专访意大利汉学家李莎：这个时代，是中国的时代 中新网北京11月24日电 (记者 上官云)"一辈子我都没能解码中国世界，我一直在学。"日前，意大利汉 学家、翻译家李莎在接受中新网记者专访时如是说道。 近日，2025世界中文大会"解码中文世界"平行会议在北京举行。期间，李莎接受了中新网记者专访，分 享了这些年来翻译文学作品的感受，并由衷感叹中国文化的丰富与博大精深。 李莎与中国的缘分，要从上世纪九十年代说起。 意大利汉学家、翻译家李莎。教育部中外语言交流合作中心供图 彼时，大学毕业后，她来到中国，逐渐对中国文学产生了浓厚兴趣。在此后的时光中，她翻译推介了刘 震云、贾平凹、莫言等多位中国作家的作品。 聊到翻译生涯，她直言，喜欢自己翻译的每一本书，有喜欢的小说，便会主动去找作者，"帮他们把作 品推介到国外，这对我来说是个非常重要的任务。" 如何翻译好一本作品？李莎也有"秘诀"：熟读原著，细致剖析内容，确定其所属的类型，然后寻找意大 利语的同类型作品进行对照，力求做到细节翻译准确、传神，语言优美。 如果在翻译过程中遇到难题，她往往会去询问作家本人，获得直接、有效的信息。 翻译《师父》，她曾经请该书作者徐皓峰吃饭，由于搞 ...

Core Insights - The article discusses the global rise of Chinese online literature, highlighting its cultural resonance and innovative storytelling that appeals to international audiences [1][2][5] Group 1: Market Overview - Chinese online literature has approximately 200 million active overseas users, covering over 200 countries and regions, with Asian readers accounting for 80% of the global total and over 50% market share [1] - North America represents about 30% of the readership, while Europe and Latin America are emerging as new growth markets [1] Group 2: Narrative Innovation - The narrative innovation in Chinese online literature, characterized by grand worldviews and growth narratives, meets the psychological needs of young readers for "overcoming adversity" [2] - High-quality stories with emotional resonance have cross-cultural appeal, making them more acceptable in global markets [2] Group 3: Technological Empowerment - The application of AI technology has significantly enhanced the efficiency of Chinese online literature's international dissemination, breaking down language barriers [3] - AI translation not only addresses basic communication needs but also enables precise targeting through intelligent recommendations [3] Group 4: Cultural Resonance - Despite the advantages of AI, the reduction of cultural barriers still relies on human factors, with foreign readers expressing a natural curiosity towards Asian culture [3] - Successful works often incorporate "cultural interfaces" within their worldviews, allowing for emotional connections that resonate universally [3][5] Group 5: Ecological Reconstruction - The export of Chinese online literature has entered an "ecological output" phase, with micro-dramas emerging as a new channel for IP dissemination [5] - The interaction between online literature and short dramas has significantly expanded the audience for Chinese digital culture, creating new pathways for international engagement [5]

Core Insights - The scale of overseas active users of Chinese online literature is approximately 200 million, indicating a significant global influence of this narrative trend [1] - The revenue from the overseas market for Chinese online literature is projected to reach 4.815 billion yuan in 2024 [1] - The total number of Chinese online literature works is expected to exceed 33 million by the end of 2024, with a notable increase in both realistic and science fiction genres [2] Group 1: Market Dynamics - Chinese online literature has gained popularity in over 200 countries and regions, with Southeast Asia and North America being key markets [1][4] - The majority of overseas readers (80%) are located in Asia, with preferences varying by region; Southeast Asia favors ancient romance and fantasy genres, while Europe and North America lean towards fantasy and suspense [4] - The translation of works has been significantly enhanced by AI technology, which has increased efficiency and reduced costs, allowing for rapid global distribution of literature [3] Group 2: Cultural Impact - Chinese online literature is not only being consumed but is also influencing global literary trends, with 1.3 million overseas authors and over 2 million works created in this ecosystem [6] - Successful adaptations of Chinese online literature into other media, such as the series "Qing Yu Nian" on Disney+, highlight the cultural export potential of these narratives [5] - The integration of Chinese cultural elements into overseas works demonstrates the growing influence of Chinese narrative styles and themes on global literature [6]

Core Insights - The report indicates that there are approximately 200 million active overseas users of Chinese online literature, covering over 200 countries and regions globally [1] - The revenue scale of the overseas market for the online literature industry in 2024 is projected to be 4.815 billion yuan [1] Market Distribution - Asia is identified as the most stable market for Chinese online literature, with readers accounting for about 80% of the global total and the market share exceeding half of the global amount [1] - North America is highlighted as a key area for the expansion of Chinese online literature, with its market size representing about 30% of the global total [1]

Core Insights - The report titled "China's Online Literature International Communication Report (2025)" was released by the China Writers Association on September 26 in Hangzhou, Zhejiang [2] Group 1: Market Overview - Currently, there are approximately 200 million active overseas users of Chinese online literature, covering over 200 countries and regions globally [3] - The revenue scale of the overseas market for the online literature industry is projected to reach 4.815 billion yuan in 2024 [3] Group 2: Regional Insights - Asia remains the most stable market for Chinese online literature, with readers accounting for about 80% of the global total and the market share exceeding half of the global total [3] - North America is identified as a key area for the expansion of Chinese online literature, with its market size accounting for approximately 30% of the global market [3]

中国网络文学海外传播区域格局多元 亚洲是中国网络文学最为稳固的市场 读者数量约占全球的八成 市场份额超过全球总量的一半 北美是中国网络文学拓展的重点区域 中国作协9月26日在浙江杭州发布的《中国网络文学国际传播报告（2025）》显示 当前中国网络文学海外活跃用户约2亿人 覆盖全球200多个国家和地区 2024年网络文学行业海外市场营收规模为48.15亿元 市场规模约占全球的三成 记者：余俊杰 海报制作：余俊杰 新华社国内部出品 【纠错】 【责任编辑:焦鹏】 ...

Group 1 - The 2025 World Internet Conference Cultural Heritage Digitalization Forum was held in Xi'an, China, focusing on building a community of shared future in cyberspace [1] - The forum showcased digital heritage projects and will release a collection of digital heritage case studies, highlighting global achievements in the field [1] - China, as a major cultural heritage country, emphasizes the importance of protecting and inheriting historical cultural heritage as a valuable resource [1] Group 2 - As of June 2025, China's internet user base reached 1.123 billion, with an internet penetration rate of 79.7%, supporting the digital economy's development [2] - Digital technology integration into various sectors presents new opportunities for cultural transmission and innovation, facilitating the transformation of heritage protection [2] - The forum addressed four key topics: "Protection and Inheritance," "Technological Innovation," "Industry Empowerment," and "Open Governance," exploring new methods for digital heritage protection [2] Group 3 - The current global landscape presents significant changes, and digital empowerment can enhance the role of historical cultural heritage in education and cultural identity [3] - Virtual museums and online exhibitions have made cultural heritage more accessible, significantly boosting national cultural confidence [3] - Continued digital empowerment is essential for revitalizing China's cultural treasures in the digital age [3]

Group 1 - The core viewpoint highlights the significant growth of the cultural industry during the "14th Five-Year Plan" period, with a revenue of 191,423 billion yuan in 2024, marking a 7.1% increase from the previous year [1] - The cultural service sector achieved a revenue of 109,134 billion yuan in 2024, growing by 7.4%, and accounted for 57.0% of the total cultural industry revenue, contributing 59.1% to the growth of the cultural industry [1] - The "cultural going out" initiative has seen remarkable success, particularly in online literature, films, and games, with the film "Ne Zha" achieving a global box office of 15.9 billion yuan, ranking fifth in global box office history and first in Chinese cinema [1] Group 2 - In 2025, the service trade in China is expected to grow steadily, with travel service exports experiencing the fastest growth, reaching 12,594.6 billion yuan from January to July, a 10.4% increase [3] - Travel service exports refer to the foreign residents' consumption of services and goods within China, generating foreign exchange income, and encompass a comprehensive consumption experience [3] - The increase in travel service exports is supported by the expansion of the 240-hour visa-free transit policy, which now applies to 55 countries, leading to an increase in foreign visitors to China [3]

Group 1 - The cultural industry has become a vital and dynamic sector in the national economy, with growth rates surpassing many traditional industries during the "14th Five-Year Plan" period [1] - In 2024, the cultural industry achieved a record revenue of 19,142.3 billion yuan, marking a 7.1% increase from the previous year [3] - The cultural service industry generated 10,913.4 billion yuan in revenue in 2024, growing by 7.4% and accounting for 57.0% of the total cultural industry revenue, contributing 59.1% to the growth of the cultural industry [3] Group 2 - The "cultural going out" initiative has shown remarkable success, with Chinese online literature, films, and games achieving significant results in overseas markets [6] - The animated film "Ne Zha" has become a major success, with a global box office of 15.9 billion yuan, ranking fifth in global box office history and first among Chinese films [6] - From January to July 2025, service trade is expected to grow steadily, with travel service exports experiencing the fastest growth at 10.4%, including a 62.9% increase in exports [8] Group 3 - The "15th Five-Year Plan" period is seen as a critical stage for the development of the cultural industry, with promising prospects for the integration of culture and tourism [8] - The cultural and tourism industry is anticipated to become a pillar industry, a livelihood industry, and a happiness industry, driven by a series of supportive policies [8]