Core Viewpoint - The exhibition "Creating Modernity: Artistic Treasures from the Musée d'Orsay" showcases over a hundred masterpieces from the mid-19th to early 20th century, aiming to break the isolation of individual artists and art movements, while highlighting the interconnectedness of artists and their times [1][6][10]. Group 1: Exhibition Overview - The exhibition opens on June 18 at the Pudong Art Museum and is the largest ever held by the Musée d'Orsay in China [1]. - Curator Stéphane Guégan emphasizes the selection of artworks based on "excellence," including lesser-known pieces that reflect high artistic standards [1][9]. - The exhibition spans from the classical works of Jérôme and Cabanel to the modern expressions of Bonnard, illustrating the evolution of artistic themes such as the depiction of the nude [5][6]. Group 2: Historical Context - The time frame of 1848 to 1914 is significant as it encompasses a period of political upheaval and war in France, which influenced the art of the time [6][10]. - The exhibition reflects the social and political contexts of modernity, with 1848 marking a revolution and 1914 the onset of World War I [6][10]. Group 3: Artistic Themes and Connections - The exhibition aims to surprise audiences familiar with Impressionist artists like Monet and Renoir by introducing them to other significant works and artists [1][10]. - Guégan distinguishes between "modernity" and "modernism," asserting that modernity represents artists' ambitions to depict contemporary life, while modernism is often misinterpreted as a linear progression [9][66]. - The exhibition features notable pairings of artists, such as Manet and Degas, to illustrate their friendships and collaborative spirit within the artistic community of the 19th century [35][40]. Group 4: Lesser-Known Artists - The exhibition also highlights artists like Jérôme and Cabanel, who were once more prominent than the Impressionists but are now less recognized [66]. - Guégan points out the significance of works like Jules Didier's "Portrait of Ulysses Bittan," which reflects the transition of outdoor painting from avant-garde to mainstream acceptance [61][64]. Group 5: Audience Engagement and Reflection - The exhibition seeks to encourage viewers to rethink the meaning of modernity and the relationships between different artistic practices [66][68]. - Guégan hopes that visitors will leave with a deeper understanding of the interconnectedness of art and its historical context, rather than viewing it as a linear evolution [66][68].

Group 1 - The article discusses the significance of James Joyce in Dublin, highlighting his lasting impact on the city despite his departure in 1912 [2][3][8] - Joyce's works, particularly "Dubliners" and "Ulysses," are noted for their deep connection to Dublin's geography and culture, allowing readers to visualize the city through his descriptions [2][3][4] - The Joyce Center, although modest, serves as a reminder of his legacy and the cultural history of Dublin, reflecting the city's pride in its literary heritage [2][5] Group 2 - The article mentions the cultural richness of Ireland, emphasizing that despite its small size, it has produced numerous renowned writers, including Shaw, Wilde, and Beckett, who are celebrated as national treasures [4][5] - The Dublin Literary Museum features various exhibits, including translations of "Ulysses," showcasing its global influence and the challenges Joyce faced with censorship [6][7] - The article also touches on the broader context of Irish literature post-independence, highlighting the struggles of writers against censorship and the exploration of national identity [7][8]