Core Viewpoint - The article highlights the launch of the XR immersive film "The Remarkable Oracle Bone Script: The Prince's Glory" by the Henan Daily, which aims to bring ancient Chinese culture to life through modern technology, specifically targeting the Hong Kong audience as part of the "Chinese Culture Festival 2025" [2]. Group 1: Event Overview - The exhibition "The Remarkable Oracle Bone Script" opened on July 11 at the Hong Kong Central Library, featuring an XR immersive film that showcases the ancient Shang Dynasty civilization [2]. - The film allows participants to interact with virtual artifacts, such as oracle bones, enhancing their understanding of Chinese history and culture [2][3]. Group 2: Audience Engagement - The strong interactivity of the XR film has captivated audiences, with visitors expressing amazement at the immersive experience, such as "sailing on the river" and exploring the world of oracle bones [2][4]. - Young people in Hong Kong are particularly drawn to the experience, with students expressing a desire for more opportunities to engage with Chinese cultural heritage [4]. Group 3: Cultural Impact - The "Remarkable Oracle Bone Script" initiative has achieved over 8 billion views through various media platforms over the past year, indicating significant interest in the cultural content [2]. - The project aims to transform oracle bones from historical artifacts into "digital life forms," creating a bridge between ancient and modern cultural expressions [2].

Core Viewpoint - Multiple regions in China, including Chongqing, Jiangsu, and Inner Mongolia, are implementing policies to support the digital cultural industry, aiming to accelerate the scale and integration of digital cultural resources, thereby unlocking new cultural consumption scenarios and providing strong momentum for the industry's development [1][2]. Group 1: Policy Initiatives - Chongqing's recent policy offers a 15% subsidy for film projects that utilize local companies for digital content services, with a maximum subsidy of 5 million yuan for projects generating costs of 2 million yuan or more [1]. - Local governments are focusing on fostering enterprise growth in the digital cultural sector, promoting collaboration among cultural enterprises, and providing substantial subsidies for high-tech research and production in the film industry [1][2]. Group 2: Industry Characteristics and Growth - The digital cultural industry is crucial for enhancing cultural innovation and reshaping the global cultural supply and value chains, encompassing various segments such as online audio-visual, digital animation, and gaming [2]. - The industry is projected to generate approximately 48,684 billion yuan in revenue in 2023, with an expected annual compound growth rate of about 11% from 2024 to 2029, reaching 97,464 billion yuan by 2029 [3]. Group 3: Challenges and Recommendations - Current challenges in the digital cultural industry include fragmented technology application, weak industry clustering effects, and inadequate intellectual property protection mechanisms [3]. - Experts suggest establishing a collaborative mechanism involving policy guidance, platform empowerment, leading enterprises, and association services to address these shortcomings and encourage cultural enterprises to adopt cloud services and big data technologies [3].

Core Insights - The Kizil Grottoes, one of the earliest large-scale grottoes in China, face significant challenges in preserving their murals due to natural erosion and human damage, with nearly 500 square meters of murals having been looted by Western explorers in the late 19th and early 20th centuries [1][2] Group 1: Preservation Efforts - The Kizil Grottoes currently have 349 caves, with 107 containing murals that cover nearly 4,000 square meters [1] - A significant restoration project has been undertaken, where from 2002 to 2016, 487 high-definition images of murals were collected from over 20 foreign museums, leading to the publication of a comprehensive research volume titled "Research on the Restoration of Kizil Grotto Murals" [2] - Modern technology, including terahertz and X-ray imaging, is being utilized to identify and restore damaged murals, particularly in Cave 161, where severe smoke damage obscured the original images [2][3] Group 2: Technological Innovations - The Zhejiang University team has successfully identified key elements of the murals in Cave 161, including a typical Kucha style design, using non-destructive testing methods [3] - Digital restoration efforts are ongoing for Cave 38, where artificial intelligence is being employed to recognize and complete missing parts of the murals, paving the way for new digital preservation techniques [3] - The integration of modern technology into the preservation of the Kizil Grottoes signifies a blend of tradition and innovation, ensuring the longevity of these ancient artworks [3]

Core Viewpoint - The Chinese government emphasizes the development of the gaming industry for overseas expansion, highlighting the importance of the digital cultural industry in driving economic growth [1][2]. Industry Growth and Performance - China's digital cultural industry has been expanding significantly, supported by policy and innovation, with a more optimized industrial structure and improved infrastructure [2]. - The global gaming market is projected to reach 1,216.335 billion yuan in 2024, with a year-on-year growth of 3.31%, while China's self-developed games achieved actual sales revenue of 18.557 billion USD overseas, growing by 13.39% [2]. - The overseas market for micro-short dramas is experiencing explosive growth, with downloads exceeding 37.66 million in the first quarter of 2024, a quarter-on-quarter increase of over 92.3% [2]. Policy Support - The Ministry of Culture and Tourism's 2020 guidelines and the 2021 "14th Five-Year Plan" encourage the development of international cultural trade and the expansion of overseas markets for digital cultural products [3]. - The recent approval of the "Comprehensive Pilot Work Plan for Expanding Service Industry Opening" by the State Council explicitly supports the development of gaming businesses for overseas markets [3]. Challenges and Recommendations - Some companies lack international operational experience and face challenges in promotion, operation, and localization in overseas markets [3]. - There is a need for high-quality digital cultural products that integrate traditional cultural elements with modern technology, as exemplified by the game "Black Myth: Wukong" [4]. - Cultivating consumer groups through cultural activities and enhancing awareness of the digital cultural industry is essential for market expansion [4].

Core Viewpoint - The National Cultural Big Data Trading Center has launched an international sound asset trading platform, allowing for the registration and trading of sound assets such as performances of the Morin Khuur and Kunqu opera [1] Group 1: Platform Features - The platform currently focuses on state-owned sound assets, integrating and revitalizing sound heritage from institutions like the National Museum and National Library [1] - It includes sound artifacts and national intangible cultural heritage such as Kunqu and Qinqiang [1] Group 2: Future Plans - The platform plans to open to enterprises and individuals next year, enabling the registration and trading of sound-related data and digital assets [1] - The trading process will involve registration, copyright purchase, and other related rights, utilizing AI models to create new cultural products with sound elements [1]

Core Viewpoint - The meeting held by Dazhong Media Group aims to explore the development trends of the digital cultural industry and inject new momentum for high-quality development in this sector [1][7]. Group 1: Strategic Restructuring - Dazhong Media Group has implemented a strategic restructuring of its subsidiary Qilu Media Group, divesting traditional businesses and injecting quality assets related to digital culture, leading to the establishment of Shandong Digital Culture Group [2]. - Shandong Digital Culture Group is positioned as a leading enterprise in the province's digital cultural industry, responsible for the new infrastructure of digital culture in Shandong [2]. Group 2: Goals and Objectives - The goal of Shandong Digital Culture Group is to become a nationally leading digital cultural industry group, focusing on "media + culture" as its main lines of development [2]. - The group aims to achieve "three breakthroughs, two upgrades, and one leading" within 3-5 years, targeting breakthroughs in industry scale, technological innovation, and business layout [8]. Group 3: Key Initiatives - The group will focus on seven key areas: expanding industry layout, developing cultural new infrastructure, creating competitive products, discovering new profit models, deepening cooperation, leveraging investment and capital markets, and enhancing talent cultivation [9]. - The emphasis will be on innovation in business models and collaboration with major media and technology companies to enhance resource sharing and project co-construction [9]. Group 4: Expert Involvement - Gao Shusheng has been appointed as a strategic development advisor for Shandong Digital Culture Group, bringing extensive experience in cultural industry development and digital culture [6]. - His report on implementing the national cultural digitalization strategy provided insights into the development logic, opportunities, challenges, and innovative paths for the digital cultural industry [6].

Group 1 - The opening of the Nantong Digital Cultural Industry Park (Chuangkai Park) marks a significant step in promoting the digital cultural industry in Nantong, with 14 companies, including Jiangsu Broadcasting and Tenggong Intelligent, signing up to establish operations in the park [1][2] - The park aims to create a comprehensive digital cultural ecosystem that includes creative incubation, technology research and development, production, exhibition, and talent training, positioning itself as a new benchmark for digital cultural industry innovation in the Yangtze River Delta [1][3] - The park covers a total construction area of 45,000 square meters and focuses on AI applications, aiming to build a full-chain industrial ecosystem that promotes the clustered and chain-based development of digital cultural enterprises [3] Group 2 - The local government emphasizes the importance of the digital cultural industry in achieving high-quality development and aims to attract more businesses to invest in the park [1][2] - The "Shiting Chongchuan" plan is introduced to provide a development platform for the digital film and television industry, highlighting the region's unique natural scenery and urban landscape as advantageous for the industry [2] - The park's future plans include gathering over a hundred enterprises and continuously implementing the cultural digitalization strategy to develop a distinctive digital cultural industry system in Nantong [3]

中国发展网讯 胡钊、记者皮泽红报道 6月11日，"2025·湾区数智文化创意周暨广东省粤港澳大湾区文化 创意产业促进会产业服务系列活动"在广州国际金融城盛大启幕。活动现场宣布广东省粤港澳大湾区文 化创意产业促进会（以下简称"促进会"）正式落户天河，这是天河区携手各界推动文化创意产业高质量 发展的又一重要举措。据悉，"湾区数智文化创意周"将组织文化科技展示、文化政策解读、文化新品发 布、文化项目路演、文化电商直播等系列活动。 区位资源集聚，搭建产业服务新生态 活动现场，促进会携手粤港澳大湾区文化产业投资大会组委会、粤港澳大湾区文化产业投融资联盟、粤 港澳大湾区文化产业智库联盟、广州市直播电子商务协会和南方文交所文化数字资产交易服务站举行揭 牌仪式，正式进驻广州国际金融城，未来将在这里建设粤港澳大湾区金融核心、广州市人工智能与数字 试验区和数字文化创新区，从产业服务、产业招商、平台建设、金融赋能等方面发力，深度构建服务文 化创意产业的全链条生态。 "小服务"成就"大平台"，赋能文化创意产业高质量发展 聚焦多维活动，释放数智文化新动能 创意周启动仪式后，由省委宣传部相关负责同志为企业讲解广东推动文化产业高质量发展" ...

Core Viewpoint - The promotion of high-quality and sufficient employment is a new mission for employment work in the new era, emphasizing the relationship between development and employment, and guiding the coordination of economic and social development with employment promotion [1] Group 1: Impact of Digital Economy on Employment - The digital economy significantly expands employment capacity by integrating digital technology with various industries, creating new job categories such as online retail, customer service, and remote education [2] - Digital economy enhances the quality of employment by providing flexibility and autonomy to workers, improving job satisfaction, and enabling continuous skill development through online learning resources [3] - The digital economy optimizes the overall employment structure by pushing labor towards high-end, knowledge-based, and skill-oriented jobs, thus enhancing the value of human capital [4] Group 2: Challenges Posed by Digital Economy - The digital economy introduces challenges such as the risk of technological unemployment, where traditional jobs may be replaced by automation and AI, potentially leading to increased unemployment if not managed properly [5] - There is a growing mismatch between the skills required by the digital economy and the skills possessed by the workforce, leading to structural employment issues [6] - The digital divide may exacerbate social employment inequality, leaving certain groups at a disadvantage in accessing digital opportunities [6] Group 3: Strategies for Employment-Friendly Development - It is essential to prioritize high-quality employment in economic and social development, integrating employment considerations into digital economy planning and policy-making [7] - Promoting the development of artificial intelligence in a way that enhances human welfare and labor capabilities is crucial for creating high-quality job opportunities [8] - Ensuring the rights of workers in new employment forms, such as gig economy jobs, requires updating legal frameworks and enhancing social security systems [9]

2025年5月29日，"探元计划2024"太极拳场景共创项目开放日活动在河南举办。本次开放日聚焦数字科技深 度融入太极拳场景落地，旨在推动太极拳场景共创项目优化技术效能、深挖文化价值、探索可持续运营路 径，来自文化、技术、运营方面的众多专家携手参与开放日活动，共议数字赋能太极焕活，通过AI解锁非 遗传承新路径。 参与共创日活动的专家在中国太极拳博物馆前合影 探元计划在国家文物局科技教育司的指导下，由中国文物信息咨询中心（国家文物局数据中心）、腾讯SSV 数字文化实验室、腾讯研究院、社会价值投资联盟（深圳）联合发起，旨在深化文化与科技融合，推动文 化遗产数字化保护。 在"探元计划2024"的创新资助与支持下， 中国非遗保护协会太极拳专委会 联动河南非遗美学馆与太极拳发 源地温县陈家沟，与华邮数字文化技术研究院展开场景创新探索实践合作，采用深度学习姿态识别方法实 现3D姿态重建，通过智能分析连续动作完成多维评估，助力太极拳传承年轻化与数字化。 太极圣地溯源之行 活动伊始，专家们实地调研了太极拳发源地陈家沟太极拳祖祠、中国太极拳博物馆， 并与当地太极拳代表 性传承人进行了现场交流，为后续深入研讨太极拳的保护、传承与 ...