有深 深植根于人民群众火热的生活，倾听群众心声、回应群众期盼，文化工作才能获得不竭的源泉，才能真 正实现"社会文明程度明显提升"，让物质文明和精神文明相得益彰。 让文化种子生根"发芽" 全会提出"激发全民族文化创新创造活力"，并将其列为"十五五"时期社会发展主要目标之一，这要求基 层文化工作不能停留在"送文化"的浅层阶段，更要着力"种文化"，培育一片能让文化种子自发萌芽、茁 壮成长的沃土。文化的生命力在于创新，而全民族的创新创造活力 ...

Core Viewpoint - The invitation extended to ordinary workers like Liu Xiaomei to attend the Spring Festival Gala highlights the value of everyday labor and the importance of recognizing the contributions of common people in society [1][2][3] Group 1: Significance of Ordinary Workers - Liu Xiaomei, a cafeteria worker, received an invitation to the Spring Festival Gala, symbolizing the recognition of ordinary individuals and their contributions [1] - Other invitees include various ordinary workers who have made significant impacts in their communities, emphasizing that the gala is not just for celebrities but for those who embody the spirit of hard work [1][2] - The experiences of these individuals illustrate that being "seen" is not limited to extraordinary achievements but can also stem from consistent dedication to everyday tasks [2] Group 2: Cultural Impact of the Spring Festival Gala - The Spring Festival Gala serves as a cultural celebration that fosters a sense of community and emotional connection among viewers, particularly through the representation of ordinary people [2][3] - The event aims to reflect the lives and emotions of the general public, reinforcing the idea that art and culture should resonate with everyday experiences [3] - By featuring ordinary laborers, the gala enhances the sense of togetherness and shared values during the festive season, making it more meaningful for families [3]

辽宁省政协委员尹力建言：以创新繁荣文艺 助推全面振兴 为进一步激发辽宁文化创新活力，尹力建议，应加大艺术扶持力度，充分激发创作主体活力。可通过设 立辽宁省级政府艺术基金，对标国家艺术基金运作模式，构建常态化、年度性的资助与扶持机制，旨在 繁荣艺术创作、培养艺术人才、推广优秀作品。应尽快完善辽宁省艺术最高奖设置，通过基金与奖项的 双重激励，调动各类文艺主体的积极性，逐步建立优质的文艺精品资源储备库。 同时，要深化文艺院团改革，激发专业团体活力。当前，部分国有文艺院团在转企改制后，面临经营困 难、创作经费不足、市场盈利薄弱等挑战。尹力认为，应强化投入，精准施策，着力解决现阶段国有文 艺院团和艺术单位在经营运转、创作生产、基础设施和市场开拓方面的困难，推动改革纵深发展。 人才是文艺繁荣的第一资源。尹力表示，要加强青年文艺人才培养，设立专项扶持计划，在文华奖等平 台上开设青年展演通道，形成引进、培养、使用、激励的全链条机制。现有的文艺人才培训也应增加实 践比重，注重创作实操，并推动文艺工作者深入社会、贴近人民，创作出无愧于时代的优秀作品。 此外，尹力建议加快文化产业发展，激发民营经济活力。通过鼓励外来投资、扶持本地企 ...

Core Perspective - The event "I Met You in Beijing" focuses on capturing the emotional narratives of ordinary travelers and workers during the Spring Festival travel rush, highlighting the warmth and resilience of individuals amidst the massive migration in China [1][17][40]. Group 1: Event Overview - The project is a continuation of the "I Met You in Beijing" series, now focusing on the unique cultural phenomenon of the Spring Festival travel rush, emphasizing the core idea of making the public the protagonists of the narrative [17]. - The event was launched at Beijing Station, chosen for its rich emotional samples, including themes of longing, urgency, duty, and new encounters, creating a complex and moving symphony of the new year [19]. Group 2: Individual Stories - A cleaner from Qiqihar, Xu Qiang, shared her impression of Beijing as "gentle," highlighting the kindness of colleagues and travelers, which reflects the essence of urban civilization [21]. - Young staff member Luo Jinping, who works long hours, finds motivation in the simple care shown by travelers, illustrating the warmth of human connection in her challenging job [23]. - 28-year-old nursing graduate Zang Jingjing embraces the opportunities in Beijing, representing the aspirations of many young people seeking to define their youth through hard work [25]. - A French student studying in Beijing expressed his admiration for the city's history and openness, showcasing the cultural exchange and appreciation present in the city [27]. - A Nigerian student, visiting Beijing for the first time, was impressed by the city's vibrancy and the warmth of its people, despite the colder climate compared to Nanjing [29]. - A photographer, Song Tuoyu, returning home for the first time in four years, found meaning in being part of the project, emphasizing the significance of capturing everyday life [31]. - Twin sisters from Jilin shared their experiences in Beijing, highlighting the city's storytelling nature and inviting friends to visit their hometown [33][34]. - Yang Yang, a young woman, brought her late grandmother's photo to fulfill her wish of seeing Tiananmen, demonstrating deep familial bonds and hopes for the future [36]. - Retired fashion designer Ge Hua expressed her admiration for Beijing's continuous evolution and her desire to promote traditional Chinese clothing globally, reflecting cultural confidence [38]. Group 3: Project Significance - The "I Met You in Beijing" project captures the essence of ordinary yet remarkable individuals, illustrating the emotional connections and hopes during the Spring Festival travel rush, which transcends mere geographical movement [40]. - The project aims to continuously document the diverse pulse of the city, creating a warm and authentic narrative of life for all its hardworking inhabitants [44].