"羲和车上金铃铛，叮当叮当；望舒驾后银尾巴，摇摇晃晃……"除夕夜，歌手周深携手"贵州村T"表演 队一群天真烂漫的孩童，用歌声将观众带入了一个绮丽的东方神话世界。这首名为《吉量》的歌曲，以 其独特的童真视角和深厚的文化底蕴，成为马年春晚舞台上的一抹亮色。歌曲灵感源自中国志怪古籍 《山海经》，吉量是其中最漂亮的一匹马，寓意提取了马自由、勇敢、有担当的意象，让吉量成为人们 丈量土地的精神象征。歌曲由中共上海市委宣传部、中共深圳市委宣传部等单位联合出品。作为一首上 海和深圳双城联动的作品，《吉量》折射出上海作为文化码头对原创艺术力量的强大吸引力。词曲作者 谭淇尹坦言，与上海的合作源于上海浓厚的文化艺术氛围和对传统文化创造性转化的支持，"上海对创 作者的尊重和包容，与《吉量》的创作理念非常契合。" "一眨眼工夫桌布秒换，赶紧摆好团圆饭……每道光芒闪耀，同样的出彩，我成为自己的光，一起点亮 未来。"在2026年央视春晚的舞台上，微音乐剧《每道光》以平凡人的光芒感动了无数观众。 王铮亮、汪苏泷、李现三位艺人携手30名世界技能大赛获奖选手首次亮相。这群平均年龄二十岁出头的 技能精英，不仅展示了指尖上的绝活，更向全世界发出了诚 ...

Core Viewpoint - The launch of "Chinese Tales 2" continues the series' focus on traditional culture and contemporary emotional expression, further expanding the "Tales Universe" [2][8]. Group 1: Creative Approach - The series aims for a balance in creative style and expression, with each short film exploring specific themes to avoid a lack of distinctiveness [3]. - The first short film, "How to Become Three Dragons," uses the myth of "snake transforming into dragon" to address identity recognition, emphasizing the importance of accepting one's ordinary self for true growth [3]. - "Ear in the Ear," inspired by "Strange Stories from a Chinese Studio," visualizes inner desires through the character of an ear demon, prompting reflections on self-acceptance and emotional resonance [3]. Group 2: Diversity in Creation - The creative team does not aim to label the series as "Chinese aesthetics," but rather pursues diversity, combining different elements to create new possibilities [4]. - The short film "San Lang" blends martial arts with science fiction, while "Today's Zoo" employs a mockumentary style to tell animal stories, showcasing innovative approaches [4]. Group 3: Growth and Reflection - The creative process is described as "growth" rather than "breakthrough," with the team accumulating experience and evolving their understanding of storytelling [5]. - The film "Little Snow" uses traditional Chinese medicine as a metaphor to explore family relationships, prompting creators to reflect on their own parenting experiences [5]. Group 4: Director Collaboration - "Chinese Tales 2" features a mix of new and returning directors, with each director encouraged to explore their unique styles while maintaining a supportive collaborative environment [6]. - The director emphasizes the importance of returning to the original intent of storytelling while allowing for creative freedom during the production process [7]. Group 5: Audience Engagement - The integration of traditional culture in a creative manner is highlighted, with the audience's engagement through Bilibili's bullet screen culture providing immediate feedback and interpretations of the stories [8]. - The return of characters from previous episodes, such as the peddler in "Ear in the Ear," showcases the audience's emotional connection and interpretations, enriching the narrative experience [8]. Group 6: Future Aspirations - The team aims to continue exploring traditional culture and contemporary expression, hoping to attract more young animators to contribute to the "Tales Universe" [8].

2025年的数字浪潮中，科技如溪流般奔涌发光，温润社会生活的每个角落。国产大模型DeepSeek的横 空出世与持续迭代，让智能问答融入日常；深圳市福田区70名" AI公务员"正式上岗，满足240个业务场 景使用，覆盖公文处理、民生服务、应急管理、招商引资等多元场景；从年初春晚舞台上人形机器 人"演员"扭秧歌、转手绢，一炮而红开始，人形机器人以"量产元年"之势完成了从运动耐力到智能交 互、由"技术验证"至"社会实践"的全面跨越，规模化应用的未来可触可感地呈现在你我面前。更具深意 的是，技术发展始终向着弥合鸿沟、促进公平发力。全国首个"AI儿科医生"在国家儿童医学中心北京儿 童医院正式上线应用，助力破解儿童就医难题，让优质医疗资源更可及。从尖端突破到基层普及，数字 技术的发展始终锚定人民需求，致力于破解发展不平衡不充分问题，让发展成果切实成为润泽普通百姓 的切实红利。 2025年的中国故事里，生动演绎了传统与现代、中国与世界的同向而行、深度交融。从中，我们见证个 体奋斗与国家进步的紧密契合，"苏超""赣超"等草根赛事在官方与民间的共振中火爆出圈，撬动"体育 +"经济新蓝海；借助5G与云计算，无数年轻人实现办公地点 ...

"情不知所起，一往而深。生者可以死，死可以生。"400多年前，汤显祖在《牡丹亭》中写就一段超越 生死的至情。如今，这段"至情"被当代舞者用身体语言重新诉说。近日，由导演黎星、黄佳园联袂执导 的舞剧《牡丹亭》于北京上演，出现了一票难求的景象。这群青年创作者，通过对中华优秀传统文化的 创造性转化，让古典美学在当代绽放全新光彩。 舞剧《牡 丹亭》剧照 导演：以"克制的张扬"引人入梦 舞剧《牡丹亭》是黎星继民族舞剧《红楼梦》后，再一次聚焦传统文化经典题材创作。"在众多古典名 著中选择《牡丹亭》，最核心的原因是汤显祖对于至情的信念。当代人对于情的渴望和表达，恰恰和 400多年前汤显祖所写的《牡丹亭》是一致的。"黎星在接受记者采访时，将"惊梦"篇章誉为"过去400多 年来中国文学史上最惊心动魄的一个梦"，"它充满了生命力，又如此的梦幻，所以我非常期待在舞台上 将它传递给观众。" 为此，团队耗时20个月创排，在尊重原著精髓基础上，于叙事、舞美、角色等方面进行了大刀阔斧的创 新。从原著中凝炼出杜丽娘、柳梦梅、春⾹、花神、陈最良、判官六个核⼼⻆⾊，主线聚焦于"杜丽娘 的女性意识觉醒，以及她和柳梦梅的爱情故事"。原著中如"不到园 ...

Group 1 - The article highlights the emergence of unique cultural experiences during the Spring Festival, which enhance consumer engagement and stimulate economic activity [1] - Cultural products and new business models that blend traditional elements with modern aesthetics have become significant drivers of economic growth, as evidenced by the success of various cultural initiatives and events [1] - The need to optimize cultural supply and expand cultural consumption is emphasized, focusing on the creative transformation and innovative development of traditional culture to connect with contemporary life [1] Group 2 - The integration of cultural elements into various industries is crucial for fostering economic growth, as seen in the rise of the "Guochao" fashion market and the development of themed amusement parks [2] - The article discusses the importance of breaking down industry barriers to promote deep interaction between culture and diverse business sectors, leading to new cultural landscapes and economic momentum [2] - The infusion of cultural factors into traditional industries is expected to yield high-quality development and showcase a thriving interaction between culture and economy [2]

Group 1 - The article highlights the emergence of unique cultural experiences during the Spring Festival, such as the "Chang'an Lantern Festival" in Xi'an and the "Ice Lake Fishing Festival" in Inner Mongolia, which enhance consumer engagement and stimulate economic activity [1] - Cultural products and new business models, like the game "Black Myth: Wukong" and the animated film "Ne Zha," have become significant consumption highlights, contributing to economic growth [1] - The need to optimize cultural supply and expand cultural consumption is emphasized, focusing on the creative transformation of traditional culture to connect with modern life [1] Group 2 - The integration of cultural elements into various industries is crucial for fostering economic growth, with examples like the billion-dollar market for domestic fashion and the development of Chinese-themed amusement parks [2] - The article discusses the importance of breaking down industry barriers to promote deep interaction between culture and diverse business sectors, leading to new cultural landscapes and economic momentum [2] - The infusion of cultural factors into traditional industries is expected to yield high-quality development and showcase a thriving interaction between culture and economy [2]

Core Insights - The "Chinese Gift" Creative Design Competition announced its results, with the "Qinglan Xingjiang" work winning the special award, showcasing the integration of Mongolian enamel craftsmanship and cultural elements [1][2] - The competition aims to explore regional cultural values and promote the fusion of traditional crafts with modern design, attracting participation from designers and artisans nationwide [1] Group 1 - The "Qinglan Xingjiang" work, created by a master craftsman from Inner Mongolia, combines traditional craftsmanship with modern design, reflecting the cultural heritage of the region [2] - The competition is organized by the China Ceremony and Leisure Products Industry Association and is a key part of the national brand strategy for "Chinese Gifts" [1] - The evaluation process involved a professional jury of intangible cultural heritage experts and industrial designers, ensuring that awarded works possess both artistic value and market potential [1] Group 2 - The design of "Qinglan Xingjiang" incorporates elements such as the blue sky and rivers, as well as symbols from local culture like yurts and rock paintings, reinterpreting traditional patterns through modern design language [2] - The establishment of the Inner Mongolia Craft Art Society at Baotou Light Industry Vocational Technical College on October 28, 2025, signifies a commitment to the creative transformation and innovative development of traditional culture [2] - The award of "Qinglan Xingjiang" serves as a practical example for the development of regional cultural industries, highlighting the potential for creative cultural products [2]

Core Viewpoint - The original national music drama "Guangling Qin Juan," created by Jiangsu Provincial Performing Arts Group, successfully premiered on January 9, showcasing a contemporary pursuit of "wind and bone" through the lens of traditional Chinese music and drama, receiving high praise from industry experts and audiences [1][4]. Group 1: Artistic Composition - The production is led by renowned qin singer He Yi, with a narrative framework constructed by playwright Pan Geng that breaks traditional linear storytelling [4]. - The story interweaves the perspectives of historical figures Ji Kang, Nie Yinniang, and Li Qingzhao through the contemporary singer Lin Yahui, exploring themes across four historical dialogues: modern inquiry, Wei-Jin choices, Tang awakening, and Song perseverance [4]. - The music, composed by Liu Qing, professor at the China Conservatory of Music, deconstructs and reconstructs the classic melody and rhythm of "Guangling San," creating a rich auditory experience that transitions seamlessly between traditional and contemporary styles [4]. Group 2: Performance Innovation - The drama breaks the static performance model of traditional Chinese music, allowing performers to become characters within the narrative [7]. - He Yi not only serves as the producer but also plays dual roles as Lin Yahui and Li Qingzhao, showcasing a blend of qin performance, singing, and dramatic acting [7]. - The production features a collaborative effort from various industry experts, including professors from the Central Academy of Drama and experienced directors, ensuring a high-quality presentation of the national music drama [7]. Group 3: Cultural Significance - "Guangling Qin Juan" represents a vivid artistic practice of the creative transformation of traditional culture, with plans for further refinement to reach a broader audience [7].

Core Viewpoint - The article highlights the cultural innovation practices of Henan TV during the "14th Five-Year Plan" period, showcasing its significant contributions to cultural transmission and tourism integration through various programs and events [1][3]. Group 1: Cultural Innovation and Programs - Henan TV initiated a cultural innovation journey with the "Tang Palace Night Banquet" in early 2021, which resonated nationally and globally, reviving public interest in traditional culture [3][5]. - The "Chinese Festival" series IP was systematically developed, featuring programs like "Luoshen Water Fu" and "Shaolin Kung Fu," which aimed to bring traditional cultural elements to life through modern aesthetics and technology [5][7]. - The creative trajectory of Henan TV during this period represents a multidimensional exploration of how to achieve the creative transformation and innovative development of traditional culture [7][9]. Group 2: Impact and Reach - The "Chinese Festival" series achieved over 220 billion views across the internet, creating a significant cultural impact and engagement [10]. - Henan TV's model of "IP + Scene + Ecology" effectively transformed online popularity into offline tourism and consumption growth, contributing to cultural and tourism development across 26 provinces and 65 cities in China [12][14]. - The series has also reached over 150 countries and regions globally, with more than 200 million views, showcasing Chinese culture on international platforms [14][16]. Group 3: Future Directions - Looking ahead to the "15th Five-Year Plan," Henan TV plans to deepen its IP development, expand dimensions, enhance integration, and strengthen international outreach, continuing to evolve its cultural offerings [16][17]. - The focus will include upgrading aesthetic and technological expressions in the "Chinese Festival" series and exploring the roots of Chinese civilization through documentaries [17].

Group 1 - The film "Ne Zha" has broken global animation box office records, showcasing the potential of Chinese cultural IPs in the global market [1][3] - The cumulative sales of the cultural product, the Fengguan refrigerator magnet, have surpassed 2 million units, indicating the strong demand for traditional culture in contemporary consumer markets [3][4] - The success of these cultural products reflects a shift in consumer behavior, where purchases are increasingly driven by emotional satisfaction rather than mere necessity [4][6] Group 2 - The LABUBU character has gained international popularity, with significant sales achievements in various global markets, including a record-breaking first-day revenue of 10 million RMB in Thailand [6] - The emergence of new cultural phenomena in 2025 highlights the innovative transformation of traditional IPs and the impact of technology on cultural expression [6][7] - The international appeal of Chinese cultural products is enhancing the global perception of "Made in China," showcasing the country's cultural soft power [6][7]